Ryan Alexander Diduck
- Published in print:
- 2014
- Published Online:
- April 2014
- ISBN:
- 9780199949311
- eISBN:
- 9780199364749
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199949311.003.0008
- Subject:
- Music, Popular, History, American
For centuries, speed and efficiency have guided Western notions of progress and paved the postindustrial path toward modernity. Beginning in earnest in the 1980s, slow movements around food, reading, ...
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For centuries, speed and efficiency have guided Western notions of progress and paved the postindustrial path toward modernity. Beginning in earnest in the 1980s, slow movements around food, reading, painting, media, and urban life have gained significant international attention. This chapter examines microscenes of slowness that deliberately slow the turnover of objects, ideas, and technologies, and “chop and screw” audiovisual cultural artifacts. Through an analysis of works of slowness and the scenes that produce them, the chapter correlates an overabundance of residual technologies and digital media with static and reiterative impulses in society more broadly.Less
For centuries, speed and efficiency have guided Western notions of progress and paved the postindustrial path toward modernity. Beginning in earnest in the 1980s, slow movements around food, reading, painting, media, and urban life have gained significant international attention. This chapter examines microscenes of slowness that deliberately slow the turnover of objects, ideas, and technologies, and “chop and screw” audiovisual cultural artifacts. Through an analysis of works of slowness and the scenes that produce them, the chapter correlates an overabundance of residual technologies and digital media with static and reiterative impulses in society more broadly.
Christina L. Baade
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780199314706
- eISBN:
- 9780190619541
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199314706.003.0015
- Subject:
- Music, Popular
This chapter examines the role of broadcast radio and television as crucial sources of music for incarcerated people. It challenges the focus on “new” media as the primary means through which music ...
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This chapter examines the role of broadcast radio and television as crucial sources of music for incarcerated people. It challenges the focus on “new” media as the primary means through which music is now consumed in North America, considering current realities of mass incarceration and the fact that US incarceration rates are the highest in the world. Working with the prison narrative of “Patrick,” an organic intellectual and Asian American punk musician, this chapter approaches music listening as a de Certeauian “tactic.” Policies that deny access to the Internet and MP3 players discipline and isolate prisoners; however, prisoners in turn make creative use of residual media and “old” music technologies. For Patrick, radio proved a powerful vehicle of temporary escape, while television music awards shows facilitated participation and community. Ultimately, this chapter argues that such music listening practices offer a chance, however transitory and contingent, for prisoners to assert their own subjectivities and reshape their lived environments.Less
This chapter examines the role of broadcast radio and television as crucial sources of music for incarcerated people. It challenges the focus on “new” media as the primary means through which music is now consumed in North America, considering current realities of mass incarceration and the fact that US incarceration rates are the highest in the world. Working with the prison narrative of “Patrick,” an organic intellectual and Asian American punk musician, this chapter approaches music listening as a de Certeauian “tactic.” Policies that deny access to the Internet and MP3 players discipline and isolate prisoners; however, prisoners in turn make creative use of residual media and “old” music technologies. For Patrick, radio proved a powerful vehicle of temporary escape, while television music awards shows facilitated participation and community. Ultimately, this chapter argues that such music listening practices offer a chance, however transitory and contingent, for prisoners to assert their own subjectivities and reshape their lived environments.
