Ann Jefferson
- Published in print:
- 2007
- Published Online:
- September 2008
- ISBN:
- 9780199270842
- eISBN:
- 9780191710292
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199270842.003.0021
- Subject:
- Literature, European Literature
The closing section of the book considers the temporality of biographical writing and suggests that far from being bound exclusively to retrospect, it constantly reveals a prospective impulse. This ...
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The closing section of the book considers the temporality of biographical writing and suggests that far from being bound exclusively to retrospect, it constantly reveals a prospective impulse. This factor offers another explanation as to the performative capacity of biography to contest and transform definitions of the literary.Less
The closing section of the book considers the temporality of biographical writing and suggests that far from being bound exclusively to retrospect, it constantly reveals a prospective impulse. This factor offers another explanation as to the performative capacity of biography to contest and transform definitions of the literary.
Rory Fox
- Published in print:
- 2006
- Published Online:
- May 2006
- ISBN:
- 9780199285754
- eISBN:
- 9780191603563
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199285756.003.0008
- Subject:
- Philosophy, Philosophy of Religion
This chapter examines the criteria which medieval thinkers used to determine whether a particular should be located in time, and the terminology and phrases used to suggest that particulars were ...
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This chapter examines the criteria which medieval thinkers used to determine whether a particular should be located in time, and the terminology and phrases used to suggest that particulars were outside, beyond, or existing alongside time. There were at least nine factors which 13th century thinkers were inclined to identify as implying temporality, factors which actually identified two broadly different kinds of time. There was time in its most general sense as simply a duration in which particulars undergo successive states and experience decay, and then there was a more precise or more proper sense of time in which the changing states of particulars were thought to be measured by the metric determined by the Primum Mobile. When 13th century figures spoke of particulars as existing outside, above, or with time, they were intending to exclude such particulars from the scope of ‘time’, but were not always clear about which account of time they were referring to.Less
This chapter examines the criteria which medieval thinkers used to determine whether a particular should be located in time, and the terminology and phrases used to suggest that particulars were outside, beyond, or existing alongside time. There were at least nine factors which 13th century thinkers were inclined to identify as implying temporality, factors which actually identified two broadly different kinds of time. There was time in its most general sense as simply a duration in which particulars undergo successive states and experience decay, and then there was a more precise or more proper sense of time in which the changing states of particulars were thought to be measured by the metric determined by the Primum Mobile. When 13th century figures spoke of particulars as existing outside, above, or with time, they were intending to exclude such particulars from the scope of ‘time’, but were not always clear about which account of time they were referring to.
Brent Waters
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199271962
- eISBN:
- 9780191709883
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199271962.003.0006
- Subject:
- Religion, Religion and Society
This chapter describes the normative contours of the family with respect to its teleological and eschatological orientation toward broader spheres of social and political affinities. The principal ...
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This chapter describes the normative contours of the family with respect to its teleological and eschatological orientation toward broader spheres of social and political affinities. The principal foci of this account includes the temporal and timely ordering of these affinities, the providential movement of the family through history, and the witness of the family within a vindicated creation being drawn toward its destiny in Christ by focusing on the related tasks of procreation and social reproduction.Less
This chapter describes the normative contours of the family with respect to its teleological and eschatological orientation toward broader spheres of social and political affinities. The principal foci of this account includes the temporal and timely ordering of these affinities, the providential movement of the family through history, and the witness of the family within a vindicated creation being drawn toward its destiny in Christ by focusing on the related tasks of procreation and social reproduction.
Cathrine Degnen
- Published in print:
- 2012
- Published Online:
- January 2014
- ISBN:
- 9780719083082
- eISBN:
- 9781781706244
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719083082.001.0001
- Subject:
- Society and Culture, Cultural Studies
Seeking to better understand what it means to grow older in contemporary Britain from the perspective of older people themselves, this richly detailed ethnographic study engages in debates over ...
