Pablo J. Boczkowski
- Published in print:
- 2010
- Published Online:
- February 2013
- ISBN:
- 9780226062792
- eISBN:
- 9780226062785
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226062785.003.0004
- Subject:
- Sociology, Science, Technology and Environment
This chapter examines issues of monitoring and imitation in the online and print newsrooms of Clarín and La Nacion. The analysis reveals a greater intensity and pervasiveness in the monitoring ...
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This chapter examines issues of monitoring and imitation in the online and print newsrooms of Clarín and La Nacion. The analysis reveals a greater intensity and pervasiveness in the monitoring practices and a larger reliance on technology in these practices among journalists who produce hard news than among their soft-news counterparts. It also reveals that journalists who make hard news utilize the information learned through monitoring to imitate other players in the organizational field significantly more than do their colleagues who make soft news. In addition, the account demonstrates that the monitoring and imitation actions of hard-news journalists sometimes acquire different manifestations depending on whether they work in an online or print newsroom. The changing patterns of technological infrastructures and practices also help to illuminate how monitoring and imitation emerge at the intersection of situated practices and contextual structures.Less
This chapter examines issues of monitoring and imitation in the online and print newsrooms of Clarín and La Nacion. The analysis reveals a greater intensity and pervasiveness in the monitoring practices and a larger reliance on technology in these practices among journalists who produce hard news than among their soft-news counterparts. It also reveals that journalists who make hard news utilize the information learned through monitoring to imitate other players in the organizational field significantly more than do their colleagues who make soft news. In addition, the account demonstrates that the monitoring and imitation actions of hard-news journalists sometimes acquire different manifestations depending on whether they work in an online or print newsroom. The changing patterns of technological infrastructures and practices also help to illuminate how monitoring and imitation emerge at the intersection of situated practices and contextual structures.
Pablo J. Boczkowski
- Published in print:
- 2010
- Published Online:
- February 2013
- ISBN:
- 9780226062792
- eISBN:
- 9780226062785
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226062785.003.0005
- Subject:
- Sociology, Science, Technology and Environment
This chapter discusses homogenization of news products. It reveals the consequences of imitation in journalistic work for the resulting news products. All cases of content overlap in the print ...
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This chapter discusses homogenization of news products. It reveals the consequences of imitation in journalistic work for the resulting news products. All cases of content overlap in the print newspapers and nearly all in the online newspapers had to do with hard news. This is a clear expression of the divergent logics of hard- and soft-news production and, especially, the much higher prevalence of monitoring and imitation in the former than in the latter. A glance at the main findings regarding content overlap in hard news across the three levels of analysis reveals a homogenization of print products over time and strong evidence for homogeneity of both print and online news in the contemporary context. Further analysis shows the power of the production dynamics to generate substantive field-level effects for the resulting news product outcomes.Less
This chapter discusses homogenization of news products. It reveals the consequences of imitation in journalistic work for the resulting news products. All cases of content overlap in the print newspapers and nearly all in the online newspapers had to do with hard news. This is a clear expression of the divergent logics of hard- and soft-news production and, especially, the much higher prevalence of monitoring and imitation in the former than in the latter. A glance at the main findings regarding content overlap in hard news across the three levels of analysis reveals a homogenization of print products over time and strong evidence for homogeneity of both print and online news in the contemporary context. Further analysis shows the power of the production dynamics to generate substantive field-level effects for the resulting news product outcomes.
Anthony M. Nadler
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252040146
- eISBN:
- 9780252098345
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040146.003.0001
- Subject:
- Society and Culture, Media Studies
This introductory chapter examines various models for popularizing and democratizing news that have been influential in the United States over the past several decades. It argues that the U.S. news ...
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This introductory chapter examines various models for popularizing and democratizing news that have been influential in the United States over the past several decades. It argues that the U.S. news industry has undergone a philosophical paradigm shift, moving away from an ideal of professional autonomy and into a “postprofessional” period characterized by an affirmation that consumers' preferences should drive news production. The chapter also describes several attempts made by key groups of news producers to shift control over the news agenda away from professional expertise and put it in the hands of ordinary news consumers: the market-centered newspaper movement epitomized by Gannett's USA Today, the creation of a genre of news amid competition among the major U.S. cable news channels, and the growth of online social news sites tapping into collaborative filtering as a mechanism for democratizing the news agenda.Less
This introductory chapter examines various models for popularizing and democratizing news that have been influential in the United States over the past several decades. It argues that the U.S. news industry has undergone a philosophical paradigm shift, moving away from an ideal of professional autonomy and into a “postprofessional” period characterized by an affirmation that consumers' preferences should drive news production. The chapter also describes several attempts made by key groups of news producers to shift control over the news agenda away from professional expertise and put it in the hands of ordinary news consumers: the market-centered newspaper movement epitomized by Gannett's USA Today, the creation of a genre of news amid competition among the major U.S. cable news channels, and the growth of online social news sites tapping into collaborative filtering as a mechanism for democratizing the news agenda.
