Myriam J. A. Chancy
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780252043048
- eISBN:
- 9780252051906
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252043048.001.0001
- Subject:
- Sociology, Race and Ethnicity
Autochthonomies is an intellectual project that engages readers in an interpretive journey: it engages and describes a process by which readers of texts created by artists and actors of African ...
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Autochthonomies is an intellectual project that engages readers in an interpretive journey: it engages and describes a process by which readers of texts created by artists and actors of African descent might engage such texts as legible within the context of African Diasporic historical and cultural discursive practices. It argues that there is a cultural and philosophical gain to understanding these texts not as products of, or responses only to, Western hegemonic dynamics or simply as products of discrete ethnic or national identities. By invoking a transnational African/Diasporic interpretive lens, negotiated through a virtual “lakou” or yard space in which such identities are transfigured, recognized, and exchanged, the study demonstrates how to best examine the salient features of the texts that underscore African/Diasporic sensibilities and renders them legible, thus offering a potential not only for richer readings of African Diasporic texts but also the possibility of rupturing the Manichean binary dynamics through which such texts have commonly been read. This produces an enriching interpretive capacity emphasizing the transnationalism of connections between subjects of African descent as the central pole for undertaking such investigations. Through the use of the neologism, autochthonomy, the study argues further that, despite colonial interruptions, critics of such works should seek to situate them as part of an intricate network of cultural and transnational exchanges.Less
Autochthonomies is an intellectual project that engages readers in an interpretive journey: it engages and describes a process by which readers of texts created by artists and actors of African descent might engage such texts as legible within the context of African Diasporic historical and cultural discursive practices. It argues that there is a cultural and philosophical gain to understanding these texts not as products of, or responses only to, Western hegemonic dynamics or simply as products of discrete ethnic or national identities. By invoking a transnational African/Diasporic interpretive lens, negotiated through a virtual “lakou” or yard space in which such identities are transfigured, recognized, and exchanged, the study demonstrates how to best examine the salient features of the texts that underscore African/Diasporic sensibilities and renders them legible, thus offering a potential not only for richer readings of African Diasporic texts but also the possibility of rupturing the Manichean binary dynamics through which such texts have commonly been read. This produces an enriching interpretive capacity emphasizing the transnationalism of connections between subjects of African descent as the central pole for undertaking such investigations. Through the use of the neologism, autochthonomy, the study argues further that, despite colonial interruptions, critics of such works should seek to situate them as part of an intricate network of cultural and transnational exchanges.
