Efrossini Spentzou
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780199255689
- eISBN:
- 9780191719608
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199255689.003.0007
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
This chapter explores the Heroides as short stories. It addresses aspects of brevity that involve more than Quellenforschung; brevity, as envisaged here, works as a catalyst that sets off a complex ...
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This chapter explores the Heroides as short stories. It addresses aspects of brevity that involve more than Quellenforschung; brevity, as envisaged here, works as a catalyst that sets off a complex war of supremacy within the collection. The heroines' short stories reveal the heroines' daring protest against the mega-narratives of the past, but their fervent rhetoric also encompasses their creator.Less
This chapter explores the Heroides as short stories. It addresses aspects of brevity that involve more than Quellenforschung; brevity, as envisaged here, works as a catalyst that sets off a complex war of supremacy within the collection. The heroines' short stories reveal the heroines' daring protest against the mega-narratives of the past, but their fervent rhetoric also encompasses their creator.
Bradley J. Birzer
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780813166186
- eISBN:
- 9780813166643
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813166186.003.0008
- Subject:
- Political Science, American Politics
Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk ...
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Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk began to write a series of profitable short stories for periodicals. He published his first novel, Old House of Fear, in 1961 and continued to publish his fiction until the end of his life. Most of his stories deals with theological issues as well as issues of place and region.Less
Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk began to write a series of profitable short stories for periodicals. He published his first novel, Old House of Fear, in 1961 and continued to publish his fiction until the end of his life. Most of his stories deals with theological issues as well as issues of place and region.
TIM FARRANT
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780198151975
- eISBN:
- 9780191710247
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198151975.003.0001
- Subject:
- Literature, European Literature
This introductory chapter begins with a discussion of the purpose of this book, which is to explore Balzac's short stories in the light of their genesis, as individual fictional entities, in relation ...
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This introductory chapter begins with a discussion of the purpose of this book, which is to explore Balzac's short stories in the light of their genesis, as individual fictional entities, in relation to others, and in the context of his work's overall development. Short stories make up over half La Comédie humaine, in addition to the thirty published Contes drolatiques, and scores of other narratives and newspaper articles. Balzac's writing career began with short fiction — the first trace of narrative in his work is an anecdote — and ended with it, to all intents and purposes, in what are vastly expanded stories, Le Cousin Pons and La Cousine Bette.Less
This introductory chapter begins with a discussion of the purpose of this book, which is to explore Balzac's short stories in the light of their genesis, as individual fictional entities, in relation to others, and in the context of his work's overall development. Short stories make up over half La Comédie humaine, in addition to the thirty published Contes drolatiques, and scores of other narratives and newspaper articles. Balzac's writing career began with short fiction — the first trace of narrative in his work is an anecdote — and ended with it, to all intents and purposes, in what are vastly expanded stories, Le Cousin Pons and La Cousine Bette.
Andrew Bennett
- Published in print:
- 2009
- Published Online:
- July 2012
- ISBN:
- 9780719074875
- eISBN:
- 9781781702420
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719074875.003.0007
- Subject:
- Literature, Criticism/Theory
This chapter considers the problem of literary ignorance using the perspective of the nature of narrative form. It studies the narrative form of Joseph Conrad's short stories, and suggests that a ...
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This chapter considers the problem of literary ignorance using the perspective of the nature of narrative form. It studies the narrative form of Joseph Conrad's short stories, and suggests that a literary agnoiology would be partly able to account for the problem of Conrad's fiction and its relation to his life. The chapter notes that the inability to see – which is, in this sense, nescience – is natural not only to the thematics of Conrad's ‘short’ fiction and to his life, but also to the process of composition, the nature of short-story writing and to Conrad's poetics of the short and long story.Less
This chapter considers the problem of literary ignorance using the perspective of the nature of narrative form. It studies the narrative form of Joseph Conrad's short stories, and suggests that a literary agnoiology would be partly able to account for the problem of Conrad's fiction and its relation to his life. The chapter notes that the inability to see – which is, in this sense, nescience – is natural not only to the thematics of Conrad's ‘short’ fiction and to his life, but also to the process of composition, the nature of short-story writing and to Conrad's poetics of the short and long story.
