Cindy D. Ness
- Published in print:
- 2010
- Published Online:
- March 2016
- ISBN:
- 9780814758403
- eISBN:
- 9780814759073
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814758403.001.0001
- Subject:
- Psychology, Social Psychology
In low-income U.S. cities, street fights between teenage girls are common. These fights take place at school, on street corners, or in parks, when one girl provokes another to the point that she must ...
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In low-income U.S. cities, street fights between teenage girls are common. These fights take place at school, on street corners, or in parks, when one girl provokes another to the point that she must either “step up” or be labeled a “punk.” Typically, when girls engage in violence that is not strictly self-defense, they are labeled “delinquent,” their actions taken as a sign of emotional pathology. However, this book demonstrates that in poor urban areas this kind of street fighting is seen as a normal part of girlhood and a necessary way to earn respect among peers, as well as a way for girls to attain a sense of mastery and self-esteem in a social setting where legal opportunities for achievement are not otherwise easily available. The author of this book spent almost two years in west and northeast Philadelphia to get a sense of how teenage girls experience inflicting physical harm and the meanings they assign to it. While most existing work on girls' violence deals exclusively with gangs, the book sheds new light on the everyday street fighting of urban girls, arguing that different cultural standards associated with race and class influence the relationship that girls have to physical aggression.Less
In low-income U.S. cities, street fights between teenage girls are common. These fights take place at school, on street corners, or in parks, when one girl provokes another to the point that she must either “step up” or be labeled a “punk.” Typically, when girls engage in violence that is not strictly self-defense, they are labeled “delinquent,” their actions taken as a sign of emotional pathology. However, this book demonstrates that in poor urban areas this kind of street fighting is seen as a normal part of girlhood and a necessary way to earn respect among peers, as well as a way for girls to attain a sense of mastery and self-esteem in a social setting where legal opportunities for achievement are not otherwise easily available. The author of this book spent almost two years in west and northeast Philadelphia to get a sense of how teenage girls experience inflicting physical harm and the meanings they assign to it. While most existing work on girls' violence deals exclusively with gangs, the book sheds new light on the everyday street fighting of urban girls, arguing that different cultural standards associated with race and class influence the relationship that girls have to physical aggression.
Oneka LaBennett
- Published in print:
- 2011
- Published Online:
- March 2016
- ISBN:
- 9780814752470
- eISBN:
- 9780814765289
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814752470.001.0001
- Subject:
- Anthropology, American and Canadian Cultural Anthropology
Overwhelmingly, Black teenage girls are negatively represented in national and global popular discourses, either as being “at risk” for teenage pregnancy, obesity, or sexually transmitted diseases, ...
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Overwhelmingly, Black teenage girls are negatively represented in national and global popular discourses, either as being “at risk” for teenage pregnancy, obesity, or sexually transmitted diseases, or as helpless victims of inner city poverty and violence. Such popular representations are pervasive and often portray Black adolescents' consumer and leisure culture as corruptive, uncivilized, and pathological. This book draws on over a decade of researching teenage West Indian girls in the Flatbush and Crown Heights sections of Brooklyn to argue that Black youth are in fact strategic consumers of popular culture and through this consumption they assert far more agency in defining race, ethnicity, and gender than academic and popular discourses tend to acknowledge. Importantly, the book also studies West Indian girls' consumer and leisure culture within public spaces in order to analyze how teens are marginalized and policed as they attempt to carve out places for themselves within New York's contested terrains.Less
Overwhelmingly, Black teenage girls are negatively represented in national and global popular discourses, either as being “at risk” for teenage pregnancy, obesity, or sexually transmitted diseases, or as helpless victims of inner city poverty and violence. Such popular representations are pervasive and often portray Black adolescents' consumer and leisure culture as corruptive, uncivilized, and pathological. This book draws on over a decade of researching teenage West Indian girls in the Flatbush and Crown Heights sections of Brooklyn to argue that Black youth are in fact strategic consumers of popular culture and through this consumption they assert far more agency in defining race, ethnicity, and gender than academic and popular discourses tend to acknowledge. Importantly, the book also studies West Indian girls' consumer and leisure culture within public spaces in order to analyze how teens are marginalized and policed as they attempt to carve out places for themselves within New York's contested terrains.
