Denise Tse-Shang Tang
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9789888083015
- eISBN:
- 9789882209855
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083015.001.0001
- Subject:
- Society and Culture, Asian Studies
Dense living conditions in Hong Kong do not provide much privacy for lesbians and other sexual minorities living with their families. As a result, lesbians often locate alternative spaces to develop ...
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Dense living conditions in Hong Kong do not provide much privacy for lesbians and other sexual minorities living with their families. As a result, lesbians often locate alternative spaces to develop support networks with other women. Others reject the notion of lesbian spaces and instead assert their visibility in different aspects of everyday life. Based on life-history interviews with several dozen lesbians living in Hong Kong, this book maps the complex relations between personal subjectivities and spatialities as they emerge and interact with various social-justice movements and alternative communities. It explores how the impossibly dense spaces of neoliberal Hong Kong enable and curtail the emergence of lesbian life.Less
Dense living conditions in Hong Kong do not provide much privacy for lesbians and other sexual minorities living with their families. As a result, lesbians often locate alternative spaces to develop support networks with other women. Others reject the notion of lesbian spaces and instead assert their visibility in different aspects of everyday life. Based on life-history interviews with several dozen lesbians living in Hong Kong, this book maps the complex relations between personal subjectivities and spatialities as they emerge and interact with various social-justice movements and alternative communities. It explores how the impossibly dense spaces of neoliberal Hong Kong enable and curtail the emergence of lesbian life.
Ching Yau
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789622099876
- eISBN:
- 9789882206625
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099876.001.0001
- Subject:
- Society and Culture, Asian Studies
This volume poses new challenges to queer studies and demonstrates the study of Chinese sexuality as an emergent field currently emanating from multiple disciplines. Issues related to sexuality have ...
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This volume poses new challenges to queer studies and demonstrates the study of Chinese sexuality as an emergent field currently emanating from multiple disciplines. Issues related to sexuality have acquired a new visibility in China in the past several years. The growth of religious fundamentalists and global gay discourses, heightened media attention and even more intense censorship, LBGTIQ activist movements, and the struggles of sex workers, have all contributed to this visibility. There is an urgent need for intellectual work to articulate and analyze the complexity of issues of sexuality, and the ways in which different norms line up and become synonymous with one another, in order to build situated knowledge in strengthening the discursive power of non-normative sexual-subjects-in-alliance. This book showcases the work of scholars working mostly outside Euro-America and focuses on cities including Hong Kong, Shanghai, and Beijing. It is a sustained collections on Chinese non-normative sexual subjectivities and contemporary sexual politics published in English. It highlights the various ways in which different individuals and communities — including male sex workers, transsexual subjects, lesbians, and Indonesian migrants — negotiate with notions of normativity and modernity, fine-tuned according to the different power structures of each context, and making new and different meanings.Less
This volume poses new challenges to queer studies and demonstrates the study of Chinese sexuality as an emergent field currently emanating from multiple disciplines. Issues related to sexuality have acquired a new visibility in China in the past several years. The growth of religious fundamentalists and global gay discourses, heightened media attention and even more intense censorship, LBGTIQ activist movements, and the struggles of sex workers, have all contributed to this visibility. There is an urgent need for intellectual work to articulate and analyze the complexity of issues of sexuality, and the ways in which different norms line up and become synonymous with one another, in order to build situated knowledge in strengthening the discursive power of non-normative sexual-subjects-in-alliance. This book showcases the work of scholars working mostly outside Euro-America and focuses on cities including Hong Kong, Shanghai, and Beijing. It is a sustained collections on Chinese non-normative sexual subjectivities and contemporary sexual politics published in English. It highlights the various ways in which different individuals and communities — including male sex workers, transsexual subjects, lesbians, and Indonesian migrants — negotiate with notions of normativity and modernity, fine-tuned according to the different power structures of each context, and making new and different meanings.
Peter A. Jackson (ed.)
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9789888083046
- eISBN:
- 9789882207325
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083046.001.0001
- Subject:
- Society and Culture, Asian Studies
The Thai capital Bangkok is the unrivalled centre of the country's gay, lesbian, and transgender communities. These communities are among the largest in Southeast Asia, and indeed in the world, and ...
