James Herbert
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264294
- eISBN:
- 9780191734335
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264294.003.0006
- Subject:
- Sociology, Education
This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased ...
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This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased from £17.9 million to £64.8 million. During this period, non-programmed costs were capped at five per cent. Putting aside its administrative costs, the AHRB in its fifth year had programmatic expenditures of £61.7 million, a 20 per cent increase from the initially predicted expenditure. Of the £61.7 million, £9 million was allocated to the operation of museums and galleries of English institutions and the rest was equally divided between postgraduate awards and research awards throughout the UK. As funding rose, intellectual ambitions also increased. Several ambitious projects were initiated such as the editing of Francis Bacon's works, the creation of public policy concerning the film and television of Britain and Europe, the pursuing of the long-delayed multinational Romanian project, and several other projects. During this period, the AHRB garnered a distinct sense of direction and momentum. Over three years, the applications of research funding increased to 58 per cent. The applications for the postgraduate awards increased to 20 per cent in a year and the four year doctoral submission rate for arts and humanities students increased to 78 per cent.Less
This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased from £17.9 million to £64.8 million. During this period, non-programmed costs were capped at five per cent. Putting aside its administrative costs, the AHRB in its fifth year had programmatic expenditures of £61.7 million, a 20 per cent increase from the initially predicted expenditure. Of the £61.7 million, £9 million was allocated to the operation of museums and galleries of English institutions and the rest was equally divided between postgraduate awards and research awards throughout the UK. As funding rose, intellectual ambitions also increased. Several ambitious projects were initiated such as the editing of Francis Bacon's works, the creation of public policy concerning the film and television of Britain and Europe, the pursuing of the long-delayed multinational Romanian project, and several other projects. During this period, the AHRB garnered a distinct sense of direction and momentum. Over three years, the applications of research funding increased to 58 per cent. The applications for the postgraduate awards increased to 20 per cent in a year and the four year doctoral submission rate for arts and humanities students increased to 78 per cent.
Wallace Matson
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199812691
- eISBN:
- 9780199919420
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199812691.003.0015
- Subject:
- Philosophy, History of Philosophy
Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a ...
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Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a research institute. Science made great advances in the Museum. The Library produced great scholars but little new literature. The principal philosophical innovation of the period was the rise of Skepticism, which utterly rejected high beliefs, whether tethered or not. Greek Skepticism is the ancestor of modern Positivism and Pragmatism, not of Cartesian skepticism. It was quite correct for its time, but it is a good thing that it did not prevail, for it would have eliminated the element of imagination that is essential to science.Less
Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a research institute. Science made great advances in the Museum. The Library produced great scholars but little new literature. The principal philosophical innovation of the period was the rise of Skepticism, which utterly rejected high beliefs, whether tethered or not. Greek Skepticism is the ancestor of modern Positivism and Pragmatism, not of Cartesian skepticism. It was quite correct for its time, but it is a good thing that it did not prevail, for it would have eliminated the element of imagination that is essential to science.
Katharine Ellis
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195365856
- eISBN:
- 9780199867738
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195365856.001.0001
- Subject:
- Music, History, Western
What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, ...
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What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, as being essential to the Catholic musical liturgy? The early music revival in France gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches, and other creative negotiations between past and present. When contemporary witnesses described these phenomena, the resulting dissension could run along social, religious, and political lines, helping us understand why certain musical genres became idealized while others were disparaged. This book discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, it explores amateur and professional music-making; working-class, aristocratic, and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Covering five centuries of music (from the mid-13th to the mid-18th centuries) and a century of French history, this book explains long-term changes of cultural meaning while celebrating the richness of local detail, and explores what lies at the heart of the construction and development of a musical cultural memory.Less
What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, as being essential to the Catholic musical liturgy? The early music revival in France gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches, and other creative negotiations between past and present. When contemporary witnesses described these phenomena, the resulting dissension could run along social, religious, and political lines, helping us understand why certain musical genres became idealized while others were disparaged. This book discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, it explores amateur and professional music-making; working-class, aristocratic, and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Covering five centuries of music (from the mid-13th to the mid-18th centuries) and a century of French history, this book explains long-term changes of cultural meaning while celebrating the richness of local detail, and explores what lies at the heart of the construction and development of a musical cultural memory.
