A. C. Lloyd
- Published in print:
- 1998
- Published Online:
- November 2003
- ISBN:
- 9780198238065
- eISBN:
- 9780191597916
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0198238061.001.0001
- Subject:
- Philosophy, Ancient Philosophy
Neoplatonism is traditionally considered a mystical philosophy; on the contrary the aim of this book is to show the importance of a logical and epistemological approach for the understanding of ...
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Neoplatonism is traditionally considered a mystical philosophy; on the contrary the aim of this book is to show the importance of a logical and epistemological approach for the understanding of Neoplatonic basic ontological problems. In doing that, Lloyd considers a very wide range of philosophers from Plotinus up to Byzantine Neoplatonists. After a preliminary discussion of how the Neoplatonic semantics and logical concepts are a result of their understanding of previous philosophers (in particular Aristotle), Lloyd introduces the key point of the book, i.e. his theory of the P‐series. A P‐series is a group of terms ordered according to priority a posteriority in which the first term is universal and common to all the others. This logical theory is applied to explain how the reality is structured (procession and emanation from the One) and how knowledge is constituted. The book ends with an analysis of how mystical apprehension differs from the union with the One.Less
Neoplatonism is traditionally considered a mystical philosophy; on the contrary the aim of this book is to show the importance of a logical and epistemological approach for the understanding of Neoplatonic basic ontological problems. In doing that, Lloyd considers a very wide range of philosophers from Plotinus up to Byzantine Neoplatonists. After a preliminary discussion of how the Neoplatonic semantics and logical concepts are a result of their understanding of previous philosophers (in particular Aristotle), Lloyd introduces the key point of the book, i.e. his theory of the P‐series. A P‐series is a group of terms ordered according to priority a posteriority in which the first term is universal and common to all the others. This logical theory is applied to explain how the reality is structured (procession and emanation from the One) and how knowledge is constituted. The book ends with an analysis of how mystical apprehension differs from the union with the One.
Craig Wright
- Published in print:
- 2000
- Published Online:
- May 2008
- ISBN:
- 9780195124538
- eISBN:
- 9780199868421
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195124538.003.0016
- Subject:
- Music, History, Western
This chapter presents a short history of the Palm Sunday procession in the Western Church followed by a more detailed study of that ritual as it unfolded in medieval Chartres, especially using ...
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This chapter presents a short history of the Palm Sunday procession in the Western Church followed by a more detailed study of that ritual as it unfolded in medieval Chartres, especially using ordinals from the diocese. The procession at the cathedral of Chartres is reconstructed, the chants enumerated, and the processional route traced through the streets and into the secondary churches of that city. Finally, to determine what was unique about Palm Sunday in Chartres, the ceremony there is compared to similar practices at other cathedrals in northern France, specifically those at Amiens, Bayeux, Laon, Metz, Paris, Reims, Rouen, Sens, and Soissons. Not until the French Revolution did this colorful Chartres tradition come to an end.Less
This chapter presents a short history of the Palm Sunday procession in the Western Church followed by a more detailed study of that ritual as it unfolded in medieval Chartres, especially using ordinals from the diocese. The procession at the cathedral of Chartres is reconstructed, the chants enumerated, and the processional route traced through the streets and into the secondary churches of that city. Finally, to determine what was unique about Palm Sunday in Chartres, the ceremony there is compared to similar practices at other cathedrals in northern France, specifically those at Amiens, Bayeux, Laon, Metz, Paris, Reims, Rouen, Sens, and Soissons. Not until the French Revolution did this colorful Chartres tradition come to an end.
Edward Siecienski
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195372045
- eISBN:
- 9780199777297
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195372045.001.0001
- Subject:
- Religion, History of Christianity
Among the issues that have divided Eastern and Western Christians throughout the centuries, few have had as long and interesting a history as the question of the filioque—i.e., whether the Holy ...
