Mark S. Massa, SJ
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199734122
- eISBN:
- 9780199866373
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199734122.001.0001
- Subject:
- Religion, Religion and Society
This book examines the Catholic participation in the “Long Sixties” in the United States, a decade that, for Catholic Americans, began in 1964 (the year the first reforms mandated by the Second ...
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This book examines the Catholic participation in the “Long Sixties” in the United States, a decade that, for Catholic Americans, began in 1964 (the year the first reforms mandated by the Second Vatican Council began to be implemented) and continued into the 1970s. The book argues that the most important result of that era was the emergence of the awareness among many of the Catholic faithful that everything in history changes, including the Church. This seemingly obvious insight generated considerable turmoil within the American Catholic community, which was accustomed to thinking of their religious beliefs and practices as timeless. The battles generated by that insight largely shaped the debates within the community during the final quarter of the twentieth and the first decade of the twenty-first century. In the process of narrating those turbulent events, the book offers a new master narrative of American Catholicism during the 1960s that seeks to displace the older politicized narrative of “liberals versus conservatives.”Less
This book examines the Catholic participation in the “Long Sixties” in the United States, a decade that, for Catholic Americans, began in 1964 (the year the first reforms mandated by the Second Vatican Council began to be implemented) and continued into the 1970s. The book argues that the most important result of that era was the emergence of the awareness among many of the Catholic faithful that everything in history changes, including the Church. This seemingly obvious insight generated considerable turmoil within the American Catholic community, which was accustomed to thinking of their religious beliefs and practices as timeless. The battles generated by that insight largely shaped the debates within the community during the final quarter of the twentieth and the first decade of the twenty-first century. In the process of narrating those turbulent events, the book offers a new master narrative of American Catholicism during the 1960s that seeks to displace the older politicized narrative of “liberals versus conservatives.”
Slavica Jakelić
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195342536
- eISBN:
- 9780199867042
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195342536.003.0010
- Subject:
- Religion, Religion and Society
This chapter shows that during the 1960s there was an increasing affinity between the notion that de‐institutionalized religion is something good and the intellectual and social sensibilities of the ...
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This chapter shows that during the 1960s there was an increasing affinity between the notion that de‐institutionalized religion is something good and the intellectual and social sensibilities of the period. Two views on secularization and de‐institutionalization of religion, those of Christian theologian Harvey Cox and sociologist Peter L. Berger, mirrored the intellectual and social climate of the time and were broadly discussed and debated. In this chapter Slavica Jakelić argues that Berger and Cox's claims about the inevitable link between deinstitutionalization of religions and modernity were persuasive because they happened in a context in which “religionless religion” was increasingly becoming the ideal of religious life. Berger and Cox talked of the de‐institutionalization of religion as progress that brought about freedom for individuals to choose. Their prophecies of godlessness were the prophecies of freedom.Less
This chapter shows that during the 1960s there was an increasing affinity between the notion that de‐institutionalized religion is something good and the intellectual and social sensibilities of the period. Two views on secularization and de‐institutionalization of religion, those of Christian theologian Harvey Cox and sociologist Peter L. Berger, mirrored the intellectual and social climate of the time and were broadly discussed and debated. In this chapter Slavica Jakelić argues that Berger and Cox's claims about the inevitable link between deinstitutionalization of religions and modernity were persuasive because they happened in a context in which “religionless religion” was increasingly becoming the ideal of religious life. Berger and Cox talked of the de‐institutionalization of religion as progress that brought about freedom for individuals to choose. Their prophecies of godlessness were the prophecies of freedom.
Yasuhito Kinoshita
Christie Kiefer (ed.)
- Published in print:
- 1993
- Published Online:
- May 2012
- ISBN:
- 9780520075955
- eISBN:
- 9780520911789
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520075955.001.0001
- Subject:
- Anthropology, Asian Cultural Anthropology
Faced with the decline of the traditional family and the explosive growth of the over-sixty-five population, the Japanese are looking for new ways to care for their elders. This study documents the ...