Philip V. Bohlman
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195178326
- eISBN:
- 9780199869992
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195178326.003.0006
- Subject:
- Music, Ethnomusicology, World Music
Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber ...
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Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber (geniza) used by synagogues to gather community records into archives, libraries, and museums, cantors and folklorists alike recontextualized the music of the past so that it would have modern meanings. Specific collectors provide a series of linked narratives for the chapter. Eduard Birnbaum collected sacred music in Königsberg, Max Grunwald and Friedrich Krauss collected Jewish folklore and folk music in Vienna, and Konrad Mautner and A. Z. Idelsohn aestheticized and modernized the technologies of representation locally in the Austrian Alps and globally in the Jewish Diaspora. The great collections of the early twentieth century have surveyed until the present, as Jewish museums and Jewish memory work in the era following the Holocaust.Less
Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber (geniza) used by synagogues to gather community records into archives, libraries, and museums, cantors and folklorists alike recontextualized the music of the past so that it would have modern meanings. Specific collectors provide a series of linked narratives for the chapter. Eduard Birnbaum collected sacred music in Königsberg, Max Grunwald and Friedrich Krauss collected Jewish folklore and folk music in Vienna, and Konrad Mautner and A. Z. Idelsohn aestheticized and modernized the technologies of representation locally in the Austrian Alps and globally in the Jewish Diaspora. The great collections of the early twentieth century have surveyed until the present, as Jewish museums and Jewish memory work in the era following the Holocaust.
DUNCAN ROBINSON
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264355
- eISBN:
- 9780191734052
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264355.003.0001
- Subject:
- History, Cultural History
This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as ...
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This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.Less
This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.
Gordon Read and Michael Stammers (eds)
- Published in print:
- 1994
- Published Online:
- September 2018
- ISBN:
- 9780969588573
- eISBN:
- 9781786944863
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780969588573.001.0001
- Subject:
- History, Maritime History
This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the ...
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This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the Merseyside Docks and Harbour Board (MDHB), antecedents, and successors; shipping and trade associations; and shipowners. Other, smaller categories are published in the accompanying Part II (Vol 17 of Research in Maritime History, ISBN: -0-9681288-7-4) and together they form a comprehensive catalogue of contents. The guide summarises each collections as follows:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum’s Reading Room. The museum archives are made up of crucial maritime documentation and are an invaluable resource for maritime historians. The museum focuses primarily on Liverpool due to its previous status as the second major port of the United Kingdom, it also houses a great deal of national and international records in a vast variety of media.Less
This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the Merseyside Docks and Harbour Board (MDHB), antecedents, and successors; shipping and trade associations; and shipowners. Other, smaller categories are published in the accompanying Part II (Vol 17 of Research in Maritime History, ISBN: -0-9681288-7-4) and together they form a comprehensive catalogue of contents. The guide summarises each collections as follows:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum’s Reading Room. The museum archives are made up of crucial maritime documentation and are an invaluable resource for maritime historians. The museum focuses primarily on Liverpool due to its previous status as the second major port of the United Kingdom, it also houses a great deal of national and international records in a vast variety of media.
Steve Reich
- Published in print:
- 2004
- Published Online:
- October 2011
- ISBN:
- 9780195151152
- eISBN:
- 9780199850044
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195151152.003.0007
- Subject:
- Music, History, American
This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the ...
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This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the Guggenheim Museum in May 1970, and then published in Synthesis, no. 2, Spring 1971.Less
This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the Guggenheim Museum in May 1970, and then published in Synthesis, no. 2, Spring 1971.
John Davies and John Wilkes (eds)
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.001.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format ...
