Stephen Gaukroger
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199296446
- eISBN:
- 9780191711985
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199296446.003.0008
- Subject:
- Philosophy, History of Philosophy
This chapter builds on the previous two to offer a more integrated account of the intersections between questions of truth, justification, objectivity, and legitimacy. The origins of philosophy in ...
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This chapter builds on the previous two to offer a more integrated account of the intersections between questions of truth, justification, objectivity, and legitimacy. The origins of philosophy in Plato's Socratic dialogues are represented as a struggle between sophism and philosopher, where the difference lies in a commitment to uncovering the truth. This concern can be traced through to the early modern period, but the 17th century witnessed a shift from notions of truth to notions of objectivity and impartiality as a guide for natural philosophical enquiry.Less
This chapter builds on the previous two to offer a more integrated account of the intersections between questions of truth, justification, objectivity, and legitimacy. The origins of philosophy in Plato's Socratic dialogues are represented as a struggle between sophism and philosopher, where the difference lies in a commitment to uncovering the truth. This concern can be traced through to the early modern period, but the 17th century witnessed a shift from notions of truth to notions of objectivity and impartiality as a guide for natural philosophical enquiry.
Jaakko Hintikka
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195139167
- eISBN:
- 9780199833214
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019513916X.003.0005
- Subject:
- Philosophy, History of Philosophy
Hintikka questions the principled division between analytic and continental philosophy by arguing that Mach should be considered the century’s most influential philosopher, a giant on whose shoulders ...
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Hintikka questions the principled division between analytic and continental philosophy by arguing that Mach should be considered the century’s most influential philosopher, a giant on whose shoulders thinkers like Wittgenstein, Husserl, and Heidegger subsequently stood. Hintikka notes that Frege’s direct influence on philosophy proper outside of logic and the foundations of mathematics was for a very long time quite minimal. Mach’s wider impact is measured in the great importance to much 20th-century philosophy of the question whether knowledge may be given to us apart from what is conceptualized in thought (in, e.g., pure sense perception, intuition, or the sensory given). Mach’s phenomenalism (or phenomenology) set the agenda, according to Hintikka, for future discussion of this question in philosophy and in physics. Mach’s disputes with Bolzmann about the reducibility to knowledge of sensation affected Einstein. Hintikka argues that both Husserl and the early Wittgenstein embraced phenomenological conceptions of experience and knowledge that were indebted to Mach’s ideas. Heidegger was therefore wrong to insist that phenomenology and phenomenalism are distinct philosophical traditions.Less
Hintikka questions the principled division between analytic and continental philosophy by arguing that Mach should be considered the century’s most influential philosopher, a giant on whose shoulders thinkers like Wittgenstein, Husserl, and Heidegger subsequently stood. Hintikka notes that Frege’s direct influence on philosophy proper outside of logic and the foundations of mathematics was for a very long time quite minimal. Mach’s wider impact is measured in the great importance to much 20th-century philosophy of the question whether knowledge may be given to us apart from what is conceptualized in thought (in, e.g., pure sense perception, intuition, or the sensory given). Mach’s phenomenalism (or phenomenology) set the agenda, according to Hintikka, for future discussion of this question in philosophy and in physics. Mach’s disputes with Bolzmann about the reducibility to knowledge of sensation affected Einstein. Hintikka argues that both Husserl and the early Wittgenstein embraced phenomenological conceptions of experience and knowledge that were indebted to Mach’s ideas. Heidegger was therefore wrong to insist that phenomenology and phenomenalism are distinct philosophical traditions.
Dagfinn Føllesdal
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195139167
- eISBN:
- 9780199833214
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019513916X.003.0004
- Subject:
- Philosophy, History of Philosophy
Husserl’s notion of the intentional object may be compared and contrasted with Bolzano’s and Frege’s views on the reference of linguistic expressions, especially since Bolzano was a main influence on ...
