Peter Brooks
- Published in print:
- 2011
- Published Online:
- October 2017
- ISBN:
- 9780691151588
- eISBN:
- 9781400839698
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691151588.003.0008
- Subject:
- Literature, Criticism/Theory
This chapter suggests that the self facing its extinction may make particularly concerted, wild, mad reactions to the impending nothingness of its identity, in late work of a new, unbound creativity. ...
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This chapter suggests that the self facing its extinction may make particularly concerted, wild, mad reactions to the impending nothingness of its identity, in late work of a new, unbound creativity. There have, over the ages, been artists in all sorts of media who have had the capacity for self-reinvention late in their careers—often involving a whole new manner, a “late style” that is often their principal claim to greatness in the eyes of posterity. The chapter then assesses the relation of self-reinvention to self-dissolution. In the limiting circumstances of self-dissolution come such phenomena as Beethoven's late quartets—which, in his by then total deafness, he could not hear—or Matisse's late cutouts—these being a return to the art and techne of childhood at a point where he could no longer wield the paintbrush, in which one can find the brilliant invention of a new “period” in his work in response to necessity.Less
This chapter suggests that the self facing its extinction may make particularly concerted, wild, mad reactions to the impending nothingness of its identity, in late work of a new, unbound creativity. There have, over the ages, been artists in all sorts of media who have had the capacity for self-reinvention late in their careers—often involving a whole new manner, a “late style” that is often their principal claim to greatness in the eyes of posterity. The chapter then assesses the relation of self-reinvention to self-dissolution. In the limiting circumstances of self-dissolution come such phenomena as Beethoven's late quartets—which, in his by then total deafness, he could not hear—or Matisse's late cutouts—these being a return to the art and techne of childhood at a point where he could no longer wield the paintbrush, in which one can find the brilliant invention of a new “period” in his work in response to necessity.
Harold James
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691153407
- eISBN:
- 9781400841868
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691153407.003.0008
- Subject:
- History, European Modern History
This chapter studies Krupp in the postwar world, particularly in the company's attempts at reinventing itself in the modern age. It first discusses the extent of the postwar German industrial ...
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This chapter studies Krupp in the postwar world, particularly in the company's attempts at reinventing itself in the modern age. It first discusses the extent of the postwar German industrial recovery, as German business began the new era with very limited financial resources, and considers the new management approaches undertaken by the company following the war. The chapter also examines the company's weathering through yet another financial crisis as the German steel industry fell in decline. Yet throughout all this the chapter shows how the company has attempted to recover and reinvent itself, becoming more globalized in the process and yet somehow returning to the roots of German industrial culture.Less
This chapter studies Krupp in the postwar world, particularly in the company's attempts at reinventing itself in the modern age. It first discusses the extent of the postwar German industrial recovery, as German business began the new era with very limited financial resources, and considers the new management approaches undertaken by the company following the war. The chapter also examines the company's weathering through yet another financial crisis as the German steel industry fell in decline. Yet throughout all this the chapter shows how the company has attempted to recover and reinvent itself, becoming more globalized in the process and yet somehow returning to the roots of German industrial culture.
Nirad C. Chaudhuri and M. J. Tambimuttu
- Published in print:
- 2007
- Published Online:
- October 2011
- ISBN:
- 9780199207770
- eISBN:
- 9780191695681
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199207770.003.0003
- Subject:
- Literature, World Literature, 20th-century Literature and Modernism
Early ‘Asiatic’ writers, seen as exotic and oriental outsiders, were also often expected to embody ‘foreignness’, and provide ‘alien’ perspectives on Britain, usually in prescribed terms. This ...
