Robert M. Geraci
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195393026
- eISBN:
- 9780199777136
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195393026.003.0002
- Subject:
- Religion, Religion and Society
Apocalyptic AI is transmitted to roboticists and AI researchers through science fiction and is expressed in pop science as a means of raising the cultural prestige of research and researchers and ...
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Apocalyptic AI is transmitted to roboticists and AI researchers through science fiction and is expressed in pop science as a means of raising the cultural prestige of research and researchers and justifying funding spent on robotics and AI. Science fiction often uses religious imagery and language to explore culture and several authors have engaged the idea that human beings might upload their minds into machines. The influence of science fiction is widely accepted among roboticists, who gain inspiration from it, as almost certainly happened for Hans Moravec, the pioneer of Apocalyptic AI thinking. Popular science authors in robotics and AI fuse religious and scientific work into a meaningful worldview in order to gain the benefits of both. Such role-hybridization increases the prestige of the researchers and plays a part in military, government and private investment in robotics and AI.Less
Apocalyptic AI is transmitted to roboticists and AI researchers through science fiction and is expressed in pop science as a means of raising the cultural prestige of research and researchers and justifying funding spent on robotics and AI. Science fiction often uses religious imagery and language to explore culture and several authors have engaged the idea that human beings might upload their minds into machines. The influence of science fiction is widely accepted among roboticists, who gain inspiration from it, as almost certainly happened for Hans Moravec, the pioneer of Apocalyptic AI thinking. Popular science authors in robotics and AI fuse religious and scientific work into a meaningful worldview in order to gain the benefits of both. Such role-hybridization increases the prestige of the researchers and plays a part in military, government and private investment in robotics and AI.
Terryl C. Givens
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195167115
- eISBN:
- 9780199785599
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195167115.003.0018
- Subject:
- Religion, Religion and Society
The first great Mormon literature came only with the “Lost Generation” of the 40s, with authors like Maurine Whipple and Virginia Sorensen. The novel has flourished (with Levi Peterson a major ...
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The first great Mormon literature came only with the “Lost Generation” of the 40s, with authors like Maurine Whipple and Virginia Sorensen. The novel has flourished (with Levi Peterson a major figure), as has the short story (Douglas Thayer and Donald Marshall leading the way) poetry, and even science fiction (Orson Scott Card).Less
The first great Mormon literature came only with the “Lost Generation” of the 40s, with authors like Maurine Whipple and Virginia Sorensen. The novel has flourished (with Levi Peterson a major figure), as has the short story (Douglas Thayer and Donald Marshall leading the way) poetry, and even science fiction (Orson Scott Card).
John Wilson Foster
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780199232833
- eISBN:
- 9780191716454
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199232833.003.0012
- Subject:
- Literature, 20th-century Literature and Modernism
This chapter analyzes science fiction and the supernatural in Irish novels. These include books such as H. G. Wells' The Time Machine and Robert Cromie's The Crack of Doom. Several ghost stories are ...
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This chapter analyzes science fiction and the supernatural in Irish novels. These include books such as H. G. Wells' The Time Machine and Robert Cromie's The Crack of Doom. Several ghost stories are also considered.Less
This chapter analyzes science fiction and the supernatural in Irish novels. These include books such as H. G. Wells' The Time Machine and Robert Cromie's The Crack of Doom. Several ghost stories are also considered.
Shawn Malley
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941190
- eISBN:
- 9781789629088
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941190.001.0001
- Subject:
- Film, Television and Radio, Film
Well-known in popular culture for tomb-raiding and mummy-wrangling, the archaeologist is also a rich though often unacknowledged figure for constructing ‘strange new worlds’ from ‘strange old worlds’ ...