Jakob Lothe
- Published in print:
- 1991
- Published Online:
- October 2011
- ISBN:
- 9780198122555
- eISBN:
- 9780191671463
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198122555.003.0004
- Subject:
- Literature, 20th-century Literature and Modernism, European Literature
This chapter focuses on Joseph Conrad's short story ‘The Secret Sharer’. The thematic tendency of Conrad criticism is evident in several of the most influential essays about ‘The Secret Sharer’. Such ...
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This chapter focuses on Joseph Conrad's short story ‘The Secret Sharer’. The thematic tendency of Conrad criticism is evident in several of the most influential essays about ‘The Secret Sharer’. Such discussions frequently employ terms such as ‘parable’, ‘archetype’, ‘symbol'/symbolic’, and ‘psychological’. The purpose of this chapter is to identify the main narrative characteristics and peculiarities of ‘The Secret Sharer’, to attempt to discern essential thematic functions of these characteristics, and to indicate how the ambiguous thematic of the short story is shaped through its interplay of narrative devices, functions, and effects. As one of Conrad's densest stories, ‘The Secret Sharer’ illustrates well his ability to use not only authorial but also personal narrative to achiever thematic pregnancy through textual concentration.Less
This chapter focuses on Joseph Conrad's short story ‘The Secret Sharer’. The thematic tendency of Conrad criticism is evident in several of the most influential essays about ‘The Secret Sharer’. Such discussions frequently employ terms such as ‘parable’, ‘archetype’, ‘symbol'/symbolic’, and ‘psychological’. The purpose of this chapter is to identify the main narrative characteristics and peculiarities of ‘The Secret Sharer’, to attempt to discern essential thematic functions of these characteristics, and to indicate how the ambiguous thematic of the short story is shaped through its interplay of narrative devices, functions, and effects. As one of Conrad's densest stories, ‘The Secret Sharer’ illustrates well his ability to use not only authorial but also personal narrative to achiever thematic pregnancy through textual concentration.
Jakob Lothe
- Published in print:
- 1991
- Published Online:
- October 2011
- ISBN:
- 9780198122555
- eISBN:
- 9780191671463
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198122555.003.0005
- Subject:
- Literature, 20th-century Literature and Modernism, European Literature
This chapter deals with Joseph Conrad's short story ‘The Tale’. While both ‘An Outpost of Progress’ and ‘The Secret Sharer’ definitely rank among the masterpieces of Conrad's short fiction, the ...
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This chapter deals with Joseph Conrad's short story ‘The Tale’. While both ‘An Outpost of Progress’ and ‘The Secret Sharer’ definitely rank among the masterpieces of Conrad's short fiction, the status of ‘The Tale’ is more uncertain. The narrative method of ‘The Tale’ is exceptionally sophisticated considering it comes from late Conrad, contrasting with that of ‘Prince Roman’. This simplicity becomes understandable if one considers how closely the story of Prince Roman resembles the passage in A Personal Record which recounts how Conrad as a child met, and was deeply impressed by, Prince Roman Sanguszko. If the combination of personal recollection and Polish setting and main character is connected with the story's narrative simplicity, then one explanation of this simplicity might be regard it as a manifestation of Conrad's lasting need for distance from his fictional material.Less
This chapter deals with Joseph Conrad's short story ‘The Tale’. While both ‘An Outpost of Progress’ and ‘The Secret Sharer’ definitely rank among the masterpieces of Conrad's short fiction, the status of ‘The Tale’ is more uncertain. The narrative method of ‘The Tale’ is exceptionally sophisticated considering it comes from late Conrad, contrasting with that of ‘Prince Roman’. This simplicity becomes understandable if one considers how closely the story of Prince Roman resembles the passage in A Personal Record which recounts how Conrad as a child met, and was deeply impressed by, Prince Roman Sanguszko. If the combination of personal recollection and Polish setting and main character is connected with the story's narrative simplicity, then one explanation of this simplicity might be regard it as a manifestation of Conrad's lasting need for distance from his fictional material.
