Leo Treitler
- Published in print:
- 2007
- Published Online:
- May 2008
- ISBN:
- 9780199214761
- eISBN:
- 9780191713897
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199214761.003.0015
- Subject:
- Music, History, Western
In view of its variability, the written transmission of the early trope tradition has been characterized as ‘local production for local use’. This chapter presents an attempt to interpret differences ...
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In view of its variability, the written transmission of the early trope tradition has been characterized as ‘local production for local use’. This chapter presents an attempt to interpret differences in a particular case as motivated, intended, reflective of different ideas of the composers or notators about the emphases of the poetic text, and about the exploitation of the expressive and formal resources of the melodic tradition to bring out those ideas. In other words, it attempts to see whether we can identify individuality in medieval song. Such an interpretation posits musicians who read their poetic texts and took upon themselves the task of manifesting their readings the way they intoned them. This supposition runs counter to the opposite idea that has been abroad in the field of medieval music studies.Less
In view of its variability, the written transmission of the early trope tradition has been characterized as ‘local production for local use’. This chapter presents an attempt to interpret differences in a particular case as motivated, intended, reflective of different ideas of the composers or notators about the emphases of the poetic text, and about the exploitation of the expressive and formal resources of the melodic tradition to bring out those ideas. In other words, it attempts to see whether we can identify individuality in medieval song. Such an interpretation posits musicians who read their poetic texts and took upon themselves the task of manifesting their readings the way they intoned them. This supposition runs counter to the opposite idea that has been abroad in the field of medieval music studies.
G. R. Boys-Stones
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780199240050
- eISBN:
- 9780191716850
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199240050.003.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
Ancient theories of metaphor and allegory are more sophisticated than we normally think. If we suppose they were viewed merely as decorative ‘tropes’, that is because we rely too heavily on the ...
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Ancient theories of metaphor and allegory are more sophisticated than we normally think. If we suppose they were viewed merely as decorative ‘tropes’, that is because we rely too heavily on the evidence of rhetorical handbooks without considering the restrictions implied by that context. The case of allegory provides a good way into reassessing the theory of ‘tropes’, because the philosophical approach to its use is so clearly at odds with the rhetoricians’ definition of it as ‘extended metaphor’.Less
Ancient theories of metaphor and allegory are more sophisticated than we normally think. If we suppose they were viewed merely as decorative ‘tropes’, that is because we rely too heavily on the evidence of rhetorical handbooks without considering the restrictions implied by that context. The case of allegory provides a good way into reassessing the theory of ‘tropes’, because the philosophical approach to its use is so clearly at odds with the rhetoricians’ definition of it as ‘extended metaphor’.
John Heil
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199596201
- eISBN:
- 9780191741876
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199596201.001.0001
- Subject:
- Philosophy, Metaphysics/Epistemology, General
This book offers answers to the following questions. What does reality encompass? Is reality exclusively physical? Or does reality include non‐physical — mental, and perhaps ‘abstract’ — aspects? ...
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This book offers answers to the following questions. What does reality encompass? Is reality exclusively physical? Or does reality include non‐physical — mental, and perhaps ‘abstract’ — aspects? What is it to be physical or mental — or to be an abstract entity? What are the elements of being, reality’s building blocks? How is the manifest image we inherit from our culture and refine in the special sciences related to the scientific image as we have it in fundamental physics? Can physics be understood as providing a ‘theory of everything’, or do the various sciences make up a hierarchy corresponding to autonomous levels of reality? Is our conscious human perspective on the universe in the universe or at its limits? What, if anything, makes ordinary truths, truths of the special sciences, and truths of mathematics true? And what is it for an assertion or judgment to be ‘made true’? Answers to these questions are framed in terms of a comprehensive ontology of substances and properties inspired by Descartes, Locke, their successors, and their more recent exemplars. Substances are simple, lacking parts that are themselves substances. Properties are modes (tropes), particular ways particular substances are, not universals. Arrangements of propertied substances serve as truthmakers for all the truths that have truthmakers. The deep story about the nature of these truthmakers is addressed by fundamental physics.Less
This book offers answers to the following questions. What does reality encompass? Is reality exclusively physical? Or does reality include non‐physical — mental, and perhaps ‘abstract’ — aspects? What is it to be physical or mental — or to be an abstract entity? What are the elements of being, reality’s building blocks? How is the manifest image we inherit from our culture and refine in the special sciences related to the scientific image as we have it in fundamental physics? Can physics be understood as providing a ‘theory of everything’, or do the various sciences make up a hierarchy corresponding to autonomous levels of reality? Is our conscious human perspective on the universe in the universe or at its limits? What, if anything, makes ordinary truths, truths of the special sciences, and truths of mathematics true? And what is it for an assertion or judgment to be ‘made true’? Answers to these questions are framed in terms of a comprehensive ontology of substances and properties inspired by Descartes, Locke, their successors, and their more recent exemplars. Substances are simple, lacking parts that are themselves substances. Properties are modes (tropes), particular ways particular substances are, not universals. Arrangements of propertied substances serve as truthmakers for all the truths that have truthmakers. The deep story about the nature of these truthmakers is addressed by fundamental physics.