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The Thai capital Bangkok is the unrivalled centre of the country's gay, lesbian, and transgender communities. These communities are among the largest in Southeast Asia, and indeed in the world, and have a diversity, social presence, and historical depth that set them apart from the queer cultures of many neighbouring societies. The first years of the twenty-firsy century have marked a significant transition moment for all of Thailand's LGBT cultures, with a multidimensional expansion in the geographical extent, media presence, economic importance, political impact, social standing, and cultural relevance of Thai queer communities. This book analyzes the roles of the market and media—especially cinema and the Internet—in these transformations, and considers the ambiguous consequences that the growing commodification and mediatization of queer lives have had for LGBT rights in Thailand. A key finding is that in the early twenty-first century, processes of global queering are leading to a growing Asianization of Bangkok's queer cultures. The book traces Bangkok's emergence as a central focus of an expanding regional network linking gay, lesbian, and transgender communities in Hong Kong, Singapore, Taiwan, Indonesia, the Philippines, and other rapidly developing East and Southeast Asian societies.Less
The Thai capital Bangkok is the unrivalled centre of the country's gay, lesbian, and transgender communities. These communities are among the largest in Southeast Asia, and indeed in the world, and have a diversity, social presence, and historical depth that set them apart from the queer cultures of many neighbouring societies. The first years of the twenty-firsy century have marked a significant transition moment for all of Thailand's LGBT cultures, with a multidimensional expansion in the geographical extent, media presence, economic importance, political impact, social standing, and cultural relevance of Thai queer communities. This book analyzes the roles of the market and media—especially cinema and the Internet—in these transformations, and considers the ambiguous consequences that the growing commodification and mediatization of queer lives have had for LGBT rights in Thailand. A key finding is that in the early twenty-first century, processes of global queering are leading to a growing Asianization of Bangkok's queer cultures. The book traces Bangkok's emergence as a central focus of an expanding regional network linking gay, lesbian, and transgender communities in Hong Kong, Singapore, Taiwan, Indonesia, the Philippines, and other rapidly developing East and Southeast Asian societies.
Cressida J. Heyes
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195310535
- eISBN:
- 9780199871445
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195310535.003.0003
- Subject:
- Philosophy, Feminist Philosophy
This chapter addresses the issue of how — in theory and in practice — feminism should engage bisexuality, intersexuality, transsexuality, transgender, and other emergent identities (or ...
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This chapter addresses the issue of how — in theory and in practice — feminism should engage bisexuality, intersexuality, transsexuality, transgender, and other emergent identities (or anti-identities) that reconfigure both conventional and conventionally feminist understandings of sex, gender, and sexuality. How feminists should imagine and create communities that take the institutions and practices of sex, gender, and sexuality to be politically relevant to freedom, or how might such communities incorporate our manifest and intransigent diversity, and build solidarity, is discussed with reference to the leitmotif of transgender. A critical analysis is made of two very different feminist texts: the 1994 reissue of Janice Raymond's notorious The Transsexual Empire: The Making of the She-Male (originally published in 1979) and Bernice Hausman's 1995 book Changing Sex: Transsexualism, Technology, and the Idea of Gender. This chapter shows that the differences between the ethical and political dilemmas faced by feminists who are transgendered and those who are not are not as great as some theorists have suggested.Less
This chapter addresses the issue of how — in theory and in practice — feminism should engage bisexuality, intersexuality, transsexuality, transgender, and other emergent identities (or anti-identities) that reconfigure both conventional and conventionally feminist understandings of sex, gender, and sexuality. How feminists should imagine and create communities that take the institutions and practices of sex, gender, and sexuality to be politically relevant to freedom, or how might such communities incorporate our manifest and intransigent diversity, and build solidarity, is discussed with reference to the leitmotif of transgender. A critical analysis is made of two very different feminist texts: the 1994 reissue of Janice Raymond's notorious The Transsexual Empire: The Making of the She-Male (originally published in 1979) and Bernice Hausman's 1995 book Changing Sex: Transsexualism, Technology, and the Idea of Gender. This chapter shows that the differences between the ethical and political dilemmas faced by feminists who are transgendered and those who are not are not as great as some theorists have suggested.
Hans Tao-Ming Huang
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9789888083077
- eISBN:
- 9789882209817
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083077.001.0001
- Subject:
- Society and Culture, Asian Studies
Examining the deployments of gender and sexuality over the past five decades in Taiwan, this book chronicles a queer historiography that illuminates the production of sexual identities and the ...