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Faced with the decline of the traditional family and the explosive growth of the over-sixty-five population, the Japanese are looking for new ways to care for their elders. This study documents the birth of a major social phenomenon in Japan: the planned retirement community. In the mid-1980s, the author of this book spent a year living in Japan's first such community, Fuji-no-Sato. His collaboration with a cultural gerontologist provides here a detailed study of a retirement community in a non-Western culture. Fuji-no-Sato is a social community with no visible traditions. The book shows that its residents' preference for long-established relationships creates the need for the invention of relationships which have no precedent in Japanese society, and reveals much about Japanese culture, and about the “graying of society” that plagues the newly industrialized countries of Asia. Its lessons about sensitivity to the elderly's values and the need for clear communication have applications in other cultures as well.Less
Faced with the decline of the traditional family and the explosive growth of the over-sixty-five population, the Japanese are looking for new ways to care for their elders. This study documents the birth of a major social phenomenon in Japan: the planned retirement community. In the mid-1980s, the author of this book spent a year living in Japan's first such community, Fuji-no-Sato. His collaboration with a cultural gerontologist provides here a detailed study of a retirement community in a non-Western culture. Fuji-no-Sato is a social community with no visible traditions. The book shows that its residents' preference for long-established relationships creates the need for the invention of relationships which have no precedent in Japanese society, and reveals much about Japanese culture, and about the “graying of society” that plagues the newly industrialized countries of Asia. Its lessons about sensitivity to the elderly's values and the need for clear communication have applications in other cultures as well.
Mark S. Massa
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199734122
- eISBN:
- 9780199866373
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199734122.003.0008
- Subject:
- Religion, Religion and Society
This chapter argues that the most important result of the individual stories narrated in the book was the rise of “historical consciousness,” the awareness among American Catholics that everything in ...
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This chapter argues that the most important result of the individual stories narrated in the book was the rise of “historical consciousness,” the awareness among American Catholics that everything in history, including the Catholic Church, changes. This might be the most important single result of the “Catholic sixties.” This seemingly simple insight actually caused a widespread crisis within the American Catholic community, which was accustomed to thinking of their faith as timeless and unchangeable. It was precisely this awareness that sponsored the splintering that has led to the current debates between Catholic progressives and traditionalists over the inheritance of Vatican II.Less
This chapter argues that the most important result of the individual stories narrated in the book was the rise of “historical consciousness,” the awareness among American Catholics that everything in history, including the Catholic Church, changes. This might be the most important single result of the “Catholic sixties.” This seemingly simple insight actually caused a widespread crisis within the American Catholic community, which was accustomed to thinking of their faith as timeless and unchangeable. It was precisely this awareness that sponsored the splintering that has led to the current debates between Catholic progressives and traditionalists over the inheritance of Vatican II.
Yasmine Ramadan
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781474427647
- eISBN:
- 9781474476775
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474427647.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift ...
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In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift in the representation of rural, urban, and exilic space, reflecting a disappointment in the project of the postcolonial nation-state in post-revolutionary Egypt. If the countryside ceased to be the idealized space of the nation, neither the Cairene metropolis nor the city of Alexandria took its place. Moreover, the transgression of borders to an exilic space served to unsettle categories of national and regional belonging. At the heart of this book is an argument about the disappearance of an idealized nation in the Egyptian novel. It provides a full examination of the emergence and establishment of a group of the most significant writers in modern Egyptian literature across six decades, while also attending to the social, economic, political, and aesthetic changes during a pivotal moment in Egypt’s contemporary history.Less
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift in the representation of rural, urban, and exilic space, reflecting a disappointment in the project of the postcolonial nation-state in post-revolutionary Egypt. If the countryside ceased to be the idealized space of the nation, neither the Cairene metropolis nor the city of Alexandria took its place. Moreover, the transgression of borders to an exilic space served to unsettle categories of national and regional belonging. At the heart of this book is an argument about the disappearance of an idealized nation in the Egyptian novel. It provides a full examination of the emergence and establishment of a group of the most significant writers in modern Egyptian literature across six decades, while also attending to the social, economic, political, and aesthetic changes during a pivotal moment in Egypt’s contemporary history.
Carole Holohan
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941237
- eISBN:
- 9781789629279
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941237.001.0001
- Subject:
- History, British and Irish Modern History
Reframing Irish Youth in the Sixties focuses on the position of youth in the Republic of Ireland at a time when the meaning of youth was changing internationally. It argues that the reformulation of ...