Samuel Guttenplan
- Published in print:
- 2005
- Published Online:
- July 2005
- ISBN:
- 9780199280896
- eISBN:
- 9780191602627
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199280894.001.0001
- Subject:
- Philosophy, Philosophy of Language
Objects of Metaphor offers a philosophical account of the phenomenon of metaphor which is radically different from others in the literature. Yet for all its difference, the underlying ...
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Objects of Metaphor offers a philosophical account of the phenomenon of metaphor which is radically different from others in the literature. Yet for all its difference, the underlying rationale of the account is genuinely ecumenical. If one adopts its perspective, one should be able to understand the substantial correctness of many other accounts, while at the same time seeing why they are not in the end completely correct. The origins of the account lie in an examination of the conception of predication. Unreflectively thought of as a task accomplished by words, it is argued that predication, or something very much like it, can also be accomplished by non-word objects (‘objects’ here include events, states of affairs, situations, actions and the like). Liberated in this way from words, predication becomes one central element in the account of metaphor. The other element is the move from language to objects which, adapting an idea of Quine’s, is thought of as the limiting case of semantic descent. Whilst the Objects of Metaphor account presents other accounts in a new light, its main importance lies in what it says about metaphor itself. Powerful and flexible enough to cope with the syntactic complexity typical of genuine metaphor, it offers novel conceptions of both the relationship between simile and metaphor and the notion of dead metaphor. Additionally, it shows why metaphor is a robust theoretic kind, related to other tropes such as synecdoche and metonymy, but not to be confused with tropes generally, or with the figurative and non-literal.Less
Objects of Metaphor offers a philosophical account of the phenomenon of metaphor which is radically different from others in the literature. Yet for all its difference, the underlying rationale of the account is genuinely ecumenical. If one adopts its perspective, one should be able to understand the substantial correctness of many other accounts, while at the same time seeing why they are not in the end completely correct. The origins of the account lie in an examination of the conception of predication. Unreflectively thought of as a task accomplished by words, it is argued that predication, or something very much like it, can also be accomplished by non-word objects (‘objects’ here include events, states of affairs, situations, actions and the like). Liberated in this way from words, predication becomes one central element in the account of metaphor. The other element is the move from language to objects which, adapting an idea of Quine’s, is thought of as the limiting case of semantic descent. Whilst the Objects of Metaphor account presents other accounts in a new light, its main importance lies in what it says about metaphor itself. Powerful and flexible enough to cope with the syntactic complexity typical of genuine metaphor, it offers novel conceptions of both the relationship between simile and metaphor and the notion of dead metaphor. Additionally, it shows why metaphor is a robust theoretic kind, related to other tropes such as synecdoche and metonymy, but not to be confused with tropes generally, or with the figurative and non-literal.
Mark Morrisson
- Published in print:
- 2007
- Published Online:
- May 2007
- ISBN:
- 9780195306965
- eISBN:
- 9780199785414
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195306965.001.0001
- Subject:
- Religion, Theology
While many alchemists were intelligent and well-intentioned thinkers, their experiments are usually regarded as failed wizardry rather than scientific investigation. The alchemists' extreme goals ...
