Machiko Ishikawa
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781501751943
- eISBN:
- 9781501751967
- Item type:
- book
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9781501751943.001.0001
- Subject:
- Society and Culture, Asian Studies
How can the “voiceless” voice be represented? This primary question underpins this book's analysis of selected works by Buraku writer, Nakagami Kenji (1946–1992). In spite of his Buraku background, ...
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How can the “voiceless” voice be represented? This primary question underpins this book's analysis of selected works by Buraku writer, Nakagami Kenji (1946–1992). In spite of his Buraku background, Nakagami's privilege as a writer made it difficult for him to “hear” and “represent” those voices silenced by mainstream social structures in Japan. This “paradox of representing the silenced voice” is the key theme of the book. Gayatri Spivak theorizes the (im)possibility of representing the voice of “subalterns,” those oppressed by imperialism, patriarchy, and heteronomativity. Arguing for Burakumin as Japan's “subalterns,” the book draws on Spivak to analyze Nakagami's texts. The first half of the book revisits the theme of the transgressive Burakumin man. This section includes analysis of a seldom discussed narrative of a violent man and his silenced wife. The second half of the book focuses on the rarely heard voices of Burakumin women from the Kiyuki trilogy. Satoko, the prostitute, unknowingly commits incest with her half-brother, Akiyuki. The aged Yuki sacrifices her youth in a brothel to feed her fatherless family. The mute Moyo remains traumatized by rape. The author's close reading of Nakagami's representation of the silenced voices of these sexually stigmatized women is this book's unique contribution to Nakagami scholarship.Less
How can the “voiceless” voice be represented? This primary question underpins this book's analysis of selected works by Buraku writer, Nakagami Kenji (1946–1992). In spite of his Buraku background, Nakagami's privilege as a writer made it difficult for him to “hear” and “represent” those voices silenced by mainstream social structures in Japan. This “paradox of representing the silenced voice” is the key theme of the book. Gayatri Spivak theorizes the (im)possibility of representing the voice of “subalterns,” those oppressed by imperialism, patriarchy, and heteronomativity. Arguing for Burakumin as Japan's “subalterns,” the book draws on Spivak to analyze Nakagami's texts. The first half of the book revisits the theme of the transgressive Burakumin man. This section includes analysis of a seldom discussed narrative of a violent man and his silenced wife. The second half of the book focuses on the rarely heard voices of Burakumin women from the Kiyuki trilogy. Satoko, the prostitute, unknowingly commits incest with her half-brother, Akiyuki. The aged Yuki sacrifices her youth in a brothel to feed her fatherless family. The mute Moyo remains traumatized by rape. The author's close reading of Nakagami's representation of the silenced voices of these sexually stigmatized women is this book's unique contribution to Nakagami scholarship.
Ayelet Harel-Shalev and Shir Daphna-Tekoah
- Published in print:
- 2020
- Published Online:
- November 2019
- ISBN:
- 9780190072582
- eISBN:
- 9780190072612
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190072582.003.0003
- Subject:
- Political Science, International Relations and Politics, Political Economy
Chapter 3 contributes to the analysis of women’s security and insecurity by paying attention to the multiple voices of the combat veteran. Carol Gilligan’s “Listening Guide” is applied as a platform ...
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Chapter 3 contributes to the analysis of women’s security and insecurity by paying attention to the multiple voices of the combat veteran. Carol Gilligan’s “Listening Guide” is applied as a platform for evaluating the experiences of women soldiers. The chapter thus presents another deconstruction of binary perceptions in research epistemology through disaggregating the voices and silences of women combat veterans. The combatants’ narratives bring to light their gendered and political reflections about their military service and the political and armed conflict that surrounds them. By tuning in and listening to distinct aspects of their narratives regarding their experiences, the analysis shows that most of the ex-combatants indicated that their service had been an important milestone that changed their lives for the better and made them more mature and confident. While some of them were critical of the political leadership, most chose to discuss only personal, gendered, and social experiences.Less
Chapter 3 contributes to the analysis of women’s security and insecurity by paying attention to the multiple voices of the combat veteran. Carol Gilligan’s “Listening Guide” is applied as a platform for evaluating the experiences of women soldiers. The chapter thus presents another deconstruction of binary perceptions in research epistemology through disaggregating the voices and silences of women combat veterans. The combatants’ narratives bring to light their gendered and political reflections about their military service and the political and armed conflict that surrounds them. By tuning in and listening to distinct aspects of their narratives regarding their experiences, the analysis shows that most of the ex-combatants indicated that their service had been an important milestone that changed their lives for the better and made them more mature and confident. While some of them were critical of the political leadership, most chose to discuss only personal, gendered, and social experiences.