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Well-known in popular culture for tomb-raiding and mummy-wrangling, the archaeologist is also a rich though often unacknowledged figure for constructing ‘strange new worlds’ from ‘strange old worlds’ in science fiction. But more than a well-spring for scenarios, SF’s archaeological imaginary is also a hermeneutic tool for excavating the ideological motivations of digging up the past buried in the future. A cultural study of an array of popular though critically neglected North American SF film and television texts–spanning the gamut of telefilms, pseudo-documentaries, teen serial drama and Hollywood blockbusters–Excavating the Future treats archaeology as a trope for exploring the popular archaeological imagination and the uses to which it is being put by the U.S. state and its adversaries. By treating SF texts as documents of archaeological experience circulating within and between scientific and popular culture communities and media, Excavating the Future develops critical strategies for analyzing SF film and television’s critical and adaptive responses to contemporary geopolitical concerns about the war on terror, homeland security, the invasion and reconstruction of Iraq, and the ongoing fight against ISIS.Less
Well-known in popular culture for tomb-raiding and mummy-wrangling, the archaeologist is also a rich though often unacknowledged figure for constructing ‘strange new worlds’ from ‘strange old worlds’ in science fiction. But more than a well-spring for scenarios, SF’s archaeological imaginary is also a hermeneutic tool for excavating the ideological motivations of digging up the past buried in the future. A cultural study of an array of popular though critically neglected North American SF film and television texts–spanning the gamut of telefilms, pseudo-documentaries, teen serial drama and Hollywood blockbusters–Excavating the Future treats archaeology as a trope for exploring the popular archaeological imagination and the uses to which it is being put by the U.S. state and its adversaries. By treating SF texts as documents of archaeological experience circulating within and between scientific and popular culture communities and media, Excavating the Future develops critical strategies for analyzing SF film and television’s critical and adaptive responses to contemporary geopolitical concerns about the war on terror, homeland security, the invasion and reconstruction of Iraq, and the ongoing fight against ISIS.
Simon J. James
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199606597
- eISBN:
- 9780191738517
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199606597.003.0002
- Subject:
- Literature, 20th-century Literature and Modernism, 19th-century and Victorian Literature
The scientific discoveries of the Victorian era enlarged the scope of fantastic fiction. Wells extrapolates from evolutionary theory, geology, temporal physics, and optics to imagine alternate forms ...
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The scientific discoveries of the Victorian era enlarged the scope of fantastic fiction. Wells extrapolates from evolutionary theory, geology, temporal physics, and optics to imagine alternate forms of cultural production. Wells’s use of the fantastic does not constitute escapism, however. The irruption of the fantastic into an otherwise realistically narrated fictional world is a reminder that the indefinite passing of history will repeatedly threaten or displace humanity’s misplaced faith in its imagined superior position in the hierarchy of nature. Darwin’s formulation of the theory of evolution, and Wells’s imagining of fictional possibilities, constitute both an opportunity and a warning for humankind: Wells repeatedly insists on the impermanence of the status quo. This chapter also notes the frequency of images of reading and writing in Wells’s fiction: numerous texts include images of defaced or ineffective books and other artworks.Less
The scientific discoveries of the Victorian era enlarged the scope of fantastic fiction. Wells extrapolates from evolutionary theory, geology, temporal physics, and optics to imagine alternate forms of cultural production. Wells’s use of the fantastic does not constitute escapism, however. The irruption of the fantastic into an otherwise realistically narrated fictional world is a reminder that the indefinite passing of history will repeatedly threaten or displace humanity’s misplaced faith in its imagined superior position in the hierarchy of nature. Darwin’s formulation of the theory of evolution, and Wells’s imagining of fictional possibilities, constitute both an opportunity and a warning for humankind: Wells repeatedly insists on the impermanence of the status quo. This chapter also notes the frequency of images of reading and writing in Wells’s fiction: numerous texts include images of defaced or ineffective books and other artworks.
Joseph W. Campbell
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781496824721
- eISBN:
- 9781496824776
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496824721.003.0003
- Subject:
- Literature, 20th-century and Contemporary Literature
Chapter 2 shows in a compressed, somewhat truncated way, the unique history of science fiction (sometimes called speculative fiction). This chapter also shows some of the myriad theoretical ...
