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A Philosophy of Life

Louise Westling

in The Logos of the Living World: Merleau-Ponty, Animals, and Language

Published in print:
2013
Published Online:
May 2014
ISBN:
9780823255658
eISBN:
9780823261208
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fordham/9780823255658.003.0002
Subject:
Philosophy, Philosophy of Science

This chapter introduces Merleau-Ponty’s philosophy as implicitly ecological, developing within the context of phenomenology initiated by Husserl and further expanded by Heidegger. Describing ... More


The Constitution of the Real: Documentary, Mockumentary and the Status of the Image

Ryan Bishop

in Comedy and Cultural Critique in American Film

Published in print:
2013
Published Online:
September 2013
ISBN:
9780748643073
eISBN:
9780748689071
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748643073.003.0003
Subject:
Film, Television and Radio, Film

Cinema’s apparent veri similitude — its ability to document that which appears before the lens — provided the source for early non-fiction film experimentation and opened the door for propaganda and ... More


“Becoming Visible”: Italian Women and Their Male Co-Citizens in the Liberal State

Sabina Donati (ed.)

in A Political History of National Citizenship and Identity in Italy, 1861-1950

Published in print:
2013
Published Online:
September 2013
ISBN:
9780804784511
eISBN:
9780804787338
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804784511.003.0003
Subject:
History, European Modern History

“Becoming Visible”: Italian Women and Their Male Co-Citizens in the Liberal State


Gestural (In)visibility in Béla Balázs and Helmuth Plessner

Lucia Ruprecht

in Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century

Published in print:
2019
Published Online:
July 2019
ISBN:
9780190659370
eISBN:
9780190659417
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190659370.003.0006
Subject:
Music, Dance

This chapter juxtaposes the film criticism of Béla Balázs with the philosophical anthropology of Helmuth Plessner in order to carve out their approaches to gesture. It gives particular attention to ... More


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