Peter Goldie
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199230730
- eISBN:
- 9780191741340
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199230730.003.0001
- Subject:
- Philosophy, Philosophy of Mind
Chapter 1 introduces the notion of narrative and narrative structure. It argues that narratives need not be publicly narrated, but can be just thought through in acts of narrative thinking. Chapter 1 ...
More
Chapter 1 introduces the notion of narrative and narrative structure. It argues that narratives need not be publicly narrated, but can be just thought through in acts of narrative thinking. Chapter 1 also introduces the notion of perspective, grasp of which is essential to a proper grasp of narratives and their meaning. A perspective can be internal to a narrative, being the perspective of a ‘character’ in the narrative, or the perspective can be external to the narrative, being the perspective of, for example, the narrator or the audience. These perspectives can, of course, diverge.Less
Chapter 1 introduces the notion of narrative and narrative structure. It argues that narratives need not be publicly narrated, but can be just thought through in acts of narrative thinking. Chapter 1 also introduces the notion of perspective, grasp of which is essential to a proper grasp of narratives and their meaning. A perspective can be internal to a narrative, being the perspective of a ‘character’ in the narrative, or the perspective can be external to the narrative, being the perspective of, for example, the narrator or the audience. These perspectives can, of course, diverge.
Kathleen Wells
- Published in print:
- 2011
- Published Online:
- January 2011
- ISBN:
- 9780195385793
- eISBN:
- 9780199827237
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195385793.003.0005
- Subject:
- Social Work, Research and Evaluation
This chapter discusses approaches to the analysis of the structure of narratives, that is, the analysis of how narratives are put together for what they might mean. Two of the three approaches ...
More
This chapter discusses approaches to the analysis of the structure of narratives, that is, the analysis of how narratives are put together for what they might mean. Two of the three approaches examined focus on the surface structure of narrative whereas the third focuses on both the surface and the deep structure of narrative. The three approaches examined include the analysis of sequence in narrative, the analysis of poetic structure of narrative, and the analysis of identity in narrative. Each of these is discussed in relation to its theoretical orientation, central question, orientation to method, and major concepts. An exemplar of each method is included as well as a discussion of its general use. The chapter concludes with an evaluation of the strengths and the limitations of these approaches considered as a whole.Less
This chapter discusses approaches to the analysis of the structure of narratives, that is, the analysis of how narratives are put together for what they might mean. Two of the three approaches examined focus on the surface structure of narrative whereas the third focuses on both the surface and the deep structure of narrative. The three approaches examined include the analysis of sequence in narrative, the analysis of poetic structure of narrative, and the analysis of identity in narrative. Each of these is discussed in relation to its theoretical orientation, central question, orientation to method, and major concepts. An exemplar of each method is included as well as a discussion of its general use. The chapter concludes with an evaluation of the strengths and the limitations of these approaches considered as a whole.
Philip J. M. Sturgess
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780198119548
- eISBN:
- 9780191671173
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198119548.003.0002
- Subject:
- Literature, Criticism/Theory
This chapter provides a detailed effort of clarification concerning the idea of narrativity. It begins by considering the relationship which exists, or fails to exist, between this concept and two ...
More
This chapter provides a detailed effort of clarification concerning the idea of narrativity. It begins by considering the relationship which exists, or fails to exist, between this concept and two important critical ideas, that already evoked of a grammar of narrative and that of ‘deep narrative structures’. Narrativity may be thought of as the enabling force of narrative, a force that is present at every point in the narrative and thus always operates syntagmatically.Less
This chapter provides a detailed effort of clarification concerning the idea of narrativity. It begins by considering the relationship which exists, or fails to exist, between this concept and two important critical ideas, that already evoked of a grammar of narrative and that of ‘deep narrative structures’. Narrativity may be thought of as the enabling force of narrative, a force that is present at every point in the narrative and thus always operates syntagmatically.
