Andrei A. Znamenski
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195172317
- eISBN:
- 9780199785759
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195172317.003.0006
- Subject:
- Religion, Religion and Society
Carlos Castaneda's first book, The Teachings of Don Juan, and two subsequent texts were described as anthropological accounts, which gave them credibility. Coming straight from the Sonoran Desert, ...
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Carlos Castaneda's first book, The Teachings of Don Juan, and two subsequent texts were described as anthropological accounts, which gave them credibility. Coming straight from the Sonoran Desert, Castaneda's ethnographic accounts could easily appear to readers to be authentic anthropology. The fact that Castaneda refused to specify the identity of his characters brought an intrigue to his plots. Readers of his books were left free to exercise their imaginations or to look around for cultural and individual parallels with Castaneda's characters and settings. Castaneda and Don Juan became attractive cultural and intellectual models, which inspired at least some spiritual seekers to replicate their experiences.Less
Carlos Castaneda's first book, The Teachings of Don Juan, and two subsequent texts were described as anthropological accounts, which gave them credibility. Coming straight from the Sonoran Desert, Castaneda's ethnographic accounts could easily appear to readers to be authentic anthropology. The fact that Castaneda refused to specify the identity of his characters brought an intrigue to his plots. Readers of his books were left free to exercise their imaginations or to look around for cultural and individual parallels with Castaneda's characters and settings. Castaneda and Don Juan became attractive cultural and intellectual models, which inspired at least some spiritual seekers to replicate their experiences.
Terryl C. Givens
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195167115
- eISBN:
- 9780199785599
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195167115.003.0007
- Subject:
- Religion, Religion and Society
Education is fundamental in Mormonism. Joseph Smith studied Hebrew, and established a School of the Prophets and the University of Nauvoo. Print culture was central to the Mormon church, and early ...
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Education is fundamental in Mormonism. Joseph Smith studied Hebrew, and established a School of the Prophets and the University of Nauvoo. Print culture was central to the Mormon church, and early leaders like Orson Pratt and Parley Pratt laid the foundations for an intellectual tradition. Early Mormon intellectual culture was capacious enough to accommodate Darwin and evolution, though that would change.Less
Education is fundamental in Mormonism. Joseph Smith studied Hebrew, and established a School of the Prophets and the University of Nauvoo. Print culture was central to the Mormon church, and early leaders like Orson Pratt and Parley Pratt laid the foundations for an intellectual tradition. Early Mormon intellectual culture was capacious enough to accommodate Darwin and evolution, though that would change.
Caroline Levine
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691160627
- eISBN:
- 9781400852604
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691160627.003.0005
- Subject:
- Literature, Criticism/Theory
This chapter begins with an investigation of encounters between unified wholes and networked connections, a set of relations that has been absolutely fundamental to cultural studies, from early ...
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This chapter begins with an investigation of encounters between unified wholes and networked connections, a set of relations that has been absolutely fundamental to cultural studies, from early twentieth-century anthropology to recent scholarship on global flows. It then turns to the overlapping of multiple networks, which is a far more ordinary fact of social life—and a more unsettled and unsettling one—than literary and cultural studies has recognized. It develops an understanding of networked form through two readings. The first Trish Loughran's study of print culture in early America, The Republic in Print, which makes the case that multiple, overlapping networks—mail, print, money, and roads—interrupted each other and frustrated the work of consolidating a new nation. The second is Charles Dickens's Bleak House, a novel that casts social relations as a complex heaping of networks that not only stretch across space but also unfold over time.Less
This chapter begins with an investigation of encounters between unified wholes and networked connections, a set of relations that has been absolutely fundamental to cultural studies, from early twentieth-century anthropology to recent scholarship on global flows. It then turns to the overlapping of multiple networks, which is a far more ordinary fact of social life—and a more unsettled and unsettling one—than literary and cultural studies has recognized. It develops an understanding of networked form through two readings. The first Trish Loughran's study of print culture in early America, The Republic in Print, which makes the case that multiple, overlapping networks—mail, print, money, and roads—interrupted each other and frustrated the work of consolidating a new nation. The second is Charles Dickens's Bleak House, a novel that casts social relations as a complex heaping of networks that not only stretch across space but also unfold over time.