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Early ‘Asiatic’ writers, seen as exotic and oriental outsiders, were also often expected to embody ‘foreignness’, and provide ‘alien’ perspectives on Britain, usually in prescribed terms. This chapter explores the contrasting modes of ‘domesticating’ and ‘foreignising’ self-translation reproduced respectively in the writings of the self-Westernised Nirad Chaudhuri and M. J. Tambimuttu. After coming to Britain in 1938, the equally anglicised Tambimuttu adopted a self-consciously ‘Asian’ cultural identity that embodied ideas about the East produced in the West. Such assertions of cultural difference, pre-shaped in orientalist terms for Western consumption, do not transform the centre, and offer a marked contrast to Mulk Raj Anand and Raja Rao's politicised efforts to nativise Standard English and to ‘Indianise’ the European novel. Unlike Anand who moved in radical political circles, on arrival in Britain Tambimuttu gravitated towards counter-cultural aesthetic movements. Tracing Chaudhuri's and Tambimuttu's varied development from the 1940s and 1950s onwards, this chapter shows that ironically Tambimuttu's self-reinvention as an ‘Asian’ allowed him to engage and be absorbed into his new environments to a far greater extent than the self-colonised Chaudhuri.Less
Early ‘Asiatic’ writers, seen as exotic and oriental outsiders, were also often expected to embody ‘foreignness’, and provide ‘alien’ perspectives on Britain, usually in prescribed terms. This chapter explores the contrasting modes of ‘domesticating’ and ‘foreignising’ self-translation reproduced respectively in the writings of the self-Westernised Nirad Chaudhuri and M. J. Tambimuttu. After coming to Britain in 1938, the equally anglicised Tambimuttu adopted a self-consciously ‘Asian’ cultural identity that embodied ideas about the East produced in the West. Such assertions of cultural difference, pre-shaped in orientalist terms for Western consumption, do not transform the centre, and offer a marked contrast to Mulk Raj Anand and Raja Rao's politicised efforts to nativise Standard English and to ‘Indianise’ the European novel. Unlike Anand who moved in radical political circles, on arrival in Britain Tambimuttu gravitated towards counter-cultural aesthetic movements. Tracing Chaudhuri's and Tambimuttu's varied development from the 1940s and 1950s onwards, this chapter shows that ironically Tambimuttu's self-reinvention as an ‘Asian’ allowed him to engage and be absorbed into his new environments to a far greater extent than the self-colonised Chaudhuri.
Phoebe Wolfskill
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041143
- eISBN:
- 9780252099700
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041143.001.0001
- Subject:
- Sociology, Race and Ethnicity
An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley’s approach ...
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An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley’s approach to constructing a New Negro—a dignified figure both accomplished and worthy of respect—reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley’s art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley’s oeuvre, Wolfskill reveals the artist’s complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley’s oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation. The book concludes by considering how racist images of the past continue to fuel conflicts over black representation.
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An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley’s approach to constructing a New Negro—a dignified figure both accomplished and worthy of respect—reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley’s art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley’s oeuvre, Wolfskill reveals the artist’s complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley’s oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation. The book concludes by considering how racist images of the past continue to fuel conflicts over black representation.
Katherine Sender
- Published in print:
- 2012
- Published Online:
- March 2016
- ISBN:
- 9780814740699
- eISBN:
- 9780814738979
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814740699.001.0001
- Subject:
- Society and Culture, Media Studies
Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who ...
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Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little. This is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. It argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. This book, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows' imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The book intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward.Less
Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little. This is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. It argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. This book, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows' imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The book intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward.
Doreen D. Wu
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099128
- eISBN:
- 9789882206847
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099128.003.0001
- Subject:
- Society and Culture, Asian Studies
This chapter presents the approach of discourse analysis and outlines a glocalization perspective in researching contemporary Cultural China as discourses. Two notions “discursive appropriation” and ...
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This chapter presents the approach of discourse analysis and outlines a glocalization perspective in researching contemporary Cultural China as discourses. Two notions “discursive appropriation” and “discursive reinvention” particularly, are presented and postulated as important notions and directions for future research and further attention in the attempt to understand and explain the discursive hybridizations, i.e., the dialectical process as well as the diverse outcomes of glocalization in the discourses of contemporary Cultural China.Less
This chapter presents the approach of discourse analysis and outlines a glocalization perspective in researching contemporary Cultural China as discourses. Two notions “discursive appropriation” and “discursive reinvention” particularly, are presented and postulated as important notions and directions for future research and further attention in the attempt to understand and explain the discursive hybridizations, i.e., the dialectical process as well as the diverse outcomes of glocalization in the discourses of contemporary Cultural China.