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This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format differs from traditional Congress Proceedings, but this is not the only innovation. The aim of the Oxford Congress, reflected in the title of the volume, was to present epigraphy as a specialism to a wider readership, both academic and other, and in that way to embed it more firmly within the wider discourse of ancient world studies in general. So to this end, a number of scholars were invited to give plenary lectures of two kinds. Some reported on the various ways in which epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems and the economies of the Graeco-Roman world. Others reported on the ways in which new techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. In addition, the more wide-ranging addresses that opened and closed the Congress showed how the act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value. The Congress thereby gave the impression of a discipline that knew what it wanted to do, have the tools with which to move forward and in general was in very good shape. The volume is intended to communicate that zest and impetus to as wide a readership as possible. To that end, all contributions that were originally delivered in other languages have been translated into English, and translations have also been inserted for all but the briefest citations of Greek and Latin.Less
This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format differs from traditional Congress Proceedings, but this is not the only innovation. The aim of the Oxford Congress, reflected in the title of the volume, was to present epigraphy as a specialism to a wider readership, both academic and other, and in that way to embed it more firmly within the wider discourse of ancient world studies in general. So to this end, a number of scholars were invited to give plenary lectures of two kinds. Some reported on the various ways in which epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems and the economies of the Graeco-Roman world. Others reported on the ways in which new techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. In addition, the more wide-ranging addresses that opened and closed the Congress showed how the act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value. The Congress thereby gave the impression of a discipline that knew what it wanted to do, have the tools with which to move forward and in general was in very good shape. The volume is intended to communicate that zest and impetus to as wide a readership as possible. To that end, all contributions that were originally delivered in other languages have been translated into English, and translations have also been inserted for all but the briefest citations of Greek and Latin.
Isabel Rodà
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.003.0009
- Subject:
- Classical Studies, European History: BCE to 500CE
Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be ...
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Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be conveyed to a public with little or no knowledge of Latin or Greek. The choice of texts should not ignore the casual messages of daily life from graffiti and painted slogans, nor should the later ‘forgeries’ of ancient texts or the innocent errors of stonecutters be excluded. Electronic media can bring to life both ancient images and texts, and can help in presenting difficult or incomplete texts. Inscriptions speak directly from the remote past, and meeting the challenge of transmitting their messages to the modern visitor will certainly repay the effort.Less
Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be conveyed to a public with little or no knowledge of Latin or Greek. The choice of texts should not ignore the casual messages of daily life from graffiti and painted slogans, nor should the later ‘forgeries’ of ancient texts or the innocent errors of stonecutters be excluded. Electronic media can bring to life both ancient images and texts, and can help in presenting difficult or incomplete texts. Inscriptions speak directly from the remote past, and meeting the challenge of transmitting their messages to the modern visitor will certainly repay the effort.
Melanie Hall
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265413
- eISBN:
- 9780191760464
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265413.003.0011
- Subject:
- History, World Modern History
This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of ...
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This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of good governance. Phases of this relationship are considered at three ‘site-museums’. Initially, some in the United States saw Shakespeare's Birthplace as its own heritage and tried to acquire it. Secondly, Britain, which still spoke for Canada in matters of foreign policy, cooperated with the United States to protect monumental and scenic interest at Niagara Falls. This took place as national parks were emerging as a form of representational culture. Finally, British and American voluntarist groups come together to protect Carlyle's House, London, with government backing behind the scenes as a form of cultural diplomacy.Less
This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of good governance. Phases of this relationship are considered at three ‘site-museums’. Initially, some in the United States saw Shakespeare's Birthplace as its own heritage and tried to acquire it. Secondly, Britain, which still spoke for Canada in matters of foreign policy, cooperated with the United States to protect monumental and scenic interest at Niagara Falls. This took place as national parks were emerging as a form of representational culture. Finally, British and American voluntarist groups come together to protect Carlyle's House, London, with government backing behind the scenes as a form of cultural diplomacy.
Javier Rodriguez-Robles
- Published in print:
- 2003
- Published Online:
- March 2012
- ISBN:
- 9780520238183
- eISBN:
- 9780520930001
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520238183.001.0001
- Subject:
- History, History of Science, Technology, and Medicine
The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief ...