Rebecca Braun
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199542703
- eISBN:
- 9780191715372
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199542703.003.0005
- Subject:
- Literature, 20th-century and Contemporary Literature, Prose (inc. letters, diaries)
This chapter continues the focus on narrative positions, now with respect to the fictional works Der Butt (1977) and Die Rättin (1986). Through close readings of each text, it is argued that Grass ...
More
This chapter continues the focus on narrative positions, now with respect to the fictional works Der Butt (1977) and Die Rättin (1986). Through close readings of each text, it is argued that Grass uses these works to explore the limits of authorship as a kind of textual response to attacks on the socio-political model of authorship. As politics impinges on the literary realm, Grass's interest in literary self-presentation takes on an existential aspect. Within both texts the narrator represents authorship against the odds, struggling to retain his position within the text and yet implicitly defining the authorial role as the only way in which he might be able to ensure his survival. The insight yielded by these two challenging works not only accounts for their highly complex narrative structures, it introduces to Grass's later works a distinct sense of the literary author's limitations within the text on which he depends.Less
This chapter continues the focus on narrative positions, now with respect to the fictional works Der Butt (1977) and Die Rättin (1986). Through close readings of each text, it is argued that Grass uses these works to explore the limits of authorship as a kind of textual response to attacks on the socio-political model of authorship. As politics impinges on the literary realm, Grass's interest in literary self-presentation takes on an existential aspect. Within both texts the narrator represents authorship against the odds, struggling to retain his position within the text and yet implicitly defining the authorial role as the only way in which he might be able to ensure his survival. The insight yielded by these two challenging works not only accounts for their highly complex narrative structures, it introduces to Grass's later works a distinct sense of the literary author's limitations within the text on which he depends.
Roger W. Shuy
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195328837
- eISBN:
- 9780199870165
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195328837.003.0007
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
In a class action suit based on deceptive trade practices brought by eleven state attorneys general against the maker of a nicotine skin patch, plaintiffs claimed that the advertisements for that ...
More
In a class action suit based on deceptive trade practices brought by eleven state attorneys general against the maker of a nicotine skin patch, plaintiffs claimed that the advertisements for that product made deceptive and false claims about its ability to cause smokers to “quit smoking” and that claims to success in this were based on inadequate research tests. Analysis of the narrative structure of the advertisement indicates that it did not include the conventional evaluation phase. The advertisement's implicature is that the narrator now thinks he can quit smoking, but nowhere does he say that he successfully quit. Semantic analyses of “quit” and “quitter” do not convey total permanence but, rather, ambiguously suggest an attempt with either permanent or temporal effects, supported by many citations based on a Lexis/Nexis search of media usage. If the advertisement had wanted to indicate permanence, the defense suggested words available in the lexicon to do this.Less
In a class action suit based on deceptive trade practices brought by eleven state attorneys general against the maker of a nicotine skin patch, plaintiffs claimed that the advertisements for that product made deceptive and false claims about its ability to cause smokers to “quit smoking” and that claims to success in this were based on inadequate research tests. Analysis of the narrative structure of the advertisement indicates that it did not include the conventional evaluation phase. The advertisement's implicature is that the narrator now thinks he can quit smoking, but nowhere does he say that he successfully quit. Semantic analyses of “quit” and “quitter” do not convey total permanence but, rather, ambiguously suggest an attempt with either permanent or temporal effects, supported by many citations based on a Lexis/Nexis search of media usage. If the advertisement had wanted to indicate permanence, the defense suggested words available in the lexicon to do this.
Alexandra Georgakopoulou and Dionysis Goutsos
- Published in print:
- 2004
- Published Online:
- September 2012
- ISBN:
- 9780748620456
- eISBN:
- 9780748671397
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620456.003.0003
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
The chapter examines narrative and non-narrative units and relations. The identification of narrative units depends on the analysis of narrative structures as e.g. in story grammar models or in ...