Mark Franko
- Published in print:
- 2015
- Published Online:
- August 2015
- ISBN:
- 9780199794010
- eISBN:
- 9780190241186
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199794010.001.0001
- Subject:
- Music, Dance, History, Western
This book presents a historical and theoretical examination of French baroque court ballet from approximately 1573 until 1670. Spanning the late Renaissance and the Baroque, this book brings ...
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This book presents a historical and theoretical examination of French baroque court ballet from approximately 1573 until 1670. Spanning the late Renaissance and the Baroque, this book brings aesthetic and ideological criteria to bear on court ballet libretti, period accounts, contemporaneous performance theory, and related commentary on dance and movement in literature. It studies the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle and how its changing aesthetic ultimately reflected the political situation of the nobles who devised and performed court ballets. Court ballet included but was not solely limited to dancing: speaking and singing were also integral components of early ballets. The book gives particular attention to the technologies of theatrical choreography designed to accentuate, subsume, or countervene an omnipresent text. Thus, the relationship of dance to text, in both its historical and theoretical dimension, forms the main axis of the book’s inquiry.Less
This book presents a historical and theoretical examination of French baroque court ballet from approximately 1573 until 1670. Spanning the late Renaissance and the Baroque, this book brings aesthetic and ideological criteria to bear on court ballet libretti, period accounts, contemporaneous performance theory, and related commentary on dance and movement in literature. It studies the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle and how its changing aesthetic ultimately reflected the political situation of the nobles who devised and performed court ballets. Court ballet included but was not solely limited to dancing: speaking and singing were also integral components of early ballets. The book gives particular attention to the technologies of theatrical choreography designed to accentuate, subsume, or countervene an omnipresent text. Thus, the relationship of dance to text, in both its historical and theoretical dimension, forms the main axis of the book’s inquiry.
Alison Lumsden
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780748641536
- eISBN:
- 9780748651610
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748641536.003.0012
- Subject:
- Literature, 18th-century Literature
This chapter studies the different ways Scott simultaneously looks back to his eighteenth-century predecessors in his early fiction. It shows how he reinvents the novel form during his search for a ...
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This chapter studies the different ways Scott simultaneously looks back to his eighteenth-century predecessors in his early fiction. It shows how he reinvents the novel form during his search for a way to locate his stories of Scotland's past and personal identity in language. The discussion reveals that Scott's early fiction suggests that he was simultaneously creating the template for the historical novel and problematising a straightforward version of it. Scott suggests that any similar acts of ‘simultaneous translation’ are compromised, thus leaving much unsaid.Less
This chapter studies the different ways Scott simultaneously looks back to his eighteenth-century predecessors in his early fiction. It shows how he reinvents the novel form during his search for a way to locate his stories of Scotland's past and personal identity in language. The discussion reveals that Scott's early fiction suggests that he was simultaneously creating the template for the historical novel and problematising a straightforward version of it. Scott suggests that any similar acts of ‘simultaneous translation’ are compromised, thus leaving much unsaid.
Gloria González-López
- Published in print:
- 2003
- Published Online:
- March 2012
- ISBN:
- 9780520225619
- eISBN:
- 9780520929869
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520225619.003.0011
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This chapter proposes a bridging of the immigration and gender and sexuality fields in order to carefully study the fluid sexual reinventions that are created by mexicanas in the United States. It ...