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Seeking to better understand what it means to grow older in contemporary Britain from the perspective of older people themselves, this richly detailed ethnographic study engages in debates over selfhood and people’s relationships with time. Based on research conducted in an English former coal mining village, the book focuses on the everyday experiences of older people living there. It explores how the category of old age comes to be assigned and experienced in daily life through multiple registers of interaction. These include ‘memory work’ about people, places and webs of relations in a postindustrial setting that has undergone profound social transformation. Challenging both the notion of a homogenous relationship with time across generations and the idea of a universalised middle-aged self, the author argues that the complex interplay of social, cultural and physical attributes of ageing means that older people can come to occupy a different position in relation to time and to the self than younger people. This account provides fascinating insight into what is at stake for the ageing self in regards to how people come to know, experience and dwell in the world. It describes the ways in which these distinctive forms of temporality and narrativity also come to be used against older people, denigrated socially in some contexts as ‘less-than-fully adult’. This text will be of great interest to researchers and students in anthropology, sociology, human geography and social gerontology working on interests in selfhood, time, memory, the anthropology of Britain and the lived experience of social change.Less
Seeking to better understand what it means to grow older in contemporary Britain from the perspective of older people themselves, this richly detailed ethnographic study engages in debates over selfhood and people’s relationships with time. Based on research conducted in an English former coal mining village, the book focuses on the everyday experiences of older people living there. It explores how the category of old age comes to be assigned and experienced in daily life through multiple registers of interaction. These include ‘memory work’ about people, places and webs of relations in a postindustrial setting that has undergone profound social transformation. Challenging both the notion of a homogenous relationship with time across generations and the idea of a universalised middle-aged self, the author argues that the complex interplay of social, cultural and physical attributes of ageing means that older people can come to occupy a different position in relation to time and to the self than younger people. This account provides fascinating insight into what is at stake for the ageing self in regards to how people come to know, experience and dwell in the world. It describes the ways in which these distinctive forms of temporality and narrativity also come to be used against older people, denigrated socially in some contexts as ‘less-than-fully adult’. This text will be of great interest to researchers and students in anthropology, sociology, human geography and social gerontology working on interests in selfhood, time, memory, the anthropology of Britain and the lived experience of social change.
Ronald de Sousa
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195189858
- eISBN:
- 9780199868377
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195189858.003.0005
- Subject:
- Philosophy, Philosophy of Mind
This chapter examines the evolution of our rational faculty for intelligent planning. It presents a sampling of some of the examples of systematic irrationality that have been brought to light by ...
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This chapter examines the evolution of our rational faculty for intelligent planning. It presents a sampling of some of the examples of systematic irrationality that have been brought to light by psychological research, and explains the apparent paradox that the much-vaunted human differentia of rationality — in the categorial sense — is actually grounded in our capacity to manifest irrational thought and action. It shows how even the most extreme case of irrationality presupposes a minimal level of normative rationality. It also shows how the most notorious cases of irrationality can be explained on the basis of three factors: the modular organization of our capacities; the widening gap between the vestigial “goals” of natural selection and the concrete goals that human agents set up for themselves; and the indispensable yet ambiguous role played by emotions in the economy of rationality.Less
This chapter examines the evolution of our rational faculty for intelligent planning. It presents a sampling of some of the examples of systematic irrationality that have been brought to light by psychological research, and explains the apparent paradox that the much-vaunted human differentia of rationality — in the categorial sense — is actually grounded in our capacity to manifest irrational thought and action. It shows how even the most extreme case of irrationality presupposes a minimal level of normative rationality. It also shows how the most notorious cases of irrationality can be explained on the basis of three factors: the modular organization of our capacities; the widening gap between the vestigial “goals” of natural selection and the concrete goals that human agents set up for themselves; and the indispensable yet ambiguous role played by emotions in the economy of rationality.
Alexandra Lianeri and Vanda Zajko (eds)
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199288076
- eISBN:
- 9780191713439
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288076.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This book proposes a framework in which ‘the classic’ figures less as an autonomous entity than as the result of the interplay between source text and translation practice. It discusses the ...