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Among the issues that have divided Eastern and Western Christians throughout the centuries, few have had as long and interesting a history as the question of the filioque—i.e., whether the Holy Spirit proceeds from the Father “and the Son” as the West came to profess, or from the Father alone, as the East has traditionally maintained. For over a millennium Christendom’s greatest minds have addressed and debated the question (sometimes in rather polemical terms), all in the belief that the theological issues at stake were central to an orthodox understanding of the trinitarian God. The history of the filioque is also one of the most interesting stories in all of Christendom, filled with characters and events that would make even the best dramatists envious, and thus a story worth telling. The Filioque: History of a Doctrinal Controversy is the first complete English language history of the filioque written in over a century. Beginning with the biblical material and ending with recent agreements on the place and meaning of the filioque, this book traces the history of the doctrine and the controversy that has surrounded it. There are chapters on the Greek and Latin fathers, the ninth century debates, the late medieval era, the Councils of Lyons and Ferrara-Florence, and the post Florentine period, with a separate chapter dedicated to the twentieth and twenty-first century theologians and dialogues that have come closer than ever to solving this thorny, and of yet, unresolved, ecumenical problem.Less
Among the issues that have divided Eastern and Western Christians throughout the centuries, few have had as long and interesting a history as the question of the filioque—i.e., whether the Holy Spirit proceeds from the Father “and the Son” as the West came to profess, or from the Father alone, as the East has traditionally maintained. For over a millennium Christendom’s greatest minds have addressed and debated the question (sometimes in rather polemical terms), all in the belief that the theological issues at stake were central to an orthodox understanding of the trinitarian God. The history of the filioque is also one of the most interesting stories in all of Christendom, filled with characters and events that would make even the best dramatists envious, and thus a story worth telling. The Filioque: History of a Doctrinal Controversy is the first complete English language history of the filioque written in over a century. Beginning with the biblical material and ending with recent agreements on the place and meaning of the filioque, this book traces the history of the doctrine and the controversy that has surrounded it. There are chapters on the Greek and Latin fathers, the ninth century debates, the late medieval era, the Councils of Lyons and Ferrara-Florence, and the post Florentine period, with a separate chapter dedicated to the twentieth and twenty-first century theologians and dialogues that have come closer than ever to solving this thorny, and of yet, unresolved, ecumenical problem.
Gregory A. Beeley
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195313970
- eISBN:
- 9780199871827
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195313970.003.0004
- Subject:
- Religion, Church History
The central chapter of the book evaluates Gregory's distinctive doctrine of the Holy Spirit and the Spirit's role in the work of Christian theology, focusing on the soteriological character of ...
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The central chapter of the book evaluates Gregory's distinctive doctrine of the Holy Spirit and the Spirit's role in the work of Christian theology, focusing on the soteriological character of Gregory's Pneumatology in distinction from that of his Christology. It traces the development of Gregory's doctrine of the Spirit from his early episcopal sermons to the climax of his work in Constantinople and provides a new reading of the structure and argumentation of his monumental Oration 31 On the Holy Spirit, which is aimed at both the Eunomians and Pneumatomachians. At the heart of the matter is Gregory's account of the full divinity of the Spirit in light of the Bible's silence at the literal level—an argument that involves tracing the sequence of Trinitarian revelation through the covenants and the age of the Church, the direct proof of the Spirit's divinity from baptismal divinization, and Gregory's subsequent exegesis of the Spirit “according to the Spirit.” In conclusion, the chapter identifies the Spirit's central epistemic function for all theology and Gregory's literary rhetoric of piety, which frames and unifies the Theological Orations as a series.Less
The central chapter of the book evaluates Gregory's distinctive doctrine of the Holy Spirit and the Spirit's role in the work of Christian theology, focusing on the soteriological character of Gregory's Pneumatology in distinction from that of his Christology. It traces the development of Gregory's doctrine of the Spirit from his early episcopal sermons to the climax of his work in Constantinople and provides a new reading of the structure and argumentation of his monumental Oration 31 On the Holy Spirit, which is aimed at both the Eunomians and Pneumatomachians. At the heart of the matter is Gregory's account of the full divinity of the Spirit in light of the Bible's silence at the literal level—an argument that involves tracing the sequence of Trinitarian revelation through the covenants and the age of the Church, the direct proof of the Spirit's divinity from baptismal divinization, and Gregory's subsequent exegesis of the Spirit “according to the Spirit.” In conclusion, the chapter identifies the Spirit's central epistemic function for all theology and Gregory's literary rhetoric of piety, which frames and unifies the Theological Orations as a series.
