Steven Heine and Dale S. Wright (eds)
- Published in print:
- 2004
- Published Online:
- February 2006
- ISBN:
- 9780195150674
- eISBN:
- 9780199784615
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195150678.001.0001
- Subject:
- Religion, Buddhism
The Zen Canon offers learned but accessible studies of some of the most important classical texts in the tradition of Zen Buddhism. Each essay in the volume provides historical, ...
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The Zen Canon offers learned but accessible studies of some of the most important classical texts in the tradition of Zen Buddhism. Each essay in the volume provides historical, literary, and philosophical commentary on a particular Zen text or genre of texts. Among the most prominent types of texts featured are Chan or Zen “recorded sayings” (yulu) texts, “transmission of the lamp” anthology texts (chuandenglu), koan collections, and “rules of purity” or monastic regulation texts. These canonical writings helped shape the overall conception of Zen Buddhism and the kinds of practices that have come to give Zen its identity. One theme of Zen Canon, therefore, is that the classical anti-textual posture of Zen Buddhism is not one that can be taken literally. While making fun of spiritual writing of all kinds, Zen Buddhists managed to produce one of the largest and most influential bodies of canonical texts in the world. Among the most famous Zen texts discussed in The Zen Canon are the Mazu yulu, the Lidai fabao ji, the Transmission of the Lamp Ching-te era, the Record of Hongzhi, the Wu-men kuan, and the Chanyuan qinggue.Less
The Zen Canon offers learned but accessible studies of some of the most important classical texts in the tradition of Zen Buddhism. Each essay in the volume provides historical, literary, and philosophical commentary on a particular Zen text or genre of texts. Among the most prominent types of texts featured are Chan or Zen “recorded sayings” (yulu) texts, “transmission of the lamp” anthology texts (chuandenglu), koan collections, and “rules of purity” or monastic regulation texts. These canonical writings helped shape the overall conception of Zen Buddhism and the kinds of practices that have come to give Zen its identity. One theme of Zen Canon, therefore, is that the classical anti-textual posture of Zen Buddhism is not one that can be taken literally. While making fun of spiritual writing of all kinds, Zen Buddhists managed to produce one of the largest and most influential bodies of canonical texts in the world. Among the most famous Zen texts discussed in The Zen Canon are the Mazu yulu, the Lidai fabao ji, the Transmission of the Lamp Ching-te era, the Record of Hongzhi, the Wu-men kuan, and the Chanyuan qinggue.
François Recanati
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199226993
- eISBN:
- 9780191710223
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199226993.001.0001
- Subject:
- Philosophy, Philosophy of Language, General
This book argues against the traditional understanding of the semantics/pragmatics divide and puts forward a radical alternative. Through half a dozen case studies, it shows that what an utterance ...
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This book argues against the traditional understanding of the semantics/pragmatics divide and puts forward a radical alternative. Through half a dozen case studies, it shows that what an utterance says cannot be neatly separated from what the speaker means. In particular, the speaker's meaning endows words with senses that are tailored to the situation of utterance and depart from the conventional meanings carried by the words in isolation. This phenomenon of ‘pragmatic modulation’ must be taken into account in theorizing about semantic content, for it interacts with the grammar-driven process of semantic composition. Because of that interaction, the book argues, the content of a sentence always depends upon the context in which it is used. This claim defines Contextualism, a view which has attracted considerable attention in recent years, and of which the author of this book is one of the main proponents.Less
This book argues against the traditional understanding of the semantics/pragmatics divide and puts forward a radical alternative. Through half a dozen case studies, it shows that what an utterance says cannot be neatly separated from what the speaker means. In particular, the speaker's meaning endows words with senses that are tailored to the situation of utterance and depart from the conventional meanings carried by the words in isolation. This phenomenon of ‘pragmatic modulation’ must be taken into account in theorizing about semantic content, for it interacts with the grammar-driven process of semantic composition. Because of that interaction, the book argues, the content of a sentence always depends upon the context in which it is used. This claim defines Contextualism, a view which has attracted considerable attention in recent years, and of which the author of this book is one of the main proponents.
Richard M. Goodwin
- Published in print:
- 1990
- Published Online:
- November 2003
- ISBN:
- 9780198283355
- eISBN:
- 9780191596315
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0198283350.003.0002
- Subject:
- Economics and Finance, Macro- and Monetary Economics
Deals with the classical dynamical problem of technological advances in an agricultural (corn) economy. Goodwin asserts that two mis‐specifications—concerning labour supply and technical ...