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This book proposes a framework in which ‘the classic’ figures less as an autonomous entity than as the result of the interplay between source text and translation practice. It discusses the consequences of this hypothesis for questioning established definitions of the classic: how does translation mediate the social, political, and national uses of ‘the classics’ in the contemporary global context of changing canons and traditions? The idea of the classic is invested in a particular model of history, one that allows for a perpetual tension between the enduring and the transient, and for the survival of the past in ways that are comprehensible even to a radically different present. This comprehensibility is not immediate or unmediated, but involves acts of translation by successive generations of readers. Classics in translation thus epitomise a peculiar mode of historicity which consists of the co-articulation of the timeless and the historical: each one of these categories both sustains and endangers the other. Such a condition has a political dimension that goes beyond the strict historicization of the classics. The call to translate is an ethical and political project for a post-Babel humanity. It has served as a vital means for constructing traditions that participate in the conflicts of the present, but also as the medium through which cultural works establish a certain solidarity between the struggles, polemics, visions, and experiences of different ages.Less
This book proposes a framework in which ‘the classic’ figures less as an autonomous entity than as the result of the interplay between source text and translation practice. It discusses the consequences of this hypothesis for questioning established definitions of the classic: how does translation mediate the social, political, and national uses of ‘the classics’ in the contemporary global context of changing canons and traditions? The idea of the classic is invested in a particular model of history, one that allows for a perpetual tension between the enduring and the transient, and for the survival of the past in ways that are comprehensible even to a radically different present. This comprehensibility is not immediate or unmediated, but involves acts of translation by successive generations of readers. Classics in translation thus epitomise a peculiar mode of historicity which consists of the co-articulation of the timeless and the historical: each one of these categories both sustains and endangers the other. Such a condition has a political dimension that goes beyond the strict historicization of the classics. The call to translate is an ethical and political project for a post-Babel humanity. It has served as a vital means for constructing traditions that participate in the conflicts of the present, but also as the medium through which cultural works establish a certain solidarity between the struggles, polemics, visions, and experiences of different ages.
Peta Mayer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620597
- eISBN:
- 9781789629927
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620597.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. ...
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Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.Less
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.
K.M. Jaszczolt
- Published in print:
- 2005
- Published Online:
- September 2007
- ISBN:
- 9780199261987
- eISBN:
- 9780191718656
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199261987.003.0006
- Subject:
- Linguistics, Semantics and Pragmatics
This chapter defends a thesis of temporality as a species of modality. As a preliminary study of temporality as modality, it focuses on futurity in English and various ways of expressing it, as well ...
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This chapter defends a thesis of temporality as a species of modality. As a preliminary study of temporality as modality, it focuses on futurity in English and various ways of expressing it, as well as on various (future and non-future modal) uses to which the English auxiliary will can be put. Degrees of modality are proposed, including merger representations for the pertinent constructions, in which an amended version of Grice’s sentential operator Acc is used to capture types and degrees of modality of the constructions.Less
This chapter defends a thesis of temporality as a species of modality. As a preliminary study of temporality as modality, it focuses on futurity in English and various ways of expressing it, as well as on various (future and non-future modal) uses to which the English auxiliary will can be put. Degrees of modality are proposed, including merger representations for the pertinent constructions, in which an amended version of Grice’s sentential operator Acc is used to capture types and degrees of modality of the constructions.
Elaine Lynn-Ee Ho
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781503606661
- eISBN:
- 9781503607460
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503606661.001.0001
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This book argues that analyzing emigration, immigration, and re-migration under the framework of contemporaneous migration directs attention to the citizenship formations that interconnect migration ...
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This book argues that analyzing emigration, immigration, and re-migration under the framework of contemporaneous migration directs attention to the citizenship formations that interconnect migration sites, shaping the lives of citizens in motion. It departs from conventional approaches that study migration sites in isolation or as snapshots in time. Taking Chinese emigration as the starting point, the analysis becomes deepened by incorporating insights from migrant-receiving countries, namely Canada and Singapore, which are facing new emigration or re-migration trends among their own citizens. By analyzing shifts in migration patterns over time, we also come to understand how China is becoming an immigration country. The arguments offer new insights for researchers studying Chinese migration and diaspora. As an analytical approach, contemporaneous migration contributes to our theorization of citizenship and territory, fraternity and alterity, ethnicity, and the co-constitution of time and space.Less
This book argues that analyzing emigration, immigration, and re-migration under the framework of contemporaneous migration directs attention to the citizenship formations that interconnect migration sites, shaping the lives of citizens in motion. It departs from conventional approaches that study migration sites in isolation or as snapshots in time. Taking Chinese emigration as the starting point, the analysis becomes deepened by incorporating insights from migrant-receiving countries, namely Canada and Singapore, which are facing new emigration or re-migration trends among their own citizens. By analyzing shifts in migration patterns over time, we also come to understand how China is becoming an immigration country. The arguments offer new insights for researchers studying Chinese migration and diaspora. As an analytical approach, contemporaneous migration contributes to our theorization of citizenship and territory, fraternity and alterity, ethnicity, and the co-constitution of time and space.