Lauren Shohet
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199295890
- eISBN:
- 9780191594311
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199295890.003.0003
- Subject:
- Literature, 17th-century and Restoration Literature
In seventeenth‐century England, masques inhabited two media, their dramatic occasions consistently delivered into a public culture of reading. This chapter details masques' material circulation in ...
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In seventeenth‐century England, masques inhabited two media, their dramatic occasions consistently delivered into a public culture of reading. This chapter details masques' material circulation in print culture: print and scribal reproduction, provenance, annotations, rights and reprints, marketing as sheet music. While bibliographic attention is crucial, it offers a starting point rather than a terminus for exploring masques' (or any texts') position in their culture. The chapter explores ways that scriptors address readers in the prefaces and margins, drawing examples from masques of Jonson, Campion, Daniel, Chapman, Shirley, William Browne, Thomas Jordan, Middleton/Rowley, and Heywood. It analyzes the hermeneutics of reading in two seventeenth‐century accounts: legal documents surrounding the prosecution of William Prynne, and an essay on the book trade by Newcastle bookseller William London, testing Habermas's theories of the public sphere against these early modern accounts.Less
In seventeenth‐century England, masques inhabited two media, their dramatic occasions consistently delivered into a public culture of reading. This chapter details masques' material circulation in print culture: print and scribal reproduction, provenance, annotations, rights and reprints, marketing as sheet music. While bibliographic attention is crucial, it offers a starting point rather than a terminus for exploring masques' (or any texts') position in their culture. The chapter explores ways that scriptors address readers in the prefaces and margins, drawing examples from masques of Jonson, Campion, Daniel, Chapman, Shirley, William Browne, Thomas Jordan, Middleton/Rowley, and Heywood. It analyzes the hermeneutics of reading in two seventeenth‐century accounts: legal documents surrounding the prosecution of William Prynne, and an essay on the book trade by Newcastle bookseller William London, testing Habermas's theories of the public sphere against these early modern accounts.
Adam Fox
- Published in print:
- 2002
- Published Online:
- October 2011
- ISBN:
- 9780199251032
- eISBN:
- 9780191698019
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199251032.003.0001
- Subject:
- History, British and Irish Early Modern History, Cultural History
The interaction between the different media, oral, scribal, and printed, and key aspects of the oral culture in 16th- and 17th-century England is the theme of this book. The book also focuses on the ...
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The interaction between the different media, oral, scribal, and printed, and key aspects of the oral culture in 16th- and 17th-century England is the theme of this book. The book also focuses on the way in which an increasingly literate and print-based culture influenced the means and the content of communication throughout society least familiar with the written word. The significance of the medias of speech, script, and print infused and interacted with each other, is emphasized through an extensive citation of the ballad of Chevy Chase, England's favourite national song. The written word helped in instructing people ways to sing, and to express themselves, and in the later Middle Ages, it extended further into almost every aspect of economic, social, and cultural life.Less
The interaction between the different media, oral, scribal, and printed, and key aspects of the oral culture in 16th- and 17th-century England is the theme of this book. The book also focuses on the way in which an increasingly literate and print-based culture influenced the means and the content of communication throughout society least familiar with the written word. The significance of the medias of speech, script, and print infused and interacted with each other, is emphasized through an extensive citation of the ballad of Chevy Chase, England's favourite national song. The written word helped in instructing people ways to sing, and to express themselves, and in the later Middle Ages, it extended further into almost every aspect of economic, social, and cultural life.
Ann Hughes
- Published in print:
- 2004
- Published Online:
- September 2007
- ISBN:
- 9780199251926
- eISBN:
- 9780191719042
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199251926.003.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter explores the ways in which historians have used Gangraena as a source, and explains how new approaches to the history of print culture, the history of the book, and of reading will be ...