Paul Crowther
- Published in print:
- 2001
- Published Online:
- October 2011
- ISBN:
- 9780199244973
- eISBN:
- 9780191697425
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199244973.003.0007
- Subject:
- Philosophy, Aesthetics
This chapter discusses Merleau-Ponty's theory of painting, outlined in his final published paper, ‘Eye and Mind’ (1961). The theory embodies some of the crucial changes which had taken place in his ...
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This chapter discusses Merleau-Ponty's theory of painting, outlined in his final published paper, ‘Eye and Mind’ (1961). The theory embodies some of the crucial changes which had taken place in his overall philosophical position since The Phenomenology of Perception (1945). Section I traces the development of Merleau-Ponty's overall philosophical position, and Section II relates it to the development of his theory of painting as exemplified in the essays ‘Cezanne's Doubt’ (1945), ‘Indirect Language and the Voices of Silence’ (1952), and ‘Eye and Mind’. Section III evaluates Merleau-Ponty's theory of painting, and argues that whilst ‘Eye and Mind’ offers acute insights into the links between vision and painting, it needs to be supplemented by a development of some of the points made in his earlier work.Less
This chapter discusses Merleau-Ponty's theory of painting, outlined in his final published paper, ‘Eye and Mind’ (1961). The theory embodies some of the crucial changes which had taken place in his overall philosophical position since The Phenomenology of Perception (1945). Section I traces the development of Merleau-Ponty's overall philosophical position, and Section II relates it to the development of his theory of painting as exemplified in the essays ‘Cezanne's Doubt’ (1945), ‘Indirect Language and the Voices of Silence’ (1952), and ‘Eye and Mind’. Section III evaluates Merleau-Ponty's theory of painting, and argues that whilst ‘Eye and Mind’ offers acute insights into the links between vision and painting, it needs to be supplemented by a development of some of the points made in his earlier work.
Machiko Ishikawa
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781501751943
- eISBN:
- 9781501751967
- Item type:
- chapter
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9781501751943.003.0002
- Subject:
- Society and Culture, Asian Studies
This chapter sets out to clarify the paradox of representing the silenced subaltern voice. It appropriates an aspect of Gayatri Spivak's scholarship that creates possibilities for a new reading of ...
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This chapter sets out to clarify the paradox of representing the silenced subaltern voice. It appropriates an aspect of Gayatri Spivak's scholarship that creates possibilities for a new reading of Nakagami. Before arguing Spivak's view, the chapter presents background information about Kishū Kumano (Japan's marginalized South) by referring to Nakagami's essays, interviews, and travel journals. It examines Spivak's critique of ideology, hegemony, the subaltern, and her discussion on the role of the intellectual. Based on these ideas of the “intellectual,” the chapter investigates Nakagami's ambivalence about his role as a member of the silenced Burakumin community who is nevertheless privileged as a “person who has (written) language.” The challenges inherent in the act of representation are investigated by reading Marx's interpretation of this issue, in addition to the ideas of more contemporary theorists such as Spivak and Karatani. The chapter concludes with an analysis of an example of Nakagami's representation of the voices of mukoku Kumano Burakumin from the 1978 travel journal Kishū.Less
This chapter sets out to clarify the paradox of representing the silenced subaltern voice. It appropriates an aspect of Gayatri Spivak's scholarship that creates possibilities for a new reading of Nakagami. Before arguing Spivak's view, the chapter presents background information about Kishū Kumano (Japan's marginalized South) by referring to Nakagami's essays, interviews, and travel journals. It examines Spivak's critique of ideology, hegemony, the subaltern, and her discussion on the role of the intellectual. Based on these ideas of the “intellectual,” the chapter investigates Nakagami's ambivalence about his role as a member of the silenced Burakumin community who is nevertheless privileged as a “person who has (written) language.” The challenges inherent in the act of representation are investigated by reading Marx's interpretation of this issue, in addition to the ideas of more contemporary theorists such as Spivak and Karatani. The chapter concludes with an analysis of an example of Nakagami's representation of the voices of mukoku Kumano Burakumin from the 1978 travel journal Kishū.