Christoph Cox
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780226543031
- eISBN:
- 9780226543208
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226543208.001.0001
- Subject:
- Music, Theory, Analysis, Composition
From the invention of the phonograph through contemporary sound art, field recording, and experimental film, artists have become attracted to those domains against which music has always defined ...
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From the invention of the phonograph through contemporary sound art, field recording, and experimental film, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precede and exceed those expressions. Cox shows how, over the past several centuries, philosophers and artists have explored this “sonic flux” and, in the process, contributed to a rethinking of ontology, temporality, and the relationships between sound and image. Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Éliane Radigue, and others, Sonic Flux contributes to the development of a materialist metaphysics and challenges the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.Less
From the invention of the phonograph through contemporary sound art, field recording, and experimental film, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precede and exceed those expressions. Cox shows how, over the past several centuries, philosophers and artists have explored this “sonic flux” and, in the process, contributed to a rethinking of ontology, temporality, and the relationships between sound and image. Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Éliane Radigue, and others, Sonic Flux contributes to the development of a materialist metaphysics and challenges the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.
Herman Cappelen and John Hawthorne
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780199560554
- eISBN:
- 9780191720963
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199560554.003.0003
- Subject:
- Philosophy, General
This chapter is divided into four parts. Section 1 presents and rejects a Kaplanian argument against Simplicity, the so-called Operator Argument. Section 2 presents and rejects an argument against ...
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This chapter is divided into four parts. Section 1 presents and rejects a Kaplanian argument against Simplicity, the so-called Operator Argument. Section 2 presents and rejects an argument against Simplicity based on the anaphoric ‘that’. Section 3 briefly elaborates on Contingency and Temporality in the light of earlier discussions. Section 4 presents some direct evidence against the positive view endorsed by Kaplan (and, e.g., Lewis, Dummett, MacFarlane, and Stanley) — evidence based on the Agreement diagnostic developed in Chapter 2. It is argued that Kaplanian operator arguments against Simplicity typically rely on dubious and unmotivated semantic and syntactic assumptions. There is a strong case against the approach to temporality that is introduced by Kaplan and that forms one of the key motivating threads of contemporary anti-Simplicity semantics.Less
This chapter is divided into four parts. Section 1 presents and rejects a Kaplanian argument against Simplicity, the so-called Operator Argument. Section 2 presents and rejects an argument against Simplicity based on the anaphoric ‘that’. Section 3 briefly elaborates on Contingency and Temporality in the light of earlier discussions. Section 4 presents some direct evidence against the positive view endorsed by Kaplan (and, e.g., Lewis, Dummett, MacFarlane, and Stanley) — evidence based on the Agreement diagnostic developed in Chapter 2. It is argued that Kaplanian operator arguments against Simplicity typically rely on dubious and unmotivated semantic and syntactic assumptions. There is a strong case against the approach to temporality that is introduced by Kaplan and that forms one of the key motivating threads of contemporary anti-Simplicity semantics.
- Published in print:
- 2008
- Published Online:
- June 2013
- ISBN:
- 9780804748636
- eISBN:
- 9780804779395
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804748636.003.0053
- Subject:
- Literature, World Literature
In this chapter, Shinkei talks about the notion that a style is not in accord with the Way unless it is the orthodox style. That may be true when the issue is about the language of renga, but its ...