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Reframing Irish Youth in the Sixties focuses on the position of youth in the Republic of Ireland at a time when the meaning of youth was changing internationally. It argues that the reformulation of youth as a social category was a key element of social change. While emigration was the key youth issue of the 1950s, in this period young people became a pivotal point around which a new national project of economic growth hinged. Transnational ideas and international models increasingly framed Irish attitudes to young people’s education, welfare and employment. At the same time Irish youths were participants in a transnational youth culture that appeared to challenge the status quo. This book examines the attitudes of those in government, the media, in civil society organisations and religious bodies to youth and young people, addressing new manifestations of youth culture and new developments in youth welfare work. In using youth as a lens, this book takes an innovative approach that enables a multi-faceted examination of the sixties, providing fresh perspectives on key social changes and cultural continuities.Less
Reframing Irish Youth in the Sixties focuses on the position of youth in the Republic of Ireland at a time when the meaning of youth was changing internationally. It argues that the reformulation of youth as a social category was a key element of social change. While emigration was the key youth issue of the 1950s, in this period young people became a pivotal point around which a new national project of economic growth hinged. Transnational ideas and international models increasingly framed Irish attitudes to young people’s education, welfare and employment. At the same time Irish youths were participants in a transnational youth culture that appeared to challenge the status quo. This book examines the attitudes of those in government, the media, in civil society organisations and religious bodies to youth and young people, addressing new manifestations of youth culture and new developments in youth welfare work. In using youth as a lens, this book takes an innovative approach that enables a multi-faceted examination of the sixties, providing fresh perspectives on key social changes and cultural continuities.
Laurence Coupe
- Published in print:
- 2012
- Published Online:
- July 2012
- ISBN:
- 9780719071126
- eISBN:
- 9781781702079
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719071126.003.0007
- Subject:
- Literature, 20th-century and Contemporary Literature
This chapter reviews the lessons on the ‘Beat’ – or ‘beatific’ – vision that was discussed in the previous chapters. It examines the relationship between the fifties writers and the sixties ...
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This chapter reviews the lessons on the ‘Beat’ – or ‘beatific’ – vision that was discussed in the previous chapters. It examines the relationship between the fifties writers and the sixties songwriters, emphasising the power of popular song to make complex religious philosophies accessible and to make the spiritual dimension of existence seem immediate. The chapter also discusses the tensions that existed within the Beatles and Bob Dylan.Less
This chapter reviews the lessons on the ‘Beat’ – or ‘beatific’ – vision that was discussed in the previous chapters. It examines the relationship between the fifties writers and the sixties songwriters, emphasising the power of popular song to make complex religious philosophies accessible and to make the spiritual dimension of existence seem immediate. The chapter also discusses the tensions that existed within the Beatles and Bob Dylan.
Kristen Hoerl
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496817235
- eISBN:
- 9781496817273
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496817235.001.0001
- Subject:
- Film, Television and Radio, Film
Over the past four decades, a wide range of Hollywood films and television programs have referenced events and individuals associated with the 1960s counterculture, anti-war, and Black Power ...
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Over the past four decades, a wide range of Hollywood films and television programs have referenced events and individuals associated with the 1960s counterculture, anti-war, and Black Power movements. This book analyses narrative patterns and recurring character types across a wide variety of fictionalized film and television portrayals of the late sixties to illustrate how Hollywood has consistently derided and trivialized the period’s protest movements. The Bad Sixties argues that Hollywood has promulgated selective amnesia by decontextualizing spectacular events that have come to define the decade from the motives that drove dissidents. Hollywood’s consistently negative depictions of protest function rhetorically as civics lessons by placing radical dissent, including criticisms of Western imperialism, structural racism, patriarchy, and two-party politics, as outside of the boundaries of legitimate civic engagement in the United States. The book concludes that Hollywood’s vision of the bad sixties has bolstered conservative agendas since the Reagan Era with profound and troubling implications for democracy and social justice movements today.Less
Over the past four decades, a wide range of Hollywood films and television programs have referenced events and individuals associated with the 1960s counterculture, anti-war, and Black Power movements. This book analyses narrative patterns and recurring character types across a wide variety of fictionalized film and television portrayals of the late sixties to illustrate how Hollywood has consistently derided and trivialized the period’s protest movements. The Bad Sixties argues that Hollywood has promulgated selective amnesia by decontextualizing spectacular events that have come to define the decade from the motives that drove dissidents. Hollywood’s consistently negative depictions of protest function rhetorically as civics lessons by placing radical dissent, including criticisms of Western imperialism, structural racism, patriarchy, and two-party politics, as outside of the boundaries of legitimate civic engagement in the United States. The book concludes that Hollywood’s vision of the bad sixties has bolstered conservative agendas since the Reagan Era with profound and troubling implications for democracy and social justice movements today.
Patricia Appelbaum
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469623740
- eISBN:
- 9781469624990
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469623740.003.0007
- Subject:
- Religion, Religious Studies
This chapter covers the 1960s and early 1970s, a time when Francis was imagined as a hippie, a rebellious youth in search of authenticity. It shows how the early hippie movement in San Francisco, and ...