Deborah Shamoon
- Published in print:
- 2012
- Published Online:
- November 2016
- ISBN:
- 9780824835422
- eISBN:
- 9780824870638
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824835422.001.0001
- Subject:
- Society and Culture, Asian Studies
Shōjo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and ...
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Shōjo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and prominent genre in Japan. Why is this genre so appealing? Where did it come from? Why do so many of the stories feature androgynous characters and homosexual romance? This book answers these questions by reviewing Japanese girls' print culture from its origins in 1920s and 1930s girls' literary magazines to the 1970s “revolution” shōjo manga when young women artists took over the genre. The book traces the development of girls' culture in pre-World War II magazines and links it to postwar teenage girls' comics and popular culture. Within this culture, as private and cloistered as the schools most readers attended, a discourse of girlhood arose that avoided heterosexual romance in favor of “S relationships,” passionate friendships between girls. This preference for homogeneity is echoed in the postwar genre of boys' love manga written for girls. Both prewar S relationships and postwar boys' love stories gave girls a protected space to develop and explore their identities and sexuality apart from the pressures of a patriarchal society. Shōjo manga offered to a reading community of girls a place to share the difficulties of adolescence as well as an alternative to the image of girls purveyed by the media to boys and men.Less
Shōjo manga are romance comics for teenage girls. Characterized by a very dense visual style, featuring flowery backgrounds and big-eyed, androgynous boys and girls, it is an extremely popular and prominent genre in Japan. Why is this genre so appealing? Where did it come from? Why do so many of the stories feature androgynous characters and homosexual romance? This book answers these questions by reviewing Japanese girls' print culture from its origins in 1920s and 1930s girls' literary magazines to the 1970s “revolution” shōjo manga when young women artists took over the genre. The book traces the development of girls' culture in pre-World War II magazines and links it to postwar teenage girls' comics and popular culture. Within this culture, as private and cloistered as the schools most readers attended, a discourse of girlhood arose that avoided heterosexual romance in favor of “S relationships,” passionate friendships between girls. This preference for homogeneity is echoed in the postwar genre of boys' love manga written for girls. Both prewar S relationships and postwar boys' love stories gave girls a protected space to develop and explore their identities and sexuality apart from the pressures of a patriarchal society. Shōjo manga offered to a reading community of girls a place to share the difficulties of adolescence as well as an alternative to the image of girls purveyed by the media to boys and men.
Tamara Myers
- Published in print:
- 2001
- Published Online:
- June 2013
- ISBN:
- 9780853236764
- eISBN:
- 9781846312816
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853236764.003.0002
- Subject:
- History, British and Irish Modern History
This chapter concentrates on ‘delinquent’ teenage girls in inter-war Montreal. A major target of the modern juvenile justice movement – the sex delinquent – could be determined daily in the nation's ...
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This chapter concentrates on ‘delinquent’ teenage girls in inter-war Montreal. A major target of the modern juvenile justice movement – the sex delinquent – could be determined daily in the nation's new juvenile courts. In Montreal Juvenile Delinquents' Court, girls' misbehaviour was largely interpreted in sexual terms. In addition, most girls that were accused of desertion had some sexual experience, but their desertions were often about much more than having sex. Then, the experiences of girls while running away, which involved both adventure and survival, are explored. In general, the data showed that deserting daughters left their homes and ventured onto the streets of Montreal, where they found pleasure and danger, were rarely alone, and where the social geography of Montreal aided them in their journey.Less
This chapter concentrates on ‘delinquent’ teenage girls in inter-war Montreal. A major target of the modern juvenile justice movement – the sex delinquent – could be determined daily in the nation's new juvenile courts. In Montreal Juvenile Delinquents' Court, girls' misbehaviour was largely interpreted in sexual terms. In addition, most girls that were accused of desertion had some sexual experience, but their desertions were often about much more than having sex. Then, the experiences of girls while running away, which involved both adventure and survival, are explored. In general, the data showed that deserting daughters left their homes and ventured onto the streets of Montreal, where they found pleasure and danger, were rarely alone, and where the social geography of Montreal aided them in their journey.
Andrew Talle
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9780252040849
- eISBN:
- 9780252099342
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252040849.003.0006
- Subject:
- Music, History, Western
Chapter five analyzes the repertoire associated with female musicians on the basis of the remarkably well-preserved music library of two teenage countesses in Darmstadt: Luise Charlotte and ...
