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Music, Science, and Culture

CROSS IAN

in Imaginative Minds

Published in print:
2007
Published Online:
January 2012
ISBN:
9780197264195
eISBN:
9780191734540
Item type:
chapter
Publisher:
British Academy
DOI:
10.5871/bacad/9780197264195.003.0007
Subject:
Psychology, Cognitive Psychology

Music is conceptualized as a product and a process of imagination. It is often assumed that engagement in music initiates the developmental and evolutionary emergence of imagination. This conception ... More


Understanding

Roger Scruton

in The Aesthetics of Music

Published in print:
1999
Published Online:
November 2003
ISBN:
9780198167273
eISBN:
9780191598371
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/019816727X.003.0008
Subject:
Philosophy, Aesthetics

Adumbrates a theory of musical understanding as based in imaginative perception, in which a sound pattern is imbued with a spatial order by the perceiving intellect. Argues that tonality provides a ... More


Phonetic Explanations for Recurrent Sound Patterns: Diachronic or Synchronic?

Juliette Blevins

in Contemporary Views on Architecture and Representations in Phonology

Published in print:
2009
Published Online:
August 2013
ISBN:
9780262182706
eISBN:
9780262255325
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262182706.003.0016
Subject:
Linguistics, Phonetics / Phonology

Phonology involves sound patterns that characterize the composition of words and phrases, from vowel inventories to stress, tone, voicing, place of articulation, and alternations. Sound patterns may ... More


Analogical Morphophonology

Andrew Garrett and Juliette Blevins

in The Nature of the Word: Studies in Honor of Paul Kiparsky

Published in print:
2008
Published Online:
September 2013
ISBN:
9780262083799
eISBN:
9780262274890
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262083799.003.0022
Subject:
Linguistics, Lexicography

The study of word-based sound patterns has raised a number of critical questions about analogical change and “mechanical” sound change, such as whether sound changes are indeed “mechanical” or ... More


Hearrg Voices

Charles Bernstein

in The Sound of Poetry / The Poetry of Sound

Published in print:
2009
Published Online:
February 2013
ISBN:
9780226657424
eISBN:
9780226657448
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226657448.003.0012
Subject:
Literature, Poetry

Though any reader can perform the written text of a poem, and indeed many poems need to be read out loud in order to make tangible the rhythm and sound patterning, a poet's reading of her or his own ... More


‘Making Strange’: Non-Translation in The Waste Land

Jason Harding

in Modernism and Non-Translation

Published in print:
2019
Published Online:
November 2019
ISBN:
9780198821441
eISBN:
9780191883170
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780198821441.003.0008
Subject:
Literature, 20th-century and Contemporary Literature

This chapter employs concepts and terms drawn from Russian Formalism to assist reading key moments of non-translation in The Waste Land. Treated as avant-garde linguistic ‘shifts’ that disrupt and ... More


Only Revolutions and the drug of rereading

Joe Bray (ed.)

in Mark Z. Danielewski

Published in print:
2015
Published Online:
January 2016
ISBN:
9780719099335
eISBN:
9781781708613
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719099335.003.0012
Subject:
Literature, 20th-century and Contemporary Literature

Joe Bray argues that the highly constrained form of the printed page of Only Revolutions paradoxically dictates that the ways in which it can be read, and reread, are without limit. He draws on the ... More


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