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This chapter covers the 1960s and early 1970s, a time when Francis was imagined as a hippie, a rebellious youth in search of authenticity. It shows how the early hippie movement in San Francisco, and the 1967 Summer of Love, constructed new visions of Francis from available cultural materials. It then turns to the place of Francis in a left-wing, alternative-church movement. One far-reaching statement of the hippie vision was Franco Zeffirelli’s 1973 movie Brother Sun, Sister Moon. The chapter discusses its imagery and its effects on viewers, then and since. Finally, the chapter explains the significance of Francis for the newly emerging ecology and environmentalist movements. All of the 1960s movements revived, in a new key, older questions about poverty, money, materialism, peace, nature, community, and religion.Less
This chapter covers the 1960s and early 1970s, a time when Francis was imagined as a hippie, a rebellious youth in search of authenticity. It shows how the early hippie movement in San Francisco, and the 1967 Summer of Love, constructed new visions of Francis from available cultural materials. It then turns to the place of Francis in a left-wing, alternative-church movement. One far-reaching statement of the hippie vision was Franco Zeffirelli’s 1973 movie Brother Sun, Sister Moon. The chapter discusses its imagery and its effects on viewers, then and since. Finally, the chapter explains the significance of Francis for the newly emerging ecology and environmentalist movements. All of the 1960s movements revived, in a new key, older questions about poverty, money, materialism, peace, nature, community, and religion.
Charles R. Kim
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780824855949
- eISBN:
- 9780824875602
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824855949.001.0001
- Subject:
- History, Asian History
In 1960, South Korean students staged a major series of demonstrations against their government’s abuses of power. Known as the April 19th Revolution, the movement culminated in the resignation of ...
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In 1960, South Korean students staged a major series of demonstrations against their government’s abuses of power. Known as the April 19th Revolution, the movement culminated in the resignation of authoritarian president Syngman Rhee. This book explores media and ideological texts of the post-Korean War years to advance a cultural explanation of that seminal event. It focuses on gendered discourse and ideology that positioned youths as the hope, exemplars, and representatives of the postcolonial nation. Intellectuals and ideologues urged youths to contribute to nation building by enacting patriotic virtues in the everyday. Students also learned about anticolonial resistance as a way to cultivate their nation-centered probity for the postcolonial era. With its emphasis on upstanding youth action, patriotic education of the 1950s ironically prepared students to engage in antigovernment protest on behalf of the nation in April 19th. Not long after that landmark event, however, Park Chung Hee’s coup of May 16, 1961 effected a quick return to authoritarian rule. The Park regime refigured the emphasis on everyday patriotism in order to mobilize men and women for its controversial program of rapid and uneven economic development. Conversely, memories of April 19th formed the basis of South Korea’s student-driven democratization (1964-1987).Less
In 1960, South Korean students staged a major series of demonstrations against their government’s abuses of power. Known as the April 19th Revolution, the movement culminated in the resignation of authoritarian president Syngman Rhee. This book explores media and ideological texts of the post-Korean War years to advance a cultural explanation of that seminal event. It focuses on gendered discourse and ideology that positioned youths as the hope, exemplars, and representatives of the postcolonial nation. Intellectuals and ideologues urged youths to contribute to nation building by enacting patriotic virtues in the everyday. Students also learned about anticolonial resistance as a way to cultivate their nation-centered probity for the postcolonial era. With its emphasis on upstanding youth action, patriotic education of the 1950s ironically prepared students to engage in antigovernment protest on behalf of the nation in April 19th. Not long after that landmark event, however, Park Chung Hee’s coup of May 16, 1961 effected a quick return to authoritarian rule. The Park regime refigured the emphasis on everyday patriotism in order to mobilize men and women for its controversial program of rapid and uneven economic development. Conversely, memories of April 19th formed the basis of South Korea’s student-driven democratization (1964-1987).
Malik Gaines
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781479837038
- eISBN:
- 9781479822607
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479837038.001.0001
- Subject:
- Society and Culture, Cultural Studies
Black Performance on the Outskirts of the Left uses the notion of excess—its transgression, multiplicity, and ambivalence—to consider performances of the sixties that circulated a black political ...