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Deals with the classical dynamical problem of technological advances in an agricultural (corn) economy. Goodwin asserts that two mis‐specifications—concerning labour supply and technical progress—hampered classical models. A discrete time model is proposed with corn production embedded in a wider economy. The model has a chaotic attractor, and highly erratic market dynamics follow even in the absence of exogenous shocks.Less
Deals with the classical dynamical problem of technological advances in an agricultural (corn) economy. Goodwin asserts that two mis‐specifications—concerning labour supply and technical progress—hampered classical models. A discrete time model is proposed with corn production embedded in a wider economy. The model has a chaotic attractor, and highly erratic market dynamics follow even in the absence of exogenous shocks.
Noam Reisner
- Published in print:
- 2009
- Published Online:
- January 2010
- ISBN:
- 9780199572625
- eISBN:
- 9780191721892
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199572625.003.0007
- Subject:
- Literature, Milton Studies, 17th-century and Restoration Literature
This brief epilogue offers a quotation from Wittgenstein's letters about poetry as a concluding remark for the book as a whole, and speculates whether or not Wittgenstein — a philosopher everywhere ...
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This brief epilogue offers a quotation from Wittgenstein's letters about poetry as a concluding remark for the book as a whole, and speculates whether or not Wittgenstein — a philosopher everywhere committed to exploring the limits of language and the problems of ineffability — would have approved of Milton's poetry, which appears to transgress the limits of Wittgensteinian ‘sense’ as it moves into the realms of ineffable ‘nonsense’. Using Wittgenstein's say-show distinction, as outlined in the Tractatus and implicitly alluded to in the discussed quotation, the epilogue finally concludes that Milton only ever pretends to say the unsayable, and that this pretence is what matters in his poetry.Less
This brief epilogue offers a quotation from Wittgenstein's letters about poetry as a concluding remark for the book as a whole, and speculates whether or not Wittgenstein — a philosopher everywhere committed to exploring the limits of language and the problems of ineffability — would have approved of Milton's poetry, which appears to transgress the limits of Wittgensteinian ‘sense’ as it moves into the realms of ineffable ‘nonsense’. Using Wittgenstein's say-show distinction, as outlined in the Tractatus and implicitly alluded to in the discussed quotation, the epilogue finally concludes that Milton only ever pretends to say the unsayable, and that this pretence is what matters in his poetry.
Emma Dillon
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199732951
- eISBN:
- 9780199932061
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199732951.003.0108
- Subject:
- Music, History, Western
This short epilogue looks beyond the specific topic of the book to suggest ways in which the approaches developed may speak to larger issues current in musicology and medieval studies. Specifically, ...
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This short epilogue looks beyond the specific topic of the book to suggest ways in which the approaches developed may speak to larger issues current in musicology and medieval studies. Specifically, it emphasizes why the pursuit of a history of sonic experience may be desirable in the contemporary climate of these fields.Less
This short epilogue looks beyond the specific topic of the book to suggest ways in which the approaches developed may speak to larger issues current in musicology and medieval studies. Specifically, it emphasizes why the pursuit of a history of sonic experience may be desirable in the contemporary climate of these fields.
Jennifer Mather Saul
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199603688
- eISBN:
- 9780191745454
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199603688.001.0001
- Subject:
- Philosophy, Philosophy of Language, Moral Philosophy
Many people (both philosophers and not) find it very natural to think that deceiving someone in a way that avoids lying — by merely misleading — is morally preferable to simply lying. Others think ...