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In this chapter, Shinkei talks about the notion that a style is not in accord with the Way unless it is the orthodox style. That may be true when the issue is about the language of renga, but its mind and configuration must be different. Such differences are the basis of the distinctions among the ten styles of poetry. It was Ryōshun who declared that the author who limits himself to the orthodox configuration (seichoku no sugata) will never attain the status of poet immortal (kasen). Shinkei's advocacy of plurality and difference is not an outgrowth of an ideology of freedom and individual liberty, but the logical consequence of the Buddhist philosophy of emptiness and temporality. For Shinkei, the ten styles are theoretically the various manifestations of a cosmic impersonal Mind. Linked poetry is a concrete manifestation of the truth of the unspeakable One that “grounds” plurality through the endless play of language.Less
In this chapter, Shinkei talks about the notion that a style is not in accord with the Way unless it is the orthodox style. That may be true when the issue is about the language of renga, but its mind and configuration must be different. Such differences are the basis of the distinctions among the ten styles of poetry. It was Ryōshun who declared that the author who limits himself to the orthodox configuration (seichoku no sugata) will never attain the status of poet immortal (kasen). Shinkei's advocacy of plurality and difference is not an outgrowth of an ideology of freedom and individual liberty, but the logical consequence of the Buddhist philosophy of emptiness and temporality. For Shinkei, the ten styles are theoretically the various manifestations of a cosmic impersonal Mind. Linked poetry is a concrete manifestation of the truth of the unspeakable One that “grounds” plurality through the endless play of language.
Sean D. Kirkland
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199559213
- eISBN:
- 9780191594403
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199559213.003.0018
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
In this chapter, Kirkland suggests that Antigone does indeed undergo the recognition and reversal Aristotle requires of great tragic figures, not with respect to her end or aim, but with respect to ...
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In this chapter, Kirkland suggests that Antigone does indeed undergo the recognition and reversal Aristotle requires of great tragic figures, not with respect to her end or aim, but with respect to the speed of her action in the play. First, he looks briefly at Cocteau's fast‐paced ‘contraction’ of Sophocles' original, finding speed highlighted as the tragic itself. Next he turns to Sophocles, finding that Antigone's praxis exhibits no hesitation and no true decision. Instead, she is presented from the outset as already having covered the distance from beginning to end. The well‐known Choral Ode to Human Beings then indicates that this infinite speed (distance divided by no time at all) is characteristic of the hubris of human action as such. In closing, Kirkland suggests that this tragic speed is disrupted only in Antigone's final scene, as her hesitation, her slowness indicates a subtle moment of reversal and recognition.Less
In this chapter, Kirkland suggests that Antigone does indeed undergo the recognition and reversal Aristotle requires of great tragic figures, not with respect to her end or aim, but with respect to the speed of her action in the play. First, he looks briefly at Cocteau's fast‐paced ‘contraction’ of Sophocles' original, finding speed highlighted as the tragic itself. Next he turns to Sophocles, finding that Antigone's praxis exhibits no hesitation and no true decision. Instead, she is presented from the outset as already having covered the distance from beginning to end. The well‐known Choral Ode to Human Beings then indicates that this infinite speed (distance divided by no time at all) is characteristic of the hubris of human action as such. In closing, Kirkland suggests that this tragic speed is disrupted only in Antigone's final scene, as her hesitation, her slowness indicates a subtle moment of reversal and recognition.
Gianfranco Dalla Barba
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199208913
- eISBN:
- 9780191723759
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199208913.003.11
- Subject:
- Psychology, Cognitive Neuroscience
This chapter addresses the following questions: Why confabulating patients make errors when retrieving their pasts? Why is confabulation on some occasions indistinguishable from a true memory, ...
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This chapter addresses the following questions: Why confabulating patients make errors when retrieving their pasts? Why is confabulation on some occasions indistinguishable from a true memory, whereas on other occasions it has such bizarre or semantically anomalous content? Is confabulation a pure memory disorder, or does the fact that it involves the patient's past, present, and future reflect a disruption of how personal temporality is experienced?Less
This chapter addresses the following questions: Why confabulating patients make errors when retrieving their pasts? Why is confabulation on some occasions indistinguishable from a true memory, whereas on other occasions it has such bizarre or semantically anomalous content? Is confabulation a pure memory disorder, or does the fact that it involves the patient's past, present, and future reflect a disruption of how personal temporality is experienced?
Alan Liu
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780226451817
- eISBN:
- 9780226452005
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226452005.001.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
Friending the Past asks if today's society, increasingly captivated by up-to-the-minute information media, can have a sense of history. What is the relation between past societies whose media forms ...