Keith Gandal
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195338911
- eISBN:
- 9780199867127
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195338911.003.0006
- Subject:
- Literature, Criticism/Theory, American, 20th Century Literature
These three authors, although compulsively writing out of a distress engendered by their “mobilization wounds,” learned by the time of writing their twenties masterpieces to submerge and transfigure ...
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These three authors, although compulsively writing out of a distress engendered by their “mobilization wounds,” learned by the time of writing their twenties masterpieces to submerge and transfigure this pain so as not to embarrass themselves with the revelation of their sense of inadequacy. All three had produced previous texts that openly address Anglo characters' humiliations in the military and so come off as bitter. The high modernism of Gatsby, Sun, A Farewell to Arms, and Sound, with its symbolism and its sense of tragedy (as opposed to bitterness), is a result of these authors developing the devices that allow them to disguise their mobilization traumas and thus to continue to exorcise them, but now obliquely. In Hemingway's and Faulkner's novels, “objective” sexual obstacles (injury, incest taboo) stand in for the military rejection that emasculated these Anglo authors, disguising and transfiguring it. Hemingway and Faulkner dignified the suffering of their Anglo alter egos by making their true loves impossible; Fitzgerald's alternative strategy for dignifying his sense of rejection was to split himself between two alter egos — one Anglo American and one ethnic American — and to give the experience of social rejection to a tragic character based only minimally on himself, namely, Gatsby.Less
These three authors, although compulsively writing out of a distress engendered by their “mobilization wounds,” learned by the time of writing their twenties masterpieces to submerge and transfigure this pain so as not to embarrass themselves with the revelation of their sense of inadequacy. All three had produced previous texts that openly address Anglo characters' humiliations in the military and so come off as bitter. The high modernism of Gatsby, Sun, A Farewell to Arms, and Sound, with its symbolism and its sense of tragedy (as opposed to bitterness), is a result of these authors developing the devices that allow them to disguise their mobilization traumas and thus to continue to exorcise them, but now obliquely. In Hemingway's and Faulkner's novels, “objective” sexual obstacles (injury, incest taboo) stand in for the military rejection that emasculated these Anglo authors, disguising and transfiguring it. Hemingway and Faulkner dignified the suffering of their Anglo alter egos by making their true loves impossible; Fitzgerald's alternative strategy for dignifying his sense of rejection was to split himself between two alter egos — one Anglo American and one ethnic American — and to give the experience of social rejection to a tragic character based only minimally on himself, namely, Gatsby.
Meenakshi Mukherjee
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780198075936
- eISBN:
- 9780199081851
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198075936.003.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
Of Satyajit Ray's thirty feature films, twenty-three were based on fiction written by well-known writers. This chapter examines Ray's film adaptations of short stories by Rabindranath Tagore and ...
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Of Satyajit Ray's thirty feature films, twenty-three were based on fiction written by well-known writers. This chapter examines Ray's film adaptations of short stories by Rabindranath Tagore and Premchand to identify a pattern in his changing relationship with the original literary texts. It looks at Ray's evolution as a director and his responses to criticisms of his early films in the pages of well-known periodicals such as Desh and Parichay. As a filmmaker who engaged in film adaptation, Ray always took liberties with the original story, claiming that these changes were inevitable, that they reflected a change in perspective due to the time lag between the published story and its film version, or that they had to be done in order to tighten and improve the narrative. This chapter presents a close reading of two of Ray's films, Charulata (1964) and Shatranj Ke Khiladi (1977).Less
Of Satyajit Ray's thirty feature films, twenty-three were based on fiction written by well-known writers. This chapter examines Ray's film adaptations of short stories by Rabindranath Tagore and Premchand to identify a pattern in his changing relationship with the original literary texts. It looks at Ray's evolution as a director and his responses to criticisms of his early films in the pages of well-known periodicals such as Desh and Parichay. As a filmmaker who engaged in film adaptation, Ray always took liberties with the original story, claiming that these changes were inevitable, that they reflected a change in perspective due to the time lag between the published story and its film version, or that they had to be done in order to tighten and improve the narrative. This chapter presents a close reading of two of Ray's films, Charulata (1964) and Shatranj Ke Khiladi (1977).