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While many alchemists were intelligent and well-intentioned thinkers, their experiments are usually regarded as failed wizardry rather than scientific investigation. The alchemists' extreme goals faded with the rise of scientific pursuits. It has been rarely noted, however, that the birth of atomic science coincided with an efflorescence of occultism and alchemical tropes that attached deep significance to questions about the nature of matter and energy. This book explores this brief revival of scientific interest in alchemy and its surprising connections to the emerging subatomic sciences of the late 19th and early 20th centuries. It shows that a resurfacing of occult circles and alchemical tropes had a traceable impact upon the science of the day. It reveals unexpected interactions between science and the occult, such as the Alchemical Society in London (1912-1915), the research program of “clairvoyant chemistry”, and the attempts of academic chemists, inspired by the alchemy revival, to transmute the elements — even to make gold. The author's research uncovers the surprising story of how this alchemical revival influenced, and was in turn profoundly shaped by, conceptions of matter emerging from the new science of radioactivity. Examining scientists' publications, correspondence, talks, and laboratory notebooks as well as the writings of occultists, alchemical tomes, and science fiction stories, the book argues that as modern nuclear physics was born, the trajectories of science and occultism — usually seen as antithetical — briefly converged.Less
While many alchemists were intelligent and well-intentioned thinkers, their experiments are usually regarded as failed wizardry rather than scientific investigation. The alchemists' extreme goals faded with the rise of scientific pursuits. It has been rarely noted, however, that the birth of atomic science coincided with an efflorescence of occultism and alchemical tropes that attached deep significance to questions about the nature of matter and energy. This book explores this brief revival of scientific interest in alchemy and its surprising connections to the emerging subatomic sciences of the late 19th and early 20th centuries. It shows that a resurfacing of occult circles and alchemical tropes had a traceable impact upon the science of the day. It reveals unexpected interactions between science and the occult, such as the Alchemical Society in London (1912-1915), the research program of “clairvoyant chemistry”, and the attempts of academic chemists, inspired by the alchemy revival, to transmute the elements — even to make gold. The author's research uncovers the surprising story of how this alchemical revival influenced, and was in turn profoundly shaped by, conceptions of matter emerging from the new science of radioactivity. Examining scientists' publications, correspondence, talks, and laboratory notebooks as well as the writings of occultists, alchemical tomes, and science fiction stories, the book argues that as modern nuclear physics was born, the trajectories of science and occultism — usually seen as antithetical — briefly converged.
Douglas Ehring
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199608539
- eISBN:
- 9780191729607
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199608539.001.0001
- Subject:
- Philosophy, Metaphysics/Epistemology, Philosophy of Science
The main goal of this work is to provide a metaphysical account of properties and of how they are related to concrete particulars. On the broadest level, this work is a defense of tropes and of trope ...
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The main goal of this work is to provide a metaphysical account of properties and of how they are related to concrete particulars. On the broadest level, this work is a defense of tropes and of trope bundle theory as the best accounts of properties and objects, respectively, and, second, a defense of a specific brand of trope nominalism, Natural Class Trope Nominalism. Each of these tasks is pursued separately, with the first Part of this work acting as a general introduction and defense of tropes and trope bundle theory, and the second Part acting as the more specific defense of Natural Class Trope Nominalism. In Part 1 it is argued that there are tropes. Part 1 also provides an outline of what tropes can do for us metaphysically, while remaining neutral between different theories of tropes. Included in Part 1 are an account of the universal–particular distinction, an argument for the existence of tropes based on the phenomenon of moving properties, the development of a trope bundle theory of objects and a trope-based solution to the problems of mental causations. The second Part presents a fuller picture of what a trope is by way of Natural Class Trope Nominalism, according to which a trope's nature is determined by membership in natural classes of tropes. In addition, in Part 2 a defense is developed of Natural Class Trope Nominalism against what have been thought to be fatal objections to this view, a defense grounded in property counterpart theory without modal realism.Less
The main goal of this work is to provide a metaphysical account of properties and of how they are related to concrete particulars. On the broadest level, this work is a defense of tropes and of trope bundle theory as the best accounts of properties and objects, respectively, and, second, a defense of a specific brand of trope nominalism, Natural Class Trope Nominalism. Each of these tasks is pursued separately, with the first Part of this work acting as a general introduction and defense of tropes and trope bundle theory, and the second Part acting as the more specific defense of Natural Class Trope Nominalism. In Part 1 it is argued that there are tropes. Part 1 also provides an outline of what tropes can do for us metaphysically, while remaining neutral between different theories of tropes. Included in Part 1 are an account of the universal–particular distinction, an argument for the existence of tropes based on the phenomenon of moving properties, the development of a trope bundle theory of objects and a trope-based solution to the problems of mental causations. The second Part presents a fuller picture of what a trope is by way of Natural Class Trope Nominalism, according to which a trope's nature is determined by membership in natural classes of tropes. In addition, in Part 2 a defense is developed of Natural Class Trope Nominalism against what have been thought to be fatal objections to this view, a defense grounded in property counterpart theory without modal realism.