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Examining the deployments of gender and sexuality over the past five decades in Taiwan, this book chronicles a queer historiography that illuminates the production of sexual identities and the formation of sexual modernity. Through primary research and historical investigation, this book offers a contextualised study of Pai Hsien-yung's Crystal Boys, one of Taiwan's first recognized gay novels, as it critically engages disparate discursive fields of dominant legal and medical discourses of sex, lesbian and gay activism, as well as mainstream feminist politics. The book shows that the construction of male homosexuality as a term of social exclusion is historically linked to the state's banning of prostitution, further delineating a moral-sexual order that has come to be buttressed by the hegemonic rise of anti-prostitution state feminism since the 1990s. In exploring the imbrications of male homosexuality, prostitution and feminism in Taiwanese national culture, this book boldly ventures a politics of sexual dissidence that contests state-inspired heteronormativity.Less
Examining the deployments of gender and sexuality over the past five decades in Taiwan, this book chronicles a queer historiography that illuminates the production of sexual identities and the formation of sexual modernity. Through primary research and historical investigation, this book offers a contextualised study of Pai Hsien-yung's Crystal Boys, one of Taiwan's first recognized gay novels, as it critically engages disparate discursive fields of dominant legal and medical discourses of sex, lesbian and gay activism, as well as mainstream feminist politics. The book shows that the construction of male homosexuality as a term of social exclusion is historically linked to the state's banning of prostitution, further delineating a moral-sexual order that has come to be buttressed by the hegemonic rise of anti-prostitution state feminism since the 1990s. In exploring the imbrications of male homosexuality, prostitution and feminism in Taiwanese national culture, this book boldly ventures a politics of sexual dissidence that contests state-inspired heteronormativity.
Daniel Orrells
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780199236442
- eISBN:
- 9780191728549
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199236442.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
Since Foucault's History of Sexuality, historians have traced in ever increasing detail the formation of modern sexual identities in the west. Relatively less attention has been addressed to ...
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Since Foucault's History of Sexuality, historians have traced in ever increasing detail the formation of modern sexual identities in the west. Relatively less attention has been addressed to historians, writers and intellectuals working between 1750 and 1910 who formulated their own plots for the history of sexuality. This book examines the significance of ancient Greek pederasty for the formation of scholarly historicism by German and English thinkers from the middle of the eighteenth century into the beginning of the twentieth. Rather than “Greek love” being simply a euphemistic signifier for the secret signified “homosexuality,” this book examines how the pederastic—pedagogic relationship as exemplified in Plato's texts became a site for conceptualising the nature of the relationship between antiquity and modernity itself: precisely what did the Socratic teacher teach his pupil? What was the relationship between elder man and male youth? And how did this relationship inform modern discussions about the relationship between one generation and the next—between ancient and modern worlds? With the development of modern scholarly historicism in philhellenic Germany and Britain, Greek love provided the limit case for such scholarly endeavours invested in understanding how we moderns might be descended from a classical past. What sort of man did reading ancient Greek generate? From the work of Johann Matthias Gesner, the very first professor of philology at Göttingen, arguably the first modern European university, to Benjamin Jowett's Oxford, to the Oscar Wilde trials in London, to Sigmund Freud's psychoanalytic studies in Vienna, the question about the relevance of ancient Greek desires for modern masculinity has been posed and explored.Less
Since Foucault's History of Sexuality, historians have traced in ever increasing detail the formation of modern sexual identities in the west. Relatively less attention has been addressed to historians, writers and intellectuals working between 1750 and 1910 who formulated their own plots for the history of sexuality. This book examines the significance of ancient Greek pederasty for the formation of scholarly historicism by German and English thinkers from the middle of the eighteenth century into the beginning of the twentieth. Rather than “Greek love” being simply a euphemistic signifier for the secret signified “homosexuality,” this book examines how the pederastic—pedagogic relationship as exemplified in Plato's texts became a site for conceptualising the nature of the relationship between antiquity and modernity itself: precisely what did the Socratic teacher teach his pupil? What was the relationship between elder man and male youth? And how did this relationship inform modern discussions about the relationship between one generation and the next—between ancient and modern worlds? With the development of modern scholarly historicism in philhellenic Germany and Britain, Greek love provided the limit case for such scholarly endeavours invested in understanding how we moderns might be descended from a classical past. What sort of man did reading ancient Greek generate? From the work of Johann Matthias Gesner, the very first professor of philology at Göttingen, arguably the first modern European university, to Benjamin Jowett's Oxford, to the Oscar Wilde trials in London, to Sigmund Freud's psychoanalytic studies in Vienna, the question about the relevance of ancient Greek desires for modern masculinity has been posed and explored.
Laura Helen Marks
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780252042140
- eISBN:
- 9780252050886
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042140.001.0001
- Subject:
- Film, Television and Radio, Film
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but ...
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This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.Less
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.
Stephen Greer
- Published in print:
- 2019
- Published Online:
- May 2019
- ISBN:
- 9781526113696
- eISBN:
- 9781526141941
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526113696.001.0001
- Subject:
- Society and Culture, Media Studies
This book is a study of solo performance in the UK and western Europe since the turn of millennium that explores the contentious relationship between identity, individuality and the demands of ...