Axel Michaels
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195343021
- eISBN:
- 9780199866984
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195343021.003.0002
- Subject:
- Religion, Hinduism
This chapter examines the Procession of Lamentation (Duducyā̃cyā̃jātrā), a ritual invitation of the goddesses of the Kathmandu valley to celebrate the Vatsalā festival at the Paśupati temple.
This chapter examines the Procession of Lamentation (Duducyā̃cyā̃jātrā), a ritual invitation of the goddesses of the Kathmandu valley to celebrate the Vatsalā festival at the Paśupati temple.
Axel Michaels
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195343021
- eISBN:
- 9780199866984
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195343021.003.0006
- Subject:
- Religion, Hinduism
The Procession with the Trident (Triśūljātrā) is centre‐stage of this chapter that describes and analyzes this event during which children are symbolically impaled on a trident and transported upon ...
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The Procession with the Trident (Triśūljātrā) is centre‐stage of this chapter that describes and analyzes this event during which children are symbolically impaled on a trident and transported upon processional litters to the limits of the city of Deopatan from where the participants in the procession shout words of abuse at the inhabitants of Kathmandu.Less
The Procession with the Trident (Triśūljātrā) is centre‐stage of this chapter that describes and analyzes this event during which children are symbolically impaled on a trident and transported upon processional litters to the limits of the city of Deopatan from where the participants in the procession shout words of abuse at the inhabitants of Kathmandu.
Michael Patrick Murphy
- Published in print:
- 2008
- Published Online:
- January 2008
- ISBN:
- 9780195333527
- eISBN:
- 9780199868896
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195333527.003.0003
- Subject:
- Religion, Philosophy of Religion
Chapter 3 focuses on Balthasar's theological aesthetics as a well‐articulated critical methodology. Balthasar's fusion of aesthetics with history forges both a Christology and an analogy of being ...
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Chapter 3 focuses on Balthasar's theological aesthetics as a well‐articulated critical methodology. Balthasar's fusion of aesthetics with history forges both a Christology and an analogy of being that is developed in light of that Christology. Balthasar urges us to “see the form [of Christ]” in all manner of being and experience—human activities, natural phenomena, and especially human works of art. “Seeing the form” becomes a central critical and theological hermeneutic; and the chapter cultivates a parallel between “seeing the form” and interpreting, broadly, the “word(s)” of narrative art. The first three sections of the chapter develop an aesthetics of a representative word (in this case, the term “hierarchy”); the last section is an application of what is gleaned from the first three upon Flannery O'Connor's “Revelation.” While a close reading of O'Connor's text serves as a literary exemplum of a Catholic imagination, other poets and authors who demonstrate a similar theological aesthetic are considered in order round out the discussion.Less
Chapter 3 focuses on Balthasar's theological aesthetics as a well‐articulated critical methodology. Balthasar's fusion of aesthetics with history forges both a Christology and an analogy of being that is developed in light of that Christology. Balthasar urges us to “see the form [of Christ]” in all manner of being and experience—human activities, natural phenomena, and especially human works of art. “Seeing the form” becomes a central critical and theological hermeneutic; and the chapter cultivates a parallel between “seeing the form” and interpreting, broadly, the “word(s)” of narrative art. The first three sections of the chapter develop an aesthetics of a representative word (in this case, the term “hierarchy”); the last section is an application of what is gleaned from the first three upon Flannery O'Connor's “Revelation.” While a close reading of O'Connor's text serves as a literary exemplum of a Catholic imagination, other poets and authors who demonstrate a similar theological aesthetic are considered in order round out the discussion.
