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Things

Lawrence Kramer

in Interpreting Music

Published in print:
2010
Published Online:
May 2012
ISBN:
9780520267053
eISBN:
9780520947368
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520267053.003.0011
Subject:
Music, Theory, Analysis, Composition

Music is intangible but we cannot know it without treating it as a virtual something. We treat music as an entity, and to understand it we treat it as if it contained entities: chords, motives, ... More


Tracking the Design Process

Giovan Francesco Lanzara

in Shifting Practices: Reflections on Technology, Practice, and Innovation

Published in print:
2016
Published Online:
January 2017
ISBN:
9780262034456
eISBN:
9780262332309
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262034456.003.0004
Subject:
Business and Management, Organization Studies

Chapter 1 tracks the design of the new computer music system in the computer music laboratory of the Institute. It presents the institutional setting of the Music LOGO project and tracks the early ... More


Meaning

Mariusz Kozak

in Enacting Musical Time: The Bodily Experience of New Music

Published in print:
2020
Published Online:
November 2019
ISBN:
9780190080204
eISBN:
9780190080235
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190080204.003.0002
Subject:
Music, History, Western

This chapter develops two claims that are central to the book’s overall argument. The first is that certain temporal musical objects exist only as ephemera—always remaining outside of symbolic ... More


Discoveries and Reception

Ellen Rosand

in Monteverdi's Last Operas: A Venetian Trilogy

Published in print:
2007
Published Online:
May 2012
ISBN:
9780520249349
eISBN:
9780520933279
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520249349.003.0002
Subject:
Music, History, Western

This chapter is about the reception of Ritorno and Incoronazione, laying out some of the issues that have kept and continue to keep these remarkable works alive as scholarly and musical objects. ... More


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