John Heil
- Published in print:
- 2003
- Published Online:
- November 2003
- ISBN:
- 9780199259748
- eISBN:
- 9780191597657
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199259747.001.0001
- Subject:
- Philosophy, Metaphysics/Epistemology
Implicit in much contemporary philosophy is a Picture Theory of language according to which we can ‘read off’ features of the world from features of our ways of talking about the world. Predicates ...
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Implicit in much contemporary philosophy is a Picture Theory of language according to which we can ‘read off’ features of the world from features of our ways of talking about the world. Predicates applying truthfully to objects, for instance, are taken to name properties of those objects possessed by every object to which the predicates apply. Such a principle might be thought to follow from a more general ‘truth‐making’ requirement (truths require truth‐makers) together with the idea that truth‐makers entail truths. I argue that truth‐making is not entailment and that the Picture Theory should be jettisoned and replaced by an attitude of ontological seriousness. Freed of constraints imposed by the Picture Theory, we are in a position to see our way through metaphysical difficulties associated with contemporary philosophy of mind. Following Locke (and C. B. Martin), I endorse a conception of properties as modes (or tropes): ways particular objects are. Modes are simultaneously qualities and powers: powerful qualities. Application of this thesis to familiar issues in the philosophy of mind yields surprising results.Less
Implicit in much contemporary philosophy is a Picture Theory of language according to which we can ‘read off’ features of the world from features of our ways of talking about the world. Predicates applying truthfully to objects, for instance, are taken to name properties of those objects possessed by every object to which the predicates apply. Such a principle might be thought to follow from a more general ‘truth‐making’ requirement (truths require truth‐makers) together with the idea that truth‐makers entail truths. I argue that truth‐making is not entailment and that the Picture Theory should be jettisoned and replaced by an attitude of ontological seriousness. Freed of constraints imposed by the Picture Theory, we are in a position to see our way through metaphysical difficulties associated with contemporary philosophy of mind. Following Locke (and C. B. Martin), I endorse a conception of properties as modes (or tropes): ways particular objects are. Modes are simultaneously qualities and powers: powerful qualities. Application of this thesis to familiar issues in the philosophy of mind yields surprising results.
E. J. Lowe
- Published in print:
- 2005
- Published Online:
- May 2006
- ISBN:
- 9780199254392
- eISBN:
- 9780191603600
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199254397.003.0001
- Subject:
- Philosophy, Metaphysics/Epistemology
A realist approach to metaphysics and ontology is defended in the face of some antirealist tendencies in contemporary philosophical thought. The general notion of an ontological category is explained ...
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A realist approach to metaphysics and ontology is defended in the face of some antirealist tendencies in contemporary philosophical thought. The general notion of an ontological category is explained and justified. Different systems of ontological categories are compared and contrasted with the four-category ontology: a one-category ontology of modes or tropes, a two-category ontology of particulars and universals, and a two-category ontology of substantial particulars and modes. The ontological status of states of affairs and natural laws, and the ontological implications of the truthmaker principle as advocated by D. M. Armstrong are discussed.Less
A realist approach to metaphysics and ontology is defended in the face of some antirealist tendencies in contemporary philosophical thought. The general notion of an ontological category is explained and justified. Different systems of ontological categories are compared and contrasted with the four-category ontology: a one-category ontology of modes or tropes, a two-category ontology of particulars and universals, and a two-category ontology of substantial particulars and modes. The ontological status of states of affairs and natural laws, and the ontological implications of the truthmaker principle as advocated by D. M. Armstrong are discussed.