More
The chapter examines narrative and non-narrative units and relations. The identification of narrative units depends on the analysis of narrative structures as e.g. in story grammar models or in Labov’s model of narrative structure. In the latter, evaluation is discussed as a central structural component, realised through several devices. Narrative units can also be distinguished in thematic terms, including idea units, lines, stanzas etc., as well as in sequential or hierarchical terms, including the foreground-background distinction. Non-narrative units, on the other hand, can also be identified in sequential terms, as a result of the basic strategies of continuity and shift. Ideational acts, like those involved in the rhetorical relations of Rhetorical Structure Theory, are also prominent, while a clear distinction should be made between the latter and intentional relations, which are involved in argumentation.Less
The chapter examines narrative and non-narrative units and relations. The identification of narrative units depends on the analysis of narrative structures as e.g. in story grammar models or in Labov’s model of narrative structure. In the latter, evaluation is discussed as a central structural component, realised through several devices. Narrative units can also be distinguished in thematic terms, including idea units, lines, stanzas etc., as well as in sequential or hierarchical terms, including the foreground-background distinction. Non-narrative units, on the other hand, can also be identified in sequential terms, as a result of the basic strategies of continuity and shift. Ideational acts, like those involved in the rhetorical relations of Rhetorical Structure Theory, are also prominent, while a clear distinction should be made between the latter and intentional relations, which are involved in argumentation.
Fernando Ortiz and Lydia Cabrera
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9780813037479
- eISBN:
- 9780813042329
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813037479.003.0002
- Subject:
- Society and Culture, Latin American Studies
This chapter explores the ways in which narrative structure shapes and is shaped by the presentation of race. Through a comparison of Fernando Ortiz's Los negros brujos and Lydia Cabrera's El Monte, ...
More
This chapter explores the ways in which narrative structure shapes and is shaped by the presentation of race. Through a comparison of Fernando Ortiz's Los negros brujos and Lydia Cabrera's El Monte, it shows how Cuban writers use ideas of time and space to represent blackness. Ortiz constructs his study via a temporal framework that privileges positivist ideas of evolution. His desire to create a coherent national narrative creates a tension in his work between defining Afro-Cuban culture and subsuming the question of blackness into a narrative of hybridity, a tension which extends to his later work such as Contrapunteo cubano. Cabrera's use of a spatial, rather than temporal, framework of analysis allows her, unlike Ortiz, to posit a national space in which different races and cultural narratives exist.Less
This chapter explores the ways in which narrative structure shapes and is shaped by the presentation of race. Through a comparison of Fernando Ortiz's Los negros brujos and Lydia Cabrera's El Monte, it shows how Cuban writers use ideas of time and space to represent blackness. Ortiz constructs his study via a temporal framework that privileges positivist ideas of evolution. His desire to create a coherent national narrative creates a tension in his work between defining Afro-Cuban culture and subsuming the question of blackness into a narrative of hybridity, a tension which extends to his later work such as Contrapunteo cubano. Cabrera's use of a spatial, rather than temporal, framework of analysis allows her, unlike Ortiz, to posit a national space in which different races and cultural narratives exist.
Cheryl Mattingly and Linda C. Garro
- Published in print:
- 2001
- Published Online:
- May 2012
- ISBN:
- 9780520218246
- eISBN:
- 9780520935228
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520218246.003.0008
- Subject:
- Anthropology, Medical Anthropology
This chapter focuses on “emergent narratives,” or stories that are created largely through actions rather than through words. It explores the interaction between health professionals and clients, ...
More
This chapter focuses on “emergent narratives,” or stories that are created largely through actions rather than through words. It explores the interaction between health professionals and clients, while focusing on a single clinical encounter between an occupational therapist and patient. The discussion considers the poetics of the clinical interaction and relies on philosophical hermeneutics instead of rhetoric in considering the place of narrative in clinical work. The chapter also studies the narrative structure of action rather than narrative discourse.Less
This chapter focuses on “emergent narratives,” or stories that are created largely through actions rather than through words. It explores the interaction between health professionals and clients, while focusing on a single clinical encounter between an occupational therapist and patient. The discussion considers the poetics of the clinical interaction and relies on philosophical hermeneutics instead of rhetoric in considering the place of narrative in clinical work. The chapter also studies the narrative structure of action rather than narrative discourse.
