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The Logic of FilteringHow Noise Shapes the Sound of Recorded Music$

Melle Jan Kromhout

Print publication date: 2021

Print ISBN-13: 9780190070137

Published to University Press Scholarship Online: May 2021

DOI: 10.1093/oso/9780190070137.001.0001

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date: 04 December 2021

(p.165) Index

(p.165) Index

Source:
The Logic of Filtering
Publisher:
Oxford University Press

For the benefit of digital users, indexed terms that span two pages (e.g., 52–53) may, on occasion, appear on only one of those pages.

Figures and boxes are indicated by t and b following the page number

aliasing, 30f–31, 33–35, 34f–35, 36, 76
Arca, 153–56
Basinski, W., 59, 60–61, 75
Beatles, The, 100
Caretaker, The, 43, 60–61, 75–76
Chion, M., 5–6, 23–24, 53
Delta Function, 91–92, 91f–92, 93–94. See Dirac impulse
Derrida, J., 112–14, 115–16, 117, 129
Athens, Still Remains, 112–13
Dirac
Dirac, P., 91
Dirac Comb, 37f, 117–18
distortion, 10, 13, 17–18, 21, 24–25, 36, 37f, 41, 42, 44, 45, 46, 59–60, 62–64, 71, 72, 73, 76, 83, 119, 125–26, 133, 142
Dolby
Dolby Laboratories, 45, 46, 52–53, 54, 55, 58, 71, 72–73
Edison, T., 1–2, 18–19, 21, 23–24, 120
Einstürzende Neubauten, 144
entropy, 48–50, 99, 148–49
Ernst, W., 102, 103, 104
Fourier
Fourier, B.J., 68–69, 83–85, 87
Fourier domain, 86–87, 90, 93–94, 107–8, 112, 116, 140
Fourier integral, 86, 127–28
Fourier series, 85, 86, 117, 136–37
Fourier transform, 67–68, 85, 86–87, 90, 93–94, 108–9, 133
Gábor, D., 108–9, 117–18
Goeyvaerts, K., 97–99, 151–53
Hansen, M., 131–34
harmonic distortion, 36, 37, 37f, 45, 63–64, 71, 72
Heidegger, M. 54, 55, 81–82, 111, 112–13, 141
Heideggerian, 113–14
Hollis, M., 16, 43, 75–76
ideal signal, 89–90
information theory, 3, 6, 7–8, 13, 19–20, 30, 44, 45, 47, 48, 49–51, 54, 55–56, 63, 72, 76–77, 99, 104, 123–24, 131, 146, 147
(p.166) Kittler, F., 8, 15, 55–56, 90, 107–8, 109, 125, 127, 130–32, 136–38, 139, 140–41, 143, 144–45, 147, 149–50, 151, 154–56
Kittlerian, 8, 9–10
Lacan, J., 126, 133
Lacanian, 130, 131, 133, 134
Leibniz, G. W., 57–58, 66, 67, 68–69, 72–73
Leibnizian, 65, 67, 71, 86–87, 104, 107
Macy Conference, 69–70
media archaeology, 8
Meek, J., 151
Merzbow (Masami Akita), 151–54
Moles, A., 78, 79b–81, 80–81
myth of perfect fidelity, 2–3, 12–15, 17–18, 41, 42, 43, 44, 46, 71, 73–74, 76, 77–78, 95–96, 101, 108, 119–20, 122–23, 145, 146
Nakamura, T., 126–27, 128–30, 151
Nietzsche, F., 137–38, 139
noise
communicational concept of noise, 7, 8, 9–10, 50, 124 (see Lärm)
physical concept of noise, 6–7, 8 (see Rauschen)
sonic concept of noise, 6–7, 8 (see Geräusch)
noise floor, 36, 37f, 39, 63–64, 71, 72, 73, 78, 79–80, 125–26
noise cancelling headphones, 53–55
noise resonance of sound media, 13–15, 44, 73, 76, 98–99, 119, 145–46, 155–56
no-input mixing board (Nimb), 126–27, 128–30
Nyquist
Nyquist, H., 33–34
Nyquist Limit, 34, 35, 62–63
Nyquist Theorem, 33–35, 62–63
Odysseus, 56–58, 72–73, 104, 105
Oliveros, P., 11
Orpheus, 56–57, 105
other music, 15, 136–42, 143, 149–56
parasite, 105–6, 140
Pink Floyd, 141, 142, 151
quantization, 33, 34–36, 37, 38–41, 38f–39, 42, 45, 61, 62–65, 71, 72, 73, 76, 82–83, 102, 125–26, 131, 133
Scott de Martinville, E. L., 120–21
Serres, M., 2–3, 5, 11, 41, 56–58, 67, 89, 104, 105–6, 140, 144–45
Shannon, C., 8, 30, 33–34, 47, 48–49, 48f–49, 63, 105
Shazam, 150–51
signal-to-noise ratio, 22, 23–24, 33, 38–41, 43, 51, 63–64, 123–24
silence, 39–41, 45, 52–56, 62, 71, 100–1, 141
sound definition, 17, 24–25, 30–31, 41–42, 44, 46
sound recording
disc recording, 17, 24–25
electrical recording, 17, 20–22, 23, 24–25, 26–27, 30–31, 46
magnetic recording, 25, 26
phonograph, 1–2, 12–13, 18–19, 20, 42, 107–8, 120
sound spectrum, 13–14, 77, 85, 112, 117–18, 146–47
Sterne, J., 2, 19–20, 46, 47
stochastic resonance, 39–41, 39f–41, 73
Stockhausen, K., 26, 97
Tainter, C.S., 18–20, 22, 28–29, 42, 47, 53, 73–74
(p.167) telephone, 8, 9–10, 17, 18–19, 21–22, 29–30, 47, 50, 123
temporality of sound, 75, 101
Varèse, E., 153, 154
Von Neumann, J., 26, 64–65, 69–70, 71, 97, 98–99
Wagner, R., 136–38, 151
Weaver, W., 8, 48, 49–50