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Judah Halevi, the great medieval Hebrew poet, abandoned home and family in Spain (al-Andalus) at the end of his life and traveled east to die in the Holy Land. This book narrates his journey, quoting from Arabic letters by Halevi and his friends, and explores its meaning through analysis of his Hebrew poems. The poems are presented both in Hebrew and in new English verse translations and are provided with full commentary. The discussion introduces Halevi’s circle of Jewish businessmen and intellectuals in al-Andalus and Egypt, examines their way of life, and describes their position vis-à-vis Arabic and Islamic culture. It also explores the interweaving of religious ideas of Jewish, Islamic, and Hellenistic origin in Halevi’s work. Although Halevi was partially motivated by a desire to repudiate the Judeo-Arabic hybrid culture and embrace purely Jewish values, the book demonstrates that his poetry and his pilgrimage continue to reflect the Judeo-Arabic milieu. His poetry and pilgrimage also show that while the Jews’ precarious situation as a tolerated minority weighed on Halevi, he was impelled to the pilgrimage not by a grand plan for ending the Jewish exile, as is widely thought, but by a personal religious quest. Chapters 1 through 3 each deal with one of the major themes of Halevi’s poetry that point in the direction of the pilgrimage. Chapters 4 through 6 are a narrative of the pilgrimage. Chapters 7 through 10 are a study of Halevi’s poems that are explicitly about the Land of Israel and about the pilgrimage. The epilogue explores the later legend of his martyrdom.

This book provides an overview of scale and test development. From conceptualization through design, data collection, analysis, and interpretation, critical concerns are identified and grounded in the increasingly sophisticated psychometric literature. Measurement within the health, social, and behavioral sciences is addressed, and technical and practical guidance is provided. Acknowledging the increasingly sophisticated contributions in social work, psychology, education, nursing, and medicine, the book balances condensation of complex conceptual challenges with focused recommendations for conceiving, planning, and implementing psychometric study. Primary points are carefully referenced and consistently illustrated to illuminate complicated or abstract principles. Basics of construct conceptualization and establishing evidence of validity are complimented with introductions to concept mapping and cross-cultural translation. In-depth discussion of cutting edge topics like bias and invariance in item responses is provided. Exploratory and confirmatory factor analytic strategies are illustrated and critiqued, and step-by-step guidance is offered for anticipating elements of a complete data collection instrument, determining sampling frame and size, and interpreting resulting coefficients. Much good work has been done by RAI developers to date. Too often, practitioners or researchers either underestimate the skills and effort required, or become overwhelmed by the complexities involved.

Kabir, the fifteenth‐century weaver‐poet of Varanasi, is still one of the most revered and popular saint‐singers of North India. He belonged to a family of Muslim julahas (weavers of low‐caste status), is believed to have been a disciple of the Hindu guru Ramanand, and often sang of inner experience using language of the subtle yogic body. Yet he cannot be classified as Hindu, Muslim, or yogi. Fiercely independent, he has become an icon of speaking truth to power. In a blunt and uncompromising style, he exhorted his listeners to shed their delusions, pretensions, and orthodoxies in favor of a direct experience of truth. He satirized hypocrisy, greed, and violence—especially among the religious. Belonging to a social group widely considered low and unclean, he criticized caste ideology and declared the equality of all human beings. Kabir was an oral poet whose works were written down by others. His oral traditions have flourished for more than 500 years, producing a rich array of musical forms, folk and classical, in countless local dialects and regional styles. Thousands of poems are popularly attributed to Kabir, but only a few written collections have survived over the centuries. The Bījak is the sacred book of the Kabir Panth, or sect devoted to Kabir's teachings. This book presents about half of the Bījak; the translators have selected those poems which seem most representative and which work best in translation. The Bījak includes three main sections called Ramainī, Śabda, and Sākhī, and a fourth section containing miscellaneous folksong forms. Most of the Kabir material has been popularized through the song form known as śabda (or pada), and through the aphoristic two‐line sākhī (or doha) that serves throughout north India as a vehicle for popular wisdom. These two forms have been emphasized in this translation; a group of ramainīs have also been included. An introduction by Hess precedes the translations; scholarly notes and three appendices, including an essay on Kabir's ulatbamsi or “upside‐down language,” are also by Hess.

Opening a Mountain is a translation with a commentary of 60 koan cases that feature an important supernatural or ritual element selected from a variety of the major and minor Zen Buddhist koan collections compiled in Sung China and Kamakura Japan. The koan is a brief, enigmatic anecdote or dialog between two contesting parties that defines the heart. The book demonstrates that the main theme underlying much of the koan literature deals with how Zen masters opened or transformed mountains. The transforming of spiritual forces that had been closing off the mountains into manifestations of sacred space in Zen was referred to as kuai‐shan in Chinese (or kaizan in Japanese). The mountains harbored spirits, demons, and bodhisattvas, as well as hermits, recluses, ascetics, and other irregular practitioners, and were opened using the symbols and rituals of spiritual purification. In contrast with conventional interpretations that view koans as psychological exercises with a purely iconoclastic intention, the approach here highlights the rich component of mythological and marvelous elements that pervade this genre of literature in a way that complements, rather than contradicts, the demythological or iconoclastic perspective. This approach to interpreting Zen literature is distinctive and innovative in several respects. Opening a Mountain includes the selection of koan cases emphasizing supernatural symbols, such as mountains, animals, and other natural imagery, based on a scholarly standard of translation and citation of source materials. The main topics include “Surveying Mountain Landscapes,” “Contesting with Irregular Rivals,” “Encountering Supernatural Forces,” “Wielding Symbols of Authority,” and “Giving Life and Controlling Death as Confessional Experiences.”