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This chapter proposes a bridging of the immigration and gender and sexuality fields in order to carefully study the fluid sexual reinventions that are created by mexicanas in the United States. It proposes an idea that is based on recent scholarship on the interrelated dynamics of migration, gender, and sexuality. The discussion studies the things Mexican immigrant women teach their daughters about sexuality, most especially about premarital virginity. It uses data from in-depth interviews with Mexican immigrant women located in Los Angeles, and tries to determine how Mexican women give sex education for their daughters. The chapter also suggests that the moral standards of Catholicism are only part influencing the ideas of the mexicanas on virginity.Less
This chapter proposes a bridging of the immigration and gender and sexuality fields in order to carefully study the fluid sexual reinventions that are created by mexicanas in the United States. It proposes an idea that is based on recent scholarship on the interrelated dynamics of migration, gender, and sexuality. The discussion studies the things Mexican immigrant women teach their daughters about sexuality, most especially about premarital virginity. It uses data from in-depth interviews with Mexican immigrant women located in Los Angeles, and tries to determine how Mexican women give sex education for their daughters. The chapter also suggests that the moral standards of Catholicism are only part influencing the ideas of the mexicanas on virginity.
Anchrit Wille
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780199665693
- eISBN:
- 9780191755989
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199665693.003.0003
- Subject:
- Political Science, European Union
This chapter describes how political and administrative reforms have changed the basic accountability system of the European Commission over the last decade. It is shown how the vision and values, ...
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This chapter describes how political and administrative reforms have changed the basic accountability system of the European Commission over the last decade. It is shown how the vision and values, the organizational DNA, on which the EU Commission was built became incongruent with internal and external challenges. There was a strategic reorientation, after the Commission’s crisis in 1999. Ex ante constraints and ex post incentives combined to provide a system for more control in and accountability over the Commission. There was a strengthening of accountability mechanisms and a shift in the salience of different types of accountability. In addition to legal and professional accountability systems, an elaborate structure was created that stressed political and bureaucratic mechanisms and has created new expectations of accountability from commissioners and their senior officials.Less
This chapter describes how political and administrative reforms have changed the basic accountability system of the European Commission over the last decade. It is shown how the vision and values, the organizational DNA, on which the EU Commission was built became incongruent with internal and external challenges. There was a strategic reorientation, after the Commission’s crisis in 1999. Ex ante constraints and ex post incentives combined to provide a system for more control in and accountability over the Commission. There was a strengthening of accountability mechanisms and a shift in the salience of different types of accountability. In addition to legal and professional accountability systems, an elaborate structure was created that stressed political and bureaucratic mechanisms and has created new expectations of accountability from commissioners and their senior officials.
Bruce Woodcock
- Published in print:
- 2003
- Published Online:
- July 2012
- ISBN:
- 9780719043604
- eISBN:
- 9781781700532
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719043604.003.0009
- Subject:
- Literature, 20th-century and Contemporary Literature
This chapter takes a look at the novel that gave Carey his second Booker Prize, the True History of the Kelly Gang. It observes that this novel and Jack Maggs—both historical novels—explore what ...
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This chapter takes a look at the novel that gave Carey his second Booker Prize, the True History of the Kelly Gang. It observes that this novel and Jack Maggs—both historical novels—explore what Carey has called the ‘patterns of abandonment, orphans’ in his work. This novel narrates the stories of marginalised characters, outlaws and outsiders, and presents several elements of the Jerilderie Letter. This chapter also seeks to explain the purpose of Carey's reinvention of Ned Kelly.Less
This chapter takes a look at the novel that gave Carey his second Booker Prize, the True History of the Kelly Gang. It observes that this novel and Jack Maggs—both historical novels—explore what Carey has called the ‘patterns of abandonment, orphans’ in his work. This novel narrates the stories of marginalised characters, outlaws and outsiders, and presents several elements of the Jerilderie Letter. This chapter also seeks to explain the purpose of Carey's reinvention of Ned Kelly.
Nuno Simões Rodrigues (ed.)
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9781474407847
- eISBN:
- 9781474430982
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474407847.003.0003
- Subject:
- Classical Studies, World History: BCE to 500CE
This chapter starts from the iconic 1960 Stanley Kubrick film version of Spartacus and it compares it with the other version to demonstrate how in the Kubrick version the political and ideological ...
