Yuriko Saito
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780199278350
- eISBN:
- 9780191707001
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199278350.003.0005
- Subject:
- Philosophy, Aesthetics
We normally react to manifestations of aging and different degrees of cleanliness and organization by cleaning, organizing, restoring, or discarding. These familiar reactions are rather complex, ...
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We normally react to manifestations of aging and different degrees of cleanliness and organization by cleaning, organizing, restoring, or discarding. These familiar reactions are rather complex, presupposing various conceptual considerations, including functionality, context, and personal relationship to the object. The appreciation of aged, messy, or defective appearance was encouraged by the British picturesque movement with its cult of ruins, Japanese wabi aesthetics underlie the tea ceremony, and rebellion against modernist aesthetics reveals a tension between our desire for control over life and the wisdom of submitting to its transient and other uncontrollable aspects. It also creates another tension: to decontextualize those qualities ordinarily depreciated to illuminate their positive aesthetic potential, while analyzing our common reactions to them in the ordinary context. Finally, the discussion highlights the danger of utilizing the power of the aesthetic through aestheticizing the social status quo and transience of life by taking examples from Japanese history.Less
We normally react to manifestations of aging and different degrees of cleanliness and organization by cleaning, organizing, restoring, or discarding. These familiar reactions are rather complex, presupposing various conceptual considerations, including functionality, context, and personal relationship to the object. The appreciation of aged, messy, or defective appearance was encouraged by the British picturesque movement with its cult of ruins, Japanese wabi aesthetics underlie the tea ceremony, and rebellion against modernist aesthetics reveals a tension between our desire for control over life and the wisdom of submitting to its transient and other uncontrollable aspects. It also creates another tension: to decontextualize those qualities ordinarily depreciated to illuminate their positive aesthetic potential, while analyzing our common reactions to them in the ordinary context. Finally, the discussion highlights the danger of utilizing the power of the aesthetic through aestheticizing the social status quo and transience of life by taking examples from Japanese history.