Torstein Theodor Tollefsen
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199237142
- eISBN:
- 9780191717321
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199237142.003.0003
- Subject:
- Religion, Early Christian Studies
The Logos is the centre of all the logoi, i.e. the divine acts of will that are eternally conceived but expressed at the moment of creation. Through the logoi a well-ordered cosmos is instituted. The ...
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The Logos is the centre of all the logoi, i.e. the divine acts of will that are eternally conceived but expressed at the moment of creation. Through the logoi a well-ordered cosmos is instituted. The logoi are the principles behind procession (creation) and convertion, and behind the metaphysical structure that Maximus calls expansion and contraction. The chapter ends with a discussion of the ontological structure of created being, especially of rational nature, i.e. man.Less
The Logos is the centre of all the logoi, i.e. the divine acts of will that are eternally conceived but expressed at the moment of creation. Through the logoi a well-ordered cosmos is instituted. The logoi are the principles behind procession (creation) and convertion, and behind the metaphysical structure that Maximus calls expansion and contraction. The chapter ends with a discussion of the ontological structure of created being, especially of rational nature, i.e. man.
Nathan Hofer
- Published in print:
- 2015
- Published Online:
- May 2020
- ISBN:
- 9780748694211
- eISBN:
- 9781474416115
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748694211.003.0004
- Subject:
- Religion, Islam
After Saladin opened the Saʿīd al-Su ʿadāʾ Cairo was infused with many hundreds of juridical Sufis from the East. This immigration had a profound impact on the social and religious fabric of the ...
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After Saladin opened the Saʿīd al-Su ʿadāʾ Cairo was infused with many hundreds of juridical Sufis from the East. This immigration had a profound impact on the social and religious fabric of the city. Upon their arrival these individuals lived and worked in the very heart of urban Cairo, the bayn al-qa‚ rayn district. While the Sufis were obliged to spend portions of their day engaged in devotions within the walls of the khānqāh, they were not required to sequester themselves. They performed public rituals every evening, they paraded through the streets of Cairo every Friday, and they frequented the city’s many madrasas, mosques and teaching circles. Locals also came to the khānqāh to study with them on site. All these practices contributed to the popularisation of Sufism on a large scale in Cairo. But what exactly where these Sufis popularising?Less
After Saladin opened the Saʿīd al-Su ʿadāʾ Cairo was infused with many hundreds of juridical Sufis from the East. This immigration had a profound impact on the social and religious fabric of the city. Upon their arrival these individuals lived and worked in the very heart of urban Cairo, the bayn al-qa‚ rayn district. While the Sufis were obliged to spend portions of their day engaged in devotions within the walls of the khānqāh, they were not required to sequester themselves. They performed public rituals every evening, they paraded through the streets of Cairo every Friday, and they frequented the city’s many madrasas, mosques and teaching circles. Locals also came to the khānqāh to study with them on site. All these practices contributed to the popularisation of Sufism on a large scale in Cairo. But what exactly where these Sufis popularising?
D. R. M. Irving
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195378269
- eISBN:
- 9780199864614
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195378269.003.0008
- Subject:
- Music, Ethnomusicology, World Music
This chapter examines six areas of musical performance that were governed or influenced by ecclesiastical decrees or governmental legislation: Asian musics, vernacular‐language vocal music in sacred ...
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This chapter examines six areas of musical performance that were governed or influenced by ecclesiastical decrees or governmental legislation: Asian musics, vernacular‐language vocal music in sacred contexts (such as villancicos), musical practices for Marian devotions, liturgical music and the use of instruments in churches, theatrical performances, and music in processions, celebrations, and feasts. It draws on sources including manuals published by religious orders for the regulation of parochial life, religious statutes and ordinances, Papal Bulls, royal decrees, and archiepiscopal decrees. It also examines musical references found in the proceedings of the Provincial Council of Manila (1771) and the Synod of Calasiao (1773).Less
This chapter examines six areas of musical performance that were governed or influenced by ecclesiastical decrees or governmental legislation: Asian musics, vernacular‐language vocal music in sacred contexts (such as villancicos), musical practices for Marian devotions, liturgical music and the use of instruments in churches, theatrical performances, and music in processions, celebrations, and feasts. It draws on sources including manuals published by religious orders for the regulation of parochial life, religious statutes and ordinances, Papal Bulls, royal decrees, and archiepiscopal decrees. It also examines musical references found in the proceedings of the Provincial Council of Manila (1771) and the Synod of Calasiao (1773).
