Karol Berger
- Published in print:
- 2007
- Published Online:
- May 2012
- ISBN:
- 9780520250918
- eISBN:
- 9780520933699
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520250918.001.0001
- Subject:
- Music, History, Western
This book examines works by Monteverdi, Bach, Mozart, and Beethoven to support two claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the ...
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This book examines works by Monteverdi, Bach, Mozart, and Beethoven to support two claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as the author illustrates in his analysis of Bach's St. Matthew Passion, music was simply “in time.” Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. However, after the shift, as the author finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. The book complements these musical case studies with a survey of the philosophical, theological, and literary trends influencing artists during this period.Less
This book examines works by Monteverdi, Bach, Mozart, and Beethoven to support two claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as the author illustrates in his analysis of Bach's St. Matthew Passion, music was simply “in time.” Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. However, after the shift, as the author finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. The book complements these musical case studies with a survey of the philosophical, theological, and literary trends influencing artists during this period.