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Chapter five analyzes the repertoire associated with female musicians on the basis of the remarkably well-preserved music library of two teenage countesses in Darmstadt: Luise Charlotte and Friederike Sophie zu Epstein. Pedagogical treatises and parodies of Bach’s Germany suggest that female keyboardists were expected to perform “easy,” “comfortable,” music which was often marketed explicitly “for women.” Most of the repertoire prepared for the Countesses zu Epstein by their teacher, Johannes Merle, follows these stylistic parameters; it consists primarily of quick, dance-based movements with melody-and-accompaniment textures and no strict counterpoint. Close examination of their collection, however, also reveals that they copied music for themselves and one of them, Friederike Sophie, also taught herself to compose.Less
Chapter five analyzes the repertoire associated with female musicians on the basis of the remarkably well-preserved music library of two teenage countesses in Darmstadt: Luise Charlotte and Friederike Sophie zu Epstein. Pedagogical treatises and parodies of Bach’s Germany suggest that female keyboardists were expected to perform “easy,” “comfortable,” music which was often marketed explicitly “for women.” Most of the repertoire prepared for the Countesses zu Epstein by their teacher, Johannes Merle, follows these stylistic parameters; it consists primarily of quick, dance-based movements with melody-and-accompaniment textures and no strict counterpoint. Close examination of their collection, however, also reveals that they copied music for themselves and one of them, Friederike Sophie, also taught herself to compose.
Vivian Center Seltzer
- Published in print:
- 2009
- Published Online:
- March 2016
- ISBN:
- 9780814740422
- eISBN:
- 9780814741023
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814740422.003.0014
- Subject:
- Psychology, Developmental Psychology
This chapter presents two case studies that illustrate the structure and process of Peer Arena Lens (PAL) group therapy. Both cases involve teenage girls, one from a middle-class Latino family and ...
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This chapter presents two case studies that illustrate the structure and process of Peer Arena Lens (PAL) group therapy. Both cases involve teenage girls, one from a middle-class Latino family and the other from a white middle-class family. The first girl had adopted a False Facade defensive glitch and donned a mask of maturity. The marijuana found in her room was the first crack in her defensive glitch. The second case presents information on an unusual home environment, the effects of scarcity of peers for comparative acts, the impact of puberty, use of protocols, and PAL therapy interactional dynamics. This chapter considers the diagnosis done on the two girls and evaluates the impact of PAL group therapy on them.Less
This chapter presents two case studies that illustrate the structure and process of Peer Arena Lens (PAL) group therapy. Both cases involve teenage girls, one from a middle-class Latino family and the other from a white middle-class family. The first girl had adopted a False Facade defensive glitch and donned a mask of maturity. The marijuana found in her room was the first crack in her defensive glitch. The second case presents information on an unusual home environment, the effects of scarcity of peers for comparative acts, the impact of puberty, use of protocols, and PAL therapy interactional dynamics. This chapter considers the diagnosis done on the two girls and evaluates the impact of PAL group therapy on them.
Wayne Dawkins
- Published in print:
- 2012
- Published Online:
- March 2014
- ISBN:
- 9781617032585
- eISBN:
- 9781617032592
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781617032585.003.0016
- Subject:
- Society and Culture, Media Studies
This chapter describes the case of Tawana Brawley, which would occupy the New York press, including the City Sun, for most of 1987. Tawana was a fifteen-year-old black girl who was reported missing ...
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This chapter describes the case of Tawana Brawley, which would occupy the New York press, including the City Sun, for most of 1987. Tawana was a fifteen-year-old black girl who was reported missing on November 25, 1987. She was later was found inside a plastic garbage bag, covered in feces. “KKK” and “nigger” were scrawled on her chest and stomach with a marker. Passersby took the incoherent girl to St. Francis Hospital in Poughkeepsie.Less
This chapter describes the case of Tawana Brawley, which would occupy the New York press, including the City Sun, for most of 1987. Tawana was a fifteen-year-old black girl who was reported missing on November 25, 1987. She was later was found inside a plastic garbage bag, covered in feces. “KKK” and “nigger” were scrawled on her chest and stomach with a marker. Passersby took the incoherent girl to St. Francis Hospital in Poughkeepsie.