Anne Walters Robertson
- Published in print:
- 2000
- Published Online:
- May 2008
- ISBN:
- 9780195124538
- eISBN:
- 9780199868421
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195124538.003.0014
- Subject:
- Music, History, Western
In at least five churches in northern France (Amiens, Bayeux, Chartres, St.-Corneille, and St.-Denis), an antiphon was sung before the Gospel in the celebration of the Mass. This practice seems to ...
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In at least five churches in northern France (Amiens, Bayeux, Chartres, St.-Corneille, and St.-Denis), an antiphon was sung before the Gospel in the celebration of the Mass. This practice seems to have originated in the 13th century. A few additional churches occasionally used other chants or even polyphonic music at this point in the liturgy. Questions addressed include the origins of this practice, where it was cultivated, and how we might interpret it. This musical custom may have been connected with features of Gothic architecture, including the building of the jubé, or choir screen. The melodies were often borrowed from the office, most notably from the magnificat antiphon for second vespers, and so created a musical interrelationship between the Mass liturgy and the office.Less
In at least five churches in northern France (Amiens, Bayeux, Chartres, St.-Corneille, and St.-Denis), an antiphon was sung before the Gospel in the celebration of the Mass. This practice seems to have originated in the 13th century. A few additional churches occasionally used other chants or even polyphonic music at this point in the liturgy. Questions addressed include the origins of this practice, where it was cultivated, and how we might interpret it. This musical custom may have been connected with features of Gothic architecture, including the building of the jubé, or choir screen. The melodies were often borrowed from the office, most notably from the magnificat antiphon for second vespers, and so created a musical interrelationship between the Mass liturgy and the office.
Zain Abdullah
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195314250
- eISBN:
- 9780199871797
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195314250.003.0005
- Subject:
- Religion, Islam
For more than twenty years, West African Muslims from the Muridiyya order, a Sufi brotherhood based in Senegal, have organized the annual Cheikh Amadou Bamba Day parade in New York City. It is a ...
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For more than twenty years, West African Muslims from the Muridiyya order, a Sufi brotherhood based in Senegal, have organized the annual Cheikh Amadou Bamba Day parade in New York City. It is a religious procession that allows them to redefine their African identities, cope with the stigma of Blackness, and counteract accusations of Islamic terrorism. But the march is not merely an event for members, because its banners often challenge common notions of Black history, and African American paraders follow a slightly different course. This chapter explores the way Murids, followers of Muridiyya, and other West African Muslims such as the Malinke and the Fulani create religious activities, networks, stores, and institutions that transform Harlem into a sacred city. It is a sacred space, however, that includes the long-standing Nation of Islam and other African American Muslim orientations.Less
For more than twenty years, West African Muslims from the Muridiyya order, a Sufi brotherhood based in Senegal, have organized the annual Cheikh Amadou Bamba Day parade in New York City. It is a religious procession that allows them to redefine their African identities, cope with the stigma of Blackness, and counteract accusations of Islamic terrorism. But the march is not merely an event for members, because its banners often challenge common notions of Black history, and African American paraders follow a slightly different course. This chapter explores the way Murids, followers of Muridiyya, and other West African Muslims such as the Malinke and the Fulani create religious activities, networks, stores, and institutions that transform Harlem into a sacred city. It is a sacred space, however, that includes the long-standing Nation of Islam and other African American Muslim orientations.
Richard H. Davis
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195378528
- eISBN:
- 9780199869640
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195378528.001.0001
- Subject:
- Religion, Hinduism
With the great processions of the gods, images splendidly adorned in jewelry and flower garlands, who move out of the temples and through the streets of the community, Hindu temple festivals have ...