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This chapter explores the ways in which historians have used Gangraena as a source, and explains how new approaches to the history of print culture, the history of the book, and of reading will be used to explore Gangraena as a text. The discussion of Edwards’s training at Cambridge and his experience within the Laudian church in London and Hertford are followed by an account of divisions amongst English Puritans over church government in the early 1640s. The publication of Edwards’s Antapologia in 1644 marked a crucial stage in the emergence of profound religious divisions amongst Parliamentarians.Less
This chapter explores the ways in which historians have used Gangraena as a source, and explains how new approaches to the history of print culture, the history of the book, and of reading will be used to explore Gangraena as a text. The discussion of Edwards’s training at Cambridge and his experience within the Laudian church in London and Hertford are followed by an account of divisions amongst English Puritans over church government in the early 1640s. The publication of Edwards’s Antapologia in 1644 marked a crucial stage in the emergence of profound religious divisions amongst Parliamentarians.
Allison Busch
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199765928
- eISBN:
- 9780199918973
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199765928.003.0007
- Subject:
- Religion, Religion and Literature
This chapter examines the fate of rīti literature under the new political and epistemological regimes of colonialism and nationalism. Radical upheavals were spurred by new nineteenth-century ...
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This chapter examines the fate of rīti literature under the new political and epistemological regimes of colonialism and nationalism. Radical upheavals were spurred by new nineteenth-century developments in print culture and the textbook industry stewarded by colonial officials, along with reforms in language and literary tastes. Hindi modernity meant that new genres such as the essay and the novel began to supplant the older Brajbhasha verse forms. By the early twentieth century, many Hindi intellectuals, such as Mahavir Prasad Dvivedi, were publicly distancing themselves from traditional Indian poetics and repudiating Brajbhasha, Hindi’s preeminent literary dialect, in favor of Khari Boli. Also considered here is the nationalist vision of Hindi literary history epitomized by the writings of Ramchandra Shukla. Under the new historiography dictated by the discourse of Hindi modernity, bhakti literature became the language’s salvageable past and Hindi’s once thriving courtly traditions would now carry the taint of medieval decadence.Less
This chapter examines the fate of rīti literature under the new political and epistemological regimes of colonialism and nationalism. Radical upheavals were spurred by new nineteenth-century developments in print culture and the textbook industry stewarded by colonial officials, along with reforms in language and literary tastes. Hindi modernity meant that new genres such as the essay and the novel began to supplant the older Brajbhasha verse forms. By the early twentieth century, many Hindi intellectuals, such as Mahavir Prasad Dvivedi, were publicly distancing themselves from traditional Indian poetics and repudiating Brajbhasha, Hindi’s preeminent literary dialect, in favor of Khari Boli. Also considered here is the nationalist vision of Hindi literary history epitomized by the writings of Ramchandra Shukla. Under the new historiography dictated by the discourse of Hindi modernity, bhakti literature became the language’s salvageable past and Hindi’s once thriving courtly traditions would now carry the taint of medieval decadence.
Alexandra Socarides
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199858088
- eISBN:
- 9780199950300
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199858088.003.0001
- Subject:
- Literature, American, 19th Century Literature, Poetry
This chapter describes Dickinson’s practice of making her fascicles and situates this act within conventions of nineteenth-century verse-copying and homemade book-making practices. It does so in ...
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This chapter describes Dickinson’s practice of making her fascicles and situates this act within conventions of nineteenth-century verse-copying and homemade book-making practices. It does so in order to question current critical readings of the fascicles and to suggest that attending to the objects themselves can help us rethink the generic expectations we bring to Dickinson’s poetry. I argue that the material differences between Dickinson’s fascicles and other types of books—commonplace books, autograph albums, scrapbooks, diaries, and collections of sermons—reveal how, in making the fascicles, Dickinson’s primary unit of composition was the individual folded fascicle sheet, a material object that highlights both her desire for formal play between clusters of poems and her fascination with and resistance to print.Less
This chapter describes Dickinson’s practice of making her fascicles and situates this act within conventions of nineteenth-century verse-copying and homemade book-making practices. It does so in order to question current critical readings of the fascicles and to suggest that attending to the objects themselves can help us rethink the generic expectations we bring to Dickinson’s poetry. I argue that the material differences between Dickinson’s fascicles and other types of books—commonplace books, autograph albums, scrapbooks, diaries, and collections of sermons—reveal how, in making the fascicles, Dickinson’s primary unit of composition was the individual folded fascicle sheet, a material object that highlights both her desire for formal play between clusters of poems and her fascination with and resistance to print.