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Black Performance on the Outskirts of the Left uses the notion of excess—its transgression, multiplicity, and ambivalence—to consider performances of the sixties that circulated a black political discourse capable of unsettling standard understandings of race, gender, and sexuality. Following a route from the United States to West Africa, Europe, and back, these performances staged imaginative subjectivities that could not be contained by disciplinary or national boundaries. Looking broadly at performances found in music, theater, film, and everyday life, the performers considered brought Marxist political strains into contact with black expressive strategies, restaging ideas of the subject that are proposed by each tradition. Attention to their work helps illuminate the role black theatricality played in what is understood as the radical energy of the sixties, and further reveals the abilities of blackness to transform social conditions. Following a transnational route forged by W.E.B. Du Bois and other modern political actors, this book considers the ways artists negotiated at once the local, national, and diasporic frames through which race has been represented. In the works of American singer and pianist Nina Simone, Ghanaian playwrights Efua Sutherland and Ama Ata Aidoo, Afro-German actor Günther Kaufmann, and California-based performer Sylvester, shared signs of racial legacy and resistance politics are articulated with regional specificity. Further, each artist explores the ways blackness responds to gender and sexuality as it proliferates images of difference. They bring important attention to the imbrication of these conditions.Less
Black Performance on the Outskirts of the Left uses the notion of excess—its transgression, multiplicity, and ambivalence—to consider performances of the sixties that circulated a black political discourse capable of unsettling standard understandings of race, gender, and sexuality. Following a route from the United States to West Africa, Europe, and back, these performances staged imaginative subjectivities that could not be contained by disciplinary or national boundaries. Looking broadly at performances found in music, theater, film, and everyday life, the performers considered brought Marxist political strains into contact with black expressive strategies, restaging ideas of the subject that are proposed by each tradition. Attention to their work helps illuminate the role black theatricality played in what is understood as the radical energy of the sixties, and further reveals the abilities of blackness to transform social conditions. Following a transnational route forged by W.E.B. Du Bois and other modern political actors, this book considers the ways artists negotiated at once the local, national, and diasporic frames through which race has been represented. In the works of American singer and pianist Nina Simone, Ghanaian playwrights Efua Sutherland and Ama Ata Aidoo, Afro-German actor Günther Kaufmann, and California-based performer Sylvester, shared signs of racial legacy and resistance politics are articulated with regional specificity. Further, each artist explores the ways blackness responds to gender and sexuality as it proliferates images of difference. They bring important attention to the imbrication of these conditions.
Michael V. Metz
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780252042416
- eISBN:
- 9780252051258
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042416.001.0001
- Subject:
- Sociology, Social Movements and Social Change
Entering the 1960s, the University of Illinois typified “Middle America,” with its midwestern campus, middle-class enrollment, and midcentury quiescence—the unlikeliest of settings for protest, ...
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Entering the 1960s, the University of Illinois typified “Middle America,” with its midwestern campus, middle-class enrollment, and midcentury quiescence—the unlikeliest of settings for protest, rebellion, and riots in the streets. But all of that came to pass. Born of free-speech issues in the Red Scare era and nourished by anger with an unpopular war, protests grew into a general antiestablishment frustration, climaxing in a student strike and days-long violent disturbances that shut down one of the nation’s largest land-grant universities. How could this happen, here? The story is one of self-important legislators, well-intentioned administrators, a conservative citizenry, and “outside agitators,” but mostly of a minority of confident, determined, somewhat naïve students. Virtually all white, relatively privileged, raised in a postwar economic boom, believers in and embodiment of American exceptionalism, they would confront moral questions around race, justice, war, life, and death that became existential as the body count rose in Vietnam. This is the story of how those Illini students responded. No one could have predicted rebellion would happen here. But it did. These young people helped bring down one president, shamed a second, and helped lead the nation to end a wretched war. By their agency they changed history. And if such a movement could happen in such an unlikely place, who is to say that another, equally unlikely, might not happen again?Less
Entering the 1960s, the University of Illinois typified “Middle America,” with its midwestern campus, middle-class enrollment, and midcentury quiescence—the unlikeliest of settings for protest, rebellion, and riots in the streets. But all of that came to pass. Born of free-speech issues in the Red Scare era and nourished by anger with an unpopular war, protests grew into a general antiestablishment frustration, climaxing in a student strike and days-long violent disturbances that shut down one of the nation’s largest land-grant universities. How could this happen, here? The story is one of self-important legislators, well-intentioned administrators, a conservative citizenry, and “outside agitators,” but mostly of a minority of confident, determined, somewhat naïve students. Virtually all white, relatively privileged, raised in a postwar economic boom, believers in and embodiment of American exceptionalism, they would confront moral questions around race, justice, war, life, and death that became existential as the body count rose in Vietnam. This is the story of how those Illini students responded. No one could have predicted rebellion would happen here. But it did. These young people helped bring down one president, shamed a second, and helped lead the nation to end a wretched war. By their agency they changed history. And if such a movement could happen in such an unlikely place, who is to say that another, equally unlikely, might not happen again?
Alana Harris
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780719085741
- eISBN:
- 9781781706503
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719085741.001.0001
- Subject:
- History, History of Religion
Drawing upon a multi-disciplinary methodology employing diverse written sources, material practices and vivid life histories, Faith in the Family seeks to assess the impact of the Second Vatican ...
