Patti M. Valkenburg and Jessica T Piotrowski
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780300218879
- eISBN:
- 9780300228090
- Item type:
- book
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300218879.001.0001
- Subject:
- Psychology, Developmental Psychology
This book is an illuminating study of the complex relationship between children and media in the digital age. Now, as never before, young people are surrounded by media, thanks to the sophistication ...
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This book is an illuminating study of the complex relationship between children and media in the digital age. Now, as never before, young people are surrounded by media, thanks to the sophistication and portability of the technology that puts it literally in the palms of their hands. Drawing on data and empirical research that cross many fields and continents, this book examines the role of media in the lives of children from birth through adolescence, addressing the complex issues of how media affect the young and what adults can do to encourage responsible use in an age of selfies, Twitter, Facebook, and Instagram. The book looks at both the sunny and the dark side of media use by today's youth, including why and how their preferences change throughout childhood, whether digital gaming is harmful or helpful, the effects of placing tablets and smartphones in the hands of toddlers, the susceptibility of young people to online advertising, the legitimacy of parental concerns about media multitasking, and more.Less
This book is an illuminating study of the complex relationship between children and media in the digital age. Now, as never before, young people are surrounded by media, thanks to the sophistication and portability of the technology that puts it literally in the palms of their hands. Drawing on data and empirical research that cross many fields and continents, this book examines the role of media in the lives of children from birth through adolescence, addressing the complex issues of how media affect the young and what adults can do to encourage responsible use in an age of selfies, Twitter, Facebook, and Instagram. The book looks at both the sunny and the dark side of media use by today's youth, including why and how their preferences change throughout childhood, whether digital gaming is harmful or helpful, the effects of placing tablets and smartphones in the hands of toddlers, the susceptibility of young people to online advertising, the legitimacy of parental concerns about media multitasking, and more.
Kathleen M. Cumiskey and Larissa Hjorth
- Published in print:
- 2017
- Published Online:
- July 2017
- ISBN:
- 9780190634971
- eISBN:
- 9780190635008
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780190634971.001.0001
- Subject:
- Sociology, Social Psychology and Interaction
From natural disasters to private funerals, digital media are playing a central role in the documentation and commemoration of shared significant events and individual loss experiences. Yet few ...
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From natural disasters to private funerals, digital media are playing a central role in the documentation and commemoration of shared significant events and individual loss experiences. Yet few studies have fully engaged with the increasing role mobile media play in making meanings related to traumatic events across different individual and collective contexts. Haunting Hands provides the first in-depth study into understanding the role of mobile media in memorialization and bereavement as a cultural and social practice. Throughout the chapters in this book, we explore how mobile devices are both expanding upon older forms of memory-making and creating new channels for affective cultures whereby the visual, textual, oral, and haptic manifest in new ways. Encompassing everything from phones to tablets, mobile media are not only playing a key role in how we represent and remember life, but also in how we negotiate the increasingly integral role of the digital within rituals in and around death. Haunting Hands posits how, during times of distress, mobile media can assist, accompany, and at times augment the disruptive terrain of loss. The book expands upon debates in the area of online memorialization in that the mobile device itself takes prominence, not only for its communicative or social function, but also for the ways in which it can contain as well as generate an intimate space within it. In this way, the device becomes an important companion for mobile-emotive grief as the bereaved engage with emotionally charged digital content in solitary, sometimes secretive, and sometimes shared ways.Less
From natural disasters to private funerals, digital media are playing a central role in the documentation and commemoration of shared significant events and individual loss experiences. Yet few studies have fully engaged with the increasing role mobile media play in making meanings related to traumatic events across different individual and collective contexts. Haunting Hands provides the first in-depth study into understanding the role of mobile media in memorialization and bereavement as a cultural and social practice. Throughout the chapters in this book, we explore how mobile devices are both expanding upon older forms of memory-making and creating new channels for affective cultures whereby the visual, textual, oral, and haptic manifest in new ways. Encompassing everything from phones to tablets, mobile media are not only playing a key role in how we represent and remember life, but also in how we negotiate the increasingly integral role of the digital within rituals in and around death. Haunting Hands posits how, during times of distress, mobile media can assist, accompany, and at times augment the disruptive terrain of loss. The book expands upon debates in the area of online memorialization in that the mobile device itself takes prominence, not only for its communicative or social function, but also for the ways in which it can contain as well as generate an intimate space within it. In this way, the device becomes an important companion for mobile-emotive grief as the bereaved engage with emotionally charged digital content in solitary, sometimes secretive, and sometimes shared ways.