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Many people (both philosophers and not) find it very natural to think that deceiving someone in a way that avoids lying — by merely misleading — is morally preferable to simply lying. Others think this preference is deeply misguided. But all sides agree that there is a distinction. In this book, I undertake a close examination of the lying/misleading distinction. First, I use this very intuitive distinction to shed new light on entrenched debates in philosophy of language over notions like what is said. Next, I tackle the puzzling but widespread moral preference for misleading over lying, arriving at a new view regarding the moral significance of the distinction. Finally, I bring all this together in an examination of historically important and interesting cases, ranging from modern politicians to early JesuitsLess
Many people (both philosophers and not) find it very natural to think that deceiving someone in a way that avoids lying — by merely misleading — is morally preferable to simply lying. Others think this preference is deeply misguided. But all sides agree that there is a distinction. In this book, I undertake a close examination of the lying/misleading distinction. First, I use this very intuitive distinction to shed new light on entrenched debates in philosophy of language over notions like what is said. Next, I tackle the puzzling but widespread moral preference for misleading over lying, arriving at a new view regarding the moral significance of the distinction. Finally, I bring all this together in an examination of historically important and interesting cases, ranging from modern politicians to early Jesuits
Denis McManus
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199288021
- eISBN:
- 9780191713446
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288021.003.0001
- Subject:
- Philosophy, History of Philosophy
This introductory chapter presents a sketch of the book as a whole. It identifies several features of the Tractatus that Wittgenstein himself described as crucial. It sets out a philosophical ...
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This introductory chapter presents a sketch of the book as a whole. It identifies several features of the Tractatus that Wittgenstein himself described as crucial. It sets out a philosophical conception of the intelligibility of thought labeled as ‘con-formism’, and which, the book argues, Wittgenstein seeks to undermine.Less
This introductory chapter presents a sketch of the book as a whole. It identifies several features of the Tractatus that Wittgenstein himself described as crucial. It sets out a philosophical conception of the intelligibility of thought labeled as ‘con-formism’, and which, the book argues, Wittgenstein seeks to undermine.
Denis McManus
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199288021
- eISBN:
- 9780191713446
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288021.003.0006
- Subject:
- Philosophy, History of Philosophy
This chapter discusses how Wittgenstein’s conception of ‘the illogical’ as sign/symbol confusion affects our understanding of logical and ontological ‘types’. It explores the notion that the ...
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This chapter discusses how Wittgenstein’s conception of ‘the illogical’ as sign/symbol confusion affects our understanding of logical and ontological ‘types’. It explores the notion that the confusion that ‘the illogical’ embodies needs to be addressed by introducing novel notations rather than constructing theories of logical and ontological ‘types’. It considers what talk of such ‘types’ amounts to if there is no real task for such theories to perform.Less
This chapter discusses how Wittgenstein’s conception of ‘the illogical’ as sign/symbol confusion affects our understanding of logical and ontological ‘types’. It explores the notion that the confusion that ‘the illogical’ embodies needs to be addressed by introducing novel notations rather than constructing theories of logical and ontological ‘types’. It considers what talk of such ‘types’ amounts to if there is no real task for such theories to perform.
Roger W. Shuy
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199926961
- eISBN:
- 9780199980505
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199926961.003.0021
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter explores the case of an adult woman who accused her stepfather of intentionally fondling her breasts. It notes that Jim Keckoff, the accused, claimed that he unintentionally climbed into ...
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This chapter explores the case of an adult woman who accused her stepfather of intentionally fondling her breasts. It notes that Jim Keckoff, the accused, claimed that he unintentionally climbed into the wrong bed. This case can be considered as an example of a “he said, she said trials,” since the police failed to record their complaint interview with Sharon (the stepdaughter) or their short follow-up interview with Jim (the stepfather). It tries to determine if Jim climbed into Sharon's bed intentionally or accidentally, and uses speech act analysis to reveal any possible clues to his intentions. This chapter also addresses the question why Jim could report facts with some degree of precision in some statements but not in the statement where his hand ended up on his stepdaughter's breast.Less
This chapter explores the case of an adult woman who accused her stepfather of intentionally fondling her breasts. It notes that Jim Keckoff, the accused, claimed that he unintentionally climbed into the wrong bed. This case can be considered as an example of a “he said, she said trials,” since the police failed to record their complaint interview with Sharon (the stepdaughter) or their short follow-up interview with Jim (the stepfather). It tries to determine if Jim climbed into Sharon's bed intentionally or accidentally, and uses speech act analysis to reveal any possible clues to his intentions. This chapter also addresses the question why Jim could report facts with some degree of precision in some statements but not in the statement where his hand ended up on his stepdaughter's breast.
Denis McManus
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199288021
- eISBN:
- 9780191713446
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288021.003.0012
- Subject:
- Philosophy, History of Philosophy
This chapter examines how Wittgenstein envisaged the analysis of some important kinds of proposition that, at least superficially, do not fit the requirements of the general form of the proposition. ...