Jeremy Tambling
- Published in print:
- 2007
- Published Online:
- September 2011
- ISBN:
- 9789622098244
- eISBN:
- 9789882207158
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622098244.003.0001
- Subject:
- Literature, World Literature
This book is not a complete study of Lu Xun, but only of his short stories, those which were written between 1918 and the end of 1925, which appeared first in magazines in Beijing and Shanghai. ...
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This book is not a complete study of Lu Xun, but only of his short stories, those which were written between 1918 and the end of 1925, which appeared first in magazines in Beijing and Shanghai. Reprinted in two books, translated in the standard version as A Call to Arms (1923) and Wandering (1926), they comprise an extraordinary addition to the production of knowledge about China, and, not least, to the short story form. The approach to these cannot be to take them simply as individual narratives, for they interlock, constructing an autobiography, reading a momentous period in the history of China, and influencing a discussion of the idea of a Chinese national character. The thesis of this book is that the short story in Lu Xun both reads and precipitates a shock and a crisis, which is primarily sexual in character, and which seems to be linked to traumatic perception.Less
This book is not a complete study of Lu Xun, but only of his short stories, those which were written between 1918 and the end of 1925, which appeared first in magazines in Beijing and Shanghai. Reprinted in two books, translated in the standard version as A Call to Arms (1923) and Wandering (1926), they comprise an extraordinary addition to the production of knowledge about China, and, not least, to the short story form. The approach to these cannot be to take them simply as individual narratives, for they interlock, constructing an autobiography, reading a momentous period in the history of China, and influencing a discussion of the idea of a Chinese national character. The thesis of this book is that the short story in Lu Xun both reads and precipitates a shock and a crisis, which is primarily sexual in character, and which seems to be linked to traumatic perception.
Cristina Pantoja Hidalgo
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099470
- eISBN:
- 9789882207264
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099470.003.0016
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter discusses the development of the Philippine short story in English. English was firmly established both as a medium of education and literary expression during the 1920s. There seems to ...
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This chapter discusses the development of the Philippine short story in English. English was firmly established both as a medium of education and literary expression during the 1920s. There seems to be general agreement among critics that it was in the field of the short story that Filipino writers in English excelled. Many have remarked on the speed with which Filipinos took to the genre, which was born only around fifteen years before the outbreak of the Pacific War. Jose Garcia Villa's collection of stories, Footnote to Youth, had earned from the American critic Edmond O'Brien the comment that Villa was “among the half-dozen short story writers in America who count.” Villa also undertook an annual collection of what he considered the best Filipino short stories in English, a project he was to sustain until 1940. The project played an important role in determining the way in which the short story in English was to develop.Less
This chapter discusses the development of the Philippine short story in English. English was firmly established both as a medium of education and literary expression during the 1920s. There seems to be general agreement among critics that it was in the field of the short story that Filipino writers in English excelled. Many have remarked on the speed with which Filipinos took to the genre, which was born only around fifteen years before the outbreak of the Pacific War. Jose Garcia Villa's collection of stories, Footnote to Youth, had earned from the American critic Edmond O'Brien the comment that Villa was “among the half-dozen short story writers in America who count.” Villa also undertook an annual collection of what he considered the best Filipino short stories in English, a project he was to sustain until 1940. The project played an important role in determining the way in which the short story in English was to develop.