Catherine Belling
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199892365
- eISBN:
- 9780199950096
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199892365.003.0024
- Subject:
- Philosophy, General
This chapter focuses on the problem of narrative structure in the story of hypochondria. In the absence of diagnosed organic disease, the hypochondriac is refused the conventional beginning of the ...
More
This chapter focuses on the problem of narrative structure in the story of hypochondria. In the absence of diagnosed organic disease, the hypochondriac is refused the conventional beginning of the illness narrative. Instead, the story of hypochondria is recursive in structure, with repeated false starts. It follows, then, that no clear ending-or closure-are possible either. Different writers who identify themselves as hypochondriacs have found different ways to address these narrative challenges, revealing both the particular fears and desires inherent in stories of hypochondria, and the power of narrative in the experience of any illness.Less
This chapter focuses on the problem of narrative structure in the story of hypochondria. In the absence of diagnosed organic disease, the hypochondriac is refused the conventional beginning of the illness narrative. Instead, the story of hypochondria is recursive in structure, with repeated false starts. It follows, then, that no clear ending-or closure-are possible either. Different writers who identify themselves as hypochondriacs have found different ways to address these narrative challenges, revealing both the particular fears and desires inherent in stories of hypochondria, and the power of narrative in the experience of any illness.
David Midgley
- Published in print:
- 2000
- Published Online:
- October 2011
- ISBN:
- 9780198151791
- eISBN:
- 9780191672835
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198151791.003.0006
- Subject:
- Literature, European Literature, 20th-century Literature and Modernism
This chapter considers the attitude of disillusionment as a pervasive feature of Weimar culture. It distinguishes between the variety of forms that disillusionment took in practice, and with a ...
More
This chapter considers the attitude of disillusionment as a pervasive feature of Weimar culture. It distinguishes between the variety of forms that disillusionment took in practice, and with a particular eye for the positive use of disillusioning narrative structures as an instrument of enlightenment.Less
This chapter considers the attitude of disillusionment as a pervasive feature of Weimar culture. It distinguishes between the variety of forms that disillusionment took in practice, and with a particular eye for the positive use of disillusioning narrative structures as an instrument of enlightenment.
Peter Goldie
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780199253043
- eISBN:
- 9780191597510
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199253048.003.0004
- Subject:
- Philosophy, Philosophy of Mind
The notion of paradigmatic narrative structures can help explain cross‐cultural similarities and differences in emotional experience, expression, and conception. Our capabilities for emotional ...
More
The notion of paradigmatic narrative structures can help explain cross‐cultural similarities and differences in emotional experience, expression, and conception. Our capabilities for emotional experience are developmentally open or plastic. This is contrasted with the avocado‐pear conception, that basic emotions are hard‐wired, and that it is only the soft outer element that is culturally influenced. There is a defence of commonsense psychology, showing how it can learn from evolutionary psychology, rather than being threatened by it. In particular, the idea is discussed that weakness of the will or akrasia can be explained by reference to the cognitive impenetrability of some of our emotional responses, and our primitively intelligible emotional desires.Less
The notion of paradigmatic narrative structures can help explain cross‐cultural similarities and differences in emotional experience, expression, and conception. Our capabilities for emotional experience are developmentally open or plastic. This is contrasted with the avocado‐pear conception, that basic emotions are hard‐wired, and that it is only the soft outer element that is culturally influenced. There is a defence of commonsense psychology, showing how it can learn from evolutionary psychology, rather than being threatened by it. In particular, the idea is discussed that weakness of the will or akrasia can be explained by reference to the cognitive impenetrability of some of our emotional responses, and our primitively intelligible emotional desires.
Susana Onega
- Published in print:
- 2006
- Published Online:
- July 2012
- ISBN:
- 9780719068386
- eISBN:
- 9781781701126
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719068386.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
This is a full-length study of Jeanette Winterson's work as a whole, containing in-depth analyses of her eight novels and cross-references to her minor fictional and non-fictional works. It ...