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Friending the Past asks if today's society, increasingly captivated by up-to-the-minute information media, can have a sense of history. What is the relation between past societies whose media forms fostered a communal or self-aware sense of history—for example, storytelling in prehistorical oral societies, or the great print works of historicism in the nineteenth century—and today's "instant" networked information society? How did the sense of history once balance between the feeling for the present and for the absent, the temporal and the social, the individual and the collective, and the static and the dynamic? And how do digital networks now change the balance? Blending the approaches of intellectual history, media studies, and digital humanities, the book proposes novel ways of thinking about the evolving sense of history. Topics include the relation between high-print historicism and social networking; narratives of "new media encounters" between societies; graphically visualized and conceptualized understandings of history; and "network archaeology" as the variant of media archaeology needed to grasp the networked texture of our contemporary feeling for history. At its close, the book asks the question: is there a sense of history in the digital, networked age? The book concludes with an example of what a digitally networked sense of history can be by examining (in a manner poised between "close reading" and "distant reading") the code of one of today's JavaScript "timelines" and comparing it to the experience of temporality encoded in William Wordsworth's poetry during the era of romanticism.Less
Friending the Past asks if today's society, increasingly captivated by up-to-the-minute information media, can have a sense of history. What is the relation between past societies whose media forms fostered a communal or self-aware sense of history—for example, storytelling in prehistorical oral societies, or the great print works of historicism in the nineteenth century—and today's "instant" networked information society? How did the sense of history once balance between the feeling for the present and for the absent, the temporal and the social, the individual and the collective, and the static and the dynamic? And how do digital networks now change the balance? Blending the approaches of intellectual history, media studies, and digital humanities, the book proposes novel ways of thinking about the evolving sense of history. Topics include the relation between high-print historicism and social networking; narratives of "new media encounters" between societies; graphically visualized and conceptualized understandings of history; and "network archaeology" as the variant of media archaeology needed to grasp the networked texture of our contemporary feeling for history. At its close, the book asks the question: is there a sense of history in the digital, networked age? The book concludes with an example of what a digitally networked sense of history can be by examining (in a manner poised between "close reading" and "distant reading") the code of one of today's JavaScript "timelines" and comparing it to the experience of temporality encoded in William Wordsworth's poetry during the era of romanticism.
Alexis Lothian
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479811748
- eISBN:
- 9781479854585
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479811748.001.0001
- Subject:
- Society and Culture, Cultural Studies
Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering ...
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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and technological modernity; Old Futures rewrites the history of the future by gathering together works that counter such narratives even as they are part of them. Lothian explores how queer possibilities are constructed and deconstructed through extrapolative projections and affective engagements with alternative temporalities. The book is structured in three parts, each addressing one convergence of political economy, theoretical framework, and narrative form that has given rise to a formation of speculative futurity. Six main chapters focus on white feminist utopias and dystopias of the nineteenth and twentieth centuries; on Afrofuturist narratives that turn the dehumanization of black lives into feminist and queer visions of transformation; on futuristic landscapes in queer speculative cinema; and on fan creators’ digital interventions into televised futures. Two shorter chapters, named “Wormholes” in homage to the science fiction trope of a time-space distortion that connects distant locations, highlight current resonances of the old futures under discussion.Less
Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and technological modernity; Old Futures rewrites the history of the future by gathering together works that counter such narratives even as they are part of them. Lothian explores how queer possibilities are constructed and deconstructed through extrapolative projections and affective engagements with alternative temporalities. The book is structured in three parts, each addressing one convergence of political economy, theoretical framework, and narrative form that has given rise to a formation of speculative futurity. Six main chapters focus on white feminist utopias and dystopias of the nineteenth and twentieth centuries; on Afrofuturist narratives that turn the dehumanization of black lives into feminist and queer visions of transformation; on futuristic landscapes in queer speculative cinema; and on fan creators’ digital interventions into televised futures. Two shorter chapters, named “Wormholes” in homage to the science fiction trope of a time-space distortion that connects distant locations, highlight current resonances of the old futures under discussion.