Margot Minardi
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780195379372
- eISBN:
- 9780199869152
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195379372.003.0004
- Subject:
- History, American History: 19th Century
With a focus on early representations of the Boston Massacre and the Battle of Bunker Hill, this chapter argues that the individuals publicly honored as heroes of the Revolutionary War in the period ...
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With a focus on early representations of the Boston Massacre and the Battle of Bunker Hill, this chapter argues that the individuals publicly honored as heroes of the Revolutionary War in the period up to the War of 1812 were primarily those with recognized political, social, and cultural authority: elite white men. Early accounts of these pivotal Revolutionary events noted the presence, but not generally the political agency, of people of color. This chapter develops this argument by exploring the commemoration (or lack thereof) of the Revolutionary contributions of Crispus Attucks and black military veterans, including Primus Hall, Peter Salem, Salem Poor, and Edom London. The sources include both visual culture and print culture, including an analysis of John Trumbull's painting of Bunker Hill.Less
With a focus on early representations of the Boston Massacre and the Battle of Bunker Hill, this chapter argues that the individuals publicly honored as heroes of the Revolutionary War in the period up to the War of 1812 were primarily those with recognized political, social, and cultural authority: elite white men. Early accounts of these pivotal Revolutionary events noted the presence, but not generally the political agency, of people of color. This chapter develops this argument by exploring the commemoration (or lack thereof) of the Revolutionary contributions of Crispus Attucks and black military veterans, including Primus Hall, Peter Salem, Salem Poor, and Edom London. The sources include both visual culture and print culture, including an analysis of John Trumbull's painting of Bunker Hill.
Paula McDowell
- Published in print:
- 1998
- Published Online:
- September 2011
- ISBN:
- 9780198183952
- eISBN:
- 9780191674143
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183952.003.0010
- Subject:
- Literature, 17th-century and Restoration Literature, 18th-century Literature
Offering a new synthetic model for the study of the literary marketplace, this book has uncovered a legacy of female religio-political activity that existed long before the better-known political ...
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Offering a new synthetic model for the study of the literary marketplace, this book has uncovered a legacy of female religio-political activity that existed long before the better-known political activity of women in the 1790s. For the women printworkers and propagandists studied here, access to the press was a vehicle of significant if limited power. Their involvement in political culture, while little known today, was considered dangerous enough in their own time to necessitate their arrest. To understand the lives of persons across a broad class and ideological spectrum, this book has argued, we need to take greater risks to develop new methodologies. We get a different view of the chief concerns and voices of the age when we consider all aspects of textual producation and dissemination and include forms like broadsides, pamphlets, and newspapers than when we concentrate exclusively on authorship and on relatively decorous forms like the novel.Less
Offering a new synthetic model for the study of the literary marketplace, this book has uncovered a legacy of female religio-political activity that existed long before the better-known political activity of women in the 1790s. For the women printworkers and propagandists studied here, access to the press was a vehicle of significant if limited power. Their involvement in political culture, while little known today, was considered dangerous enough in their own time to necessitate their arrest. To understand the lives of persons across a broad class and ideological spectrum, this book has argued, we need to take greater risks to develop new methodologies. We get a different view of the chief concerns and voices of the age when we consider all aspects of textual producation and dissemination and include forms like broadsides, pamphlets, and newspapers than when we concentrate exclusively on authorship and on relatively decorous forms like the novel.