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This book is a study of solo performance in the UK and western Europe since the turn of millennium that explores the contentious relationship between identity, individuality and the demands of neoliberalism. With case studies drawn from across theatre, cabaret, comedy and live art – and featuring artists, playwrights and performers as varied as La Ribot, David Hoyle, Neil Bartlett, Bridget Christie and Tanja Ostojić – it provides an essential account of the diverse practices which characterize contemporary solo performance, and their significance to contemporary debates concerning subjectivity, equality and social participation.
Beginning in a study of the arts festivals which characterize the economies in which solo performance is made, each chapter animates a different cultural trope – including the martyr, the killjoy, the misfit and the stranger – to explore the significance of ‘exceptional’ subjects whose uncertain social status challenges assumed notions of communal sociability. These figures invite us to re-examine theatre’s attachment to singular lives and experiences, as well as the evolving role of autobiographical performance and the explicit body in negotiating the relationship between the personal and the political.
Informed by the work of scholars including Sara Ahmed, Zygmunt Bauman and Giorgio Agamben, this interdisciplinary text offers an incisive analysis of the cultural significance of solo performance for students and scholars across the fields of theatre and performance studies, sociology, gender studies and political philosophy.Less
This book is a study of solo performance in the UK and western Europe since the turn of millennium that explores the contentious relationship between identity, individuality and the demands of neoliberalism. With case studies drawn from across theatre, cabaret, comedy and live art – and featuring artists, playwrights and performers as varied as La Ribot, David Hoyle, Neil Bartlett, Bridget Christie and Tanja Ostojić – it provides an essential account of the diverse practices which characterize contemporary solo performance, and their significance to contemporary debates concerning subjectivity, equality and social participation.
Beginning in a study of the arts festivals which characterize the economies in which solo performance is made, each chapter animates a different cultural trope – including the martyr, the killjoy, the misfit and the stranger – to explore the significance of ‘exceptional’ subjects whose uncertain social status challenges assumed notions of communal sociability. These figures invite us to re-examine theatre’s attachment to singular lives and experiences, as well as the evolving role of autobiographical performance and the explicit body in negotiating the relationship between the personal and the political.
Informed by the work of scholars including Sara Ahmed, Zygmunt Bauman and Giorgio Agamben, this interdisciplinary text offers an incisive analysis of the cultural significance of solo performance for students and scholars across the fields of theatre and performance studies, sociology, gender studies and political philosophy.
Rahul Rao
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199560370
- eISBN:
- 9780191721694
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199560370.003.0007
- Subject:
- Political Science, Political Theory, International Relations and Politics
Third World queer activists are increasingly caught between two discourses that challenge their self‐assertion: first, an occasionally orientalist cosmopolitan discourse of ‘LGBT rights’ that regards ...
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Third World queer activists are increasingly caught between two discourses that challenge their self‐assertion: first, an occasionally orientalist cosmopolitan discourse of ‘LGBT rights’ that regards such rights as a marker of modernity and portrays societies that fail to respect them as backward; second, homophobic communitarian discourses of authenticity that contest queer self‐assertion with the claim that homosexuality is a Western vice. This chapter attempts to criticize power hierarchies within cosmopolitan LGBT solidarity, without downplaying the oppressiveness of communitarian homophobia against which such solidarity is directed. To do this, it disaggregates Western activist responses to cases of alleged persecution of homosexuals in Iran, bringing to light distinct manifestations of a gay rescue narrative. While some activists capitalized on the resonance between apparent queer rights abuses in Iran and the security preoccupations of Western states in the ongoing ‘war on terror’ to further their own domestic agendas of assimilation, others were wary of participating in such a politics.Less
Third World queer activists are increasingly caught between two discourses that challenge their self‐assertion: first, an occasionally orientalist cosmopolitan discourse of ‘LGBT rights’ that regards such rights as a marker of modernity and portrays societies that fail to respect them as backward; second, homophobic communitarian discourses of authenticity that contest queer self‐assertion with the claim that homosexuality is a Western vice. This chapter attempts to criticize power hierarchies within cosmopolitan LGBT solidarity, without downplaying the oppressiveness of communitarian homophobia against which such solidarity is directed. To do this, it disaggregates Western activist responses to cases of alleged persecution of homosexuals in Iran, bringing to light distinct manifestations of a gay rescue narrative. While some activists capitalized on the resonance between apparent queer rights abuses in Iran and the security preoccupations of Western states in the ongoing ‘war on terror’ to further their own domestic agendas of assimilation, others were wary of participating in such a politics.
Amin Ghaziani
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691158792
- eISBN:
- 9781400850174
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691158792.003.0004
- Subject:
- Sociology, Gender and Sexuality
This chapter examines the perspectives of Chicago residents regarding the so-called “triggers” and how they are remapping the relationship between their sexuality and the city. Sexuality does not ...