Jocelyn Olcott
- Published in print:
- 2013
- Published Online:
- October 2017
- ISBN:
- 9780691159096
- eISBN:
- 9781400849895
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691159096.003.0010
- Subject:
- History, World Modern History
This chapter examines how the processes of translation spilled out during the International Women's Year (IWY) conference held in Mexico City in 1975. More specifically, it explains how the IWY ...
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This chapter examines how the processes of translation spilled out during the International Women's Year (IWY) conference held in Mexico City in 1975. More specifically, it explains how the IWY fostered the creation of a new language of transnational feminism. It also considers three interrelated elements that played particularly critical roles in the unfolding history of the conference: how the conference came to be imagined as an event; the role of temporality in structuring that imagination; and how questions of representation and identification informed participants' conduct. The chapter highlights a key moment in the conference: the confrontation between North American feminism and Third World feminine Leftism, represented by Betty Friedan and Domitila Barrios de Chungara, respectively. It argues that the conference was not only a struggle for power and unity but also a struggle between globally gathered feminists for commensurability itself.Less
This chapter examines how the processes of translation spilled out during the International Women's Year (IWY) conference held in Mexico City in 1975. More specifically, it explains how the IWY fostered the creation of a new language of transnational feminism. It also considers three interrelated elements that played particularly critical roles in the unfolding history of the conference: how the conference came to be imagined as an event; the role of temporality in structuring that imagination; and how questions of representation and identification informed participants' conduct. The chapter highlights a key moment in the conference: the confrontation between North American feminism and Third World feminine Leftism, represented by Betty Friedan and Domitila Barrios de Chungara, respectively. It argues that the conference was not only a struggle for power and unity but also a struggle between globally gathered feminists for commensurability itself.
Randall Stevenson
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474401555
- eISBN:
- 9781474444880
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474401555.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
From the Prime Meridian Conference of 1884 to the celebration of the millennium in 2000; from the fiction of Joseph Conrad and Virginia Woolf to the novels of William Gibson and W.G. Sebald, Reading ...
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From the Prime Meridian Conference of 1884 to the celebration of the millennium in 2000; from the fiction of Joseph Conrad and Virginia Woolf to the novels of William Gibson and W.G. Sebald, Reading the Times offers fresh insight into modern narrative. It shows how profoundly the structure and themes of the novel depend on attitudes to the clock and to the sense of history’s progress, tracing their origins in technologic, economic and social change. It offers a new and powerful way of understanding the relations of history with narrative form, outlining their development and demonstrating – through incisive analyses of a very wide range of texts from late C19th to early C21st – their key role in shaping fictional narrative throughout this period. The result is a highly innovative literary history of the twentieth-century fiction, based on an inventive, enabling method of understanding literature in relation to history – in terms, in every sense, of its reading of its times.Less
From the Prime Meridian Conference of 1884 to the celebration of the millennium in 2000; from the fiction of Joseph Conrad and Virginia Woolf to the novels of William Gibson and W.G. Sebald, Reading the Times offers fresh insight into modern narrative. It shows how profoundly the structure and themes of the novel depend on attitudes to the clock and to the sense of history’s progress, tracing their origins in technologic, economic and social change. It offers a new and powerful way of understanding the relations of history with narrative form, outlining their development and demonstrating – through incisive analyses of a very wide range of texts from late C19th to early C21st – their key role in shaping fictional narrative throughout this period. The result is a highly innovative literary history of the twentieth-century fiction, based on an inventive, enabling method of understanding literature in relation to history – in terms, in every sense, of its reading of its times.
Denis M. Provencher
- Published in print:
- 2018
- Published Online:
- January 2018
- ISBN:
- 9781781383001
- eISBN:
- 9781786944405
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383001.001.0001
- Subject:
- Sociology, Gender and Sexuality
This book investigates the lives and stories of queer Maghrebi and Maghrebi French men who moved to or grew up in contemporary France. It combines original French language data from my ethnographic ...