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With the great processions of the gods, images splendidly adorned in jewelry and flower garlands, who move out of the temples and through the streets of the community, Hindu temple festivals have been the most dramatic manifestations of public religiosity in southern India over many centuries up to the present day. They are occasions when ritual, dance, music, and the ephemeral arts of adornment all work to focus the collective devotion of the community onto Siva and the other deities. The Mahotsavavidhi of the eminent Saiva preceptor Aghorasiva, completed in 1157 c.e., provides detailed step‐by‐step guidance for a Hindu priest conducting such a nine‐day festival in medieval India. This annotated rendering of Aghorasiva's twelfth‐century work is the first extensive translation of a medieval work on Hindu temple festivals into a European language. It opens a window into the early development and underlying religious meanings of the Hindu temple festival. A priest himself, Aghorasiva wrote for other priests, and his work is a technical manual. In this translation, detailed notes explain the underlying practices that Aghorasiva takes for granted. A lengthy introduction situates the text in its historical setting of the Chola period, and addresses key topics of the text.Less
With the great processions of the gods, images splendidly adorned in jewelry and flower garlands, who move out of the temples and through the streets of the community, Hindu temple festivals have been the most dramatic manifestations of public religiosity in southern India over many centuries up to the present day. They are occasions when ritual, dance, music, and the ephemeral arts of adornment all work to focus the collective devotion of the community onto Siva and the other deities. The Mahotsavavidhi of the eminent Saiva preceptor Aghorasiva, completed in 1157 c.e., provides detailed step‐by‐step guidance for a Hindu priest conducting such a nine‐day festival in medieval India. This annotated rendering of Aghorasiva's twelfth‐century work is the first extensive translation of a medieval work on Hindu temple festivals into a European language. It opens a window into the early development and underlying religious meanings of the Hindu temple festival. A priest himself, Aghorasiva wrote for other priests, and his work is a technical manual. In this translation, detailed notes explain the underlying practices that Aghorasiva takes for granted. A lengthy introduction situates the text in its historical setting of the Chola period, and addresses key topics of the text.
Jonathan E. Glixon
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195134896
- eISBN:
- 9780199868049
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195134896.003.0002
- Subject:
- Music, History, Western
This chapter discusses the religious rituals and ceremonies of the scuole grandi. The ceremonial calendars included the most important religious and civic-religious occasions of the Venetian year, ...
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This chapter discusses the religious rituals and ceremonies of the scuole grandi. The ceremonial calendars included the most important religious and civic-religious occasions of the Venetian year, some of which were celebrated with processions, often to Piazza San Marco. Each of these processions is considered in detail, including the routes taken by the brothers (with some maps). Poor brothers of each scuola were designated to carry candles, banners, and other ceremonial and symbolic objects. Each scuola also celebrated the annual feast day of its patron saint. The scuole also performed a simple mass each Sunday, and a more elaborate one each month. Performing for funerals of their brothers were vital functions performed by the scuole, each of which involved a procession from the home of the deceased to the place of burial.Less
This chapter discusses the religious rituals and ceremonies of the scuole grandi. The ceremonial calendars included the most important religious and civic-religious occasions of the Venetian year, some of which were celebrated with processions, often to Piazza San Marco. Each of these processions is considered in detail, including the routes taken by the brothers (with some maps). Poor brothers of each scuola were designated to carry candles, banners, and other ceremonial and symbolic objects. Each scuola also celebrated the annual feast day of its patron saint. The scuole also performed a simple mass each Sunday, and a more elaborate one each month. Performing for funerals of their brothers were vital functions performed by the scuole, each of which involved a procession from the home of the deceased to the place of burial.
Jonathan E. Glixon
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195134896
- eISBN:
- 9780199868049
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195134896.003.0004
- Subject:
- Music, History, Western
This chapter examines the issue of paid singers of polyphony. First used in the middle of the 15th century, these men were also brothers of the scuole grandi for which they sang. They were paid ...