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This chapter examines the perspectives of Chicago residents regarding the so-called “triggers” and how they are remapping the relationship between their sexuality and the city. Sexuality does not have a singular spatial expression. This is becoming truer over time, and it is a strong indicator of assimilation. Post-gays insist that they are culturally similar to straights, and they perceive many different neighborhoods in the city as possible places to live. The chapter considers how these two familiar mechanisms work as gays and lesbians pass through certain momentous junctures in their lives. These triggers include growing older, the coming of age of a new generation, and the Internet. Thus, the “idea of all gays living in one space,” if it was ever true, is now moribund in a post-gay era. The chapter also asks why there are mixed feelings about whether gayborhoods will remain meaningful for queer youth later in their lives.Less
This chapter examines the perspectives of Chicago residents regarding the so-called “triggers” and how they are remapping the relationship between their sexuality and the city. Sexuality does not have a singular spatial expression. This is becoming truer over time, and it is a strong indicator of assimilation. Post-gays insist that they are culturally similar to straights, and they perceive many different neighborhoods in the city as possible places to live. The chapter considers how these two familiar mechanisms work as gays and lesbians pass through certain momentous junctures in their lives. These triggers include growing older, the coming of age of a new generation, and the Internet. Thus, the “idea of all gays living in one space,” if it was ever true, is now moribund in a post-gay era. The chapter also asks why there are mixed feelings about whether gayborhoods will remain meaningful for queer youth later in their lives.
Amin Ghaziani
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691158792
- eISBN:
- 9781400850174
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691158792.003.0008
- Subject:
- Sociology, Gender and Sexuality
This book has explored the enduring yet evolving relationship between sexuality and the city, the causes and consequences of urban change, the diverse and dynamic cultures of a place, the experiences ...
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This book has explored the enduring yet evolving relationship between sexuality and the city, the causes and consequences of urban change, the diverse and dynamic cultures of a place, the experiences of a marginalized community on the doorstep of equality, and the protean meanings and material expressions of the gayborhood in America. Gayborhoods are artifacts of urban planning, but in the coming out era, they also embodied distinct queer cultures and communities. Today, however, they are straightening and becoming mainstream. The book concludes by suggesting that the queer spirit has become more plastic and portable in a post-gay era, which helps gayborhoods to evolve in exciting ways as many different gender and sexual minorities reinvent their relationship with them, and thus the city itself, in profound ways.Less
This book has explored the enduring yet evolving relationship between sexuality and the city, the causes and consequences of urban change, the diverse and dynamic cultures of a place, the experiences of a marginalized community on the doorstep of equality, and the protean meanings and material expressions of the gayborhood in America. Gayborhoods are artifacts of urban planning, but in the coming out era, they also embodied distinct queer cultures and communities. Today, however, they are straightening and becoming mainstream. The book concludes by suggesting that the queer spirit has become more plastic and portable in a post-gay era, which helps gayborhoods to evolve in exciting ways as many different gender and sexual minorities reinvent their relationship with them, and thus the city itself, in profound ways.
Brenda S. Helt and Madelyn Detloff (eds)
- Published in print:
- 2016
- Published Online:
- January 2018
- ISBN:
- 9781474401692
- eISBN:
- 9781474422123
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474401692.001.0001
- Subject:
- Literature, Criticism/Theory
Queer Bloomsbury consists of queer studies essays by sixteen renowned experts on the Bloomsbury Group. The book explores cultural, ideological and aesthetic facets of the Bloomsbury Group's ...
