James Herbert
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264294
- eISBN:
- 9780191734335
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264294.003.0006
- Subject:
- Sociology, Education
This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased ...
More
This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased from £17.9 million to £64.8 million. During this period, non-programmed costs were capped at five per cent. Putting aside its administrative costs, the AHRB in its fifth year had programmatic expenditures of £61.7 million, a 20 per cent increase from the initially predicted expenditure. Of the £61.7 million, £9 million was allocated to the operation of museums and galleries of English institutions and the rest was equally divided between postgraduate awards and research awards throughout the UK. As funding rose, intellectual ambitions also increased. Several ambitious projects were initiated such as the editing of Francis Bacon's works, the creation of public policy concerning the film and television of Britain and Europe, the pursuing of the long-delayed multinational Romanian project, and several other projects. During this period, the AHRB garnered a distinct sense of direction and momentum. Over three years, the applications of research funding increased to 58 per cent. The applications for the postgraduate awards increased to 20 per cent in a year and the four year doctoral submission rate for arts and humanities students increased to 78 per cent.Less
This chapter discusses the developments in terms of research grants and research funding of the newly established AHRB. By 2002 to 2003, during its fifth year, the AHRB's total budget had increased from £17.9 million to £64.8 million. During this period, non-programmed costs were capped at five per cent. Putting aside its administrative costs, the AHRB in its fifth year had programmatic expenditures of £61.7 million, a 20 per cent increase from the initially predicted expenditure. Of the £61.7 million, £9 million was allocated to the operation of museums and galleries of English institutions and the rest was equally divided between postgraduate awards and research awards throughout the UK. As funding rose, intellectual ambitions also increased. Several ambitious projects were initiated such as the editing of Francis Bacon's works, the creation of public policy concerning the film and television of Britain and Europe, the pursuing of the long-delayed multinational Romanian project, and several other projects. During this period, the AHRB garnered a distinct sense of direction and momentum. Over three years, the applications of research funding increased to 58 per cent. The applications for the postgraduate awards increased to 20 per cent in a year and the four year doctoral submission rate for arts and humanities students increased to 78 per cent.
Wallace Matson
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199812691
- eISBN:
- 9780199919420
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199812691.003.0015
- Subject:
- Philosophy, History of Philosophy
Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a ...
More
Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a research institute. Science made great advances in the Museum. The Library produced great scholars but little new literature. The principal philosophical innovation of the period was the rise of Skepticism, which utterly rejected high beliefs, whether tethered or not. Greek Skepticism is the ancestor of modern Positivism and Pragmatism, not of Cartesian skepticism. It was quite correct for its time, but it is a good thing that it did not prevail, for it would have eliminated the element of imagination that is essential to science.Less
Ptolemy, one of Alexander's generals, a patron of Greek culture, founded in Alexandria, capital of his Egyptian empire, the Library, the greatest depository of Greek literature, and the Museum, a research institute. Science made great advances in the Museum. The Library produced great scholars but little new literature. The principal philosophical innovation of the period was the rise of Skepticism, which utterly rejected high beliefs, whether tethered or not. Greek Skepticism is the ancestor of modern Positivism and Pragmatism, not of Cartesian skepticism. It was quite correct for its time, but it is a good thing that it did not prevail, for it would have eliminated the element of imagination that is essential to science.
Katharine Ellis
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195365856
- eISBN:
- 9780199867738
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195365856.001.0001
- Subject:
- Music, History, Western
What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, ...