Gary Kelly
- Published in print:
- 1993
- Published Online:
- October 2011
- ISBN:
- 9780198122722
- eISBN:
- 9780191671524
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198122722.003.0001
- Subject:
- Literature, 19th-century and Victorian Literature
This introductory chapter discusses the increased participation of women in print culture, as both writers and readers, in the late 18th and early 19th centuries. Such participation was facilitated ...
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This introductory chapter discusses the increased participation of women in print culture, as both writers and readers, in the late 18th and early 19th centuries. Such participation was facilitated and conditioned by a cultural revolution interacting with the political, economic, and commercial revolutions of the time. Print enabled women to participate in the cultural revolution, and thus in public political life, without relinquishing the feminine character of ‘domestic woman’. However, the association of women and novels was paradigmatic for the ‘problem’ of the woman writer in the late 18th-century cultural revolution. This ‘problem’ was greatly complicated during the last decade of the century, for the French Revolution had a catalysing and divisive effect on every aspect of the cultural revolution in Britain, including the social and cultural importance of ‘domestic woman’ and the gendering of writing.Less
This introductory chapter discusses the increased participation of women in print culture, as both writers and readers, in the late 18th and early 19th centuries. Such participation was facilitated and conditioned by a cultural revolution interacting with the political, economic, and commercial revolutions of the time. Print enabled women to participate in the cultural revolution, and thus in public political life, without relinquishing the feminine character of ‘domestic woman’. However, the association of women and novels was paradigmatic for the ‘problem’ of the woman writer in the late 18th-century cultural revolution. This ‘problem’ was greatly complicated during the last decade of the century, for the French Revolution had a catalysing and divisive effect on every aspect of the cultural revolution in Britain, including the social and cultural importance of ‘domestic woman’ and the gendering of writing.
Michelle Levy
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781474457064
- eISBN:
- 9781474481205
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474457064.001.0001
- Subject:
- Literature, 18th-century Literature
Although we have more literary manuscripts from the Romantic period than for any previous period, these manuscripts have been consulted chiefly for the textual evidence they provide. This book begins ...
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Although we have more literary manuscripts from the Romantic period than for any previous period, these manuscripts have been consulted chiefly for the textual evidence they provide. This book begins the work of unearthing the alternative histories manuscripts tell us about British Romantic literary culture: describing the practices by which they were written, shared, altered and preserved; exploring the functions they served as instruments of expression and sociability; and explicating the migration of texts between the copying technologies of script and print. Deploying a range of methodologies, including quantitative approaches, it considers both literary manuscripts of texts that went unprinted during the lifetimes of their creators as well as those that were printed, presenting a capacious account of how handwritten literary documents were shared, copied, read, and valued. It describes the material processes that brought these manuscripts to audiences small and large, and preserved them for future generations. This book situates manuscript practices within an expanding print marketplace, arguing that the realms of script and print interacted to nurture and transform the period’s literary culture. Providing a comprehensive analysis of the values ascribed to literary manuscripts and the practices involved in their creation and use, this study illuminates the complex entanglements between various media. It concludes with an examination of the ongoing transformations of Romantic literary manuscripts, by textual scholars and digital humanists.Less
Although we have more literary manuscripts from the Romantic period than for any previous period, these manuscripts have been consulted chiefly for the textual evidence they provide. This book begins the work of unearthing the alternative histories manuscripts tell us about British Romantic literary culture: describing the practices by which they were written, shared, altered and preserved; exploring the functions they served as instruments of expression and sociability; and explicating the migration of texts between the copying technologies of script and print. Deploying a range of methodologies, including quantitative approaches, it considers both literary manuscripts of texts that went unprinted during the lifetimes of their creators as well as those that were printed, presenting a capacious account of how handwritten literary documents were shared, copied, read, and valued. It describes the material processes that brought these manuscripts to audiences small and large, and preserved them for future generations. This book situates manuscript practices within an expanding print marketplace, arguing that the realms of script and print interacted to nurture and transform the period’s literary culture. Providing a comprehensive analysis of the values ascribed to literary manuscripts and the practices involved in their creation and use, this study illuminates the complex entanglements between various media. It concludes with an examination of the ongoing transformations of Romantic literary manuscripts, by textual scholars and digital humanists.