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Husserl’s notion of the intentional object may be compared and contrasted with Bolzano’s and Frege’s views on the reference of linguistic expressions, especially since Bolzano was a main influence on the development of Husserl’s views. Føllesdal responds to David Bell’s criticisms of Føllesdal’s earlier readings of Husserl on reference, directedness, and the notion of a determinable object x. He argues that Husserl’s treatment of indexicals and reference is in some ways more insightful than the treatments of either Bolzano or Frege. To preempt the charge that Husserl’s philosophy forwards a naïve, overly mentalistic model of the mind and its expressive capacities, Føllesdal mentions that Husserl developed a thought experiment nearly identical to the well-known Twin Earth scenario later framed by Hilary Putnam to criticize internalist, mentalistic theories of meaning. Føllesdal argues that Husserl was ahead of his time in trying to account for the semantics of indexical and demonstrative terms, partly under the influence of Brentano. This study shows that the opposition between so-called continental and so-called analytic philosophy is not historically as well-grounded as many have supposed.Less
Husserl’s notion of the intentional object may be compared and contrasted with Bolzano’s and Frege’s views on the reference of linguistic expressions, especially since Bolzano was a main influence on the development of Husserl’s views. Føllesdal responds to David Bell’s criticisms of Føllesdal’s earlier readings of Husserl on reference, directedness, and the notion of a determinable object x. He argues that Husserl’s treatment of indexicals and reference is in some ways more insightful than the treatments of either Bolzano or Frege. To preempt the charge that Husserl’s philosophy forwards a naïve, overly mentalistic model of the mind and its expressive capacities, Føllesdal mentions that Husserl developed a thought experiment nearly identical to the well-known Twin Earth scenario later framed by Hilary Putnam to criticize internalist, mentalistic theories of meaning. Føllesdal argues that Husserl was ahead of his time in trying to account for the semantics of indexical and demonstrative terms, partly under the influence of Brentano. This study shows that the opposition between so-called continental and so-called analytic philosophy is not historically as well-grounded as many have supposed.
Sarah Broadie
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199639984
- eISBN:
- 9780191743337
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199639984.003.0002
- Subject:
- Philosophy, Ancient Philosophy, Metaphysics/Epistemology
This chapter continues the discussion of Cambiano's on A 1, since Aristotle's chapters A 1-2 are evidently a continuous introduction. The problem of what exactly it is an introduction to, i.e. the ...
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This chapter continues the discussion of Cambiano's on A 1, since Aristotle's chapters A 1-2 are evidently a continuous introduction. The problem of what exactly it is an introduction to, i.e. the perennial question of the unity and diversity of Aristotle's metaphysical treatises, is considered here, although necessarily only in outline. It is also argued that, contrary to some scholarly opinions, this introduction should not be regarded as a protreptic to philosophy as such, i.e. as belonging to the genre of Aristotle's Protrepticus. Whereas that genre aims to promote the pursuit of sophia as a way of life, hence as ultimately an ethical choice or determination of the highest human good, the present text (it is argued) is meant to establish the nature of the highest or most paradigmatic form of cognition as such, leaving aside the question of ranking this in relation to other possible candidates for the highest good overall.Less
This chapter continues the discussion of Cambiano's on A 1, since Aristotle's chapters A 1-2 are evidently a continuous introduction. The problem of what exactly it is an introduction to, i.e. the perennial question of the unity and diversity of Aristotle's metaphysical treatises, is considered here, although necessarily only in outline. It is also argued that, contrary to some scholarly opinions, this introduction should not be regarded as a protreptic to philosophy as such, i.e. as belonging to the genre of Aristotle's Protrepticus. Whereas that genre aims to promote the pursuit of sophia as a way of life, hence as ultimately an ethical choice or determination of the highest human good, the present text (it is argued) is meant to establish the nature of the highest or most paradigmatic form of cognition as such, leaving aside the question of ranking this in relation to other possible candidates for the highest good overall.
Hanneke Grootenboer
- Published in print:
- 2021
- Published Online:
- September 2021
- ISBN:
- 9780226717951
- eISBN:
- 9780226718002
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226718002.003.0007
- Subject:
- Art, Art Theory and Criticism
Starting from the “moving image” of a tableau-mécanique or clock-painting, this concluding chapter raises the question to what extent painting invites us to true thinking. Starting with Plato’s claim ...
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Starting from the “moving image” of a tableau-mécanique or clock-painting, this concluding chapter raises the question to what extent painting invites us to true thinking. Starting with Plato’s claim that wonder is the only possible beginning of philosophy, it is shown how the visual arts, historically, were meant to trigger thought, in particular when seen in the context of cabinet collections, in Germany literally called rooms of wonder, or Wunderkammern. The wonder that artworks may evoke is compared to various concepts of wonder, from Plato, Kant, Hegel and Heidegger. The chapter concludes by stating that, as the book has demonstrated, pensive images, through their inconclusiveness and inexpressiveness, provoke wonder in us and, as such, set us off on a mental trajectory of true thinking that, ultimately, leads us to our philosophical home.Less
Starting from the “moving image” of a tableau-mécanique or clock-painting, this concluding chapter raises the question to what extent painting invites us to true thinking. Starting with Plato’s claim that wonder is the only possible beginning of philosophy, it is shown how the visual arts, historically, were meant to trigger thought, in particular when seen in the context of cabinet collections, in Germany literally called rooms of wonder, or Wunderkammern. The wonder that artworks may evoke is compared to various concepts of wonder, from Plato, Kant, Hegel and Heidegger. The chapter concludes by stating that, as the book has demonstrated, pensive images, through their inconclusiveness and inexpressiveness, provoke wonder in us and, as such, set us off on a mental trajectory of true thinking that, ultimately, leads us to our philosophical home.