E. J. Lowe
- Published in print:
- 2005
- Published Online:
- May 2006
- ISBN:
- 9780199254392
- eISBN:
- 9780191603600
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199254397.003.0002
- Subject:
- Philosophy, Metaphysics/Epistemology
The central principles of the four-category ontology are explained, especially its distinction between properties conceived as particulars (modes) and properties conceived as universals (attributes), ...
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The central principles of the four-category ontology are explained, especially its distinction between properties conceived as particulars (modes) and properties conceived as universals (attributes), and its distinction between substantial universals (kinds) and substantial particulars (objects). Its appeal to universals is defended and its account of the dispositional/occurrent distinction is explained. Some advantages of the four-category ontology over various of its more parsimonious rivals are sketched: its account of the individuation of tropes or modes, its analysis of laws, its analysis of dispositionality, and its account of property-perception.Less
The central principles of the four-category ontology are explained, especially its distinction between properties conceived as particulars (modes) and properties conceived as universals (attributes), and its distinction between substantial universals (kinds) and substantial particulars (objects). Its appeal to universals is defended and its account of the dispositional/occurrent distinction is explained. Some advantages of the four-category ontology over various of its more parsimonious rivals are sketched: its account of the individuation of tropes or modes, its analysis of laws, its analysis of dispositionality, and its account of property-perception.
E. J. Lowe
- Published in print:
- 2005
- Published Online:
- May 2006
- ISBN:
- 9780199254392
- eISBN:
- 9780191603600
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199254397.003.0006
- Subject:
- Philosophy, Metaphysics/Epistemology
The distinction between properties and predicates, and how best to draw the distinction between universals and particulars are discussed. The notion that properties are most aptly characterized as ...
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The distinction between properties and predicates, and how best to draw the distinction between universals and particulars are discussed. The notion that properties are most aptly characterized as ‘ways of being’ is defended. The need to distinguish between the formal ontological relations of instantiation and characterization is emphasized, as well as the need to distinguish both from that of exemplification. The advantages of immanent realism concerning universals over both transcendent realism and pure trope theory are explained, and two different notions of immanence are compared.Less
The distinction between properties and predicates, and how best to draw the distinction between universals and particulars are discussed. The notion that properties are most aptly characterized as ‘ways of being’ is defended. The need to distinguish between the formal ontological relations of instantiation and characterization is emphasized, as well as the need to distinguish both from that of exemplification. The advantages of immanent realism concerning universals over both transcendent realism and pure trope theory are explained, and two different notions of immanence are compared.
Leo Treitler
- Published in print:
- 2007
- Published Online:
- May 2008
- ISBN:
- 9780199214761
- eISBN:
- 9780191713897
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199214761.003.0011
- Subject:
- Music, History, Western
This chapter examines seven introit tropes or trope groups. It argues that the problem of transmission is critical for the understanding of the musical situation in the central Middle Ages. Tropes ...
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This chapter examines seven introit tropes or trope groups. It argues that the problem of transmission is critical for the understanding of the musical situation in the central Middle Ages. Tropes are critical for the study of transmission; for their time coincides with the first epoch of music writing, and their sources provide us with substantial evidence about the way they were apprehended in the communities in which they were current.Less
This chapter examines seven introit tropes or trope groups. It argues that the problem of transmission is critical for the understanding of the musical situation in the central Middle Ages. Tropes are critical for the study of transmission; for their time coincides with the first epoch of music writing, and their sources provide us with substantial evidence about the way they were apprehended in the communities in which they were current.
Douglas Kerr
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099340
- eISBN:
- 9789882206892
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099340.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject ...
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This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject “the East” that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. The book discusses the work of writers such as Stevenson, Kipling, Conrad, and Orwell, but also covers less-well-known literary authors, including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. It produces a history of this writing by looking at a series of “figures” or tropes of representation through which successive writers sought to represent the East and the British experience of it—tropes such as exploring the hinterland, going native, and the figure of rule itself. The book raises issues of identity and representation; power and knowledge; and, centrally, the question of how to represent other people.Less
This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject “the East” that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. The book discusses the work of writers such as Stevenson, Kipling, Conrad, and Orwell, but also covers less-well-known literary authors, including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. It produces a history of this writing by looking at a series of “figures” or tropes of representation through which successive writers sought to represent the East and the British experience of it—tropes such as exploring the hinterland, going native, and the figure of rule itself. The book raises issues of identity and representation; power and knowledge; and, centrally, the question of how to represent other people.