More
This is a full-length study of Jeanette Winterson's work as a whole, containing in-depth analyses of her eight novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic and ideological characteristics of the novels, and situates the writer within the general panorama of contemporary British fiction. Earlier critics usually approached Winterson exclusively either as a key lesbian novelist, or as a heavily experimental and ‘arty’ writer, whose works are unnecessarily difficult and meaningless. By contrast, this book provides a comprehensive, ‘vertical’ analysis of the novels. It combines the study of formal issues – such as narrative structure, point of view, perspective and the handling of narrative and story time – with the thematic analysis of character types, recurrent topoi, intertextual and generic allusions, etc., focused from various analytical perspectives: narratology, lesbian and feminist theory (especially Cixous and Kristeva), Freudian and Lacanian psychoanalysis, Jungian archetypal criticism, Tarot, Hermetic and Kabalistic symbolism, myth criticism, Newtonian and Post-Newtonian Physics, etc. Novels that read superficially, or appear simple and realistic, are revealed as complex linguistic artifacts with a convoluted structure and clogged with intertextual echoes of earlier writers and works. The conclusions show the inseparability of form and meaning (for example, the fact that all the novels have a spiralling structure reflects the depiction of self as fluid and of the world as a multiverse) and place Winterson within the trend of postmodernist British writers with a visionary outlook on art, such as Maureen Duffy, Marina Warner or Peter Ackroyd.Less
This is a full-length study of Jeanette Winterson's work as a whole, containing in-depth analyses of her eight novels and cross-references to her minor fictional and non-fictional works. It establishes the formal, thematic and ideological characteristics of the novels, and situates the writer within the general panorama of contemporary British fiction. Earlier critics usually approached Winterson exclusively either as a key lesbian novelist, or as a heavily experimental and ‘arty’ writer, whose works are unnecessarily difficult and meaningless. By contrast, this book provides a comprehensive, ‘vertical’ analysis of the novels. It combines the study of formal issues – such as narrative structure, point of view, perspective and the handling of narrative and story time – with the thematic analysis of character types, recurrent topoi, intertextual and generic allusions, etc., focused from various analytical perspectives: narratology, lesbian and feminist theory (especially Cixous and Kristeva), Freudian and Lacanian psychoanalysis, Jungian archetypal criticism, Tarot, Hermetic and Kabalistic symbolism, myth criticism, Newtonian and Post-Newtonian Physics, etc. Novels that read superficially, or appear simple and realistic, are revealed as complex linguistic artifacts with a convoluted structure and clogged with intertextual echoes of earlier writers and works. The conclusions show the inseparability of form and meaning (for example, the fact that all the novels have a spiralling structure reflects the depiction of self as fluid and of the world as a multiverse) and place Winterson within the trend of postmodernist British writers with a visionary outlook on art, such as Maureen Duffy, Marina Warner or Peter Ackroyd.
Dominique Jaillard
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780199589036
- eISBN:
- 9780191728983
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199589036.003.0007
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter examines the epiphanic nature of the narrative of the seventh Homeric Hymn to Dionysus in relation to the other Hymns in the collection, taking into account distinctions of length, and ...
More
This chapter examines the epiphanic nature of the narrative of the seventh Homeric Hymn to Dionysus in relation to the other Hymns in the collection, taking into account distinctions of length, and Dionysus' presentation elsewhere in Greek literature (including Euripides' Bacchae) and art. It is argued that the focalization of the seventh Hymn on the epiphany of Dionysus upon the ship of the Tyrsenian pirates is not simply the narration of a divine epiphany; rather one finds in the Hymn the epiphanic structuring of the narrative.Less
This chapter examines the epiphanic nature of the narrative of the seventh Homeric Hymn to Dionysus in relation to the other Hymns in the collection, taking into account distinctions of length, and Dionysus' presentation elsewhere in Greek literature (including Euripides' Bacchae) and art. It is argued that the focalization of the seventh Hymn on the epiphany of Dionysus upon the ship of the Tyrsenian pirates is not simply the narration of a divine epiphany; rather one finds in the Hymn the epiphanic structuring of the narrative.