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Queer Bloomsbury consists of queer studies essays by sixteen renowned experts on the Bloomsbury Group. The book explores cultural, ideological and aesthetic facets of the Bloomsbury Group's development as a queer subculture and provides substantive information on the queer philosophical and ethical underpinnings of the group. The book elaborates the ways the Bloomsbury Group queered their living arrangements, loves and sexual relationships, daily routines, friendships and companions, enabling them to think and work in ways we now term ‘modernist’. Reimagining their lives queerly, even the heterosexual members were able to think outside the heteronormative structures and strictures of their parents' Victorianism and Britain's Georgian era. Their modernist ideology and aesthetics were enabled by their queer ones. In addition to new essays by widely recognized Bloomsbury scholars, five important ground-breaking essays are republished here, including Carolyn Heilbrun's germinal 1968 essay on the sexual dissidence of the Bloomsbury Group and Christopher Reed's influential 1991 essay exposing homophobia among academic scholars writing about the group. Also included are rarely seen reproductions of Duncan Grant's and Carrington's work from archives and a private collection. The book is edited and introduced by Brenda Helt and Madelyn Detloff. Essays are authored by Carolyn Heilbrun, Brenda Silver, Christopher Reed, George Piggford, Bill Maurer, Brenda Helt, Regina Marler, Darren Clarke, Todd Avery, Gretchen Holbrook Gerzina, Gaile Pohlhaus, Jr., Madelyn Detloff, Elyse Blankley, Mark Hussey, Jodie Medd and Kimberly Engdahl Coates.Less
Queer Bloomsbury consists of queer studies essays by sixteen renowned experts on the Bloomsbury Group. The book explores cultural, ideological and aesthetic facets of the Bloomsbury Group's development as a queer subculture and provides substantive information on the queer philosophical and ethical underpinnings of the group. The book elaborates the ways the Bloomsbury Group queered their living arrangements, loves and sexual relationships, daily routines, friendships and companions, enabling them to think and work in ways we now term ‘modernist’. Reimagining their lives queerly, even the heterosexual members were able to think outside the heteronormative structures and strictures of their parents' Victorianism and Britain's Georgian era. Their modernist ideology and aesthetics were enabled by their queer ones. In addition to new essays by widely recognized Bloomsbury scholars, five important ground-breaking essays are republished here, including Carolyn Heilbrun's germinal 1968 essay on the sexual dissidence of the Bloomsbury Group and Christopher Reed's influential 1991 essay exposing homophobia among academic scholars writing about the group. Also included are rarely seen reproductions of Duncan Grant's and Carrington's work from archives and a private collection. The book is edited and introduced by Brenda Helt and Madelyn Detloff. Essays are authored by Carolyn Heilbrun, Brenda Silver, Christopher Reed, George Piggford, Bill Maurer, Brenda Helt, Regina Marler, Darren Clarke, Todd Avery, Gretchen Holbrook Gerzina, Gaile Pohlhaus, Jr., Madelyn Detloff, Elyse Blankley, Mark Hussey, Jodie Medd and Kimberly Engdahl Coates.
Jennifer Tyburczy
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780226315102
- eISBN:
- 9780226315386
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226315386.003.0004
- Subject:
- Society and Culture, Gender Studies
Chapter three transitions to temporary and explicit displays of queer sexuality in museums, specifically examining how the emotional habitus on sexual display is managed through unofficial museum ...
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Chapter three transitions to temporary and explicit displays of queer sexuality in museums, specifically examining how the emotional habitus on sexual display is managed through unofficial museum policy in the late twentieth century. This period, sometimes referred to as the “culture wars,” marks a pivotal moment in the institutionalization of certain sexual display policies such as warning signs that continue to influence the ways in which sexual material culture is consumed in museums. The final section of the chapter juxtaposes the politics and performances of display in temporary sex exhibitions in mainstream museums to the controversy surrounding the display of sex toys at the GLBT History Museum in San Francisco. This section examines what happens to queer sex when it is displayed in a museum dedicated to representing queer lives and what this means for the application of queer theory in museum practice. The chapter ends by examining theoretical ruminations on the supposed death of queer theory and argues that now is not the time to abandon queer theory, and that now more than ever, theorists and museum practitioners need queer praxis.Less
Chapter three transitions to temporary and explicit displays of queer sexuality in museums, specifically examining how the emotional habitus on sexual display is managed through unofficial museum policy in the late twentieth century. This period, sometimes referred to as the “culture wars,” marks a pivotal moment in the institutionalization of certain sexual display policies such as warning signs that continue to influence the ways in which sexual material culture is consumed in museums. The final section of the chapter juxtaposes the politics and performances of display in temporary sex exhibitions in mainstream museums to the controversy surrounding the display of sex toys at the GLBT History Museum in San Francisco. This section examines what happens to queer sex when it is displayed in a museum dedicated to representing queer lives and what this means for the application of queer theory in museum practice. The chapter ends by examining theoretical ruminations on the supposed death of queer theory and argues that now is not the time to abandon queer theory, and that now more than ever, theorists and museum practitioners need queer praxis.
Lisa Henderson
- Published in print:
- 2013
- Published Online:
- March 2016
- ISBN:
- 9780814790571
- eISBN:
- 9780814790595
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814790571.001.0001
- Subject:
- Society and Culture, Media Studies
This book argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, ...
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This book argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, the book offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, this book sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, the book returns class and its politics to the study of queer life.Less
This book argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, the book offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace—rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, this book sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, the book returns class and its politics to the study of queer life.
J. Samaine Lockwood
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625362
- eISBN:
- 9781469625386
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625362.003.0005
- Subject:
- Literature, American Colonial Literature
This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the ...