Cynthia Brokaw (ed.)
- Published in print:
- 2005
- Published Online:
- March 2012
- ISBN:
- 9780520231269
- eISBN:
- 9780520927797
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520231269.001.0001
- Subject:
- History, Asian History
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This book of essays—written by historians, art ...
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Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This book of essays—written by historians, art historians, and literary scholars—introduces the major issues in the social and cultural history of the book in late imperial China. Informed by insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.Less
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This book of essays—written by historians, art historians, and literary scholars—introduces the major issues in the social and cultural history of the book in late imperial China. Informed by insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
Heather A. Haveman
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691164403
- eISBN:
- 9781400873883
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691164403.003.0008
- Subject:
- Sociology, Social Theory
This concluding chapter summarizes that the book has documented the evolution of American magazines from a few, fragile, questionable undertakings to more than a thousand robust, highly legitimate ...
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This concluding chapter summarizes that the book has documented the evolution of American magazines from a few, fragile, questionable undertakings to more than a thousand robust, highly legitimate elements of print culture. Between 1741 and 1860, magazines underwent a profound transformation that were made possible by a series of changes in American society, including population growth and urbanization, advances in publishing technologies, the gradual development of copyright law, the modernization of social reform movements, and the rise of protoscientific agriculture. The chapter discusses the implications of the book's findings for understanding modernity and community, for other aspects of American society such as the establishment of various medical schools, and for those who study media in the contemporary era. It concludes by reiterating the important role played by magazines in fostering the pluralistic integration that distinguished American society from European ones in the eighteenth and nineteenth centuries.Less
This concluding chapter summarizes that the book has documented the evolution of American magazines from a few, fragile, questionable undertakings to more than a thousand robust, highly legitimate elements of print culture. Between 1741 and 1860, magazines underwent a profound transformation that were made possible by a series of changes in American society, including population growth and urbanization, advances in publishing technologies, the gradual development of copyright law, the modernization of social reform movements, and the rise of protoscientific agriculture. The chapter discusses the implications of the book's findings for understanding modernity and community, for other aspects of American society such as the establishment of various medical schools, and for those who study media in the contemporary era. It concludes by reiterating the important role played by magazines in fostering the pluralistic integration that distinguished American society from European ones in the eighteenth and nineteenth centuries.
Richard G. Wang
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199767687
- eISBN:
- 9780199950607
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199767687.003.0004
- Subject:
- Religion, Religion and Society
Chapter 4 explores the interaction between Ming princes’ self-cultivation and their making and consumption of Daoist books as material culture in the context of Ming print culture. Some princes ...
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Chapter 4 explores the interaction between Ming princes’ self-cultivation and their making and consumption of Daoist books as material culture in the context of Ming print culture. Some princes practiced Daoist self-cultivation techniques. Like self-cultivation, writing books on Daoism was an inherent element of the princes’ Daoist identity and cultivation. Through cultivation as well as production and consumption of books, many Ming princes became very closely involved in Daoist cultural life. The examples include the Ning Principality and Zhu Zaiwei’s compiling activities. Furthermore, the princely holding of Daozang was significant in that it indicates the extent of the circulation of Daozang in Ming society. In terms of readership, the Daoist books the Ming princes produced were aimed at the emperor, their imperial relatives, and literati friends. Sometimes they gave these books to Daoist institutions due to their faith. Occasionally, some princely establishments printed Daoist books for charities.Less
Chapter 4 explores the interaction between Ming princes’ self-cultivation and their making and consumption of Daoist books as material culture in the context of Ming print culture. Some princes practiced Daoist self-cultivation techniques. Like self-cultivation, writing books on Daoism was an inherent element of the princes’ Daoist identity and cultivation. Through cultivation as well as production and consumption of books, many Ming princes became very closely involved in Daoist cultural life. The examples include the Ning Principality and Zhu Zaiwei’s compiling activities. Furthermore, the princely holding of Daozang was significant in that it indicates the extent of the circulation of Daozang in Ming society. In terms of readership, the Daoist books the Ming princes produced were aimed at the emperor, their imperial relatives, and literati friends. Sometimes they gave these books to Daoist institutions due to their faith. Occasionally, some princely establishments printed Daoist books for charities.