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This chapter examines how Wittgenstein envisaged the analysis of some important kinds of proposition that, at least superficially, do not fit the requirements of the general form of the proposition. General propositions represent a fundamental and central case in point and an explanation is offered of how Wittgenstein might have imagined their analysis. This explanation draws on ideas set out earlier in the book concerning the articulation of how particular languages and models ‘make sense’, the character of ‘logical types’ and ‘the illogical’, and Wittgenstein’s philosophical ambitions for notational reforms.Less
This chapter examines how Wittgenstein envisaged the analysis of some important kinds of proposition that, at least superficially, do not fit the requirements of the general form of the proposition. General propositions represent a fundamental and central case in point and an explanation is offered of how Wittgenstein might have imagined their analysis. This explanation draws on ideas set out earlier in the book concerning the articulation of how particular languages and models ‘make sense’, the character of ‘logical types’ and ‘the illogical’, and Wittgenstein’s philosophical ambitions for notational reforms.
Denis McManus
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199288021
- eISBN:
- 9780191713446
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288021.003.0013
- Subject:
- Philosophy, History of Philosophy
This chapter presents evidence that suggests that ideas of decency and conscience play a part in Wittgenstein’s obscure early remarks about the ethical and its supposed ‘inexpressibility’. An initial ...
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This chapter presents evidence that suggests that ideas of decency and conscience play a part in Wittgenstein’s obscure early remarks about the ethical and its supposed ‘inexpressibility’. An initial reading is offered, which gives a way of making sense of some of these remarks and identifies parallels with themes in the philosophy of logic that Wittgenstein seemed to have seen as parallel. However, the following chapter will argue that the inexpressible form of ‘ethical knowledge’ that the initial reading seems to reveal is actually a rung on a ‘ladder’ that is to be ‘climbed’ and then ‘thrown away’.Less
This chapter presents evidence that suggests that ideas of decency and conscience play a part in Wittgenstein’s obscure early remarks about the ethical and its supposed ‘inexpressibility’. An initial reading is offered, which gives a way of making sense of some of these remarks and identifies parallels with themes in the philosophy of logic that Wittgenstein seemed to have seen as parallel. However, the following chapter will argue that the inexpressible form of ‘ethical knowledge’ that the initial reading seems to reveal is actually a rung on a ‘ladder’ that is to be ‘climbed’ and then ‘thrown away’.
Denis McManus
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199288021
- eISBN:
- 9780191713446
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199288021.003.0015
- Subject:
- Philosophy, History of Philosophy
This chapter reviews how the author’s reading presents those features of the Tractatus (described in Ch. 1) that Wittgenstein himself described as crucial. It clarifies the interpretation of the ...
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This chapter reviews how the author’s reading presents those features of the Tractatus (described in Ch. 1) that Wittgenstein himself described as crucial. It clarifies the interpretation of the say/show distinction and explains how that theme runs through the many and superficially diverse interests of the book. It offers an interpretation of why Wittgenstein said that the ‘point’ of the Tractatus is ethical and connects this interpretation to his reflections on logical truth. Crucial to the diverse forms of philosophical confusion discussed is a spiritually significant willingness to confusedly endow words with a life of their own: this enchanting of, and enchantment by words transposes on to them, and the world which we then see them as ‘fitting’, responsibilities that are actually ours to bear.Less
This chapter reviews how the author’s reading presents those features of the Tractatus (described in Ch. 1) that Wittgenstein himself described as crucial. It clarifies the interpretation of the say/show distinction and explains how that theme runs through the many and superficially diverse interests of the book. It offers an interpretation of why Wittgenstein said that the ‘point’ of the Tractatus is ethical and connects this interpretation to his reflections on logical truth. Crucial to the diverse forms of philosophical confusion discussed is a spiritually significant willingness to confusedly endow words with a life of their own: this enchanting of, and enchantment by words transposes on to them, and the world which we then see them as ‘fitting’, responsibilities that are actually ours to bear.
Thomas Michel, S. J.
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195323405
- eISBN:
- 9780199869237
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195323405.003.0009
- Subject:
- Religion, Sikhism
This chapter explores peacebuilding resources in the Muslim tradition. Media attention has centered on the activities of a violent Muslim minority; larger Islamic movements, dedicated to the ...