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This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the writings of three women fiction writers left out of accounts of regionalism: Charlotte Perkins Gilman, Alice Brown, and Pauline Elizabeth Hopkins. Each of these writers used New England-based colonial revivalism in her fiction to explore problems of race and queer desires in history. These writers consistently limned the contours of identity in time by portraying women characters as fusing with ghosts of the colonial and Revolutionary-era past. This chapter troubles traditional accounts of literary history by revealing the modernist sensibilities of New England regionalism and its very practice up through the so-called modernist moment.Less
This chapter demonstrates how the historical project of New England regionalism extended beyond the supposed end of that mode's popularity (c. 1915) and into the modernist era. It focuses on the writings of three women fiction writers left out of accounts of regionalism: Charlotte Perkins Gilman, Alice Brown, and Pauline Elizabeth Hopkins. Each of these writers used New England-based colonial revivalism in her fiction to explore problems of race and queer desires in history. These writers consistently limned the contours of identity in time by portraying women characters as fusing with ghosts of the colonial and Revolutionary-era past. This chapter troubles traditional accounts of literary history by revealing the modernist sensibilities of New England regionalism and its very practice up through the so-called modernist moment.
Cheryl B. Anderson
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195305500
- eISBN:
- 9780199867028
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195305500.003.0003
- Subject:
- Religion, Biblical Studies, Theology
The books of Ruth and Esther feature protagonists who are outsiders in their contexts: female, foreign, and a widow and orphan respectively. Traditional readings offer these characters as models for ...
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The books of Ruth and Esther feature protagonists who are outsiders in their contexts: female, foreign, and a widow and orphan respectively. Traditional readings offer these characters as models for behavior in adversity; and women, homosexuals, and racial/ethnic minorities have often found comfort and empowerment in these narratives. However, according to liberationist critiques (feminist, womanist, postcolonial, queer), readers in socially marginalized groups and their realities are excluded by the dominant interpretations. Members of those groups can sometimes identify with Orpah or Vashti instead of Ruth or Esther. Attending to “redemption” as a theme in both biblical texts, and in the readers' social contexts, the chapter argues that readers must reclaim their own historical memories, thereby creating the possibility of communities that foster mutuality rather than dominance and provide a liberating opportunity even to the dominant interpreters of these texts.Less
The books of Ruth and Esther feature protagonists who are outsiders in their contexts: female, foreign, and a widow and orphan respectively. Traditional readings offer these characters as models for behavior in adversity; and women, homosexuals, and racial/ethnic minorities have often found comfort and empowerment in these narratives. However, according to liberationist critiques (feminist, womanist, postcolonial, queer), readers in socially marginalized groups and their realities are excluded by the dominant interpretations. Members of those groups can sometimes identify with Orpah or Vashti instead of Ruth or Esther. Attending to “redemption” as a theme in both biblical texts, and in the readers' social contexts, the chapter argues that readers must reclaim their own historical memories, thereby creating the possibility of communities that foster mutuality rather than dominance and provide a liberating opportunity even to the dominant interpreters of these texts.
Nicholas Royle
- Published in print:
- 2009
- Published Online:
- September 2012
- ISBN:
- 9780748632954
- eISBN:
- 9780748671625
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748632954.001.0001
- Subject:
- Literature, Criticism/Theory
Jacques Derrida (1930–2004) was the most original and inspiring writer and philosopher of our time. In a series of essays that are at once self-contained and intricately linked, the author of this ...
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Jacques Derrida (1930–2004) was the most original and inspiring writer and philosopher of our time. In a series of essays that are at once self-contained and intricately linked, the author of this book explores the legacies of Derrida's thinking in the context of philosophy, language, globalisation, war, terrorism, justice, the democracy to come, poetry, literature, memory, mourning, the gift, friendship and dreams. He allows us to appreciate how much Derrida's work has altered the ways we read and think. Autobiography, children's literature, the Gothic and modernist fiction, for example, figure together with philosophy, queer studies, speech act theory and psychoanalysis. The writings of Horace Walpole, Herman Melville, E. M. Forster, Elizabeth Bowen, Joe Brainard and David McKee are put in play alongside Shakespeare. The book suggests that one of Derrida's most profound legacies has to do with the combination of responsibility and freedom his work inspires for both reading and writing. It offers an overview of Derrida's work while also tracing directions in which it might productively be read in the future.Less
Jacques Derrida (1930–2004) was the most original and inspiring writer and philosopher of our time. In a series of essays that are at once self-contained and intricately linked, the author of this book explores the legacies of Derrida's thinking in the context of philosophy, language, globalisation, war, terrorism, justice, the democracy to come, poetry, literature, memory, mourning, the gift, friendship and dreams. He allows us to appreciate how much Derrida's work has altered the ways we read and think. Autobiography, children's literature, the Gothic and modernist fiction, for example, figure together with philosophy, queer studies, speech act theory and psychoanalysis. The writings of Horace Walpole, Herman Melville, E. M. Forster, Elizabeth Bowen, Joe Brainard and David McKee are put in play alongside Shakespeare. The book suggests that one of Derrida's most profound legacies has to do with the combination of responsibility and freedom his work inspires for both reading and writing. It offers an overview of Derrida's work while also tracing directions in which it might productively be read in the future.