Anthony M. Nadler
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252040146
- eISBN:
- 9780252098345
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040146.001.0001
- Subject:
- Society and Culture, Media Studies
The professional judgment of gatekeepers defined the American news agenda for decades. This book examines how subsequent events brought on a post-professional period that opened the door for ...
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The professional judgment of gatekeepers defined the American news agenda for decades. This book examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production—and unleashed both crisis and opportunity on journalistic institutions. The book charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As the book shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. The book argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, the book suggests, might journalism's digital crisis push us toward building a more robust and democratic news media.Less
The professional judgment of gatekeepers defined the American news agenda for decades. This book examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production—and unleashed both crisis and opportunity on journalistic institutions. The book charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As the book shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. The book argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, the book suggests, might journalism's digital crisis push us toward building a more robust and democratic news media.
Kevin G. Barnhurst
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252040184
- eISBN:
- 9780252098406
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040184.001.0001
- Subject:
- Society and Culture, Media Studies
A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped “legacy media,” killing off ...
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A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped “legacy media,” killing off newspapers and journalists' jobs. Did news businesses and careers fall prey to the digital “Spider”? To solve the mystery, the author spent thirty years studying news going back to the realism of the 1800s. The usual suspects—technology, business competition, and the pursuit of scoops—are only partly to blame for the fate of news. The main culprit is modernism from the “Mister Pulitzer” era, which transformed news into an ideology called “journalism.” News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead. News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs. This book tells the history of an American idea: that modern knowledge can be commanding and democratic at the same time.Less
A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped “legacy media,” killing off newspapers and journalists' jobs. Did news businesses and careers fall prey to the digital “Spider”? To solve the mystery, the author spent thirty years studying news going back to the realism of the 1800s. The usual suspects—technology, business competition, and the pursuit of scoops—are only partly to blame for the fate of news. The main culprit is modernism from the “Mister Pulitzer” era, which transformed news into an ideology called “journalism.” News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead. News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs. This book tells the history of an American idea: that modern knowledge can be commanding and democratic at the same time.
Jonathan Hardy
- Published in print:
- 2021
- Published Online:
- July 2021
- ISBN:
- 9780190935856
- eISBN:
- 9780197578612
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190935856.003.0002
- Subject:
- Psychology, Social Psychology
This chapter presents a snapshot of the main characteristics of 21st-century journalism, examining changes in its organization, practice, and performance. It also contributes to the book’s main ...
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This chapter presents a snapshot of the main characteristics of 21st-century journalism, examining changes in its organization, practice, and performance. It also contributes to the book’s main themes by outlining links between structural changes in the news industries and shifts in journalists’ activities, attitudes, and self-perceptions. Of particular concern is the impact of the internet and more generally of digitalization. This is considered in relation to traditional print media, television, radio and also with regard to journalists’ practices, which have undergone dramatic, rapid change and disruption. The chapter then focusses on journalistic content, where according to some critics, traditional journalistic standards have been weakened by the growing ascendancy of entertainment values and by the financial need for advertising revenue. Finally, the chapter discusses identity and how journalists’ traditional concepts of self-identity have responded to the pressures described previously.Less
This chapter presents a snapshot of the main characteristics of 21st-century journalism, examining changes in its organization, practice, and performance. It also contributes to the book’s main themes by outlining links between structural changes in the news industries and shifts in journalists’ activities, attitudes, and self-perceptions. Of particular concern is the impact of the internet and more generally of digitalization. This is considered in relation to traditional print media, television, radio and also with regard to journalists’ practices, which have undergone dramatic, rapid change and disruption. The chapter then focusses on journalistic content, where according to some critics, traditional journalistic standards have been weakened by the growing ascendancy of entertainment values and by the financial need for advertising revenue. Finally, the chapter discusses identity and how journalists’ traditional concepts of self-identity have responded to the pressures described previously.
Kevin G. Barnhurst
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252040184
- eISBN:
- 9780252098406
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040184.003.0015
- Subject:
- Society and Culture, Media Studies
This chapter considers changing perspectives of modern time. It argues that newspapers are stuck in late-nineteenth-century modern time, raising complaints and objections to the new time regime. In ...