Robert J. Fogelin
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199739998
- eISBN:
- 9780199895045
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199739998.001.0001
- Subject:
- Philosophy, General
Figuratively Speaking (1986) examines figures of speech that concern meaning—irony, hyperbole, understatement, similes, metaphors, and others—to show how they work and to explain their ...
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Figuratively Speaking (1986) examines figures of speech that concern meaning—irony, hyperbole, understatement, similes, metaphors, and others—to show how they work and to explain their attraction. Building on the ideas of Paul Grice and Amos Tversky, this work shows how figurative language derives its power from its insistence that the reader participate in the text, looking beyond the literal meaning of the figurative language to the meanings that are implied. With examples ranging from Shakespeare, John Donne, and Jane Austen to e.e. cummings, Bessie Smith, and Monty Python, this work shows that the intellectual and aesthetic force of figurative language is not derived from inherent magical power, but instead from the opportunity it provides for unlimited elaboration in the hands of those gifted in its use. A distinctive feature of this work is that it presents a modern restatement of the view, first put forward by Aristotle, that metaphors are to be treated as elliptical similes. In a generalized form, this restatement of the Aristotelian view treats both metaphors and similes (and a number of other tropes) as figurative comparisons. The book then offers a detailed defense of this “comparativist” view of metaphors in response to the almost universal rejection of it by eminent philosophers. This new edition has extended the notion of figurative comparisons to cover synecdoche. It also ventures into new territory by considering two genres, fables and satires.Less
Figuratively Speaking (1986) examines figures of speech that concern meaning—irony, hyperbole, understatement, similes, metaphors, and others—to show how they work and to explain their attraction. Building on the ideas of Paul Grice and Amos Tversky, this work shows how figurative language derives its power from its insistence that the reader participate in the text, looking beyond the literal meaning of the figurative language to the meanings that are implied. With examples ranging from Shakespeare, John Donne, and Jane Austen to e.e. cummings, Bessie Smith, and Monty Python, this work shows that the intellectual and aesthetic force of figurative language is not derived from inherent magical power, but instead from the opportunity it provides for unlimited elaboration in the hands of those gifted in its use. A distinctive feature of this work is that it presents a modern restatement of the view, first put forward by Aristotle, that metaphors are to be treated as elliptical similes. In a generalized form, this restatement of the Aristotelian view treats both metaphors and similes (and a number of other tropes) as figurative comparisons. The book then offers a detailed defense of this “comparativist” view of metaphors in response to the almost universal rejection of it by eminent philosophers. This new edition has extended the notion of figurative comparisons to cover synecdoche. It also ventures into new territory by considering two genres, fables and satires.
Werner Hüllen
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780199553235
- eISBN:
- 9780191720352
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199553235.003.0005
- Subject:
- Linguistics, Semantics and Pragmatics, Lexicography
Daniel Sanders' Sprachschatz (1852) is analysed as an adaptation of Roget's Thesaurus which adheres to the macrostructure of the original, but which changes the nature of the collection of words in ...
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Daniel Sanders' Sprachschatz (1852) is analysed as an adaptation of Roget's Thesaurus which adheres to the macrostructure of the original, but which changes the nature of the collection of words in favour of an encyclopedia.Less
Daniel Sanders' Sprachschatz (1852) is analysed as an adaptation of Roget's Thesaurus which adheres to the macrostructure of the original, but which changes the nature of the collection of words in favour of an encyclopedia.
James W. Underhill
- Published in print:
- 2011
- Published Online:
- March 2012
- ISBN:
- 9780748643158
- eISBN:
- 9780748651566
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748643158.003.0003
- Subject:
- Linguistics, English Language
The explosion of work on metaphor in recent decades has its roots in the ground-breaking book Metaphors We Live By, written by Lakoff and Johnson in 1980. Though the two authors have modified their ...