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Chapter 2 shows in a compressed, somewhat truncated way, the unique history of science fiction (sometimes called speculative fiction). This chapter also shows some of the myriad theoretical approaches that have been used in the study of science fiction over time. It then demonstrates how those approaches have been used by giving close readings of science fiction texts intended for young adults. This is in an effort to show the difference between science fiction and dystopian literature. It shows that it is a literature directly concerned with the subject’s encounter with the o/Other.Less
Chapter 2 shows in a compressed, somewhat truncated way, the unique history of science fiction (sometimes called speculative fiction). This chapter also shows some of the myriad theoretical approaches that have been used in the study of science fiction over time. It then demonstrates how those approaches have been used by giving close readings of science fiction texts intended for young adults. This is in an effort to show the difference between science fiction and dystopian literature. It shows that it is a literature directly concerned with the subject’s encounter with the o/Other.
James H. Murphy
- Published in print:
- 2011
- Published Online:
- January 2011
- ISBN:
- 9780199596997
- eISBN:
- 9780191723520
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199596997.003.0010
- Subject:
- Literature, 19th-century and Victorian Literature
The last decades of the century saw great changes in the writing of fiction. In Britain, where George Moore, Oscar Wilde, and Bram Stoker were among the most prominent novelists, high-culture ...
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The last decades of the century saw great changes in the writing of fiction. In Britain, where George Moore, Oscar Wilde, and Bram Stoker were among the most prominent novelists, high-culture movements such as naturalism, decadence, and early modernism, vied with popular forms such as detective fiction, the imperial adventure, and science fiction. Authors like B. M. Croker wrote novels of life in India, while Robert Cromie was prominent in science-fiction and future-war fantasies. In Ireland groupings of writers wrote for differing audiences. Ulster fiction began to emerge in the north with Shan F. Bullock and others. Meanwhile, in the south, Anglo-Irish novelists like Somerville and Ross took to comedy and satire, while Catholic-intelligentsia writers began to scrutinize a changed society. Some novels explored the possibilities of the renewal of society while others interrogated the newer sets of relationships that were possible across traditional class lines and the great landlord–tenant divide, now that the latter was in the process of dissolving.Less
The last decades of the century saw great changes in the writing of fiction. In Britain, where George Moore, Oscar Wilde, and Bram Stoker were among the most prominent novelists, high-culture movements such as naturalism, decadence, and early modernism, vied with popular forms such as detective fiction, the imperial adventure, and science fiction. Authors like B. M. Croker wrote novels of life in India, while Robert Cromie was prominent in science-fiction and future-war fantasies. In Ireland groupings of writers wrote for differing audiences. Ulster fiction began to emerge in the north with Shan F. Bullock and others. Meanwhile, in the south, Anglo-Irish novelists like Somerville and Ross took to comedy and satire, while Catholic-intelligentsia writers began to scrutinize a changed society. Some novels explored the possibilities of the renewal of society while others interrogated the newer sets of relationships that were possible across traditional class lines and the great landlord–tenant divide, now that the latter was in the process of dissolving.
Alexis Lothian
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479811748
- eISBN:
- 9781479854585
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479811748.003.0001
- Subject:
- Society and Culture, Cultural Studies
This chapter unpacks what is at stake in Old Futures’ identification of a queer cultural politics for speculative fiction, in terms of both of queer studies’ approaches to time and scholarship on ...