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This chapter examines the issue of paid singers of polyphony. First used in the middle of the 15th century, these men were also brothers of the scuole grandi for which they sang. They were paid relatively small fees for services at funerals and in processions, where laude were sung (these two tasks were sometimes assigned to different groups). These singers were not especially reliable, and discipline problems were common. In the 1490s, some scuole began to employ, on an occasional basis, professional singers from the chapel of San Marco. The question of repertory and the employment of wind and string instrument players and organists are also addressed.Less
This chapter examines the issue of paid singers of polyphony. First used in the middle of the 15th century, these men were also brothers of the scuole grandi for which they sang. They were paid relatively small fees for services at funerals and in processions, where laude were sung (these two tasks were sometimes assigned to different groups). These singers were not especially reliable, and discipline problems were common. In the 1490s, some scuole began to employ, on an occasional basis, professional singers from the chapel of San Marco. The question of repertory and the employment of wind and string instrument players and organists are also addressed.
Ida Ostenberg
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199215973
- eISBN:
- 9780191706851
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199215973.001.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This book is about the Roman triumphal procession in its capacity as spectacle and performance. It analyses the triumphs as visually emphatic events that both conveyed and constructed Roman views of ...
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This book is about the Roman triumphal procession in its capacity as spectacle and performance. It analyses the triumphs as visually emphatic events that both conveyed and constructed Roman views of the world. Aiming at approaching issues of identity, the book analyses how Rome presented and perceived the defeated on triumphal display. Spoils, captives, and representations are the objects, and the basic questions strive to establish both contents and context: What was displayed? How was it paraded? What was the response? Arms, ships and rams, coins and bullion, sculptures and paintings, art and valuables, golden crowns, prisoners, hostages, animals, and trees are all examined in separate chapters, as are the representations that were made specifically for the occasion: models and personifications of cities, peoples, rivers, and vivid tableaux staging scenes from the war. To be able to engage in issues of processional contents and sequence, acted roles, visual interplay, spectator participation, and emotional effect, the study embraces the complete corpus of ancient sources of the historical triumph, literary and pictorial. The approach includes discussions of the triumph as a religious rite and as a political act. But performance is the key word, and attention is in the first place paid to the visual expressions and schemes of the parade, and the interplay between these and the spectators.Less
This book is about the Roman triumphal procession in its capacity as spectacle and performance. It analyses the triumphs as visually emphatic events that both conveyed and constructed Roman views of the world. Aiming at approaching issues of identity, the book analyses how Rome presented and perceived the defeated on triumphal display. Spoils, captives, and representations are the objects, and the basic questions strive to establish both contents and context: What was displayed? How was it paraded? What was the response? Arms, ships and rams, coins and bullion, sculptures and paintings, art and valuables, golden crowns, prisoners, hostages, animals, and trees are all examined in separate chapters, as are the representations that were made specifically for the occasion: models and personifications of cities, peoples, rivers, and vivid tableaux staging scenes from the war. To be able to engage in issues of processional contents and sequence, acted roles, visual interplay, spectator participation, and emotional effect, the study embraces the complete corpus of ancient sources of the historical triumph, literary and pictorial. The approach includes discussions of the triumph as a religious rite and as a political act. But performance is the key word, and attention is in the first place paid to the visual expressions and schemes of the parade, and the interplay between these and the spectators.
Michèle Lowrie
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199545674
- eISBN:
- 9780191719950
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199545674.003.0013
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
The Ara Pacis is a monument representing a procession. Along with Augustus' Mausoleum, sundial, and ustrinum, it formed part of a dynamic complex on the Campus Martius that united writing with ...
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The Ara Pacis is a monument representing a procession. Along with Augustus' Mausoleum, sundial, and ustrinum, it formed part of a dynamic complex on the Campus Martius that united writing with performance, static representation with ritual reenactment. As with much of Augustus poetry, it heralds occasionality while the actual occasion depicted on it is hard to pin down.Less
The Ara Pacis is a monument representing a procession. Along with Augustus' Mausoleum, sundial, and ustrinum, it formed part of a dynamic complex on the Campus Martius that united writing with performance, static representation with ritual reenactment. As with much of Augustus poetry, it heralds occasionality while the actual occasion depicted on it is hard to pin down.