Larbi Sadiki
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780199562985
- eISBN:
- 9780191721182
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199562985.001.0001
- Subject:
- Political Science, Comparative Politics, Democratization
This book unpacks and historicizes the rise of Arab electoralism, narrating the story of stalled democratic transition in the Arab Middle East. It provides a balance sheet of the state of Arab ...
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This book unpacks and historicizes the rise of Arab electoralism, narrating the story of stalled democratic transition in the Arab Middle East. It provides a balance sheet of the state of Arab democratization from the mid-1970s up to 2008. In seeking to answer the question of how Arab countries democratize and whether they are democratizing at all, the book pays attention to specificity, highlighting the peculiarities of democratic transitions in the Arab Middle East. To this end, it situates the discussion of such transitions firmly within their local contexts, but without losing sight of the global picture, namely, the US drive to control and ‘democratize’ the Arab World. The book rejects ‘exceptionalism’, ‘foundationalism’, and ‘Orientalism’, by showing that the Arab World is not immured from the global trend towards political liberalization. But by identifying new trends in Arab democratic transitions, highlighting their peculiarities, and drawing on Arab neglected discourses and voices, the book pinpoints the contingency of some of the arguments underlying Western theories of democratic transition when applied to the Arab setting.Less
This book unpacks and historicizes the rise of Arab electoralism, narrating the story of stalled democratic transition in the Arab Middle East. It provides a balance sheet of the state of Arab democratization from the mid-1970s up to 2008. In seeking to answer the question of how Arab countries democratize and whether they are democratizing at all, the book pays attention to specificity, highlighting the peculiarities of democratic transitions in the Arab Middle East. To this end, it situates the discussion of such transitions firmly within their local contexts, but without losing sight of the global picture, namely, the US drive to control and ‘democratize’ the Arab World. The book rejects ‘exceptionalism’, ‘foundationalism’, and ‘Orientalism’, by showing that the Arab World is not immured from the global trend towards political liberalization. But by identifying new trends in Arab democratic transitions, highlighting their peculiarities, and drawing on Arab neglected discourses and voices, the book pinpoints the contingency of some of the arguments underlying Western theories of democratic transition when applied to the Arab setting.
Anne Whitehead
- Published in print:
- 2004
- Published Online:
- March 2012
- ISBN:
- 9780748618576
- eISBN:
- 9780748651726
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748618576.003.0004
- Subject:
- Literature, 20th-century and Contemporary Literature
This chapter examines intertextuality, which can also suggest a literary precedent that threatens to influence the actions of a character in the present. It studies two narratives that reference ...
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This chapter examines intertextuality, which can also suggest a literary precedent that threatens to influence the actions of a character in the present. It studies two narratives that reference Shakespeare's Othello and Henry James's The Turn of the Screw. The chapter discusses trauma fiction, which overlaps with postcolonial fiction in its use of intertextuality in order to allow previously silenced voices to tell their own story. It concludes that the intertextual recovery of formerly marginalised voices signals the ethical dimension of trauma fiction, which records and witnesses those that are ‘forgotten’ or overlooked in the narrative of history.Less
This chapter examines intertextuality, which can also suggest a literary precedent that threatens to influence the actions of a character in the present. It studies two narratives that reference Shakespeare's Othello and Henry James's The Turn of the Screw. The chapter discusses trauma fiction, which overlaps with postcolonial fiction in its use of intertextuality in order to allow previously silenced voices to tell their own story. It concludes that the intertextual recovery of formerly marginalised voices signals the ethical dimension of trauma fiction, which records and witnesses those that are ‘forgotten’ or overlooked in the narrative of history.
Kate C. McLean
- Published in print:
- 2015
- Published Online:
- October 2015
- ISBN:
- 9780199995745
- eISBN:
- 9780190280475
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199995745.003.0006
- Subject:
- Psychology, Developmental Psychology, Social Psychology
This chapter addresses the stories that parents tell and do not tell their children about their own personal experiences. The focus is on how part of the narrative ecology is built through the ...
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This chapter addresses the stories that parents tell and do not tell their children about their own personal experiences. The focus is on how part of the narrative ecology is built through the inclusion of other’s people's stories. Parental identity and the reasons for telling stories and keeping stories to one’s self are discussed, as well as developmental issues around disclosure.Less
This chapter addresses the stories that parents tell and do not tell their children about their own personal experiences. The focus is on how part of the narrative ecology is built through the inclusion of other’s people's stories. Parental identity and the reasons for telling stories and keeping stories to one’s self are discussed, as well as developmental issues around disclosure.