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This chapter unpacks what is at stake in Old Futures’ identification of a queer cultural politics for speculative fiction, in terms of both of queer studies’ approaches to time and scholarship on futuristic cultural production. It offers a brief history of intersections between queerness and speculative temporality and their entanglement with gender and race, before describing the book’s archive and its framing of speculative fiction as a cultural logic that exceeds literary and media genre studies. The chapter also articulates the centrality of reproduction to the project, which crafts an alternative discourse around the dominant heteronormative temporalities that Lee Edelman influentially critiqued in his 2004 book, No Future. In queer studies, reproductive futurism has primarily been an object of critique. In contrast, Old Futures argue that there are many reproductive futurisms, often in conflict and contradiction with one another, whose complexities are unpacked throughout the book.Less
This chapter unpacks what is at stake in Old Futures’ identification of a queer cultural politics for speculative fiction, in terms of both of queer studies’ approaches to time and scholarship on futuristic cultural production. It offers a brief history of intersections between queerness and speculative temporality and their entanglement with gender and race, before describing the book’s archive and its framing of speculative fiction as a cultural logic that exceeds literary and media genre studies. The chapter also articulates the centrality of reproduction to the project, which crafts an alternative discourse around the dominant heteronormative temporalities that Lee Edelman influentially critiqued in his 2004 book, No Future. In queer studies, reproductive futurism has primarily been an object of critique. In contrast, Old Futures argue that there are many reproductive futurisms, often in conflict and contradiction with one another, whose complexities are unpacked throughout the book.
Ruth Cruickshank
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199571758
- eISBN:
- 9780191721793
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199571758.003.0004
- Subject:
- Literature, 20th-century Literature and Modernism, European Literature
This chapter turns to Houellebecq, France's most famous — and controversial — living writer; the affaire Houellebecq; Extension du domaine de la lutte; and Les Particules élémentaires. It discusses ...
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This chapter turns to Houellebecq, France's most famous — and controversial — living writer; the affaire Houellebecq; Extension du domaine de la lutte; and Les Particules élémentaires. It discusses Houellebecq's representations of an extension of American‐style neoliberal competition from the material to the sexual economy, attributed to the generation of May 1968 and legitimized by French thinkers, psychoanalysis, and the media. Literary commitment is identified in representations of the struggle of the writer and narrative strategies are assessed, including ‘factual’ injections, autobiographical detail, and tropes from science fiction and marketing. The texts' provocative elements are discussed as both ideological challenges to dominant discourses, and as sleights of hand perpetuating misogynist, sexual, and racial prejudices. Houellebecq's fictions are described as seeking to expose, harness, and question both their own sense‐making narratives and contradictory fin de millénaire crisis discourses, simultaneously foregrounding the notion of the potential, and the need for change.Less
This chapter turns to Houellebecq, France's most famous — and controversial — living writer; the affaire Houellebecq; Extension du domaine de la lutte; and Les Particules élémentaires. It discusses Houellebecq's representations of an extension of American‐style neoliberal competition from the material to the sexual economy, attributed to the generation of May 1968 and legitimized by French thinkers, psychoanalysis, and the media. Literary commitment is identified in representations of the struggle of the writer and narrative strategies are assessed, including ‘factual’ injections, autobiographical detail, and tropes from science fiction and marketing. The texts' provocative elements are discussed as both ideological challenges to dominant discourses, and as sleights of hand perpetuating misogynist, sexual, and racial prejudices. Houellebecq's fictions are described as seeking to expose, harness, and question both their own sense‐making narratives and contradictory fin de millénaire crisis discourses, simultaneously foregrounding the notion of the potential, and the need for change.
Christine Cornea
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748624652
- eISBN:
- 9780748671106
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748624652.003.0001
- Subject:
- Film, Television and Radio, Film
The science fiction film genre is separate from the irrational or unconscious meanderings of the human mind. In line with this, this book regularly pertains to examples of the genre that can found on ...
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The science fiction film genre is separate from the irrational or unconscious meanderings of the human mind. In line with this, this book regularly pertains to examples of the genre that can found on television, in books, comics, video games and even fine art, as part of the project to locate the films within a wider cultural context. Science fiction has surely adopted material from both the musical and horror film. The genre of science fiction film allows the kind of debate witnessed among critics, writers and aficionados of the written novels. The chapter then looks at what might be called proto-science fiction films. These films came before the science fiction film which boom in the 1950s. It is shown that Metropolis had a huge impact on science fiction. The interwar films evidently address the political and social unrest of their times. Until the 1950s, the science fiction feature film genre actually started in America.Less
The science fiction film genre is separate from the irrational or unconscious meanderings of the human mind. In line with this, this book regularly pertains to examples of the genre that can found on television, in books, comics, video games and even fine art, as part of the project to locate the films within a wider cultural context. Science fiction has surely adopted material from both the musical and horror film. The genre of science fiction film allows the kind of debate witnessed among critics, writers and aficionados of the written novels. The chapter then looks at what might be called proto-science fiction films. These films came before the science fiction film which boom in the 1950s. It is shown that Metropolis had a huge impact on science fiction. The interwar films evidently address the political and social unrest of their times. Until the 1950s, the science fiction feature film genre actually started in America.