Fiona Giles
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781447338499
- eISBN:
- 9781447338543
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447338499.003.0014
- Subject:
- Sociology, Marriage and the Family
This chapter looks at the online circulation of breastfeeding selfies — or brelfies — and asks what their benefits might be in terms of making breastfeeding easier. It looks at brelfies as social ...
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This chapter looks at the online circulation of breastfeeding selfies — or brelfies — and asks what their benefits might be in terms of making breastfeeding easier. It looks at brelfies as social media activism, drawing attention to embodied mothering, and upending assumptions about the solitary nature of maternity. It argues that brelfies provide a means through which breastfeeding can emerge from its existing practical, conceptual, and imaginary confines, by communicating images of breastfeeding to an almost limitless audience. Not only have brelfies attracted extensive media coverage, raising awareness about breastfeeding in the community, the images also provide a unique form of communication between breastfeeding mothers and their friends, families, and children, as mothers see themselves in the act of taking their own photos. By considering the implications of increased images of women breastfeeding in public — as well as the increased circulation of images of women breastfeeding generally — this chapter argues that brelfies invite us to reconceptualise breastfeeding in public as breastfeeding in social contexts more broadly: in short, to reimagine breastfeeding in relation to its many publics.Less
This chapter looks at the online circulation of breastfeeding selfies — or brelfies — and asks what their benefits might be in terms of making breastfeeding easier. It looks at brelfies as social media activism, drawing attention to embodied mothering, and upending assumptions about the solitary nature of maternity. It argues that brelfies provide a means through which breastfeeding can emerge from its existing practical, conceptual, and imaginary confines, by communicating images of breastfeeding to an almost limitless audience. Not only have brelfies attracted extensive media coverage, raising awareness about breastfeeding in the community, the images also provide a unique form of communication between breastfeeding mothers and their friends, families, and children, as mothers see themselves in the act of taking their own photos. By considering the implications of increased images of women breastfeeding in public — as well as the increased circulation of images of women breastfeeding generally — this chapter argues that brelfies invite us to reconceptualise breastfeeding in public as breastfeeding in social contexts more broadly: in short, to reimagine breastfeeding in relation to its many publics.
Amanda du Preez
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781447339946
- eISBN:
- 9781447339984
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447339946.003.0005
- Subject:
- Sociology, Marriage and the Family
This chapter examines the affordances of information and communication technologies (ICTs) and the different intergenerational practices of oversharing online. Using the concepts of ‘aesthetics of ...
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This chapter examines the affordances of information and communication technologies (ICTs) and the different intergenerational practices of oversharing online. Using the concepts of ‘aesthetics of appearance’ (representation that endures over time and space) and ‘aesthetics of disappearance’ (constant presentism), it asks what prompts oversharing, what oversharing reveals about our life stages and the state of being human in an age of over-acceleration dominated by ICTs, and how oversharing affects our embodied phenomenology. The chapter first provides an overview of ideas about acceleration and the resulting aesthetics of disappearance, as proposed by philosopher and urbanist Paul Virilio, before discussing how the phenomenon of oversharing is mediated by social media platforms such as Facebook and Snapchat. It then considers whether posting selfies on a Facebook page constitutes oversharing and whether oversharing (real-time presence) achieves what Virilio calls an aesthetics of disappearance. Finally, it explores how oversharing impacts social interactions and intergenerational relationships.Less
This chapter examines the affordances of information and communication technologies (ICTs) and the different intergenerational practices of oversharing online. Using the concepts of ‘aesthetics of appearance’ (representation that endures over time and space) and ‘aesthetics of disappearance’ (constant presentism), it asks what prompts oversharing, what oversharing reveals about our life stages and the state of being human in an age of over-acceleration dominated by ICTs, and how oversharing affects our embodied phenomenology. The chapter first provides an overview of ideas about acceleration and the resulting aesthetics of disappearance, as proposed by philosopher and urbanist Paul Virilio, before discussing how the phenomenon of oversharing is mediated by social media platforms such as Facebook and Snapchat. It then considers whether posting selfies on a Facebook page constitutes oversharing and whether oversharing (real-time presence) achieves what Virilio calls an aesthetics of disappearance. Finally, it explores how oversharing impacts social interactions and intergenerational relationships.