- Published in print:
- 2013
- Published Online:
- June 2013
- ISBN:
- 9780804784085
- eISBN:
- 9780804784658
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804784085.003.0001
- Subject:
- Literature, 19th-century and Victorian Literature
This introductory chapter discusses the radical political activity and print culture that arose in Britain in the late nineteenth century. It defines the term slow print as print that actively ...
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This introductory chapter discusses the radical political activity and print culture that arose in Britain in the late nineteenth century. It defines the term slow print as print that actively opposed literary and journalistic mass production; it was often explicitly political in objective, as socialist, anarchist, and other radical groups came to believe that large-scale mass-oriented print was no way to bring about revolutionary social changes. By focusing on the literary culture of the radical press, the book suggests that literature was a crucial means by which the turn-of-the-century radical counterpublic defined itself against capitalist mass print culture. An overview of the subsequent chapter is also presented.Less
This introductory chapter discusses the radical political activity and print culture that arose in Britain in the late nineteenth century. It defines the term slow print as print that actively opposed literary and journalistic mass production; it was often explicitly political in objective, as socialist, anarchist, and other radical groups came to believe that large-scale mass-oriented print was no way to bring about revolutionary social changes. By focusing on the literary culture of the radical press, the book suggests that literature was a crucial means by which the turn-of-the-century radical counterpublic defined itself against capitalist mass print culture. An overview of the subsequent chapter is also presented.
Andrew O. Winckles
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620184
- eISBN:
- 9781789629651
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620184.003.0002
- Subject:
- Literature, Women's Literature
This chapter introduces and provides and overview of the unique discourse structures, like the class meeting, that Methodism pioneered. Specifically, it traces the development of Methodist discourse ...
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This chapter introduces and provides and overview of the unique discourse structures, like the class meeting, that Methodism pioneered. Specifically, it traces the development of Methodist discourse from the wild and raucous beginning of the movement in 1738 until the death of John Wesley in 1791, after which the fundamental character of Methodism and its discourse structures changed. The emphasis in this chapter is especially on how early Methodists combined oral, manuscript, and print mediation practices to create a diverse, diffuse, and fundamentally unstable and uncontrollable discourse culture which had impacts on literary developments like the rise of the novel and the literature of sensibility. In particular it argues that early Methodism should be read in terms of what William Warner calls a “media event,” which made possible new means and protocols of mediation within a space of contestation and debate over what Methodism was and how dangerous its effects could be.Less
This chapter introduces and provides and overview of the unique discourse structures, like the class meeting, that Methodism pioneered. Specifically, it traces the development of Methodist discourse from the wild and raucous beginning of the movement in 1738 until the death of John Wesley in 1791, after which the fundamental character of Methodism and its discourse structures changed. The emphasis in this chapter is especially on how early Methodists combined oral, manuscript, and print mediation practices to create a diverse, diffuse, and fundamentally unstable and uncontrollable discourse culture which had impacts on literary developments like the rise of the novel and the literature of sensibility. In particular it argues that early Methodism should be read in terms of what William Warner calls a “media event,” which made possible new means and protocols of mediation within a space of contestation and debate over what Methodism was and how dangerous its effects could be.
Joad Raymond
- Published in print:
- 2005
- Published Online:
- October 2011
- ISBN:
- 9780199282340
- eISBN:
- 9780191700194
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199282340.001.0001
- Subject:
- Literature, 17th-century and Restoration Literature
The first weekly English newsbooks appeared in November 1641, on the eve of the civil war. Though they provoked animosity and fanned the flames of civil war, they have survived almost without ...
