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Conclusion: A Cultural Politics of Love and Solidarity

Lisa Henderson

in Love and Money: Queers, Class, and Cultural Production

Published in print:
2013
Published Online:
March 2016
ISBN:
9780814790571
eISBN:
9780814790595
Item type:
chapter
Publisher:
NYU Press
DOI:
10.18574/nyu/9780814790571.003.0008
Subject:
Society and Culture, Media Studies

This concluding chapter presents reflections on criticism as a form of cultural production and political intervention. It argues that queerness today is “clenched” and therefore unable to find new ... More


‘I didn’t know there could be such writing’: The Aesthetic Intimacy of E. M. Forster and T. E. Lawrence

Medd Jodie

in Queer Bloomsbury

Published in print:
2016
Published Online:
January 2018
ISBN:
9781474401692
eISBN:
9781474422123
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474401692.003.0015
Subject:
Literature, Criticism/Theory

Medd examines the correspondence between E.M. Forster and T.E. Lawrence, in which new possibilities of both male intimacy and masculine self-understanding were achieved through an exchange of writing ... More


Introduction

Madelyn Detloff and Brenda Helt

in Queer Bloomsbury

Published in print:
2016
Published Online:
January 2018
ISBN:
9781474401692
eISBN:
9781474422123
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474401692.003.0001
Subject:
Literature, Criticism/Theory

This introduction explains how and why the essays of Queer Bloomsbury combine the Bloomsbury Group’s personal lives with aspects routinely elevated to a higher status – art, politics, philosophy – ... More


Deviant Desires and the Queering of Leonard Woolf

Elyse Blankley

in Queer Bloomsbury

Published in print:
2016
Published Online:
January 2018
ISBN:
9781474401692
eISBN:
9781474422123
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474401692.003.0013
Subject:
Literature, Criticism/Theory

Leonard Woolf circulated among Bloomsbury’s different desires because he was himself queered by his class, religion, and caste. Focusing on Woolf’s 1914 novel TheWiseVirgins and letters between him ... More


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