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This chapter explores peacebuilding resources in the Muslim tradition. Media attention has centered on the activities of a violent Muslim minority; larger Islamic movements, dedicated to the principle of nonviolence, have garnered much less of the spotlight. This chapter examines three such movements in detail—their historical origins, ethical commitments, and social and political practices. Two of the movements, centered around the teachings of Said Nursi and Fethullah Gülen, have emphasized the importance of education, dialogue, and service to the poor as imperatives in a modern, globalizing world. A third movement, the Asian Muslim Action Network, pools resources and expertise across a range of local and national partners in the region.Less
This chapter explores peacebuilding resources in the Muslim tradition. Media attention has centered on the activities of a violent Muslim minority; larger Islamic movements, dedicated to the principle of nonviolence, have garnered much less of the spotlight. This chapter examines three such movements in detail—their historical origins, ethical commitments, and social and political practices. Two of the movements, centered around the teachings of Said Nursi and Fethullah Gülen, have emphasized the importance of education, dialogue, and service to the poor as imperatives in a modern, globalizing world. A third movement, the Asian Muslim Action Network, pools resources and expertise across a range of local and national partners in the region.
Anne Witchard
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9789888139606
- eISBN:
- 9789882208643
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139606.001.0001
- Subject:
- Society and Culture, Asian Studies
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been ...
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Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.Less
Lao She's life and work have been the subject of volumes of critique, analysis and study. However, the four years the aspiring writer spent in London between 1924 and 1929 have largely been overlooked. This book reveals Lao She's encounter with literature in England, from Dickens to Conrad, high modernism and Joyce. Lao She arrived from his native Peking to the whirl of London's West End scene - Bloomsberries, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of the Golden Calf, risqué flappers, the tabloid sensation of England's 'most infamous Chinaman', Brilliant Chang and Anna May Wong's scandalous film Piccadilly (1918). Simultaneously Lao She spent time in London's notorious and much sensationalised Chinatown in Limehouse. Out of these experiences came his great novel of London Chinese life and tribulations - Ma & Son: Two Chinese in London. This book examines how Lao She's London years affected his writing and ultimately the course of Chinese literary modernism.
Derek B. Scott
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195151961
- eISBN:
- 9780199870394
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195151961.003.0008
- Subject:
- Music, Theory, Analysis, Composition
This chapter examines constructions of the East in Western music, and the development of Orientalist styles independently of the objective conditions of non-Western musical practices. It explores a ...
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This chapter examines constructions of the East in Western music, and the development of Orientalist styles independently of the objective conditions of non-Western musical practices. It explores a variety of questions concerning the impact of Orientalist ideology on Western music. Is there any consistency to be found in the way non-Western cultures have been represented? Is it often only the exotic, or the cultural Other, that is signified rather than a particular ethnic musical practice? Are there reductive sets of musical conventions that signify something vaguely Asian, Spanish or Chinese/Japanese and little else? When did these styles become recognizable? Once established, did they perpetuate themselves as musical discursive codes in which a musical text of the East replaced the actual East? Is there a change in representations of non-Western cultures that can be related to the growth of Western nationalism and imperialism?Less
This chapter examines constructions of the East in Western music, and the development of Orientalist styles independently of the objective conditions of non-Western musical practices. It explores a variety of questions concerning the impact of Orientalist ideology on Western music. Is there any consistency to be found in the way non-Western cultures have been represented? Is it often only the exotic, or the cultural Other, that is signified rather than a particular ethnic musical practice? Are there reductive sets of musical conventions that signify something vaguely Asian, Spanish or Chinese/Japanese and little else? When did these styles become recognizable? Once established, did they perpetuate themselves as musical discursive codes in which a musical text of the East replaced the actual East? Is there a change in representations of non-Western cultures that can be related to the growth of Western nationalism and imperialism?
D. R. M. Irving
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195378269
- eISBN:
- 9780199864614
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195378269.003.0001
- Subject:
- Music, Ethnomusicology, World Music
This chapter proposes counterpoint as a metaphor for the historical critique of colonial musical cultures in the early modern world. It explains how Edward W. Said's technique of “contrapuntal ...