David Francis Taylor
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780300223750
- eISBN:
- 9780300235593
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300223750.003.0001
- Subject:
- Literature, Criticism/Theory
This introductory chapter discusses the literariness of graphic satire. First applied to visual satire in the mid-nineteenth century, the term graphic satire problematically implies a straightforward ...
More
This introductory chapter discusses the literariness of graphic satire. First applied to visual satire in the mid-nineteenth century, the term graphic satire problematically implies a straightforward formal equivalence between the modern editorial cartoon and the political caricature of the Georgian period, which was published and disseminated as a single-sheet etching. However, the fallacy that such images yield their meaning directly and near instantaneously is an old one. To speak of the literariness of caricature is to recognize and attend to its syntactical and narrative structures: structures that are themselves constituted through the enmeshing of images and words; the appropriation and parody of literary scenes and tropes; and often-dense networks of allusions to other cultural texts, practices, and traditions. It is also necessary to acknowledge that a print's meaning and sociopolitical orientation comes into focus only when seen in relation to the cultural constellation of which it was a vital and highly self-conscious constituent.Less
This introductory chapter discusses the literariness of graphic satire. First applied to visual satire in the mid-nineteenth century, the term graphic satire problematically implies a straightforward formal equivalence between the modern editorial cartoon and the political caricature of the Georgian period, which was published and disseminated as a single-sheet etching. However, the fallacy that such images yield their meaning directly and near instantaneously is an old one. To speak of the literariness of caricature is to recognize and attend to its syntactical and narrative structures: structures that are themselves constituted through the enmeshing of images and words; the appropriation and parody of literary scenes and tropes; and often-dense networks of allusions to other cultural texts, practices, and traditions. It is also necessary to acknowledge that a print's meaning and sociopolitical orientation comes into focus only when seen in relation to the cultural constellation of which it was a vital and highly self-conscious constituent.
A. Whitney Sanford
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780813134123
- eISBN:
- 9780813135915
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813134123.003.0005
- Subject:
- Political Science, Environmental Politics
Chapter four moves beyond context to critique how concepts such as protection are used to justify inequitable practices and social relations to demonstrate how narrative legitimates destructive ...
More
Chapter four moves beyond context to critique how concepts such as protection are used to justify inequitable practices and social relations to demonstrate how narrative legitimates destructive interventions and normalizes hierarchical social relations, particularly gender relations. It explores the gendered dimensions of agriculture to see how these emerge in actual practice. The presumed need for protection can be a slippery slope towards control and domination, so merits conscious reflection on how this need is assessed and why narratives of need are told and retold. In addition to critique, however, this chapter asks how—with conscious reflection—concepts such as reciprocity, obligation, and even protection might become the foundation for revised relations in the biotic community.Less
Chapter four moves beyond context to critique how concepts such as protection are used to justify inequitable practices and social relations to demonstrate how narrative legitimates destructive interventions and normalizes hierarchical social relations, particularly gender relations. It explores the gendered dimensions of agriculture to see how these emerge in actual practice. The presumed need for protection can be a slippery slope towards control and domination, so merits conscious reflection on how this need is assessed and why narratives of need are told and retold. In addition to critique, however, this chapter asks how—with conscious reflection—concepts such as reciprocity, obligation, and even protection might become the foundation for revised relations in the biotic community.
David Roche
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496819161
- eISBN:
- 9781496819208
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496819161.003.0005
- Subject:
- Film, Television and Radio, Film
This chapter proposes to analyze the narrative structures of each film in order to identify general trends and evolutions in Tarantino’s storytelling strategies. Grounded in a structuralist and ...