The term ’Old Latin’ (Vetus Latina) is conventionally applied to those forms of the Latin Bible that predate in origin the Vulgate of Jerome. They are preserved in two forms: in citations in the early Christian writers, and in various manuscripts dating over some 1000 years, from late antiquity to the high Middle Ages. This study particularly addresses the manuscript traditions of the four canonical Gospels, and seeks to answer three questions: How did the extant traditions come into being? What distinct techniques of translation can be identified? What is their relationship to the sort of language traditionally described as ’Late Latin’ or ’Vulgar Latin’? The work concludes with a comparison of the Old Latin translation techniques and those employed by Jerome in his revision.

This book is a companion volume to the author's The Economics of Ecstasy: Tantra, Secrecy, and Power in Colonial Bengal, but while The Economics of Ecstasy engages the theoretical issues of secrecy and concealment associated with the Kartābhajās — a Bengali sect devoted to Tantra, an Indian religious movement notorious for its alleged use of shocking sexual language and rituals, this book presents the first English translation of the sect's body of highly esoteric, mystical poetry and songs. The period from the late eighteenth to the early nineteenth centuries, during which these lyrics were written, was an era of change, experimentation, and transition from the older medieval styles to the new literary forms of “modern” Bengal. The original songs presented are an important part of this transitional period, reflecting the search for new literary forms and experimentation in new poetic styles. Long disparaged as an inferior, low‐class, or corrupt form of Bengali literature, these songs are concerned with contemporary social life in colonial Calcutta and with the real lives of common lower‐class men and women. With their vision of a universal “religion of humanity,” open to men and women of all classes, the Kartābhajā songs offer an alternative model of community, which made a special appeal to the working classes of colonial Calcutta. They delight in ridiculing and satirizing the foppish British rulers and pretentious upper classes, although at the same time, however, the satirical urban imagery is mingled with older Tantric connotations and employed in ingenious new ways to express profoundly esoteric and mystical religious ideas.

This book deals with Bible translation and its development from Antiquity to the Reformation. Taking the Hebrew Masoretic Text of Genesis as Old Testament Vorlage, it examines corresponding verses from five translations: Septuagint, Vulgate, Luther's Bible, Tyndale and the Authorized Version, and the Dutch State Translation. The context is the challenge mounted by feminist scholarship, particularly those scholars of the ‘second wave’, who have tried and convicted Scripture of androcentricity and misogyny. Translated passages in Genesis 1–4 that deal with the male‐female dynamic are subjected to detailed analysis, tracing linguistic and ideological processes and seeking to determine the extent of interaction between contemporary culture and translation. The degree and development of androcentricity in these passages in both Hebrew and translated texts are likewise taken into account. Each chapter dealing with a specific translation consists of two parts: the historical/cultural background of period and translator(s), particularly with regard to women, and a close exegesis of the verses in question. Results point to the Hebrew text revealing significant androcentricity, with the Septuagint, possibly influenced by Greek philosophy, emphasizing the patriarchal elements. This trend persists through the Vulgate and even Luther's Bible — though less so in the English and Dutch versions — and suggests that the translators must be at least partly responsible for an androcentric text becoming the justification for the oppression of women. Each section dealing with textual analysis is sub‐divided into the same groups of verses: male and female (1:26–28), man (2:7,9,15–17), woman (2:18–25), seeing (3:1–13), consequences (3:14–24), generation (4:1–2,17,25).

This book, through close analysis of the scenes of reading in Proust's A la recherche du temps perdu, offers an invigorating new study of the novel and previously unacknowledged paths through it. After considering key childhood ‘Primal Scenes’ which mark the act of reading as revelatory and potentially traumatic, the book then examines the interwoven strands of the novel's narrative of reading: scenes where the narrator reads and where others provide ‘lessons in reading’ are shown to be intricately connected within the narrator's considerations of intelligence, sense experience, knowledge, and desire. These scenes offer us a phenomenology of reading, whose illuminations, wrong turns, and over-determinations often bewilder the narrator and lead us to interrogate our own understanding of the act we accomplish as we read A la recherche. This book emphasizes the complexities and contradictions with which reading is riven, and which connect it repeatedly to the experience of involuntary memory. Reading is shown to be frequently fraught with heady instability—‘délire’—of a highly revealing sort, from which narrator and readers alike have much to learn. The book's final chapter shows how the narrator's critical energies, turned contemplatively inwards in the Guermantes's library, are subsequently turned outwards for a final interpretive effort—the reading of his now aged acquaintances at the ‘Bal de têtes’—in a shift that provides the narrator not only the confidence to begin his work of art, through the translation of his impressions but also the humility to face, undeterred, the approach of death.