Ida Östenberg
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199215973
- eISBN:
- 9780191706851
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199215973.003.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This chapter introduces the basic ideas, questions, methods, and outline of the book. It provides an overview of earlier scholarship on the Roman triumph and discusses the possibilities and problems ...
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This chapter introduces the basic ideas, questions, methods, and outline of the book. It provides an overview of earlier scholarship on the Roman triumph and discusses the possibilities and problems with our available literary and pictorial sources. It underlines the theoretical and methodological issues of looking at the triumphal procession as performance.Less
This chapter introduces the basic ideas, questions, methods, and outline of the book. It provides an overview of earlier scholarship on the Roman triumph and discusses the possibilities and problems with our available literary and pictorial sources. It underlines the theoretical and methodological issues of looking at the triumphal procession as performance.
Richard Kieckhefer
- Published in print:
- 2004
- Published Online:
- July 2005
- ISBN:
- 9780195154665
- eISBN:
- 9780199835676
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195154665.003.0002
- Subject:
- Religion, Theology
The kinetic dynamism of a classic sacramental church, with its longitudinal space for processions, is exemplified by the design and the use of Santa Maria Maggiore in Rome. The tendency of ...
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The kinetic dynamism of a classic sacramental church, with its longitudinal space for processions, is exemplified by the design and the use of Santa Maria Maggiore in Rome. The tendency of longitudinal space to become partitioned with screens and other barriers is discussed with reference to Saint Albans Cathedral, in England. The possibility of reconceiving and revitalizing classic sacramental space is demonstrated by the case of Saint Gregory of Nyssa, in San Francisco. The central plan is shown to be a variation on the longitudinal design. The verbal dynamism of a classic evangelical church, with auditorium seating on a ground floor and in a gallery, is exemplified by the early Congregational Chapel in Walpole, England. The tendency toward hybrid arrangements is shown in the Westerkerk at Amsterdam, which, though fundamentally Protestant, retains certain features of medieval design. The use of a modern communal church for gathering of the congregation is illustrated by the Methodist church at Northfield, Minnesota. Problems in the modern communal tradition are discussed with reference to the Church of the Autostrada outside Florence, Italy.Less
The kinetic dynamism of a classic sacramental church, with its longitudinal space for processions, is exemplified by the design and the use of Santa Maria Maggiore in Rome. The tendency of longitudinal space to become partitioned with screens and other barriers is discussed with reference to Saint Albans Cathedral, in England. The possibility of reconceiving and revitalizing classic sacramental space is demonstrated by the case of Saint Gregory of Nyssa, in San Francisco. The central plan is shown to be a variation on the longitudinal design. The verbal dynamism of a classic evangelical church, with auditorium seating on a ground floor and in a gallery, is exemplified by the early Congregational Chapel in Walpole, England. The tendency toward hybrid arrangements is shown in the Westerkerk at Amsterdam, which, though fundamentally Protestant, retains certain features of medieval design. The use of a modern communal church for gathering of the congregation is illustrated by the Methodist church at Northfield, Minnesota. Problems in the modern communal tradition are discussed with reference to the Church of the Autostrada outside Florence, Italy.
Isabel Iribarren
- Published in print:
- 2005
- Published Online:
- February 2006
- ISBN:
- 9780199282319
- eISBN:
- 9780191603426
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199282315.003.0003
- Subject:
- Religion, Early Christian Studies
This chapter offers an account of Aquinas’s teaching on relations in the context of Thomist general metaphysics and Trinitarian theology. ...
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This chapter offers an account of Aquinas’s teaching on relations in the context of Thomist general metaphysics and Trinitarian theology. Aquinas’s account will serve as the main sounding board for judging the different interpretations of Thomism throughout the discussion and, by the same token, the extent of Durandus’s dissent.Less
This chapter offers an account of Aquinas’s teaching on relations in the context of Thomist general metaphysics and Trinitarian theology. Aquinas’s account will serve as the main sounding board for judging the different interpretations of Thomism throughout the discussion and, by the same token, the extent of Durandus’s dissent.