More
This chapter proposes to analyze the narrative structures of each film in order to identify general trends and evolutions in Tarantino’s storytelling strategies. Grounded in a structuralist and neo-formalist methodology, it seeks to go beyond the identification of formal features in order to demonstrate that these structures are not just playful. It focuses, first, on the use of titles, then on the relationship between the narrative structures and classical and art-cinema paradigms, and finally on the relationship between the actual story and the narrative, with special attention to Tarantino’s varied approach to the flashback.Less
This chapter proposes to analyze the narrative structures of each film in order to identify general trends and evolutions in Tarantino’s storytelling strategies. Grounded in a structuralist and neo-formalist methodology, it seeks to go beyond the identification of formal features in order to demonstrate that these structures are not just playful. It focuses, first, on the use of titles, then on the relationship between the narrative structures and classical and art-cinema paradigms, and finally on the relationship between the actual story and the narrative, with special attention to Tarantino’s varied approach to the flashback.
Carolyn Dewald
- Published in print:
- 2006
- Published Online:
- March 2012
- ISBN:
- 9780520241275
- eISBN:
- 9780520930971
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520241275.001.0001
- Subject:
- Classical Studies, Archaeology: Classical
As a sustained analysis of the connections between narrative structure and meaning in the History of the Peloponnesian War, this study revolves around a curious aspect of Thucydides' work: the first ...
More
As a sustained analysis of the connections between narrative structure and meaning in the History of the Peloponnesian War, this study revolves around a curious aspect of Thucydides' work: the first ten years of the war's history are formed on principles quite different from those shaping the years that follow. Although aspects of this change in style have been recognized in previous scholarship, this book analyzes how its various elements are structured, used, and related to each other. This study argues that these changes in style and organization reflect how Thucydides' own understanding of the war changed over time. Throughout, however, the History's narrative structure bears witness to Thucydides' dialogic efforts to depict the complexities of rational choice and behavior on the part of the war's combatants, as well as his own authorial interest in accuracy of representation. In the introduction and conclusion, the book explores some ways in which details of style and narrative structure are central to the larger theoretical issue of history's ability to meaningfully represent the past. It also surveys changes in historiography and considers how Thucydidean scholarship has reflected and responded to larger cultural trends.Less
As a sustained analysis of the connections between narrative structure and meaning in the History of the Peloponnesian War, this study revolves around a curious aspect of Thucydides' work: the first ten years of the war's history are formed on principles quite different from those shaping the years that follow. Although aspects of this change in style have been recognized in previous scholarship, this book analyzes how its various elements are structured, used, and related to each other. This study argues that these changes in style and organization reflect how Thucydides' own understanding of the war changed over time. Throughout, however, the History's narrative structure bears witness to Thucydides' dialogic efforts to depict the complexities of rational choice and behavior on the part of the war's combatants, as well as his own authorial interest in accuracy of representation. In the introduction and conclusion, the book explores some ways in which details of style and narrative structure are central to the larger theoretical issue of history's ability to meaningfully represent the past. It also surveys changes in historiography and considers how Thucydidean scholarship has reflected and responded to larger cultural trends.
Lloyd S. Kramer
- Published in print:
- 1989
- Published Online:
- May 2012
- ISBN:
- 9780520064287
- eISBN:
- 9780520908925
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520064287.003.0005
- Subject:
- Anthropology, Anthropology, Theory and Practice
This chapter reviews the work of Hayden White and Dominick LaCapra, which is most closely linked with literary theory. It also shows clearly how literary approaches have enabled White and LaCapra to ...
More
This chapter reviews the work of Hayden White and Dominick LaCapra, which is most closely linked with literary theory. It also shows clearly how literary approaches have enabled White and LaCapra to expand the boundaries of cultural history, yet it remains sensitive to the reasons for the continued marginalization of such work. It then illustrates the great variety of literary influences at work. LaCapra stresses (like White) that historians inevitably use narrative structures to define historical knowledge and to separate history from other forms of writing, but he also argues (like White) that these categories must not be taken for the thing itself. Both White and LaCapra indicate that historians might play a greater role in contemporary cultural debates if they opened the discipline to alternative narrative forms. LaCapra wants to connect the historiographical conception of reality with those areas of meaning that literature explores in its greatest works.Less
This chapter reviews the work of Hayden White and Dominick LaCapra, which is most closely linked with literary theory. It also shows clearly how literary approaches have enabled White and LaCapra to expand the boundaries of cultural history, yet it remains sensitive to the reasons for the continued marginalization of such work. It then illustrates the great variety of literary influences at work. LaCapra stresses (like White) that historians inevitably use narrative structures to define historical knowledge and to separate history from other forms of writing, but he also argues (like White) that these categories must not be taken for the thing itself. Both White and LaCapra indicate that historians might play a greater role in contemporary cultural debates if they opened the discipline to alternative narrative forms. LaCapra wants to connect the historiographical conception of reality with those areas of meaning that literature explores in its greatest works.