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The explosion of work on metaphor in recent decades has its roots in the ground-breaking book Metaphors We Live By, written by Lakoff and Johnson in 1980. Though the two authors have modified their position in separate and co-written works since then, and though cognitive approaches have moved on to other fields of linguistics, semantics and epistemology, and though they have introduced new paradigms for analysing metaphor, it is worth quoting the fundamental claims made in this work, since these claims have influenced the terms of the debate that revolves around the representation of conceptual constructs in language. The pith of these fundamental claims can be summed up in seven points: metaphors live; metaphors form systematic constructs; metaphors highlight and hide; conceptual metaphors often contradict one another; metaphors are grounded in experience; metaphors create similarity; and metaphor is the cardinal trope.Less
The explosion of work on metaphor in recent decades has its roots in the ground-breaking book Metaphors We Live By, written by Lakoff and Johnson in 1980. Though the two authors have modified their position in separate and co-written works since then, and though cognitive approaches have moved on to other fields of linguistics, semantics and epistemology, and though they have introduced new paradigms for analysing metaphor, it is worth quoting the fundamental claims made in this work, since these claims have influenced the terms of the debate that revolves around the representation of conceptual constructs in language. The pith of these fundamental claims can be summed up in seven points: metaphors live; metaphors form systematic constructs; metaphors highlight and hide; conceptual metaphors often contradict one another; metaphors are grounded in experience; metaphors create similarity; and metaphor is the cardinal trope.
G. R. Boys-Stones (ed.)
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780199240050
- eISBN:
- 9780191716850
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199240050.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
According to the theoretical accounts which survive in the rhetorical handbooks of antiquity, allegory is extended metaphor, or an extended series of metaphors; and both allegory and metaphor are ...
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According to the theoretical accounts which survive in the rhetorical handbooks of antiquity, allegory is extended metaphor, or an extended series of metaphors; and both allegory and metaphor are linguistic ‘tropes’: their purpose is essentially ornamental. The distance posited here between meaning on the one hand and the form of its expression on the other has come under decisive attack in the work of 20th century theorists, who have argued for the central role of metaphor in the construction of meaning. But how far in fact do the rhetorical handbooks represent the scope and subtlety of ancient thought on the matter? The papers presented here address this question from a variety of theoretical perspectives; they examine the origin and meaning of the term ‘metaphor’, set ancient against modern theories of language, and theory against practice. The inclusion of papers devoted to allegory in the writing and exegesis of antiquity provides, in the first place, another way of testing the adequacy of ancient rhetorical theory; but it also extends the debate into areas of the literary life of antiquity which have been unjustly sidelined or neglected.Less
According to the theoretical accounts which survive in the rhetorical handbooks of antiquity, allegory is extended metaphor, or an extended series of metaphors; and both allegory and metaphor are linguistic ‘tropes’: their purpose is essentially ornamental. The distance posited here between meaning on the one hand and the form of its expression on the other has come under decisive attack in the work of 20th century theorists, who have argued for the central role of metaphor in the construction of meaning. But how far in fact do the rhetorical handbooks represent the scope and subtlety of ancient thought on the matter? The papers presented here address this question from a variety of theoretical perspectives; they examine the origin and meaning of the term ‘metaphor’, set ancient against modern theories of language, and theory against practice. The inclusion of papers devoted to allegory in the writing and exegesis of antiquity provides, in the first place, another way of testing the adequacy of ancient rhetorical theory; but it also extends the debate into areas of the literary life of antiquity which have been unjustly sidelined or neglected.
Ruth Solie
- Published in print:
- 2004
- Published Online:
- May 2012
- ISBN:
- 9780520238459
- eISBN:
- 9780520930063
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520238459.001.0001
- Subject:
- Music, History, Western
Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping ...
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Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, this book examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. The chapters fill in some of the most intriguing blanks in our understanding of music's history. This book mines the abundant casual texts of the period to show how Victorian-era people—English and others—experienced music and what they understood to be its power and its purposes. The chapters cover topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes—including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility—and in turn suggest the complex links between the history of music and the history of ideas.Less
Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, this book examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. The chapters fill in some of the most intriguing blanks in our understanding of music's history. This book mines the abundant casual texts of the period to show how Victorian-era people—English and others—experienced music and what they understood to be its power and its purposes. The chapters cover topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes—including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility—and in turn suggest the complex links between the history of music and the history of ideas.