Mary Robertson
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479879601
- eISBN:
- 9781479807512
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479879601.001.0001
- Subject:
- Sociology, Gender and Sexuality
Growing Up Queer explores what it is like being young and lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) in the United States today. Using interviews and ethnographic research conducted at ...
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Growing Up Queer explores what it is like being young and lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) in the United States today. Using interviews and ethnographic research conducted at an LGBTQ youth drop-in center, it shows how young people understand their sexual and gender identities, their interest in queer media, and the role that family plays in their lives. The young people who participated in this research are among the first generation to embrace queer identities as kids and teens, and Growing Up Queer shows how both sexual and gender identities are formed through complicated, ambivalent processes, as opposed to the natural characteristics one is born with. In addition to showing how youth understand their identities, Growing Up Queer describes how young people navigate queerness within a culture in which being gay is the “new normal.” Using Sara Ahmed’s concept of queer orientation, it argues that being queer is not just about one’s sexual and/or gender identity but is also understood through intersecting identities including race, class, ability, and more. By showing how society accepts some kinds of LGBTQ-identified people while rejecting others, Growing Up Queer provides evidence of queerness as a site of social inequality. The book moves beyond an oversimplified examination of teenage sexuality and shows, through the voices of young people themselves, the exciting yet complicated terrain of queer adolescence.Less
Growing Up Queer explores what it is like being young and lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) in the United States today. Using interviews and ethnographic research conducted at an LGBTQ youth drop-in center, it shows how young people understand their sexual and gender identities, their interest in queer media, and the role that family plays in their lives. The young people who participated in this research are among the first generation to embrace queer identities as kids and teens, and Growing Up Queer shows how both sexual and gender identities are formed through complicated, ambivalent processes, as opposed to the natural characteristics one is born with. In addition to showing how youth understand their identities, Growing Up Queer describes how young people navigate queerness within a culture in which being gay is the “new normal.” Using Sara Ahmed’s concept of queer orientation, it argues that being queer is not just about one’s sexual and/or gender identity but is also understood through intersecting identities including race, class, ability, and more. By showing how society accepts some kinds of LGBTQ-identified people while rejecting others, Growing Up Queer provides evidence of queerness as a site of social inequality. The book moves beyond an oversimplified examination of teenage sexuality and shows, through the voices of young people themselves, the exciting yet complicated terrain of queer adolescence.
Jaime Harker
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781469643359
- eISBN:
- 9781469643373
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469643359.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union ...
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In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women’s liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors—like Dorothy Allison and Alice Walker—as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.Less
In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women’s liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors—like Dorothy Allison and Alice Walker—as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.
Alexis Lothian
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479811748
- eISBN:
- 9781479854585
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479811748.001.0001
- Subject:
- Society and Culture, Cultural Studies
Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering ...
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Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and technological modernity; Old Futures rewrites the history of the future by gathering together works that counter such narratives even as they are part of them. Lothian explores how queer possibilities are constructed and deconstructed through extrapolative projections and affective engagements with alternative temporalities. The book is structured in three parts, each addressing one convergence of political economy, theoretical framework, and narrative form that has given rise to a formation of speculative futurity. Six main chapters focus on white feminist utopias and dystopias of the nineteenth and twentieth centuries; on Afrofuturist narratives that turn the dehumanization of black lives into feminist and queer visions of transformation; on futuristic landscapes in queer speculative cinema; and on fan creators’ digital interventions into televised futures. Two shorter chapters, named “Wormholes” in homage to the science fiction trope of a time-space distortion that connects distant locations, highlight current resonances of the old futures under discussion.Less
Old Futures traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of color that are marginalized within most accounts of the genre, the book offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present. Imagined futures have been central to the creation and maintenance of imperial domination and technological modernity; Old Futures rewrites the history of the future by gathering together works that counter such narratives even as they are part of them. Lothian explores how queer possibilities are constructed and deconstructed through extrapolative projections and affective engagements with alternative temporalities. The book is structured in three parts, each addressing one convergence of political economy, theoretical framework, and narrative form that has given rise to a formation of speculative futurity. Six main chapters focus on white feminist utopias and dystopias of the nineteenth and twentieth centuries; on Afrofuturist narratives that turn the dehumanization of black lives into feminist and queer visions of transformation; on futuristic landscapes in queer speculative cinema; and on fan creators’ digital interventions into televised futures. Two shorter chapters, named “Wormholes” in homage to the science fiction trope of a time-space distortion that connects distant locations, highlight current resonances of the old futures under discussion.