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Drawing upon a multi-disciplinary methodology employing diverse written sources, material practices and vivid life histories, Faith in the Family seeks to assess the impact of the Second Vatican Council on the ordinary believer, alongside contemporaneous shifts in British society relating to social mobility, the sixties, sexual morality, and secularisation. Chapters examine the changes in the Roman Catholic liturgy and Christology, devotion to Mary, the rosary and the place of women in the family and church, as well as the enduring (but shifting) popularity of Saints Bernadette and Thérèse. Appealing to students of modern British gender and cultural history, as well as a general readership interested in religious life in Britain in the second half of the twentieth century, Faith in the Family illustrates that despite unmistakable differences in their cultural accoutrements and interpretations of Catholicism, English Catholics continued to identify with and practise the ‘Faith of Our Fathers’ before and after Vatican II.Less
Drawing upon a multi-disciplinary methodology employing diverse written sources, material practices and vivid life histories, Faith in the Family seeks to assess the impact of the Second Vatican Council on the ordinary believer, alongside contemporaneous shifts in British society relating to social mobility, the sixties, sexual morality, and secularisation. Chapters examine the changes in the Roman Catholic liturgy and Christology, devotion to Mary, the rosary and the place of women in the family and church, as well as the enduring (but shifting) popularity of Saints Bernadette and Thérèse. Appealing to students of modern British gender and cultural history, as well as a general readership interested in religious life in Britain in the second half of the twentieth century, Faith in the Family illustrates that despite unmistakable differences in their cultural accoutrements and interpretations of Catholicism, English Catholics continued to identify with and practise the ‘Faith of Our Fathers’ before and after Vatican II.
A.G. Noorani
- Published in print:
- 2006
- Published Online:
- October 2012
- ISBN:
- 9780195678291
- eISBN:
- 9780199080588
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195678291.003.0068
- Subject:
- Law, Constitutional and Administrative Law
This chapter discusses the reasons for the decline in the prestige of the judiciary since the introduction of the present system of judicial administration by the British. One of the big factors ...
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This chapter discusses the reasons for the decline in the prestige of the judiciary since the introduction of the present system of judicial administration by the British. One of the big factors contributing to this decline is the process of appointing the judges. It gives the example of Mr. K. N. Srivastava's appointment as a judge of the Guwahati High Court, which was challenged by Mr. Padma Prasad on the grounds that Srivastava not only lacked the required qualifications but had also been charged with misusing public funds. The chapter also examines the provision of mandatory 'consultation', with the chief justice of India and, optionally, with such judges of the Supreme Court and the high courts as the president may deem necessary for the purpose. Unfortunately, this check has not acted as sufficient safeguard. The chapter ends by looking at the Constitution Sixty-seventh Amendment Bill introduced in Parliament on 18 May 1990 by Mr Dinesh Goswami. The bill sought to establish a National Judicial Commission and to curb the power of transferring high court judges.Less
This chapter discusses the reasons for the decline in the prestige of the judiciary since the introduction of the present system of judicial administration by the British. One of the big factors contributing to this decline is the process of appointing the judges. It gives the example of Mr. K. N. Srivastava's appointment as a judge of the Guwahati High Court, which was challenged by Mr. Padma Prasad on the grounds that Srivastava not only lacked the required qualifications but had also been charged with misusing public funds. The chapter also examines the provision of mandatory 'consultation', with the chief justice of India and, optionally, with such judges of the Supreme Court and the high courts as the president may deem necessary for the purpose. Unfortunately, this check has not acted as sufficient safeguard. The chapter ends by looking at the Constitution Sixty-seventh Amendment Bill introduced in Parliament on 18 May 1990 by Mr Dinesh Goswami. The bill sought to establish a National Judicial Commission and to curb the power of transferring high court judges.
Celia Hughes
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780719091940
- eISBN:
- 9781781708989
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091940.001.0001
- Subject:
- Political Science, Political Theory
Young Lives on the Left is a unique social history of the individual lives of men and women who came of age in radical left circles in the 1960s. Based on a rich collection of oral history ...
