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. Vocal Meter in Schoenberg’s Atonal Music, with a Note on a Serial Hauptstimme

David Lewin

in Studies in Music with Text

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195182088
eISBN:
9780199850594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195182088.003.0017
Subject:
Music, Theory, Analysis, Composition

From 1908 to 1916, Arnold Schoenberg composed a number of important works involving solo voice. Some of these works have a curious feature in common: at the entrance of the vocal part, when its ... More


The Choral Conductor as Teacher of Vocal Technique

Richard Miller

in On the Art of Singing

Published in print:
1996
Published Online:
May 2015
ISBN:
9780195098259
eISBN:
9780190268374
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:osobl/9780195098259.003.0019
Subject:
Music, Performing Practice/Studies

This chapter considers how the choral conductor should teach vocal technique. Choral music is vocal music. The most efficient vocalism, whether from the solo singer or from the chorister, produces ... More


Pop Music, Non-Western European Vocal Styles, and Efficient Vocal Function

Richard Miller

in On the Art of Singing

Published in print:
1996
Published Online:
May 2015
ISBN:
9780195098259
eISBN:
9780190268374
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:osobl/9780195098259.003.0037
Subject:
Music, Performing Practice/Studies

This chapter considers popular music in relation to non-Western European vocal style and vocal function. Much of Western art owes its characteristics to a commitment to beauty, strength, and health ... More


The Compositions, 1840–44

Eric Frederick Jensen

in Schumann

Published in print:
2012
Published Online:
May 2015
ISBN:
9780199737352
eISBN:
9780190268145
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:osobl/9780199737352.003.0010
Subject:
Music, History, Western

This chapter discusses the lieder compositions of Robert Schumann from 1840 to 1844. Schumann believed that his solo piano compositions no longer presented new ideas or concepts leading him to write ... More


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