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This chapter proposes counterpoint as a metaphor for the historical critique of colonial musical cultures in the early modern world. It explains how Edward W. Said's technique of “contrapuntal analysis” can be borrowed from literary studies and used in the interpretation of colonial historiography. As Manila was the final link in the network of worldwide trade routes that were established in the late sixteenth century, this chapter suggests that an examination of musical exchanges at this crucial geocultural crossroads of mercantile, political, and religious enterprises can reveal much about the early modern origins and development of music globalization. Finally, it provides an outline of the book and an overview of the primary source materials that are relevant to this study.Less
This chapter proposes counterpoint as a metaphor for the historical critique of colonial musical cultures in the early modern world. It explains how Edward W. Said's technique of “contrapuntal analysis” can be borrowed from literary studies and used in the interpretation of colonial historiography. As Manila was the final link in the network of worldwide trade routes that were established in the late sixteenth century, this chapter suggests that an examination of musical exchanges at this crucial geocultural crossroads of mercantile, political, and religious enterprises can reveal much about the early modern origins and development of music globalization. Finally, it provides an outline of the book and an overview of the primary source materials that are relevant to this study.
Andrew N. Rubin
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691154152
- eISBN:
- 9781400842179
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691154152.003.0006
- Subject:
- Literature, Criticism/Theory
This chapter examines the dimensions of Edward Said's critical writing. In spite of numerous attempts to define and identify an overarching methodology that can be traced throughout Said's some ...
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This chapter examines the dimensions of Edward Said's critical writing. In spite of numerous attempts to define and identify an overarching methodology that can be traced throughout Said's some twenty-five books, few have successfully, or at the very least convincingly, identified a method that endures throughout his entire oeuvre. That such an intellectual, who is credited with the invention of fields like postcolonial studies and who has made a decidedly transforming contribution to the reinvention of humanism in general, has proven so elusive in this respect has to do with the changing exigencies he faced as an intellectual. At the same time, however, Said has exhibited a lasting affinity with a range of key figures, intellectuals, and critics—most notably Erich Auerbach (1892–1957), a scholar of classical and philological training.Less
This chapter examines the dimensions of Edward Said's critical writing. In spite of numerous attempts to define and identify an overarching methodology that can be traced throughout Said's some twenty-five books, few have successfully, or at the very least convincingly, identified a method that endures throughout his entire oeuvre. That such an intellectual, who is credited with the invention of fields like postcolonial studies and who has made a decidedly transforming contribution to the reinvention of humanism in general, has proven so elusive in this respect has to do with the changing exigencies he faced as an intellectual. At the same time, however, Said has exhibited a lasting affinity with a range of key figures, intellectuals, and critics—most notably Erich Auerbach (1892–1957), a scholar of classical and philological training.
Christopher Janaway
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199279692
- eISBN:
- 9780191707407
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199279692.003.0004
- Subject:
- Philosophy, History of Philosophy
This chapter summarizes the aspects of Schopenhauer's theory of value and metaphysics that make selflessness a central point of contention, and Nietzsche's response to them. For Schopenhauer, ...
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This chapter summarizes the aspects of Schopenhauer's theory of value and metaphysics that make selflessness a central point of contention, and Nietzsche's response to them. For Schopenhauer, compassion is the basis of ethics. But he takes selflessness into the metaphysical realm by arguing that the individual is an illusion: the good person sees through the principle of individuation, and conscience is an intimation of identity with one's victim. Ultimately total self-abnegation (‘saying no’ to life and oneself, as Nietzsche puts it) is the route to salvation. Nietzsche regards this metaphysics as an embarrassment, but has other arguments against Schopenhauer: that compassion is a complex phenomenon often driven by self-interest, that it detracts from one's life-purpose and capacity to be happy, that it is mistaken to think all human beings matter equally, to consider suffering something to eliminate from existence, and to take a life-denying attitude because of it.Less
This chapter summarizes the aspects of Schopenhauer's theory of value and metaphysics that make selflessness a central point of contention, and Nietzsche's response to them. For Schopenhauer, compassion is the basis of ethics. But he takes selflessness into the metaphysical realm by arguing that the individual is an illusion: the good person sees through the principle of individuation, and conscience is an intimation of identity with one's victim. Ultimately total self-abnegation (‘saying no’ to life and oneself, as Nietzsche puts it) is the route to salvation. Nietzsche regards this metaphysics as an embarrassment, but has other arguments against Schopenhauer: that compassion is a complex phenomenon often driven by self-interest, that it detracts from one's life-purpose and capacity to be happy, that it is mistaken to think all human beings matter equally, to consider suffering something to eliminate from existence, and to take a life-denying attitude because of it.