Alexis Lothian
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479811748
- eISBN:
- 9781479854585
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479811748.003.0006
- Subject:
- Society and Culture, Cultural Studies
Chapter 4 extends part 2’s analysis of queered and gendered black futurities to the realm of racialized queer masculinity, focusing on the work of Samuel R. Delany. His writing provides a bridge ...
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Chapter 4 extends part 2’s analysis of queered and gendered black futurities to the realm of racialized queer masculinity, focusing on the work of Samuel R. Delany. His writing provides a bridge between the discourse of “world-making” developed in utopian theories of queer performance and the idea of “world-building” common in science fiction studies. Delany’s fiction shows how the narrative tactics of science fiction, a genre whose most popular literary and media versions have tended to proffer timelines reliant on unmitigated heterosexuality, can turn against assumptions that the future must be straight, or at least arrived at through heterosexual reproductive logics. In Dhalgren (1974) and Stars in My Pocket like Grains of Sand (1984), speculative iterations of 1970s and 1980s public sex cultures use genre tropes to reimagine sexual and racial temporalities in response both to the histories of enslavement and to the beginning of the AIDS epidemic.Less
Chapter 4 extends part 2’s analysis of queered and gendered black futurities to the realm of racialized queer masculinity, focusing on the work of Samuel R. Delany. His writing provides a bridge between the discourse of “world-making” developed in utopian theories of queer performance and the idea of “world-building” common in science fiction studies. Delany’s fiction shows how the narrative tactics of science fiction, a genre whose most popular literary and media versions have tended to proffer timelines reliant on unmitigated heterosexuality, can turn against assumptions that the future must be straight, or at least arrived at through heterosexual reproductive logics. In Dhalgren (1974) and Stars in My Pocket like Grains of Sand (1984), speculative iterations of 1970s and 1980s public sex cultures use genre tropes to reimagine sexual and racial temporalities in response both to the histories of enslavement and to the beginning of the AIDS epidemic.
Robert Markley
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780252042751
- eISBN:
- 9780252051616
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042751.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
Kim Stanley Robinson is the first full-length study of one of the most widely read and influential science-fiction writers of our era. In dicussing eighteen of his novels published since 1984 and a ...