Lucy Evans
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9781781381182
- eISBN:
- 9781781384855
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381182.003.0001
- Subject:
- Literature, World Literature
The Introduction considers how community dynamics in Trinidad, Jamaica and Guyana have been shaped by histories of colonialism, slavery, and migration. It goes on to examine unity in diversity models ...
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The Introduction considers how community dynamics in Trinidad, Jamaica and Guyana have been shaped by histories of colonialism, slavery, and migration. It goes on to examine unity in diversity models of community developed in Caribbean literary and cultural studies, and Caribbean anthropology, considering their applicability to Caribbean short stories. The Introduction then traces the Caribbean short story’s publishing history from small regional magazines and the BBC Caribbean Voices programme in the 1940s and 1950s, to the rise of anthologies, collections and short story cycles in the 1980s, illustrating the form’ps importance to the emergence of a Caribbean literary aesthetic. It then draws attention to various theories of the short story collection as a form concerned with imagining community, locating the book’s analysis of interconnected stories in relation to debates over the genre’s nature and function. Finally, the introduction outlines the book’s aims in reading Caribbean literature and anthropology in parallel.Less
The Introduction considers how community dynamics in Trinidad, Jamaica and Guyana have been shaped by histories of colonialism, slavery, and migration. It goes on to examine unity in diversity models of community developed in Caribbean literary and cultural studies, and Caribbean anthropology, considering their applicability to Caribbean short stories. The Introduction then traces the Caribbean short story’s publishing history from small regional magazines and the BBC Caribbean Voices programme in the 1940s and 1950s, to the rise of anthologies, collections and short story cycles in the 1980s, illustrating the form’ps importance to the emergence of a Caribbean literary aesthetic. It then draws attention to various theories of the short story collection as a form concerned with imagining community, locating the book’s analysis of interconnected stories in relation to debates over the genre’s nature and function. Finally, the introduction outlines the book’s aims in reading Caribbean literature and anthropology in parallel.
Anuradha Ghosh
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780198075936
- eISBN:
- 9780199081851
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198075936.003.0004
- Subject:
- Literature, Film, Media, and Cultural Studies
Translation studies have addressed the inter-lingual and intra-lingual aspects of translation, but few have explored its inter-semiotic aspects. Certain practical problems have been raised regarding ...
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Translation studies have addressed the inter-lingual and intra-lingual aspects of translation, but few have explored its inter-semiotic aspects. Certain practical problems have been raised regarding the plausibility of the very category of inter-semiotic translations as exchanges between one system of signs and another in the Jakobsonian framework. One problem relates to translation equivalence, in which there is a lack of exact correspondence between single units in the source system and those of the target one. This chapter examines some aspects of the process of inter-semiotic translation with particular reference to Satyajit Ray's interpretation of the short stories of Rabindranath Tagore along with a discussion of his distinctive style in Teen Kanya (1961) and Charulata (1964). It looks at two aspects of film language—the verbal and the iconic and how they influence the process of film adaptation.Less
Translation studies have addressed the inter-lingual and intra-lingual aspects of translation, but few have explored its inter-semiotic aspects. Certain practical problems have been raised regarding the plausibility of the very category of inter-semiotic translations as exchanges between one system of signs and another in the Jakobsonian framework. One problem relates to translation equivalence, in which there is a lack of exact correspondence between single units in the source system and those of the target one. This chapter examines some aspects of the process of inter-semiotic translation with particular reference to Satyajit Ray's interpretation of the short stories of Rabindranath Tagore along with a discussion of his distinctive style in Teen Kanya (1961) and Charulata (1964). It looks at two aspects of film language—the verbal and the iconic and how they influence the process of film adaptation.
Tim Farrant
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780198151975
- eISBN:
- 9780191710247
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198151975.001.0001
- Subject:
- Literature, European Literature
Balzac's reputation is as a novelist. But short stories make up over half La Comédie humaine, in addition to scores of other tales and articles. Short forms appear early in Balzac's output, and shape ...