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Young Lives on the Left is a unique social history of the individual lives of men and women who came of age in radical left circles in the 1960s. Based on a rich collection of oral history interviews, the book follows in-depth approximately twenty individuals, tracing the experience of activist self-making from child to adulthood. Their voices tell a particular story about the shaping of the English post-war self. Championing the oppressed in struggle, the young activists who developed the personal politics of the early 1970s grew up in a post-war society which offered an ever-increasing range of possibilities for constructing and experiencing the self. Yet, for many of these men and women the inadequacy of the social, political and cultural constructions available for social identity propelled their journeys on the left. The creation of new left spaces represented the quest for a construction of self that could accommodate the range of contradictions concerning class, gender, religion, race and sexuality that young activists experienced growing up in the post-war landscape. An important contribution to the global histories of 1968, the book explores untold stories of English activist life, examining how political experiences, social attitudes and behaviour of this group of social actors (as teenagers, apprentices and undergraduates) were shaped in the changing social, educational and cultural landscape of post-war English society. The final chapters include attention to the social and emotional impact of Women’s Liberation on the left, as told from the perspective of women and men inside the early movement.Less
Young Lives on the Left is a unique social history of the individual lives of men and women who came of age in radical left circles in the 1960s. Based on a rich collection of oral history interviews, the book follows in-depth approximately twenty individuals, tracing the experience of activist self-making from child to adulthood. Their voices tell a particular story about the shaping of the English post-war self. Championing the oppressed in struggle, the young activists who developed the personal politics of the early 1970s grew up in a post-war society which offered an ever-increasing range of possibilities for constructing and experiencing the self. Yet, for many of these men and women the inadequacy of the social, political and cultural constructions available for social identity propelled their journeys on the left. The creation of new left spaces represented the quest for a construction of self that could accommodate the range of contradictions concerning class, gender, religion, race and sexuality that young activists experienced growing up in the post-war landscape. An important contribution to the global histories of 1968, the book explores untold stories of English activist life, examining how political experiences, social attitudes and behaviour of this group of social actors (as teenagers, apprentices and undergraduates) were shaped in the changing social, educational and cultural landscape of post-war English society. The final chapters include attention to the social and emotional impact of Women’s Liberation on the left, as told from the perspective of women and men inside the early movement.
Des O’Rawe
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719099663
- eISBN:
- 9781526104137
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099663.003.0004
- Subject:
- Film, Television and Radio, Film
This chapter elaborates on the role of various modern visual arts in the documentary filmmaking of Johan van der Keuken – especially, painting and photography. The cross-section of Van der Keuken’s ...
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This chapter elaborates on the role of various modern visual arts in the documentary filmmaking of Johan van der Keuken – especially, painting and photography. The cross-section of Van der Keuken’s work examined in the chapter deals with issues ranging from the enduring legacy of WW2 to the filmmaker’s experiences as a cancer sufferer, the Siege of Sarajevo to the surreal world of To Sang’s photographic studio in Amsterdam. In each case, the chapter examines how such films extend – and often, subvert – conventional documentary frames of reference in their attempts to transcend the problem of rendering a reality that is always elusive, and a representation that is always inadequate.Less
This chapter elaborates on the role of various modern visual arts in the documentary filmmaking of Johan van der Keuken – especially, painting and photography. The cross-section of Van der Keuken’s work examined in the chapter deals with issues ranging from the enduring legacy of WW2 to the filmmaker’s experiences as a cancer sufferer, the Siege of Sarajevo to the surreal world of To Sang’s photographic studio in Amsterdam. In each case, the chapter examines how such films extend – and often, subvert – conventional documentary frames of reference in their attempts to transcend the problem of rendering a reality that is always elusive, and a representation that is always inadequate.
Des O’Rawe
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719099663
- eISBN:
- 9781526104137
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099663.003.0006
- Subject:
- Film, Television and Radio, Film
This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual ...
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This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual art forms. Godard's projects during this period – especially, his film maudit, One Plus One – are characterised by a series of investigations into, and subversions of, the conventions of the documentary, especially in relation to television journalism and news coverage, where an increasingly stylised form of reportage-realism articulated the mass media's antagonism towards the cause of the students, strikers, and activists.Less
This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual art forms. Godard's projects during this period – especially, his film maudit, One Plus One – are characterised by a series of investigations into, and subversions of, the conventions of the documentary, especially in relation to television journalism and news coverage, where an increasingly stylised form of reportage-realism articulated the mass media's antagonism towards the cause of the students, strikers, and activists.
Des O’Rawe
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719099663
- eISBN:
- 9781526104137
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099663.003.0008
- Subject:
- Film, Television and Radio, Film
This chapter discusses Hiroshi Teshigahara's documentaries, especially his 1985 film, Antonio Gaudí. The chapter examines how that film elucidates instances of convergence between documentary ...