Kathleen M. Cumiskey and Larissa Hjorth
- Published in print:
- 2017
- Published Online:
- July 2017
- ISBN:
- 9780190634971
- eISBN:
- 9780190635008
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780190634971.003.0006
- Subject:
- Sociology, Social Psychology and Interaction
In this chapter, we explore the case study of mobile media and loss in the South Korean Sewol ferry disaster of 2014. This specific disaster was one in which mobile media featured, especially in ...
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In this chapter, we explore the case study of mobile media and loss in the South Korean Sewol ferry disaster of 2014. This specific disaster was one in which mobile media featured, especially in terms of lingering incriminations from the mobile phones of the 250 drowned schoolchildren. We explore the ways in which grief and loss are culturally specific, including an array of various social responses, rituals, and cultural prescriptions. We trace a contextualized view of postmortem photography and the intimate and memorialized publics. As demonstrated in the Sewol disaster, mobile media practices like selfies and vlogs are being deployed by the soon-to-be-deceased, and thus become self-eulogies.Less
In this chapter, we explore the case study of mobile media and loss in the South Korean Sewol ferry disaster of 2014. This specific disaster was one in which mobile media featured, especially in terms of lingering incriminations from the mobile phones of the 250 drowned schoolchildren. We explore the ways in which grief and loss are culturally specific, including an array of various social responses, rituals, and cultural prescriptions. We trace a contextualized view of postmortem photography and the intimate and memorialized publics. As demonstrated in the Sewol disaster, mobile media practices like selfies and vlogs are being deployed by the soon-to-be-deceased, and thus become self-eulogies.
Kathleen M. Cumiskey and Larissa Hjorth
- Published in print:
- 2017
- Published Online:
- July 2017
- ISBN:
- 9780190634971
- eISBN:
- 9780190635008
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780190634971.003.0008
- Subject:
- Sociology, Social Psychology and Interaction
The concluding chapter revisits our major themes and highlights next steps for exploring mobile-emotive practices and loss. We also seek to provide a set of propositions for future areas of study. We ...
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The concluding chapter revisits our major themes and highlights next steps for exploring mobile-emotive practices and loss. We also seek to provide a set of propositions for future areas of study. We explore the limits of funeral decorum through understanding selfies at funerals, virtual veneration, and the challenges of a new kind of public mourning. We discuss further the crux of our book: how the personal nature of mobile devices positions them to uniquely play a role in bereavement. We examine digital legacies and the impact of the increasingly likelihood that we will be co-present at the moment of death for some, thanks to live mobile media broadcasting. We conclude with an analysis of shifting cultural understandings of death and imagine a mobile-emotive afterlife.Less
The concluding chapter revisits our major themes and highlights next steps for exploring mobile-emotive practices and loss. We also seek to provide a set of propositions for future areas of study. We explore the limits of funeral decorum through understanding selfies at funerals, virtual veneration, and the challenges of a new kind of public mourning. We discuss further the crux of our book: how the personal nature of mobile devices positions them to uniquely play a role in bereavement. We examine digital legacies and the impact of the increasingly likelihood that we will be co-present at the moment of death for some, thanks to live mobile media broadcasting. We conclude with an analysis of shifting cultural understandings of death and imagine a mobile-emotive afterlife.