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Balzac's reputation is as a novelist. But short stories make up over half La Comédie humaine, in addition to scores of other tales and articles. Short forms appear early in Balzac's output, and shape his work throughout his career. This book looks at the whole of this corpus, at the nature of short fiction, and at how Balzac's novels developed from his stories — at the links between literary genesis and genre. It explores the roles of short fiction in Balzac' s creation, its part in producing effects of virtuality and perspective, and reflects ultimately on the relationship between brevity and length in La Comédie humaine.Less
Balzac's reputation is as a novelist. But short stories make up over half La Comédie humaine, in addition to scores of other tales and articles. Short forms appear early in Balzac's output, and shape his work throughout his career. This book looks at the whole of this corpus, at the nature of short fiction, and at how Balzac's novels developed from his stories — at the links between literary genesis and genre. It explores the roles of short fiction in Balzac' s creation, its part in producing effects of virtuality and perspective, and reflects ultimately on the relationship between brevity and length in La Comédie humaine.
Douglas Robinson
- Published in print:
- 1993
- Published Online:
- October 2011
- ISBN:
- 9780195076004
- eISBN:
- 9780199855131
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195076004.001.0001
- Subject:
- Literature, American, 20th Century Literature
Ring Lardner was one of the most popular figures of the early twentieth century—newspaper columnist, sports writer, short-story writer, and personality—yet he has received little attention from ...
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Ring Lardner was one of the most popular figures of the early twentieth century—newspaper columnist, sports writer, short-story writer, and personality—yet he has received little attention from scholars. This new book examines the writings of a critically neglected American writer; it also uses Lardner as the basis for a theoretical inquiry into language and literature, and a study of men and masculinity at the turn of the century.Less
Ring Lardner was one of the most popular figures of the early twentieth century—newspaper columnist, sports writer, short-story writer, and personality—yet he has received little attention from scholars. This new book examines the writings of a critically neglected American writer; it also uses Lardner as the basis for a theoretical inquiry into language and literature, and a study of men and masculinity at the turn of the century.
Sujata S. Mody
- Published in print:
- 2018
- Published Online:
- February 2019
- ISBN:
- 9780199489091
- eISBN:
- 9780199093922
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780199489091.003.0005
- Subject:
- Sociology, Culture
Chapter 4 provides an overview and history of the modern Hindi short story as it developed in Sarasvatī from 1900 to 1920, under Dwivedi’s direction. Dwivedi did not explicitly articulate his vision ...
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Chapter 4 provides an overview and history of the modern Hindi short story as it developed in Sarasvatī from 1900 to 1920, under Dwivedi’s direction. Dwivedi did not explicitly articulate his vision for short fiction; however, as editor of a journal that pioneered the modern genre in Hindi, he exerted great control over its development. Drawing inspiration from Shakespeare, Poe, and Verne to Shriharsh and Tagore, among other influences, short story writers in Hindi experimented with adventure-romance, science fiction, horror, and historical fiction but eventually settled on subject matter that was more mundane than spectacular, as per Dwivedi’s agenda for language, literature, and nation.Less
Chapter 4 provides an overview and history of the modern Hindi short story as it developed in Sarasvatī from 1900 to 1920, under Dwivedi’s direction. Dwivedi did not explicitly articulate his vision for short fiction; however, as editor of a journal that pioneered the modern genre in Hindi, he exerted great control over its development. Drawing inspiration from Shakespeare, Poe, and Verne to Shriharsh and Tagore, among other influences, short story writers in Hindi experimented with adventure-romance, science fiction, horror, and historical fiction but eventually settled on subject matter that was more mundane than spectacular, as per Dwivedi’s agenda for language, literature, and nation.
