Derek W. Vaillant
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041419
- eISBN:
- 9780252050015
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041419.001.0001
- Subject:
- Society and Culture, Media Studies
This book is a history of U.S.–French radio broadcasting in the twentieth century. Decades before satellite TV and the Internet, America and France interconnected regularly and instantaneously on a ...
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This book is a history of U.S.–French radio broadcasting in the twentieth century. Decades before satellite TV and the Internet, America and France interconnected regularly and instantaneously on a mass scale across the Atlantic. The book investigates how transatlantic radio developed into a dynamic field of cross-border circulation, cultural exchange, and geopolitics. Between 1931, when live broadcasts first linked U.S.–French listeners, and 1974, when France dissolved its public media monopoly, international broadcasting developed into a critical communication space that embodied turbulent interwar politics and the expansive tendencies of U.S. commercial networks; the cataclysmic events of World War II, including the German Occupation of France; contentious U.S.–French relations during the Cold War; French postwar international media expansion; and the effects of the 1960s on U.S.–French ties and media systems. The book examines the techno-aesthetics of radio as a technological medium linking two allied, but starkly different societies and cultures in new ways. The book complicates the paradigm of self-contained "radio nations" to demonstrate that throughout broadcast history, the challenges of developing and managing international interconnectivity required necessary partnerships that blurred lines of sovereignty, state control, and national cultural production. Radio’s development and usage prefigured the global, cross-border digital communication technologies, tools, infrastructure, and mediated geopolitics of today.Less
This book is a history of U.S.–French radio broadcasting in the twentieth century. Decades before satellite TV and the Internet, America and France interconnected regularly and instantaneously on a mass scale across the Atlantic. The book investigates how transatlantic radio developed into a dynamic field of cross-border circulation, cultural exchange, and geopolitics. Between 1931, when live broadcasts first linked U.S.–French listeners, and 1974, when France dissolved its public media monopoly, international broadcasting developed into a critical communication space that embodied turbulent interwar politics and the expansive tendencies of U.S. commercial networks; the cataclysmic events of World War II, including the German Occupation of France; contentious U.S.–French relations during the Cold War; French postwar international media expansion; and the effects of the 1960s on U.S.–French ties and media systems. The book examines the techno-aesthetics of radio as a technological medium linking two allied, but starkly different societies and cultures in new ways. The book complicates the paradigm of self-contained "radio nations" to demonstrate that throughout broadcast history, the challenges of developing and managing international interconnectivity required necessary partnerships that blurred lines of sovereignty, state control, and national cultural production. Radio’s development and usage prefigured the global, cross-border digital communication technologies, tools, infrastructure, and mediated geopolitics of today.
Derek W. Vaillant
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041419
- eISBN:
- 9780252050015
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041419.003.0002
- Subject:
- Society and Culture, Media Studies
This chapter sketches the history of U.S–French electronic communications prior to the rise of U.S.–French radio broadcasting. Focusing primarily on France, it analyzes the anticipatory and reactive ...
More
This chapter sketches the history of U.S–French electronic communications prior to the rise of U.S.–French radio broadcasting. Focusing primarily on France, it analyzes the anticipatory and reactive discourses to live interwar transatlantic broadcast connectivity with the United States. The period saw two contrasting, nationally inflected techno-aesthetics take shape in America and France that defined excellence in radio. In America, technological power, abundance, and high-speed execution demonstrated professional competence and efficiency. The French emphasized quality, accepted scarcity, and valued deliberate speed. More than extensions of preexisting differences in U.S. and French cultural conventions these broadcast paradigms emerged relationally and cross-nationally to shape the future of U.S.–French broadcast interaction and the character of an evolving international medium.Less
This chapter sketches the history of U.S–French electronic communications prior to the rise of U.S.–French radio broadcasting. Focusing primarily on France, it analyzes the anticipatory and reactive discourses to live interwar transatlantic broadcast connectivity with the United States. The period saw two contrasting, nationally inflected techno-aesthetics take shape in America and France that defined excellence in radio. In America, technological power, abundance, and high-speed execution demonstrated professional competence and efficiency. The French emphasized quality, accepted scarcity, and valued deliberate speed. More than extensions of preexisting differences in U.S. and French cultural conventions these broadcast paradigms emerged relationally and cross-nationally to shape the future of U.S.–French broadcast interaction and the character of an evolving international medium.