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This chapter starts from the iconic 1960 Stanley Kubrick film version of Spartacus and it compares it with the other version to demonstrate how in the Kubrick version the political and ideological nature of the Spartacus figure re-emerges in the twenty-first century, reinvented and far more sexualized than its predecessor. STARZ Spartacus, the chapter argues, has an altogether different set of objectives, placing special emphasis on the glorified and eroticized image of mostly male—but also female—bodies. This chapter concludes that Kubrick's Spartacus is transformed from a political icon, representing freedom, equality, and independence, into a new Spartacus who also becomes the image of a hypersexualized masculinity.Less
This chapter starts from the iconic 1960 Stanley Kubrick film version of Spartacus and it compares it with the other version to demonstrate how in the Kubrick version the political and ideological nature of the Spartacus figure re-emerges in the twenty-first century, reinvented and far more sexualized than its predecessor. STARZ Spartacus, the chapter argues, has an altogether different set of objectives, placing special emphasis on the glorified and eroticized image of mostly male—but also female—bodies. This chapter concludes that Kubrick's Spartacus is transformed from a political icon, representing freedom, equality, and independence, into a new Spartacus who also becomes the image of a hypersexualized masculinity.
Jane Hiddleston
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9781781380321
- eISBN:
- 9781781381533
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781380321.003.0008
- Subject:
- Literature, Criticism/Theory
Francophone intellectuals writing at the time of decolonisation testify to the anxieties, for the colonised, of the moment of political transition, as well as to the demands that the epoch makes of ...
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Francophone intellectuals writing at the time of decolonisation testify to the anxieties, for the colonised, of the moment of political transition, as well as to the demands that the epoch makes of them as potential spokesmen, mediators, mobilisers, and critics. In response to these anxieties, Senghor, Césaire, Fanon, Amrouche, Feraoun, and Kateb all denounce the atrocious dehumanising practices of colonialism before setting about the more intellectually complex project of reimagining a shared humanity, and proposing alternative forms of human relationality, in tune with the process of political liberation. It is perhaps significant, moreover, that this fascination with our shared humanity and its association with freedom has continued long after the period of decolonisation, and despite repeated denunications of humanism, still preoccupies some of the major theoretical writers and critics of the twentieth and twenty-first centuries. The conclusion reviews some more recent redeployments of humanism, and shows how these were anticipated in the thinkers discussed in the main body of the book.Less
Francophone intellectuals writing at the time of decolonisation testify to the anxieties, for the colonised, of the moment of political transition, as well as to the demands that the epoch makes of them as potential spokesmen, mediators, mobilisers, and critics. In response to these anxieties, Senghor, Césaire, Fanon, Amrouche, Feraoun, and Kateb all denounce the atrocious dehumanising practices of colonialism before setting about the more intellectually complex project of reimagining a shared humanity, and proposing alternative forms of human relationality, in tune with the process of political liberation. It is perhaps significant, moreover, that this fascination with our shared humanity and its association with freedom has continued long after the period of decolonisation, and despite repeated denunications of humanism, still preoccupies some of the major theoretical writers and critics of the twentieth and twenty-first centuries. The conclusion reviews some more recent redeployments of humanism, and shows how these were anticipated in the thinkers discussed in the main body of the book.
Phoebe Wolfskill
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041143
- eISBN:
- 9780252099700
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041143.003.0001
- Subject:
- Sociology, Race and Ethnicity
Chapter 1 considers the ideologies surrounding the Negro Renaissance, and establishes the historical question that structures the project: how does an artist construct a “New” Negro detached from the ...
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Chapter 1 considers the ideologies surrounding the Negro Renaissance, and establishes the historical question that structures the project: how does an artist construct a “New” Negro detached from the authority of past constructions? The chapter introduces the reader to Motley’s background and history, while addressing key paintings that establish the foundation of the concerns elaborated in the manuscript. The chapter further frames the book’s approach to Motley’s work by sifting through art historical discourses regarding the evolution of African American art history and the treatment of the black artist within this history. It posits that the difficulties of devising a New Negro stems not just from the task of revising black identity but rather from the suggestion that black identity can somehow be reduced or codified into a coherent idea or form of representation. Furthermore, there were as many perspectives on how to represent the New Negro as there were artists and writers seeking to redefine this figure.