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This book investigates the lives and stories of queer Maghrebi and Maghrebi French men who moved to or grew up in contemporary France. It combines original French language data from my ethnographic fieldwork in France with a wide array of recent narratives and cultural productions including performance art and photography, films, novels, autobiographies, published letters, and other first-person essays to investigate how these queer men living in France and the diaspora stake claims to time and space, construct kinship, and imagine their own future. By closely examining empirical evidence from the lived experiences of these queer Maghrebi French-speakers, this book presents a variety of paths available to these men who articulate and pioneer their own sexual difference within their families of origin and contemporary French society. These sexual minorities of North African origin may explain their homosexuality in terms of a “modern coming out” narrative when living in France. Nevertheless, they are able to negotiate cultural hybridity and flexible language, temporalities, and filiations, that combine elements from a variety of discourses on family, honor, face-saving, the symbolic order of gender differences, gender equality, as well as the western and largely neoliberal constructs of individualism and sexual autonomy.Less
This book investigates the lives and stories of queer Maghrebi and Maghrebi French men who moved to or grew up in contemporary France. It combines original French language data from my ethnographic fieldwork in France with a wide array of recent narratives and cultural productions including performance art and photography, films, novels, autobiographies, published letters, and other first-person essays to investigate how these queer men living in France and the diaspora stake claims to time and space, construct kinship, and imagine their own future. By closely examining empirical evidence from the lived experiences of these queer Maghrebi French-speakers, this book presents a variety of paths available to these men who articulate and pioneer their own sexual difference within their families of origin and contemporary French society. These sexual minorities of North African origin may explain their homosexuality in terms of a “modern coming out” narrative when living in France. Nevertheless, they are able to negotiate cultural hybridity and flexible language, temporalities, and filiations, that combine elements from a variety of discourses on family, honor, face-saving, the symbolic order of gender differences, gender equality, as well as the western and largely neoliberal constructs of individualism and sexual autonomy.
James Noggle
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199642434
- eISBN:
- 9780191738579
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199642434.001.0001
- Subject:
- Literature, 18th-century Literature
Is taste for beauty a quick, momentary experience in the individual mind? Or something durable, shaped by slow, historical processes, affecting groups of people at different times and places? British ...
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Is taste for beauty a quick, momentary experience in the individual mind? Or something durable, shaped by slow, historical processes, affecting groups of people at different times and places? British writers in the eighteenth century believed it is both, and the tension between these temporal poles shaped the meaning of taste in the period and set a course for aesthetics in following centuries. Focusing on writing in many genres—from the poetry of Alexander Pope to the historiography and philosophy of David Hume, from travel writing about Stowe Landscape Garden to essays by Hannah More and Anna Barbauld, and novels by Frances Burney and William Beckford—this book sees the divided temporality of taste, erupting in the moment and contained in habits and predilections, as an unpredictable force in British writing. The eighteenth century was the age of taste. Writers saw its intense effects on individual minds as especially characteristic of the collective present of British modernity. But they also recognized the disturbing tendency of taste’s immediacy and its historical roles to interrupt and foreclose on each other. While noting how taste’s two temporal flavours may be made to agree in the period’s writing to consolidate various national, social, and gendered identities, this book also demonstrates that taste’s dual temporality makes it more disruptive than scholars usually think. As such, taste models a kind of critical practice that this book itself endeavours to inherit: the insistent testing of the moment of discernment and on-going patterns of thinking and feeling against each other.Less
Is taste for beauty a quick, momentary experience in the individual mind? Or something durable, shaped by slow, historical processes, affecting groups of people at different times and places? British writers in the eighteenth century believed it is both, and the tension between these temporal poles shaped the meaning of taste in the period and set a course for aesthetics in following centuries. Focusing on writing in many genres—from the poetry of Alexander Pope to the historiography and philosophy of David Hume, from travel writing about Stowe Landscape Garden to essays by Hannah More and Anna Barbauld, and novels by Frances Burney and William Beckford—this book sees the divided temporality of taste, erupting in the moment and contained in habits and predilections, as an unpredictable force in British writing. The eighteenth century was the age of taste. Writers saw its intense effects on individual minds as especially characteristic of the collective present of British modernity. But they also recognized the disturbing tendency of taste’s immediacy and its historical roles to interrupt and foreclose on each other. While noting how taste’s two temporal flavours may be made to agree in the period’s writing to consolidate various national, social, and gendered identities, this book also demonstrates that taste’s dual temporality makes it more disruptive than scholars usually think. As such, taste models a kind of critical practice that this book itself endeavours to inherit: the insistent testing of the moment of discernment and on-going patterns of thinking and feeling against each other.
