Peter Brooks
- Published in print:
- 2011
- Published Online:
- October 2017
- ISBN:
- 9780691151588
- eISBN:
- 9781400839698
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691151588.003.0003
- Subject:
- Literature, Criticism/Theory
This chapter looks into instances of individual self-obsession and what these have to say not only about persons but also the society or culture in which they must survive. As representatives of the ...
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This chapter looks into instances of individual self-obsession and what these have to say not only about persons but also the society or culture in which they must survive. As representatives of the need to write the story of the self in order to understand its identity, Jean-Jacques Rousseau and Stendhal (Henri Beyle) both show to a high degree the work of the shaper on the shaped: the presence of the retrospective narrator and creator of the tale of the self. If the self would tell its story to and for itself, that story will end up being as much about the narrator as the narrated, as much about the creator as the created. This instance of egotism, this self-reflexiveness and self dramatization of the speaker, may have to do with the newness, the lack of precedent of their enterprise.Less
This chapter looks into instances of individual self-obsession and what these have to say not only about persons but also the society or culture in which they must survive. As representatives of the need to write the story of the self in order to understand its identity, Jean-Jacques Rousseau and Stendhal (Henri Beyle) both show to a high degree the work of the shaper on the shaped: the presence of the retrospective narrator and creator of the tale of the self. If the self would tell its story to and for itself, that story will end up being as much about the narrator as the narrated, as much about the creator as the created. This instance of egotism, this self-reflexiveness and self dramatization of the speaker, may have to do with the newness, the lack of precedent of their enterprise.
Calista McRae
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781501750977
- eISBN:
- 9781501750991
- Item type:
- chapter
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9781501750977.003.0003
- Subject:
- Literature, Poetry
This chapter looks at the ways in which being alienated from and encumbered with one's self, of inevitably being caught in a role, can be funny. It discusses how Robert Lowell wants to shed the way ...
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This chapter looks at the ways in which being alienated from and encumbered with one's self, of inevitably being caught in a role, can be funny. It discusses how Robert Lowell wants to shed the way he sounds, the thoughts he gravitates toward, the reputation he has, and the physical brain he fears and depends on. It also mentions Lowell being at odds with his own style as he keeps changing style and undercuts the one he is working in. The chapter refers to Lord Weary's Castle and Day by Day, describing the act of writing about the self that is loaded with one's extreme instability, predictableness, and self-dramatization. It then talks about Lowell's frequent revolutions of form which question the tonalities of humor that change when poetry loses the guarantees and obligations of rhyme and meter.Less
This chapter looks at the ways in which being alienated from and encumbered with one's self, of inevitably being caught in a role, can be funny. It discusses how Robert Lowell wants to shed the way he sounds, the thoughts he gravitates toward, the reputation he has, and the physical brain he fears and depends on. It also mentions Lowell being at odds with his own style as he keeps changing style and undercuts the one he is working in. The chapter refers to Lord Weary's Castle and Day by Day, describing the act of writing about the self that is loaded with one's extreme instability, predictableness, and self-dramatization. It then talks about Lowell's frequent revolutions of form which question the tonalities of humor that change when poetry loses the guarantees and obligations of rhyme and meter.