Peter Morey
- Published in print:
- 2004
- Published Online:
- July 2012
- ISBN:
- 9780719067143
- eISBN:
- 9781781700587
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719067143.003.0002
- Subject:
- Literature, 20th-century and Contemporary Literature
This chapter discusses Mistry's first book, Tales from Firozsha Baag, a collection of linked short stories, noting that this book introduces symbols, themes and techniques which can be seen in his ...
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This chapter discusses Mistry's first book, Tales from Firozsha Baag, a collection of linked short stories, noting that this book introduces symbols, themes and techniques which can be seen in his later writings. It describes the writing styles and techniques that Mistry used in this book, including his even and engaging tone, which has become characteristic of his writings, and takes a look at the short stories and the short-story cycle in the book, which has features such as the thematic and symbolic patterns of recurrence and development.Less
This chapter discusses Mistry's first book, Tales from Firozsha Baag, a collection of linked short stories, noting that this book introduces symbols, themes and techniques which can be seen in his later writings. It describes the writing styles and techniques that Mistry used in this book, including his even and engaging tone, which has become characteristic of his writings, and takes a look at the short stories and the short-story cycle in the book, which has features such as the thematic and symbolic patterns of recurrence and development.
Peter Childs
- Published in print:
- 2006
- Published Online:
- September 2012
- ISBN:
- 9780748620432
- eISBN:
- 9780748671700
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620432.003.0013
- Subject:
- Literature, Criticism/Theory
The short story is unfairly named. Shortness is only a quality in relation to something else, and so this epithet ‘short’ epitomises the way in which the novel has been taken as the standard for ...
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The short story is unfairly named. Shortness is only a quality in relation to something else, and so this epithet ‘short’ epitomises the way in which the novel has been taken as the standard for modern fiction. Such bias was long ago lampooned by Ambrose Bierce in his 1911 satirical compendium The Devil’s Dictionary: ‘Novel: A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before.’ If Barthelme were familiar with this definition it might be argued that his story’s expanding balloon, which sacrifices unity for a sprawling quality, is a comment on the novel’s relation to the short story form that Barthelme specialised in and excelled at.Less
The short story is unfairly named. Shortness is only a quality in relation to something else, and so this epithet ‘short’ epitomises the way in which the novel has been taken as the standard for modern fiction. Such bias was long ago lampooned by Ambrose Bierce in his 1911 satirical compendium The Devil’s Dictionary: ‘Novel: A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before.’ If Barthelme were familiar with this definition it might be argued that his story’s expanding balloon, which sacrifices unity for a sprawling quality, is a comment on the novel’s relation to the short story form that Barthelme specialised in and excelled at.
Rita Barnard
- Published in print:
- 2006
- Published Online:
- October 2011
- ISBN:
- 9780195112863
- eISBN:
- 9780199851058
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195112863.003.0002
- Subject:
- Literature, World Literature
At first reading, Youth may strike one as the gloomy tale of its protagonist's failure to become a poet. But the book is uniformly legible as the story of his steady commitment to prose—of his ...
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At first reading, Youth may strike one as the gloomy tale of its protagonist's failure to become a poet. But the book is uniformly legible as the story of his steady commitment to prose—of his growing understanding that, unlike the poet, the fiction writer is a located creature, perhaps even “a person unable to live without a country.” All the happy moments in Youth are ones in which we see him nearing his true passion. And all the new insights he stumbles on manifest something about the art of fiction and mold the work Coetzee was eventually to write. The most important of these insights arises from John's first venture into fiction: a short story about a young man who finds out that his love has been unfaithful to him.Less
At first reading, Youth may strike one as the gloomy tale of its protagonist's failure to become a poet. But the book is uniformly legible as the story of his steady commitment to prose—of his growing understanding that, unlike the poet, the fiction writer is a located creature, perhaps even “a person unable to live without a country.” All the happy moments in Youth are ones in which we see him nearing his true passion. And all the new insights he stumbles on manifest something about the art of fiction and mold the work Coetzee was eventually to write. The most important of these insights arises from John's first venture into fiction: a short story about a young man who finds out that his love has been unfaithful to him.