Less
Chapter 1 considers the ideologies surrounding the Negro Renaissance, and establishes the historical question that structures the project: how does an artist construct a “New” Negro detached from the authority of past constructions? The chapter introduces the reader to Motley’s background and history, while addressing key paintings that establish the foundation of the concerns elaborated in the manuscript. The chapter further frames the book’s approach to Motley’s work by sifting through art historical discourses regarding the evolution of African American art history and the treatment of the black artist within this history. It posits that the difficulties of devising a New Negro stems not just from the task of revising black identity but rather from the suggestion that black identity can somehow be reduced or codified into a coherent idea or form of representation. Furthermore, there were as many perspectives on how to represent the New Negro as there were artists and writers seeking to redefine this figure.
Michael Naas
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823263288
- eISBN:
- 9780823266487
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823263288.003.0005
- Subject:
- Philosophy, General
This chapter looks at the life of Robinson Crusoe and how he made things around him for his convenience and comfort. To Derrida, Robinson's situation brings up questions of autobiography and the ...
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This chapter looks at the life of Robinson Crusoe and how he made things around him for his convenience and comfort. To Derrida, Robinson's situation brings up questions of autobiography and the world that would result from an analysis of Crusoe's creations or inventions. An autobiography is compared to the figure of a wheel where the self takes a detour but eventually returns to himself in the process of self-discovery. The main theme of Derrida in these terms is the impossibility of returning home, or the point of one's departure, or even the preoccupation of deconstruction. Deconstruction is even considered as the beginning of the reinvention of the wheel, the end of the circle of thinking to start and take on a new journey and new self-identity. He questions the importance of returning, circularity, and homecoming in “Violence and Metaphysics.” In the end, Derrida speaks that in returning, there is always iteration, original difference, and supplementarity because for every one turn of the wheel, there is always added another point of departure where one can start from.Less
This chapter looks at the life of Robinson Crusoe and how he made things around him for his convenience and comfort. To Derrida, Robinson's situation brings up questions of autobiography and the world that would result from an analysis of Crusoe's creations or inventions. An autobiography is compared to the figure of a wheel where the self takes a detour but eventually returns to himself in the process of self-discovery. The main theme of Derrida in these terms is the impossibility of returning home, or the point of one's departure, or even the preoccupation of deconstruction. Deconstruction is even considered as the beginning of the reinvention of the wheel, the end of the circle of thinking to start and take on a new journey and new self-identity. He questions the importance of returning, circularity, and homecoming in “Violence and Metaphysics.” In the end, Derrida speaks that in returning, there is always iteration, original difference, and supplementarity because for every one turn of the wheel, there is always added another point of departure where one can start from.
Laura Miller
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780520297722
- eISBN:
- 9780520969971
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520297722.003.0005
- Subject:
- Anthropology, Asian Cultural Anthropology
Himiko was a third-century ruler described only briefly by Chinese historians. In contemporary culture, she is cast as an elderly priestess, an adorable shrine attendant, or a vain sorceress. She ...
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Himiko was a third-century ruler described only briefly by Chinese historians. In contemporary culture, she is cast as an elderly priestess, an adorable shrine attendant, or a vain sorceress. She morphs from ancient shaman in manga to ditzy gal in video games and anime. She is commodified and objectified in communities as a touchstone for local commerce and community character. Himiko is a rich resource for regional groups in need of a city mascot, beauty-contest theme, or touristic motif. She also appears in divination products and advertising to denote female power and ethnic spirituality. Himiko replaces the high priestess in tarot cards and is channeled by divination providers. This chapter explores these many reinventions of Himiko in order to track how her varied iconography encodes assumptions about gender and power.Less
Himiko was a third-century ruler described only briefly by Chinese historians. In contemporary culture, she is cast as an elderly priestess, an adorable shrine attendant, or a vain sorceress. She morphs from ancient shaman in manga to ditzy gal in video games and anime. She is commodified and objectified in communities as a touchstone for local commerce and community character. Himiko is a rich resource for regional groups in need of a city mascot, beauty-contest theme, or touristic motif. She also appears in divination products and advertising to denote female power and ethnic spirituality. Himiko replaces the high priestess in tarot cards and is channeled by divination providers. This chapter explores these many reinventions of Himiko in order to track how her varied iconography encodes assumptions about gender and power.
