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“#1 on NCI”: Country Music and the Aboriginal Public

Byron Dueck

in Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199747641
eISBN:
9780199379859
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199747641.003.0003
Subject:
Music, Ethnomusicology, World Music, History, American

This chapter begins with an account of the 2002 NCI Jam, a singing competition that brought together aboriginal performers from across the province of Manitoba. The chapter explores how aboriginal ... More


Egypt's Pop-music Clashes and the ‘world-crossing’ Destinies of Muhammad ‘ali Street Musicians

Nicolas Puig

in Cairo Cosmopolitan: Politics, Culture, and Urban Space in the New Globalized Middle East

Published in print:
2009
Published Online:
September 2011
ISBN:
9789774162893
eISBN:
9781617970269
Item type:
chapter
Publisher:
American University in Cairo Press
DOI:
10.5743/cairo/9789774162893.003.0020
Subject:
Political Science, International Relations and Politics

The suq al-musiqiyyin (the musicians' market) in Cairo refers to the social space of popular-class (sha'bi) urban music, the live music played at weddings but also at mulids (Sufi saint's festival). ... More


Folklore Transformed in Bartók’s Dance Suite

William Kinderman

in The Creative Process in Music from Mozart to Kurtág

Published in print:
2012
Published Online:
April 2017
ISBN:
9780252037160
eISBN:
9780252094286
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252037160.003.0005
Subject:
Music, History, Western

This chapter focuses on Bartók's Dance Suite from 1923, a sometimes underestimated piece that displays a provocative relation to the political circumstances of its composition. Drawing from certain ... More


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