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Pialat and the Nouvelle Vague

Marja Warehime

in Maurice Pialat

Published in print:
2011
Published Online:
July 2012
ISBN:
9780719068225
eISBN:
9781781703267
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719068225.003.0012
Subject:
Film, Television and Radio, Film

This chapter focuses on Maurice Pialat's relationship to the Nouvelle Vague and to two major filmmakers of the 1930s and 1940s against whose work Pialat measured his own: Jean Renoir and Marcel ... More


Portraiture

Sam Rohdie

in Film Modernism

Published in print:
2015
Published Online:
May 2016
ISBN:
9781784992637
eISBN:
9781526104151
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9781784992637.003.0042
Subject:
Film, Television and Radio, Film

The ‘author - auteur’ appears in the disjunctions and hiatuses not as the artist who creates the complete work, but rather in the formula of Godard, ‘the work and the idea of the work’, ‘the work and ... More


Contexts and Influences

Catherine Dousteyssier-Khoze

in Claude Chabrol's Aesthetics of Opacity

Published in print:
2018
Published Online:
September 2018
ISBN:
9780748692606
eISBN:
9781474444651
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748692606.003.0002
Subject:
Film, Television and Radio, Film

This chapter seeks to contextualise Chabrol’s extensive filmography; reassess its place and significance in French Cinema; and shed light over key influences on Chabrol’s aesthetic. The detailed ... More


Reception

Adam Guy

in The nouveau roman and Writing in Britain After Modernism

Published in print:
2019
Published Online:
January 2020
ISBN:
9780198850007
eISBN:
9780191884467
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780198850007.003.0003
Subject:
Literature, 20th-century Literature and Modernism

In surveying the reception of the nouveau roman in Britain from its initial emergence in the late 1950s, this chapter begins by looking at the various names given to the phenomenon of the nouveau ... More


Studying French Cinema

Sarah Perks, Isabelle Vanderschelden, and Andy Willis

Published in print:
2013
Published Online:
February 2021
ISBN:
9781906733162
eISBN:
9781800342002
Item type:
book
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781906733162.001.0001
Subject:
Film, Television and Radio, Film

Taking a text-led approach, with the emphasis on more recent popular films, Studying French Cinema is directed at non-specialists such as students of French, film studies, and the general reader with ... More


Corpo-reality in the Hong Kong New Wave

Chang-Min Yu

in Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia

Published in print:
2019
Published Online:
January 2020
ISBN:
9789888455874
eISBN:
9789882204294
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789888455874.003.0007
Subject:
Society and Culture, Asian Studies

Several decades after the inception of the Hong Kong New Wave, critics still struggle to respond to the charge that "[t]here was no new aesthetic landscape"; that this so-called New Wave was only an ... More


Claude Chabrol's Aesthetics of Opacity

Catherine Dousteyssier-Khoze

Published in print:
2018
Published Online:
September 2018
ISBN:
9780748692606
eISBN:
9781474444651
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748692606.001.0001
Subject:
Film, Television and Radio, Film

Chabrol's cinema, which started (with) the Nouvelle Vague, is generally associated with a type of psychological thriller, set in the French provinces and marked by a fascination with evil, incest, ... More


Why popular films are popular: identification, imitation and critical mortification

David Platten

in Imagining the popular in contemporary French culture

Published in print:
2012
Published Online:
May 2013
ISBN:
9780719078163
eISBN:
9781781705056
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719078163.003.0005
Subject:
Society and Culture, Media Studies

This chapter argues that the French popular film is a contradiction in terms: French cinema has long been associated with high culture, and despite the iconoclastic verve and youth appeal of the ... More


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