Eleanor Johnson
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780226015842
- eISBN:
- 9780226015989
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226015989.003.0007
- Subject:
- Literature, Early and Medieval Literature
Thomas Hoccleve emerged in the 1380s and early 1390s as a public bureaucrat exposed to the literary oeuvres of both Chaucer and Gower as they composed their reengagements with and reinventions of ...
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Thomas Hoccleve emerged in the 1380s and early 1390s as a public bureaucrat exposed to the literary oeuvres of both Chaucer and Gower as they composed their reengagements with and reinventions of prosimetrum. This spirit of revision of prosimetrum and protrepsis reaches its apogee in the late works of Hoccleve. His two poems, “The Complaint” and “The Dialogue”, are often read “straight” by critics, as a means through which Hoccleve desired to justify and vindicate his mental health before his peers and imagined detractors. This chapter suggests that together the two poems enact a literary meditation whose formal execution is anything but “straight.” Both these poems constitute a practice of mixed-form protreptic writing, and also engage literary theory in a supple and comical manner. The chapter then goes through the process of finding and expounding on the protreptic form that each poem seemingly possesses.Less
Thomas Hoccleve emerged in the 1380s and early 1390s as a public bureaucrat exposed to the literary oeuvres of both Chaucer and Gower as they composed their reengagements with and reinventions of prosimetrum. This spirit of revision of prosimetrum and protrepsis reaches its apogee in the late works of Hoccleve. His two poems, “The Complaint” and “The Dialogue”, are often read “straight” by critics, as a means through which Hoccleve desired to justify and vindicate his mental health before his peers and imagined detractors. This chapter suggests that together the two poems enact a literary meditation whose formal execution is anything but “straight.” Both these poems constitute a practice of mixed-form protreptic writing, and also engage literary theory in a supple and comical manner. The chapter then goes through the process of finding and expounding on the protreptic form that each poem seemingly possesses.
David Looseley
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382578
- eISBN:
- 9781786945280
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382578.003.0005
- Subject:
- History, European Modern History
This chapter covers the late 1940s and 1950s, a period in which her international fame soared but her health began to decline. She sought to reinvent herself by assembling and directing a new ...
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This chapter covers the late 1940s and 1950s, a period in which her international fame soared but her health began to decline. She sought to reinvent herself by assembling and directing a new creative team and by departing from the realist song, which she now saw as restrictive, though this latter attempt ultimately proved unsuccessful. She was by now in complete charge of her career and of the public image she aimed to project. She wrote many of her own songs but also intervened creatively in the realisation of those written by others, which, increasingly, were composed specifically for her invented persona. Significantly, her work during this period is often characterised by an awareness of la chanson française as an aesthetic and a value. In this respect, her songs became more self-referential.Less
This chapter covers the late 1940s and 1950s, a period in which her international fame soared but her health began to decline. She sought to reinvent herself by assembling and directing a new creative team and by departing from the realist song, which she now saw as restrictive, though this latter attempt ultimately proved unsuccessful. She was by now in complete charge of her career and of the public image she aimed to project. She wrote many of her own songs but also intervened creatively in the realisation of those written by others, which, increasingly, were composed specifically for her invented persona. Significantly, her work during this period is often characterised by an awareness of la chanson française as an aesthetic and a value. In this respect, her songs became more self-referential.