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The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief account of the principal figures associated with the collection and of the most important events in the history of herpetology in the MVZ during its first 93 years, and lists all type specimens of recent amphibians and nonavian reptiles in the collection. Although the MVZ has existed since 1908, until 1945 there was no formal curator for the collection of amphibians and nonavian reptiles. Since that time Robert C. Stebbins, David B. Wake, Harry W. Greene, Javier A. Rodrìguez-Robles (in an interim capacity), and Craig Moritz have served in that position. The herpetological collection of the MVZ was begun on March 13, 1909, with a collection of approximately 430 specimens from southern California and, as of December 31, 2001, contained 232,254 specimens. Taxonomically, the collection is strongest in salamanders, accounting for 99,176 specimens, followed by “lizards” (squamate reptiles other than snakes and amphisbaenians, 63,439), frogs (40,563), snakes (24,937), turtles (2,643), caecilians (979), amphisbaenians (451), crocodilians (63), and tuataras (3). Whereas the collection's emphasis historically has been on the western United States, and on California in particular, representatives of taxa from many other parts of the world are present. The 1,765 type specimens in the MVZ comprise 120 holotypes, three neotypes, three syntypes, and 1,639 paratopotypes and paratypes; 83 of the holotypes were originally described as full species. Of the 196 amphibian and nonavian reptilian taxa represented by type material, most were collected in México (63) and California, USA (54).Less
The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief account of the principal figures associated with the collection and of the most important events in the history of herpetology in the MVZ during its first 93 years, and lists all type specimens of recent amphibians and nonavian reptiles in the collection. Although the MVZ has existed since 1908, until 1945 there was no formal curator for the collection of amphibians and nonavian reptiles. Since that time Robert C. Stebbins, David B. Wake, Harry W. Greene, Javier A. Rodrìguez-Robles (in an interim capacity), and Craig Moritz have served in that position. The herpetological collection of the MVZ was begun on March 13, 1909, with a collection of approximately 430 specimens from southern California and, as of December 31, 2001, contained 232,254 specimens. Taxonomically, the collection is strongest in salamanders, accounting for 99,176 specimens, followed by “lizards” (squamate reptiles other than snakes and amphisbaenians, 63,439), frogs (40,563), snakes (24,937), turtles (2,643), caecilians (979), amphisbaenians (451), crocodilians (63), and tuataras (3). Whereas the collection's emphasis historically has been on the western United States, and on California in particular, representatives of taxa from many other parts of the world are present. The 1,765 type specimens in the MVZ comprise 120 holotypes, three neotypes, three syntypes, and 1,639 paratopotypes and paratypes; 83 of the holotypes were originally described as full species. Of the 196 amphibian and nonavian reptilian taxa represented by type material, most were collected in México (63) and California, USA (54).
Glenn Adamson and Giorgio Riello
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265321
- eISBN:
- 9780191760495
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265321.003.0012
- Subject:
- History, Historiography
This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the ...
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This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the hybrid architecture and design of the Chhatrapati Shivaji Terminus, known in the West as the Victoria Terminus in Mumbai. In a final example, the case of football and soccer evokes debates on globalization and the global condition.Less
This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the hybrid architecture and design of the Chhatrapati Shivaji Terminus, known in the West as the Victoria Terminus in Mumbai. In a final example, the case of football and soccer evokes debates on globalization and the global condition.
Donald Malcolm Reid
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265413
- eISBN:
- 9780191760464
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265413.003.0009
- Subject:
- History, World Modern History
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed ...
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During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.Less
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.
Charlotte Linde
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195140286
- eISBN:
- 9780199871247
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195140286.003.0003
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static ...
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This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static representations of the past. An institution's narratives may be collected in an archive, but if this collection is rarely used, the narratives have no life of their own. Rather, it is necessary to discover the activities in which such representations are used. For an institution, remembering necessarily is a social event, involving at least two, and perhaps millions of people. Retelling and remembering of this sort require proper occasions. Without its proper occasion, a story rarely or never gets told. This chapter presents a taxonomy of the types of occasions for narrative, including events, places, memorials, and memory artifacts.Less
This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static representations of the past. An institution's narratives may be collected in an archive, but if this collection is rarely used, the narratives have no life of their own. Rather, it is necessary to discover the activities in which such representations are used. For an institution, remembering necessarily is a social event, involving at least two, and perhaps millions of people. Retelling and remembering of this sort require proper occasions. Without its proper occasion, a story rarely or never gets told. This chapter presents a taxonomy of the types of occasions for narrative, including events, places, memorials, and memory artifacts.
