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From Narrated Subjects to Programmable Objects

Seb Franklin

in Control: Digitality as Cultural Logic

Published in print:
2015
Published Online:
May 2016
ISBN:
9780262029537
eISBN:
9780262331135
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262029537.003.0005
Subject:
Society and Culture, Technology and Society

This chapter examines the relationship between two socio-cultural formations: the narrative forms that have emerged in conjunction with the control episteme, and the attribution of notions of ... More


The Parallax View: Why Trust Anyone?

David Thomson

in When the Movies Mattered: The New Hollywood Revisited

Published in print:
2019
Published Online:
January 2020
ISBN:
9781501736094
eISBN:
9781501736117
Item type:
chapter
Publisher:
Cornell University Press
DOI:
10.7591/cornell/9781501736094.003.0007
Subject:
Film, Television and Radio, Film

In this chapter, legendary critic David Thomson revisits Alan J. Pakula's The Parallax View, one of the signature “paranoid thrillers” of the 1970s—a film that offers itself as a color film noir for ... More


Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view

John Orr

in Romantics and Modernists in British Cinema

Published in print:
2010
Published Online:
September 2012
ISBN:
9780748640140
eISBN:
9780748671090
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748640140.003.0007
Subject:
Film, Television and Radio, Film

The 1960s was the start of a new cinema in Britain, a neo-modern remake of 1920s modernism for the sound era: 1963 with the release of The Servant was as momentous as 1929, and the expatriate eye was ... More


Secrecy, Conspiracy, Cinema and the CIA in the 1970s

Simon Willmetts

in In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941-1979

Published in print:
2016
Published Online:
January 2018
ISBN:
9780748692996
eISBN:
9781474421935
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748692996.003.0005
Subject:
Film, Television and Radio, Film

This final chapter examines the figuration of the CIA in the wave of paranoid conspiracy films that were made in the 1970s. Still suffering from the reverberations of Watergate and the Vietnam War, ... More


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