Olga Kanzaki Sooudi
- Published in print:
- 2014
- Published Online:
- November 2016
- ISBN:
- 9780824839413
- eISBN:
- 9780824869090
- Item type:
- chapter
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824839413.003.0001
- Subject:
- Society and Culture, Cultural Studies
This book examines the everyday lives of Japanese migrants who have reinvented themselves as artists in contemporary New York City. Drawing on research carried out between 2005 and 2006 in New York ...
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This book examines the everyday lives of Japanese migrants who have reinvented themselves as artists in contemporary New York City. Drawing on research carried out between 2005 and 2006 in New York City and between 2003 and 2007 in Tokyo, the book explores the tension between optimistic self-reinvention and material and logistical constraints on self-realization, as well as the more ephemeral and intangible qualities in NYC that migrants value so highly. Focusing on the bohemian, artistic class of Japanese migrants—visual artists, graphic designers, fashion designers and stylists, dancers, musicians, and writers—the book approaches migration as well as the narrative and representational practices surrounding it as forms of aspirational self-making. It shows that the story of Japanese migrant artists in NYC offers important insights about Japan beyond its borders. This introduction uses everyday life as a framing device rather than an explicit theoretical concept, drawing from Michel de Certeau's notion of the everyday as the mundane moments where the “ordinary man” or “common hero” subverts and resists hegemonic power in creative ways.Less
This book examines the everyday lives of Japanese migrants who have reinvented themselves as artists in contemporary New York City. Drawing on research carried out between 2005 and 2006 in New York City and between 2003 and 2007 in Tokyo, the book explores the tension between optimistic self-reinvention and material and logistical constraints on self-realization, as well as the more ephemeral and intangible qualities in NYC that migrants value so highly. Focusing on the bohemian, artistic class of Japanese migrants—visual artists, graphic designers, fashion designers and stylists, dancers, musicians, and writers—the book approaches migration as well as the narrative and representational practices surrounding it as forms of aspirational self-making. It shows that the story of Japanese migrant artists in NYC offers important insights about Japan beyond its borders. This introduction uses everyday life as a framing device rather than an explicit theoretical concept, drawing from Michel de Certeau's notion of the everyday as the mundane moments where the “ordinary man” or “common hero” subverts and resists hegemonic power in creative ways.
Olga Kanzaki Sooudi
- Published in print:
- 2014
- Published Online:
- November 2016
- ISBN:
- 9780824839413
- eISBN:
- 9780824869090
- Item type:
- chapter
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824839413.003.0003
- Subject:
- Society and Culture, Cultural Studies
This chapter examines what it calls the triumphalist migrant narrative through conversations with Japanese migrants in New York City. Through an analysis of two historical fictional stories by ...
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This chapter examines what it calls the triumphalist migrant narrative through conversations with Japanese migrants in New York City. Through an analysis of two historical fictional stories by migrants living abroad, Nagai Kafū's “Nezame” and Mori Ōgai's “Maihime,” the chapter shows that the migrant's trajectory out of Japan and to NYC is about “pushing the reset button” on life, a means of starting life anew as an adult. It also explores the ways in which the triumphalist migrant narrative fetishizes the everyday as the paradigmatic site for individual self-reinvention. Comparing urban everyday life in NYC with that in Tokyo, it argues that the former is fetishized as a symbol of social dynamism completely absent at home. Finally, it interprets Japanese migration to NYC as a practice of jibun sagashi, or self-searching.Less
This chapter examines what it calls the triumphalist migrant narrative through conversations with Japanese migrants in New York City. Through an analysis of two historical fictional stories by migrants living abroad, Nagai Kafū's “Nezame” and Mori Ōgai's “Maihime,” the chapter shows that the migrant's trajectory out of Japan and to NYC is about “pushing the reset button” on life, a means of starting life anew as an adult. It also explores the ways in which the triumphalist migrant narrative fetishizes the everyday as the paradigmatic site for individual self-reinvention. Comparing urban everyday life in NYC with that in Tokyo, it argues that the former is fetishized as a symbol of social dynamism completely absent at home. Finally, it interprets Japanese migration to NYC as a practice of jibun sagashi, or self-searching.