JAMES W. FERNANDEZ
- Published in print:
- 2003
- Published Online:
- January 2013
- ISBN:
- 9780197262795
- eISBN:
- 9780191753954
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197262795.003.0011
- Subject:
- History, Cultural History
This chapter raises some of the interlinked matters that have been very much at issue in press, television, and the world wide web since September 11. First is the role of the imagination itself, and ...
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This chapter raises some of the interlinked matters that have been very much at issue in press, television, and the world wide web since September 11. First is the role of the imagination itself, and of the unimaginable, in experiencing and categorising what we have difficulty understanding, and its role in our coming to terms with and coping with difficult matters of any kind. Second are the social interaction processes of categorisation and re-categorisation. Third is the contribution to our understanding provided by attention to the play of tropes in social life, and to the importance of tropology to our anthropology. Fourth are the multitude of moral issues and their claim upon our actions and reactions: the morality present in religious fundamentalism, for example. But also now under intense and renewed debate is the morality of political assassination, of racial profiling, of the employ of weapons of mass destruction. And fifth, in all of this and everywhere we find the disease of reification/entification of our newly realised world historical problem, the increasing disparity of well being. These are the diseases of language investigated here.Less
This chapter raises some of the interlinked matters that have been very much at issue in press, television, and the world wide web since September 11. First is the role of the imagination itself, and of the unimaginable, in experiencing and categorising what we have difficulty understanding, and its role in our coming to terms with and coping with difficult matters of any kind. Second are the social interaction processes of categorisation and re-categorisation. Third is the contribution to our understanding provided by attention to the play of tropes in social life, and to the importance of tropology to our anthropology. Fourth are the multitude of moral issues and their claim upon our actions and reactions: the morality present in religious fundamentalism, for example. But also now under intense and renewed debate is the morality of political assassination, of racial profiling, of the employ of weapons of mass destruction. And fifth, in all of this and everywhere we find the disease of reification/entification of our newly realised world historical problem, the increasing disparity of well being. These are the diseases of language investigated here.
Doreen Innes
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780199240050
- eISBN:
- 9780191716850
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199240050.003.0002
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter gives a detailed survey of surviving ancient discussions of metaphor, simile, and allegory as ‘non-literal’ tropes of ornamentation. The absence of metaphor and simile from Horace’s ...
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This chapter gives a detailed survey of surviving ancient discussions of metaphor, simile, and allegory as ‘non-literal’ tropes of ornamentation. The absence of metaphor and simile from Horace’s discussions of literary style is raised as a puzzle, and explained by Horace’s wish to avoid hackneyed theory in favour of practical exemplification.Less
This chapter gives a detailed survey of surviving ancient discussions of metaphor, simile, and allegory as ‘non-literal’ tropes of ornamentation. The absence of metaphor and simile from Horace’s discussions of literary style is raised as a puzzle, and explained by Horace’s wish to avoid hackneyed theory in favour of practical exemplification.
Michael Silk
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780199240050
- eISBN:
- 9780191716850
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199240050.003.0007
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter argues in favour of Roman Jakobson’s privileging of metonymy alongside metaphor as primary linguistic tropes (‘trope’ is to be understood here, in a significant modification of ...
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This chapter argues in favour of Roman Jakobson’s privileging of metonymy alongside metaphor as primary linguistic tropes (‘trope’ is to be understood here, in a significant modification of Aristotle’s understanding of metaphor, as deviation from usage perceived or felt as normal). But Jakobson shares with Aristotle, as also with Paul Ricoeur and philosophical theorists at large, the fault of paying too little respect to actual literary practice. The result is that they identify metaphor as the defining characteristic of poetic language, mistakenly ignoring the importance of metonymy as well.Less
This chapter argues in favour of Roman Jakobson’s privileging of metonymy alongside metaphor as primary linguistic tropes (‘trope’ is to be understood here, in a significant modification of Aristotle’s understanding of metaphor, as deviation from usage perceived or felt as normal). But Jakobson shares with Aristotle, as also with Paul Ricoeur and philosophical theorists at large, the fault of paying too little respect to actual literary practice. The result is that they identify metaphor as the defining characteristic of poetic language, mistakenly ignoring the importance of metonymy as well.