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This chapter discusses Hiroshi Teshigahara's documentaries, especially his 1985 film, Antonio Gaudí. The chapter examines how that film elucidates instances of convergence between documentary filmmaking and architecture. Although Teshigahara's Woman in the Dunes (1964) secured his international reputation as a major figure of the Japanese New Wave, filmmaking only constituted one facet of his artistic activities, and he was – like his father, the head of the famed Sōgetsu School in Tokyo – an accomplished sculptor, ceramist, calligrapher, and landscape designer. In making a film devoted to Gaudí's work, the chapter argues that Teshigahara was not only exploring the curious affinity between Japanese ikebana (floral art) and Catalan moderisme, but he was also elaborating an aesthetics of documentary deeply influenced by other visual arts.Less
This chapter discusses Hiroshi Teshigahara's documentaries, especially his 1985 film, Antonio Gaudí. The chapter examines how that film elucidates instances of convergence between documentary filmmaking and architecture. Although Teshigahara's Woman in the Dunes (1964) secured his international reputation as a major figure of the Japanese New Wave, filmmaking only constituted one facet of his artistic activities, and he was – like his father, the head of the famed Sōgetsu School in Tokyo – an accomplished sculptor, ceramist, calligrapher, and landscape designer. In making a film devoted to Gaudí's work, the chapter argues that Teshigahara was not only exploring the curious affinity between Japanese ikebana (floral art) and Catalan moderisme, but he was also elaborating an aesthetics of documentary deeply influenced by other visual arts.
George F. Flaherty
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291065
- eISBN:
- 9780520964938
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291065.001.0001
- Subject:
- History, Latin American History
In 1968 a street and media-savvy democratization movement led by students emerged in Mexico City. The 68 Movement was targeted in a state-sponsored massacre at a massive new housing complex ten days ...
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In 1968 a street and media-savvy democratization movement led by students emerged in Mexico City. The 68 Movement was targeted in a state-sponsored massacre at a massive new housing complex ten days before the city hosted the Olympic Games. Both the complex and the mega event were symbols of the country’s rapid modernization but also decades-long political disenfranchisement and urban redevelopment that rendered citizens “guests” of the government and its allies. In spite of institutional denial, censorship and impunity, the massacre remains a touchstone in contemporary public culture thanks to the public memory work of survivors and narrators among Mexico’s intelligentsia. Hotel Mexico asks: How was urban space—material but also literary and cinematic—harnessed as a recalcitrant archive of 1968 and continues to serve as a framework for de facto modes of justice. The 68 Movement’s imaginary and tactics are interwoven and compared with other efforts, both official and countercultural, to reevaluate or renew Mexico’s post-revolutionary modernity: in architecture, urbanism, literature, visual arts, and film—among them, Mario Pani’s housing complex Nonoalco-Tlatelolco (1958–64), kinetic environments created for the 1968 Olympics, and David Alfaro Siqueiros last major mural, The March of Humanity (1964–71).Less
In 1968 a street and media-savvy democratization movement led by students emerged in Mexico City. The 68 Movement was targeted in a state-sponsored massacre at a massive new housing complex ten days before the city hosted the Olympic Games. Both the complex and the mega event were symbols of the country’s rapid modernization but also decades-long political disenfranchisement and urban redevelopment that rendered citizens “guests” of the government and its allies. In spite of institutional denial, censorship and impunity, the massacre remains a touchstone in contemporary public culture thanks to the public memory work of survivors and narrators among Mexico’s intelligentsia. Hotel Mexico asks: How was urban space—material but also literary and cinematic—harnessed as a recalcitrant archive of 1968 and continues to serve as a framework for de facto modes of justice. The 68 Movement’s imaginary and tactics are interwoven and compared with other efforts, both official and countercultural, to reevaluate or renew Mexico’s post-revolutionary modernity: in architecture, urbanism, literature, visual arts, and film—among them, Mario Pani’s housing complex Nonoalco-Tlatelolco (1958–64), kinetic environments created for the 1968 Olympics, and David Alfaro Siqueiros last major mural, The March of Humanity (1964–71).
Natsu Taylor Saito
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780814723944
- eISBN:
- 9780814708170
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814723944.003.0002
- Subject:
- Law, Comparative Law
In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, ...
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In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, education, employment, health, housing, and incarceration remain entrenched. In addition, we have seen a resurgence of overt White supremacy following the election of President Trump. This chapter considers the potential of movements like Black Lives Matter and the Standing Rock water protectors in light of the experiences of the Black Panther Party, the American Indian Movement, and other efforts at community empowerment in the “long sixties.”Less
In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, education, employment, health, housing, and incarceration remain entrenched. In addition, we have seen a resurgence of overt White supremacy following the election of President Trump. This chapter considers the potential of movements like Black Lives Matter and the Standing Rock water protectors in light of the experiences of the Black Panther Party, the American Indian Movement, and other efforts at community empowerment in the “long sixties.”
