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Audacious Euphony: Chromatic Harmony and the Triad's Second Nature

Richard Cohn

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199772698
eISBN:
9780199932238
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199772698.001.0001
Subject:
Music, Theory, Analysis, Composition

Many nineteenth-century theorists viewed triadic distance in terms of common tones and voice-leading proximity, rather than root consonance and mutual diatonic constituency. Audacious Euphony ... More


Hexatonic Cycles

Richard Cohn

in Audacious Euphony: Chromatic Harmony and the Triad's Second Nature

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199772698
eISBN:
9780199932238
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199772698.003.0002
Subject:
Music, Theory, Analysis, Composition

Chapter 2 presents the first of two preliminary models of the triadic universe, based on voice-leading proximity, On this conception, the most proximate triads are those whose roots are related by ... More


A Unified Model of Triadic Voice-Leading Space

Richard Cohn

in Audacious Euphony: Chromatic Harmony and the Triad's Second Nature

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199772698
eISBN:
9780199932238
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199772698.003.0005
Subject:
Music, Theory, Analysis, Composition

Chapter 5 combines the two preliminary models into a single connected model of the triadic universe. Their points of intersections are theorized as eight voice leading zones. Motion within a zone ... More


Syntactic Interaction and the Convertible Tonnetz

Richard Cohn

in Audacious Euphony: Chromatic Harmony and the Triad's Second Nature

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199772698
eISBN:
9780199932238
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199772698.003.0008
Subject:
Music, Theory, Analysis, Composition

Chapter 8 develops an integrated model of classical and pan-triadic syntax. It begins by reviewing and evaluating earlier models of Lewin, Hyer, Cohn, Rings, and Brower. It then proposes a new model ... More


Neo-Riemannian Theory at the Movies

Frank Lehman

in Hollywood Harmony: Musical Wonder and the Sound of Cinema

Published in print:
2018
Published Online:
May 2018
ISBN:
9780190606398
eISBN:
9780190606435
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190606398.003.0004
Subject:
Music, Theory, Analysis, Composition, Popular

This chapter is dedicated to explaining the methodology of neo-Riemannian theory (NRT) and analysis. The historical background of NRT is introduced, and an inventory of transformations, including the ... More


The Thanatotic and the Tonnetz: Repetition, Mourning, and “Mother” in Suk’s Asrael

Kenneth M. Smith

in Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality

Published in print:
2020
Published Online:
June 2020
ISBN:
9780190923426
eISBN:
9780190923457
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190923426.003.0006
Subject:
Music, Psychology of Music, Theory, Analysis, Composition

The chapter describes how the Andante from Josef Suk’s Asrael Symphony is a funeral march in all but name. It celebrates the lives of Suk’s teacher Dvořák and his wife Otilie, whose death during the ... More


Harmony Simplified

Jason Yust

in Organized Time: Rhythm, Tonality, and Form

Published in print:
2018
Published Online:
May 2018
ISBN:
9780190696481
eISBN:
9780190696511
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190696481.003.0011
Subject:
Music, Theory, Analysis, Composition

The syntactic norms of common practice harmony are well known, but we lack good explanations for them. A theory of convergence is offered to explain how dominant and predominant harmonic functions ... More


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