Angela Smith
- Published in print:
- 1999
- Published Online:
- October 2011
- ISBN:
- 9780198183983
- eISBN:
- 9780191674167
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183983.003.0008
- Subject:
- Literature, 20th-century Literature and Modernism
Because margins are dangerous, they are also places of revelation. Katherine Mansfield and Virginia Woolf recur in their letters to the magnetism as well as the terror of the overcrossing, of being ...
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Because margins are dangerous, they are also places of revelation. Katherine Mansfield and Virginia Woolf recur in their letters to the magnetism as well as the terror of the overcrossing, of being on a landing on strange stairs where the everyday consciousness becomes aware of the foreigner within. This final chapter considers two short stories, Woolf’s ‘An Unwritten Novel’ and Mansfield’s ‘The Stranger’, in both of which a journey becomes the medium for inner exploration. In each case the liminal experience is transitory, though one of the stories also implies that writing itself offers what Turner describes as liminal communitas, a place of habitation, where the bonds are egalitarian and direct, non-rational. In both fictions, the foreigner looms out of the mist, the liminal space beyond borders of definition, and is recognised as part of the self; this perhaps partially explains why both Woolf and Mansfield recur to colonisation and empire.Less
Because margins are dangerous, they are also places of revelation. Katherine Mansfield and Virginia Woolf recur in their letters to the magnetism as well as the terror of the overcrossing, of being on a landing on strange stairs where the everyday consciousness becomes aware of the foreigner within. This final chapter considers two short stories, Woolf’s ‘An Unwritten Novel’ and Mansfield’s ‘The Stranger’, in both of which a journey becomes the medium for inner exploration. In each case the liminal experience is transitory, though one of the stories also implies that writing itself offers what Turner describes as liminal communitas, a place of habitation, where the bonds are egalitarian and direct, non-rational. In both fictions, the foreigner looms out of the mist, the liminal space beyond borders of definition, and is recognised as part of the self; this perhaps partially explains why both Woolf and Mansfield recur to colonisation and empire.
Andy Stafford
- Published in print:
- 2011
- Published Online:
- June 2013
- ISBN:
- 9781846317453
- eISBN:
- 9781846317187
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846317187.014
- Subject:
- Literature, Criticism/Theory
This chapter analyzes Albert Camus' ‘L'Hôte’ (1957) and Mohammed Dib's ‘La Fin’ (1966). It is argues that while both stories seem to slide effortlessly between ambiguity and ambivalence, it is, ...
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This chapter analyzes Albert Camus' ‘L'Hôte’ (1957) and Mohammed Dib's ‘La Fin’ (1966). It is argues that while both stories seem to slide effortlessly between ambiguity and ambivalence, it is, ultimately, only Camus'story that is able to sustain ambivalence to the very end. It shows how this Rubicon between ambiguity and ambivalence is crossed by Camus' story, and how Dib, instead, uses ambiguity, not to sit precariously if dextrously on the fence as Camus and his story can be seen to do, but to gesture towards the ‘responsibility’ of literature in which the writer too has a political and social role to play that goes well beyond simply guaranteeing the validity, plausibility, and ‘representativity’ of the characters depicted.Less
This chapter analyzes Albert Camus' ‘L'Hôte’ (1957) and Mohammed Dib's ‘La Fin’ (1966). It is argues that while both stories seem to slide effortlessly between ambiguity and ambivalence, it is, ultimately, only Camus'story that is able to sustain ambivalence to the very end. It shows how this Rubicon between ambiguity and ambivalence is crossed by Camus' story, and how Dib, instead, uses ambiguity, not to sit precariously if dextrously on the fence as Camus and his story can be seen to do, but to gesture towards the ‘responsibility’ of literature in which the writer too has a political and social role to play that goes well beyond simply guaranteeing the validity, plausibility, and ‘representativity’ of the characters depicted.