Andrew N. Weintraub
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195395662
- eISBN:
- 9780199863549
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195395662.003.0002
- Subject:
- Music, Ethnomusicology, World Music, Popular
This chapter provides a critical overview of dangdut's stated historical origins in Melayu (Malay) music of north Sumatra (Melayu Deli) and urban ensemble music of the twentieth century (including ...
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This chapter provides a critical overview of dangdut's stated historical origins in Melayu (Malay) music of north Sumatra (Melayu Deli) and urban ensemble music of the twentieth century (including orkes gambus, orkes harmonium, and orkes Melayu). The chapter focuses on debates about the history of dangdut that propose a linear development from Melayu music of north Sumatra to its present-day form. In contrast, Chapter 2 argues that orkes Melayu was pieced together in different music “scenes” from a variety of sources and through a variety of media. It is argued that “Melayu” must be understood conceptually in terms of historical and cultural change, involving a high level of interaction among people of diverse and mixed ethnicities, especially in urban centers. In the city of Medan, for example, composer Lily Suheiry and singers Rubiah and Ema Gangga played modern music for diverse audiences throughout the Melayu region. In Jakarta, star singers including Said Effendi and Hasnah Tahar drew from diverse musical sources throughout the Melayu region, the Middle East, and India.Less
This chapter provides a critical overview of dangdut's stated historical origins in Melayu (Malay) music of north Sumatra (Melayu Deli) and urban ensemble music of the twentieth century (including orkes gambus, orkes harmonium, and orkes Melayu). The chapter focuses on debates about the history of dangdut that propose a linear development from Melayu music of north Sumatra to its present-day form. In contrast, Chapter 2 argues that orkes Melayu was pieced together in different music “scenes” from a variety of sources and through a variety of media. It is argued that “Melayu” must be understood conceptually in terms of historical and cultural change, involving a high level of interaction among people of diverse and mixed ethnicities, especially in urban centers. In the city of Medan, for example, composer Lily Suheiry and singers Rubiah and Ema Gangga played modern music for diverse audiences throughout the Melayu region. In Jakarta, star singers including Said Effendi and Hasnah Tahar drew from diverse musical sources throughout the Melayu region, the Middle East, and India.
Rahul Rao
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199560370
- eISBN:
- 9780191721694
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199560370.003.0005
- Subject:
- Political Science, Political Theory, International Relations and Politics
The chapter describes the protest sensibilities of four writers—James Joyce, Rabindranath Tagore, Edward Said, and Frantz Fanon—who were fierce critics of nationalism even as they wished fervently ...
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The chapter describes the protest sensibilities of four writers—James Joyce, Rabindranath Tagore, Edward Said, and Frantz Fanon—who were fierce critics of nationalism even as they wished fervently for the success of national liberation movements. This ambiguous attitude towards nationalism was underpinned by complex spatial imaginaries of threat, in which the freedom of the political communities with which they identified was perceived to be threatened both from outside and within. As anti‐imperialists, they made the case for subaltern nationalism; but an anxiety about the oppressions inherent in nationalist mobilization also led them to a critique of nationalism. Tagore, Said, and Fanon attempted to square this circle by viewing nationalism as a transitory stage through which subaltern resistance must pass to recuperate the identity and sense of self that imperialism had trampled underfoot, but which must then subsume itself in postcolonial universality once this goal had been attained.Less
The chapter describes the protest sensibilities of four writers—James Joyce, Rabindranath Tagore, Edward Said, and Frantz Fanon—who were fierce critics of nationalism even as they wished fervently for the success of national liberation movements. This ambiguous attitude towards nationalism was underpinned by complex spatial imaginaries of threat, in which the freedom of the political communities with which they identified was perceived to be threatened both from outside and within. As anti‐imperialists, they made the case for subaltern nationalism; but an anxiety about the oppressions inherent in nationalist mobilization also led them to a critique of nationalism. Tagore, Said, and Fanon attempted to square this circle by viewing nationalism as a transitory stage through which subaltern resistance must pass to recuperate the identity and sense of self that imperialism had trampled underfoot, but which must then subsume itself in postcolonial universality once this goal had been attained.