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Kim Stanley Robinson is the first full-length study of one of the most widely read and influential science-fiction writers of our era. In dicussing eighteen of his novels published since 1984 and a selection of his short fiction, this study explores the significance of his work in reshaping contemporary literature. Three of the chapters are devoted to Robinson’s major trilogies: the Orange County trilogy (1984-90), the Mars trilogy (1992-96), and the Science in the Capital trilogy (2004-07). Two other chapters consider his groundbreaking alternative histories, including “The Lucky Strike” (1984), The Years of Rice and Salt (2002), and Shaman (2014), and his future histories set among colonies in the solar system, notably Galileo’s Dream (2009) and 2312 (2012). The concluding chapter examines Robinson’s most recent novels Aurora (2015) and New York 2140 (2017). In interviews, Robinson describes his fiction as weaving together, in various combinations, Marxism, ecology, and Buddhist thought, and all of his novels explore how we might imagine forms of utopian political action. His novels—from the Mars trilogy to New York 2140—offer a range of possible futures that chart humankind’s uneven progress, often over centuries, toward the greening of science, technology, economics, and politics. Robinson filters our knowledge of the past and our imagination of possible futures through two superimposed lenses: the ecological fate of the Earth (or other planets) and the far-reaching consequences of moral, political, and socioeconomic decisions of individuals, often scientists and artists, caught up in world or solar-systemic events. In this respect, his fiction charts a collective struggle to think beyond the contradictions of historical existence, and beyond our locations in time, culture, and geography.Less
Kim Stanley Robinson is the first full-length study of one of the most widely read and influential science-fiction writers of our era. In dicussing eighteen of his novels published since 1984 and a selection of his short fiction, this study explores the significance of his work in reshaping contemporary literature. Three of the chapters are devoted to Robinson’s major trilogies: the Orange County trilogy (1984-90), the Mars trilogy (1992-96), and the Science in the Capital trilogy (2004-07). Two other chapters consider his groundbreaking alternative histories, including “The Lucky Strike” (1984), The Years of Rice and Salt (2002), and Shaman (2014), and his future histories set among colonies in the solar system, notably Galileo’s Dream (2009) and 2312 (2012). The concluding chapter examines Robinson’s most recent novels Aurora (2015) and New York 2140 (2017). In interviews, Robinson describes his fiction as weaving together, in various combinations, Marxism, ecology, and Buddhist thought, and all of his novels explore how we might imagine forms of utopian political action. His novels—from the Mars trilogy to New York 2140—offer a range of possible futures that chart humankind’s uneven progress, often over centuries, toward the greening of science, technology, economics, and politics. Robinson filters our knowledge of the past and our imagination of possible futures through two superimposed lenses: the ecological fate of the Earth (or other planets) and the far-reaching consequences of moral, political, and socioeconomic decisions of individuals, often scientists and artists, caught up in world or solar-systemic events. In this respect, his fiction charts a collective struggle to think beyond the contradictions of historical existence, and beyond our locations in time, culture, and geography.
Christine Cornea
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748624652
- eISBN:
- 9780748671106
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748624652.001.0001
- Subject:
- Film, Television and Radio, Film
This study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film ...
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This study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the ‘new woman of science’, generic performance and the prevalence of ‘techno-orientalism’ in recent films. While American films is one of the principle areas covered, the book also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ.Less
This study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the ‘new woman of science’, generic performance and the prevalence of ‘techno-orientalism’ in recent films. While American films is one of the principle areas covered, the book also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ.
Christian McCrea
- Published in print:
- 2019
- Published Online:
- February 2021
- ISBN:
- 9781911325826
- eISBN:
- 9781800342446
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781911325826.003.0002
- Subject:
- Film, Television and Radio, Film
This chapter maps the science fiction milieu, which includes David Lynch's Dune. It explains how science-fiction cinema had been bursting into new life throughout the late 1970s and early 1980s. It ...
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This chapter maps the science fiction milieu, which includes David Lynch's Dune. It explains how science-fiction cinema had been bursting into new life throughout the late 1970s and early 1980s. It also mentions the influence of Frank Herbert's original novel of Dune on stories of interstellar science fiction, such as the first Star Wars trilogy. The chapter discusses Herbert's approach to fiction and personal biography that provide some of the seeds of what the film version of Dune would become. Since Dune occurs in the shadow of Star Wars, it also provides context for the production and consumption of science-fiction film in the years between the releases of the two movies.Less
This chapter maps the science fiction milieu, which includes David Lynch's Dune. It explains how science-fiction cinema had been bursting into new life throughout the late 1970s and early 1980s. It also mentions the influence of Frank Herbert's original novel of Dune on stories of interstellar science fiction, such as the first Star Wars trilogy. The chapter discusses Herbert's approach to fiction and personal biography that provide some of the seeds of what the film version of Dune would become. Since Dune occurs in the shadow of Star Wars, it also provides context for the production and consumption of science-fiction film in the years between the releases of the two movies.
Robert Markley
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780252042751
- eISBN:
- 9780252051616
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042751.003.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
The Introduction situates Robinson’s novels in the contexts of recent and contemporary science fiction and offers a brief biography of the writer. Robinson has emerged in recent decades as a crucial ...