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This chapter considers changing perspectives of modern time. It argues that newspapers are stuck in late-nineteenth-century modern time, raising complaints and objections to the new time regime. In contrast, television news is mired in mid-twentieth-century modern time, and the web editions of legacy media, after a moment of turbulence, returned to reflect the modernist time of an institutional memory they share. New interactive and mobile technologies create for news media a space of temporal discomfort. The modern sense of time empowered practitioners, giving them clear tools for selection and sequence, the discipline of deadlines, and the competition of the scoop and the exclusive, with the underlying assumption that time is money. The new sense of time removes their illusion of some control in a political life formerly attuned to their own news cycles.Less
This chapter considers changing perspectives of modern time. It argues that newspapers are stuck in late-nineteenth-century modern time, raising complaints and objections to the new time regime. In contrast, television news is mired in mid-twentieth-century modern time, and the web editions of legacy media, after a moment of turbulence, returned to reflect the modernist time of an institutional memory they share. New interactive and mobile technologies create for news media a space of temporal discomfort. The modern sense of time empowered practitioners, giving them clear tools for selection and sequence, the discipline of deadlines, and the competition of the scoop and the exclusive, with the underlying assumption that time is money. The new sense of time removes their illusion of some control in a political life formerly attuned to their own news cycles.
Michael Mann
- Published in print:
- 2017
- Published Online:
- March 2017
- ISBN:
- 9780199472178
- eISBN:
- 9780199088843
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199472178.003.0004
- Subject:
- History, Indian History, Social History
The chapter introduces the selection of seven English newspapers owned by Indians to be scrutinized in the book’s final two chapters. It describes the history of the newspapers, ownerships, political ...
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The chapter introduces the selection of seven English newspapers owned by Indians to be scrutinized in the book’s final two chapters. It describes the history of the newspapers, ownerships, political bias as well as the change of format and layout. The latter is of particular importance as these changes indicate the massive influence telegraphic news had on a newspaper’s graphic design and formatting. Telegraphic news deeply transformed the outer appearance and the contents of newspapers, although not every newspaper under consideration was transformed in the same way. Also, as a dependent annexe to the globally operating Reuters’ news agency, Indian news agencies are taken into consideration in their attempt to gain access to local, regional, and national news production. It is in this context that telegraphic reporting in India, as elsewhere in the world, had a profound impact on the way news was produced and articles written by an emerging new professional: the journalist.Less
The chapter introduces the selection of seven English newspapers owned by Indians to be scrutinized in the book’s final two chapters. It describes the history of the newspapers, ownerships, political bias as well as the change of format and layout. The latter is of particular importance as these changes indicate the massive influence telegraphic news had on a newspaper’s graphic design and formatting. Telegraphic news deeply transformed the outer appearance and the contents of newspapers, although not every newspaper under consideration was transformed in the same way. Also, as a dependent annexe to the globally operating Reuters’ news agency, Indian news agencies are taken into consideration in their attempt to gain access to local, regional, and national news production. It is in this context that telegraphic reporting in India, as elsewhere in the world, had a profound impact on the way news was produced and articles written by an emerging new professional: the journalist.
Colin Agur and Valerie Belair-Gagnon
- Published in print:
- 2019
- Published Online:
- August 2019
- ISBN:
- 9780190900250
- eISBN:
- 9780190900298
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190900250.003.0011
- Subject:
- Political Science, Democratization
Since their emergence in 2011, mobile chat applications have gained massive user bases and given enterprising reporters a new challenge: verify truth in a set of fragmented public and private digital ...
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Since their emergence in 2011, mobile chat applications have gained massive user bases and given enterprising reporters a new challenge: verify truth in a set of fragmented public and private digital conversations involving journalists and audiences. This fragmentation fosters an intimacy and frankness among participants that, for journalists privy to these conversations, can deepen reporting and enhance storytelling. However, the closed nature of so many conversations means that notions of truth are highly contextual. For those who wish for a shared set of facts, chat apps pose troubling questions, such as: How can widely held truths endure as a rapidly growing form of communication encourages further political polarization and fragmentation of conversations, interpretations, and notions of truth? This chapter explores these questions, drawing on a study of 30+ interviews with reporters at major news organizations, examining the ways that reporters have used chat apps to verify claims in coverage of political unrest.Less
Since their emergence in 2011, mobile chat applications have gained massive user bases and given enterprising reporters a new challenge: verify truth in a set of fragmented public and private digital conversations involving journalists and audiences. This fragmentation fosters an intimacy and frankness among participants that, for journalists privy to these conversations, can deepen reporting and enhance storytelling. However, the closed nature of so many conversations means that notions of truth are highly contextual. For those who wish for a shared set of facts, chat apps pose troubling questions, such as: How can widely held truths endure as a rapidly growing form of communication encourages further political polarization and fragmentation of conversations, interpretations, and notions of truth? This chapter explores these questions, drawing on a study of 30+ interviews with reporters at major news organizations, examining the ways that reporters have used chat apps to verify claims in coverage of political unrest.