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The first weekly English newsbooks appeared in November 1641, on the eve of the civil war. Though they provoked animosity and fanned the flames of civil war, they have survived almost without interruption to the present day, transformed into the modern newspaper. This book is the first detailed account of the origins and early development of the English newspaper, using a wealth of new evidence to show the causes of the first newsbooks, and their many and complex roles in the turbulent society in which they participated. Newsbooks were widely read and exerted considerable influence not only over immediate perceptions of news, but also over subsequent histories of the 17th-century, extending even to the present day. Using and synthesising approaches from literary criticism, history, and the ‘sociology of texts’, this book shows how newsbooks transformed print culture, fed the public hunger for news, and in turn created a market for news periodicals. Charting the newsbook's development as a form and a commercial enterprise, its literary qualities, and its relationship to other means of communication, this book shows the newsbook's gradual and irresistible dominance of the market for information.Less
The first weekly English newsbooks appeared in November 1641, on the eve of the civil war. Though they provoked animosity and fanned the flames of civil war, they have survived almost without interruption to the present day, transformed into the modern newspaper. This book is the first detailed account of the origins and early development of the English newspaper, using a wealth of new evidence to show the causes of the first newsbooks, and their many and complex roles in the turbulent society in which they participated. Newsbooks were widely read and exerted considerable influence not only over immediate perceptions of news, but also over subsequent histories of the 17th-century, extending even to the present day. Using and synthesising approaches from literary criticism, history, and the ‘sociology of texts’, this book shows how newsbooks transformed print culture, fed the public hunger for news, and in turn created a market for news periodicals. Charting the newsbook's development as a form and a commercial enterprise, its literary qualities, and its relationship to other means of communication, this book shows the newsbook's gradual and irresistible dominance of the market for information.
- Published in print:
- 2013
- Published Online:
- June 2013
- ISBN:
- 9780804784085
- eISBN:
- 9780804784658
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804784085.003.0002
- Subject:
- Literature, 19th-century and Victorian Literature
This chapter discusses William Morris' two major ventures into radical print: the Commonweal socialist newspaper, which he edited from 1885 to 1890; and the Kelmscott Press, which he founded in 1891. ...
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This chapter discusses William Morris' two major ventures into radical print: the Commonweal socialist newspaper, which he edited from 1885 to 1890; and the Kelmscott Press, which he founded in 1891. Pointedly removed from the general flow of mainstream print, these two print enterprises construct themselves as utopian spaces outside the “march of progress” narrative (predicting endless expansion) that had accrued to print and to capitalism. The chapter compares versions of Morris' novels A Dream of John Ball and News from Nowhere, both of which were initially published serially in the Commonweal and later in Kelmscott editions, to show how Morris exploited aspects of each print medium to critique the political effects of mass print culture. His career in radical print demonstrates his perception of the failure of liberal notions of print as an agent of progress and his effort to reinvent print as an ideal practice at the level of production.Less
This chapter discusses William Morris' two major ventures into radical print: the Commonweal socialist newspaper, which he edited from 1885 to 1890; and the Kelmscott Press, which he founded in 1891. Pointedly removed from the general flow of mainstream print, these two print enterprises construct themselves as utopian spaces outside the “march of progress” narrative (predicting endless expansion) that had accrued to print and to capitalism. The chapter compares versions of Morris' novels A Dream of John Ball and News from Nowhere, both of which were initially published serially in the Commonweal and later in Kelmscott editions, to show how Morris exploited aspects of each print medium to critique the political effects of mass print culture. His career in radical print demonstrates his perception of the failure of liberal notions of print as an agent of progress and his effort to reinvent print as an ideal practice at the level of production.
Elizabeth Carolyn
- Published in print:
- 2013
- Published Online:
- June 2013
- ISBN:
- 9780804784085
- eISBN:
- 9780804784658
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804784085.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. ...
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This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist, and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. “Slow print,” like “slow food” today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.Less
This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist, and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. “Slow print,” like “slow food” today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.