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The Introduction situates Robinson’s novels in the contexts of recent and contemporary science fiction and offers a brief biography of the writer. Robinson has emerged in recent decades as a crucial voice in what critics now call Anthropocene fiction, novels and stories that examine the consequences of humankind’s radical remaking of Earth’s environments since the Industrial Revolution. In discussing the development of Robinson’s fiction since the 1980s, the Introduction emphasizes that in all of his work, from the Mars and Science in the Capital trilogies to the recent New York 2140, utopia becomes a necessary survival strategy for humankind--the only way to step back from the spiraling cycles of corrosive competition for resources and antidemocratic political and economic systems.Less
The Introduction situates Robinson’s novels in the contexts of recent and contemporary science fiction and offers a brief biography of the writer. Robinson has emerged in recent decades as a crucial voice in what critics now call Anthropocene fiction, novels and stories that examine the consequences of humankind’s radical remaking of Earth’s environments since the Industrial Revolution. In discussing the development of Robinson’s fiction since the 1980s, the Introduction emphasizes that in all of his work, from the Mars and Science in the Capital trilogies to the recent New York 2140, utopia becomes a necessary survival strategy for humankind--the only way to step back from the spiraling cycles of corrosive competition for resources and antidemocratic political and economic systems.
Neil Cornwell
- Published in print:
- 2010
- Published Online:
- July 2012
- ISBN:
- 9780719082092
- eISBN:
- 9781781702062
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719082092.001.0001
- Subject:
- Literature, European Literature
This book takes four stories by the Russian Romantic author Vladimir Odoevsky to illustrate ‘pathways’, developed further by subsequent writers, into modern fiction. Featured here are: the artistic ...
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This book takes four stories by the Russian Romantic author Vladimir Odoevsky to illustrate ‘pathways’, developed further by subsequent writers, into modern fiction. Featured here are: the artistic (musical story), the rise of science fiction, psychic aspects of the detective story and of confession in the novel. The four chapters also examine the development of the featured categories by a wide range of subsequent writers in fiction ranging from the Romantic period up to the present century. The study works backwards from Odoevsky's stories, noting respective previous examples or traditions, before proceeding to follow the ‘pathways’ observed into later Russian, English and comparative fiction.Less
This book takes four stories by the Russian Romantic author Vladimir Odoevsky to illustrate ‘pathways’, developed further by subsequent writers, into modern fiction. Featured here are: the artistic (musical story), the rise of science fiction, psychic aspects of the detective story and of confession in the novel. The four chapters also examine the development of the featured categories by a wide range of subsequent writers in fiction ranging from the Romantic period up to the present century. The study works backwards from Odoevsky's stories, noting respective previous examples or traditions, before proceeding to follow the ‘pathways’ observed into later Russian, English and comparative fiction.
Joseph W. Campbell
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781496824721
- eISBN:
- 9781496824776
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496824721.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
The Order and the Other is a call to reexamine the relationship between dystopian literature and science fiction by thinking about the work that each genre does on and for the reader. The author ...
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The Order and the Other is a call to reexamine the relationship between dystopian literature and science fiction by thinking about the work that each genre does on and for the reader. The author believes that this is especially necessary in regards to dystopian literature intended for adolescents. Now that the cultural boom of YA Dystopian texts is over, this book attempts to understand that boom by placing dystopian works into the larger context of belonging to literary history of dystopian works. It attempts to help readers see how surveillance and power form the way that not only the characters within the films or books think about themselves, but also how it shapes the readers, as well. It also helps show that the surveillance culture and state that we see within such texts is not dependent on science fiction genre structures to exist. Finally, the book examines the most recent efforts to understand the genre and suggests ways inquiry into the genre might go forward.Less
The Order and the Other is a call to reexamine the relationship between dystopian literature and science fiction by thinking about the work that each genre does on and for the reader. The author believes that this is especially necessary in regards to dystopian literature intended for adolescents. Now that the cultural boom of YA Dystopian texts is over, this book attempts to understand that boom by placing dystopian works into the larger context of belonging to literary history of dystopian works. It attempts to help readers see how surveillance and power form the way that not only the characters within the films or books think about themselves, but also how it shapes the readers, as well. It also helps show that the surveillance culture and state that we see within such texts is not dependent on science fiction genre structures to exist. Finally, the book examines the most recent efforts to understand the genre and suggests ways inquiry into the genre might go forward.