Peter Goldie
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780199253043
- eISBN:
- 9780191597510
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199253048.003.0001
- Subject:
- Philosophy, Philosophy of Mind
This chapter introduces five main themes that run through the book. They are the personal perspective, as contrasted with the impersonal stance of the empirical sciences; the normativity of reasons; ...
More
This chapter introduces five main themes that run through the book. They are the personal perspective, as contrasted with the impersonal stance of the empirical sciences; the normativity of reasons; the importance, beyond rationality, of notions of intelligibility, appropriateness, and proportionality; the tendency to over‐intellectualize the emotions, replacing this with the notion of feeling towards; and the idea that our emotional experiences have a narrative structure.Less
This chapter introduces five main themes that run through the book. They are the personal perspective, as contrasted with the impersonal stance of the empirical sciences; the normativity of reasons; the importance, beyond rationality, of notions of intelligibility, appropriateness, and proportionality; the tendency to over‐intellectualize the emotions, replacing this with the notion of feeling towards; and the idea that our emotional experiences have a narrative structure.
Mark Minett
- Published in print:
- 2021
- Published Online:
- January 2021
- ISBN:
- 9780197523827
- eISBN:
- 9780197523865
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780197523827.003.0002
- Subject:
- Literature, Film, Media, and Cultural Studies
Chapter 1 corrects common misperceptions of Altman’s approach as antinarrative (and therefore anti-Hollywood), which rely on an underdeveloped conceptualization of “narrative” conflating narrative ...
More
Chapter 1 corrects common misperceptions of Altman’s approach as antinarrative (and therefore anti-Hollywood), which rely on an underdeveloped conceptualization of “narrative” conflating narrative structure, narration, and story world. Applying these distinctions makes clear that, structurally, Altman’s early 1970s films largely fit within the classical Hollywood storytelling tradition. Altman’s narrative strategies are best regarded as perversely classical, employing principles and techniques associated with classical Hollywood’s preoccupation with efficient storytelling, though not for the sake of narrative economy but to make room to expand the aims of Hollywood storytelling. Moreover, meeting Altman’s elaborative aims requires integrating rather than substituting or assimilating art cinema narrational strategies. Altman drapes on his classically structured narrative “clotheslines” an overt and reflexive narrational voice that selectively ironizes its subjects and primes audiences for interpretation. This grounded approach enables a “closure without comprehension” strategy resolving causal structures while leaving affective and thematic implications ambiguous.Less
Chapter 1 corrects common misperceptions of Altman’s approach as antinarrative (and therefore anti-Hollywood), which rely on an underdeveloped conceptualization of “narrative” conflating narrative structure, narration, and story world. Applying these distinctions makes clear that, structurally, Altman’s early 1970s films largely fit within the classical Hollywood storytelling tradition. Altman’s narrative strategies are best regarded as perversely classical, employing principles and techniques associated with classical Hollywood’s preoccupation with efficient storytelling, though not for the sake of narrative economy but to make room to expand the aims of Hollywood storytelling. Moreover, meeting Altman’s elaborative aims requires integrating rather than substituting or assimilating art cinema narrational strategies. Altman drapes on his classically structured narrative “clotheslines” an overt and reflexive narrational voice that selectively ironizes its subjects and primes audiences for interpretation. This grounded approach enables a “closure without comprehension” strategy resolving causal structures while leaving affective and thematic implications ambiguous.