Frederick Rowe Davis
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195310771
- eISBN:
- 9780199790098
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195310771.003.0003
- Subject:
- Biology, Aquatic Biology
Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their ...
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Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their friendship with Barbour, the Carrs matured as scientists. Archie in particular published extensively as a result of his taxonomic research on the turtle collections at the Museum of Comparative Zoology (MCZ). Later, when his interests shifted from systematics to ecology and conservation, Carr continued to draw on taxonomy to determine which species most needed protection. In fact, throughout his long career, he cited taxonomy as one of the critical components of conservation. The Carrs reciprocated Barbour's kindness in many ways, from sending oranges to arranging for an honorary doctorate to heaping lavish praise on his popular books. It is possible to identify in the long friendship with Barbour the seeds of the characteristics that would make Carr a renowned scientist, conservationist, and writer.Less
Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their friendship with Barbour, the Carrs matured as scientists. Archie in particular published extensively as a result of his taxonomic research on the turtle collections at the Museum of Comparative Zoology (MCZ). Later, when his interests shifted from systematics to ecology and conservation, Carr continued to draw on taxonomy to determine which species most needed protection. In fact, throughout his long career, he cited taxonomy as one of the critical components of conservation. The Carrs reciprocated Barbour's kindness in many ways, from sending oranges to arranging for an honorary doctorate to heaping lavish praise on his popular books. It is possible to identify in the long friendship with Barbour the seeds of the characteristics that would make Carr a renowned scientist, conservationist, and writer.
ALAN MILLARD
- Published in print:
- 2011
- Published Online:
- January 2013
- ISBN:
- 9780197264904
- eISBN:
- 9780191754081
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264904.003.0018
- Subject:
- History, Historiography
Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence ...
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Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence Officer. After time working at the British Museum on thousands of cuneiform tablets and as a member of Mallowan's team excavating Nimrud, he took up the Chair of Assyriology at SOAS in 1961. Wiseman, who was elected Fellow of the British Academy in 1969, worked to advance archaeological work in the Near East.Less
Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence Officer. After time working at the British Museum on thousands of cuneiform tablets and as a member of Mallowan's team excavating Nimrud, he took up the Chair of Assyriology at SOAS in 1961. Wiseman, who was elected Fellow of the British Academy in 1969, worked to advance archaeological work in the Near East.
Jennifer Beineke and Lowell Beineke
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691164038
- eISBN:
- 9781400881338
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691164038.003.0004
- Subject:
- Mathematics, History of Mathematics
This chapter explores some objects in which graphs have a role, some explicit, some not obvious. These graphical objects are presented as mathematical exhibits at a museum. The chapter starts with ...
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This chapter explores some objects in which graphs have a role, some explicit, some not obvious. These graphical objects are presented as mathematical exhibits at a museum. The chapter starts with the Amazing Asteroid, following this with a theorem (Bernstein's Bijection), a couple of games (Chromatic Combat and Devious Dice), an episode of Eluding Execution, a coin-tossing game (Flipping Fun), and an African adventure game (Get the Giraffe). Versions of these explorations have all been successfully used with students at various levels—whether in the classroom, for Math Club, or for independent investigation—but they can be appreciated by wider audiences too. The chapter concludes with a brief discussion of how one of the topics in particular is contributing to successful research experiences for undergraduates.Less
This chapter explores some objects in which graphs have a role, some explicit, some not obvious. These graphical objects are presented as mathematical exhibits at a museum. The chapter starts with the Amazing Asteroid, following this with a theorem (Bernstein's Bijection), a couple of games (Chromatic Combat and Devious Dice), an episode of Eluding Execution, a coin-tossing game (Flipping Fun), and an African adventure game (Get the Giraffe). Versions of these explorations have all been successfully used with students at various levels—whether in the classroom, for Math Club, or for independent investigation—but they can be appreciated by wider audiences too. The chapter concludes with a brief discussion of how one of the topics in particular is contributing to successful research experiences for undergraduates.