Kieran Tranter
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474420891
- eISBN:
- 9781474453707
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474420891.003.0001
- Subject:
- Law, Philosophy of Law
This chapter introduces the book. It introduces the key concepts of the Frankenstein myth, law as technology and the role of science fiction as the site for the collective dream of technological ...
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This chapter introduces the book. It introduces the key concepts of the Frankenstein myth, law as technology and the role of science fiction as the site for the collective dream of technological culture and society in the West. This chapter also locates the book to come in the emergent field of law and humanities and the existing literature that examines law and legality of science fiction. It also introduces the concepts of the monster and the trickster.Less
This chapter introduces the book. It introduces the key concepts of the Frankenstein myth, law as technology and the role of science fiction as the site for the collective dream of technological culture and society in the West. This chapter also locates the book to come in the emergent field of law and humanities and the existing literature that examines law and legality of science fiction. It also introduces the concepts of the monster and the trickster.
Kieran Tranter
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474420891
- eISBN:
- 9781474453707
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474420891.001.0001
- Subject:
- Law, Philosophy of Law
Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity ...
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Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity within modern law has flourished. There has often been identified a mechanistic essence to modern law in its domination of human life. Usually this has been considered an ‘end’ and a loss, the human swallowed by the machine. However, this innovative book sets out to re-address this tendency
By examining science fiction as the culture of our total technological world, Living in Technical Legality journeys with the partially consumed human into the belly of the machine. What it finds is unexpected: rather than a cold uniformity of exchangeable productive units, there is warmth, diversity and ‘life’ for the nodes in the networks. Through its science fiction focus, it argues that this life generates a very different law of responsibility that can guide living well in technical legality.Less
Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity within modern law has flourished. There has often been identified a mechanistic essence to modern law in its domination of human life. Usually this has been considered an ‘end’ and a loss, the human swallowed by the machine. However, this innovative book sets out to re-address this tendency
By examining science fiction as the culture of our total technological world, Living in Technical Legality journeys with the partially consumed human into the belly of the machine. What it finds is unexpected: rather than a cold uniformity of exchangeable productive units, there is warmth, diversity and ‘life’ for the nodes in the networks. Through its science fiction focus, it argues that this life generates a very different law of responsibility that can guide living well in technical legality.
William Sims Bainbridge
- Published in print:
- 2009
- Published Online:
- October 2011
- ISBN:
- 9780195331493
- eISBN:
- 9780199852321
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195331493.003.0003
- Subject:
- Religion, Religion and Society
This chapter charts Scientology's cultural origins and affinities based on extensive data from participant observation, historical documents, questionnaire survey research, and other sources of ...
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This chapter charts Scientology's cultural origins and affinities based on extensive data from participant observation, historical documents, questionnaire survey research, and other sources of quantitative information. It outlines part of the complex sociocultural history of Scientology in terms of four formative phenomena: (1) science fiction, (2) science adventurism, (3) ludic systems of honor, and (4) the cyberculture. Scientology is not an isolated phenomenon, but can be best understood in terms of these cultural origins and affinities.Less
This chapter charts Scientology's cultural origins and affinities based on extensive data from participant observation, historical documents, questionnaire survey research, and other sources of quantitative information. It outlines part of the complex sociocultural history of Scientology in terms of four formative phenomena: (1) science fiction, (2) science adventurism, (3) ludic systems of honor, and (4) the cyberculture. Scientology is not an isolated phenomenon, but can be best understood in terms of these cultural origins and affinities.