Andrew Burnett and Marion Archibald
- Published in print:
- 2003
- Published Online:
- January 2013
- ISBN:
- 9780197262788
- eISBN:
- 9780191754210
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197262788.003.0013
- Subject:
- History, Historiography
John Kent FBA, Keeper of Coins and Medals in the British Museum from 1983 to 1990, was the world's leading authority on the coinage of the late Roman Empire and presented the coinage of that ...
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John Kent FBA, Keeper of Coins and Medals in the British Museum from 1983 to 1990, was the world's leading authority on the coinage of the late Roman Empire and presented the coinage of that complicated period in a modern and systematic way. He published The Roman Imperial Coinage (RIC) volumes VIII and X. Kent studied the Merovingian coins from the Sutton Hoo Mound 1 ship burial and was able to provide evidence towards a revised interpretation of the mound's historical context. Obituary by Andrew Burnett and Marion Archibald.Less
John Kent FBA, Keeper of Coins and Medals in the British Museum from 1983 to 1990, was the world's leading authority on the coinage of the late Roman Empire and presented the coinage of that complicated period in a modern and systematic way. He published The Roman Imperial Coinage (RIC) volumes VIII and X. Kent studied the Merovingian coins from the Sutton Hoo Mound 1 ship burial and was able to provide evidence towards a revised interpretation of the mound's historical context. Obituary by Andrew Burnett and Marion Archibald.
Alan Peacock and Ilde Rizzo
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780199213177
- eISBN:
- 9780191707124
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199213177.001.0001
- Subject:
- Economics and Finance, Public and Welfare
A notable feature in cultural life is the growing demand to preserve and promote public access to historical buildings and sites and artistic treasures of the past. Governments are increasingly ...
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A notable feature in cultural life is the growing demand to preserve and promote public access to historical buildings and sites and artistic treasures of the past. Governments are increasingly involved in financing and regulating private attempts to meet this growing demand as well as extending their own provision of these treasures in state and locally owned museums and galleries. These developments raise important issues about the scope, content, and relevance of heritage policies in today's world. This book focuses on the impact of economic analysis on the formulation and implementation of heritage policy.Less
A notable feature in cultural life is the growing demand to preserve and promote public access to historical buildings and sites and artistic treasures of the past. Governments are increasingly involved in financing and regulating private attempts to meet this growing demand as well as extending their own provision of these treasures in state and locally owned museums and galleries. These developments raise important issues about the scope, content, and relevance of heritage policies in today's world. This book focuses on the impact of economic analysis on the formulation and implementation of heritage policy.
Jennifer Scheper Hughes
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195367065
- eISBN:
- 9780199867370
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195367065.003.0007
- Subject:
- Religion, Church History
In 1998 the local devotees of the Cristo Aparecido held their Franciscan priests hostage over a dispute about the Cristo. Seeking to modernize local Roman Catholic faith, these parish priests ...
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In 1998 the local devotees of the Cristo Aparecido held their Franciscan priests hostage over a dispute about the Cristo. Seeking to modernize local Roman Catholic faith, these parish priests criticized devotion to the Cristo and withheld their support from ritual celebrations of the image. The Instituto Nacional de Antropología e Historia, the national government body empowered to protect the art historical legacy of the nation, intervened on behalf of local devotees and lay leaders to defend traditional celebration of the image. For local believers, the Cristo symbolizes their collective identity and the vulnerability of their own, embattled faith.Less
In 1998 the local devotees of the Cristo Aparecido held their Franciscan priests hostage over a dispute about the Cristo. Seeking to modernize local Roman Catholic faith, these parish priests criticized devotion to the Cristo and withheld their support from ritual celebrations of the image. The Instituto Nacional de Antropología e Historia, the national government body empowered to protect the art historical legacy of the nation, intervened on behalf of local devotees and lay leaders to defend traditional celebration of the image. For local believers, the Cristo symbolizes their collective identity and the vulnerability of their own, embattled faith.