More
What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, as being essential to the Catholic musical liturgy? The early music revival in France gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches, and other creative negotiations between past and present. When contemporary witnesses described these phenomena, the resulting dissension could run along social, religious, and political lines, helping us understand why certain musical genres became idealized while others were disparaged. This book discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, it explores amateur and professional music-making; working-class, aristocratic, and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Covering five centuries of music (from the mid-13th to the mid-18th centuries) and a century of French history, this book explains long-term changes of cultural meaning while celebrating the richness of local detail, and explores what lies at the heart of the construction and development of a musical cultural memory.Less
What did it mean for French musicians to sing Handel's choral music in the 1870s, to defend the operas of Lully and Rameau against hostile criticism, or to vote for Palestrina, alongside plainchant, as being essential to the Catholic musical liturgy? The early music revival in France gives us a vivid sense of how music's cultural meanings were contested, distilled into dominant visions, and then often revised. Peppering the century are famous fakes, pastiches, and other creative negotiations between past and present. When contemporary witnesses described these phenomena, the resulting dissension could run along social, religious, and political lines, helping us understand why certain musical genres became idealized while others were disparaged. This book discusses what is at stake in the construction of a musical heritage, and how ideology informs musical value judgements. In its focus on the nature of musical experience and the meaning of music in society, it explores amateur and professional music-making; working-class, aristocratic, and bourgeois cultural life; national pride; religious politics; and ritual, both liturgical and secular. Covering five centuries of music (from the mid-13th to the mid-18th centuries) and a century of French history, this book explains long-term changes of cultural meaning while celebrating the richness of local detail, and explores what lies at the heart of the construction and development of a musical cultural memory.
Philip V. Bohlman
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195178326
- eISBN:
- 9780199869992
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195178326.003.0006
- Subject:
- Music, Ethnomusicology, World Music
Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber ...
More
Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber (geniza) used by synagogues to gather community records into archives, libraries, and museums, cantors and folklorists alike recontextualized the music of the past so that it would have modern meanings. Specific collectors provide a series of linked narratives for the chapter. Eduard Birnbaum collected sacred music in Königsberg, Max Grunwald and Friedrich Krauss collected Jewish folklore and folk music in Vienna, and Konrad Mautner and A. Z. Idelsohn aestheticized and modernized the technologies of representation locally in the Austrian Alps and globally in the Jewish Diaspora. The great collections of the early twentieth century have surveyed until the present, as Jewish museums and Jewish memory work in the era following the Holocaust.Less
Collecting music to provide mirrors for the reflection of self-identity had become a passion for modern Jews by the beginning of the twentieth century. Transforming the earlier storage chamber (geniza) used by synagogues to gather community records into archives, libraries, and museums, cantors and folklorists alike recontextualized the music of the past so that it would have modern meanings. Specific collectors provide a series of linked narratives for the chapter. Eduard Birnbaum collected sacred music in Königsberg, Max Grunwald and Friedrich Krauss collected Jewish folklore and folk music in Vienna, and Konrad Mautner and A. Z. Idelsohn aestheticized and modernized the technologies of representation locally in the Austrian Alps and globally in the Jewish Diaspora. The great collections of the early twentieth century have surveyed until the present, as Jewish museums and Jewish memory work in the era following the Holocaust.
Elisa Mandelli
- Published in print:
- 2019
- Published Online:
- May 2021
- ISBN:
- 9781474416795
- eISBN:
- 9781474476577
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474416795.001.0001
- Subject:
- Film, Television and Radio, Film
Moving images have become a common feature in museums, where visitors are now accustomed to finding a broad variety of projections and screens. But when did films start to be displayed in history, ...
More
Moving images have become a common feature in museums, where visitors are now accustomed to finding a broad variety of projections and screens. But when did films start to be displayed in history, science or natural history museums? How did visitors react to the transformation of static displays by means of moving images? And what are the current stakes of showing audio-visuals in exhibition spaces? The Museum as a Cinematic Space is an extensive investigation of the use of moving images in exhibition design outside the art field. It explores how museums have incorporated films and audio-visuals in their display from the beginning of the twentieth century up to the present. The Museum as a Cinematic Space investigates the inclusion of cinematic elements (films, screens, projections) within the display. In addition to describing the strategies used by the curators to exhibit films, the book identifies the practical, technical and discursive conditions that made possible the use of moving images in museum galleries during the twentieth and twenty-first century. By opening itself to moving images, the exhibition becomes a place where cinema and museum spectatorships converge, reshaping the relations between the public, the images, and viewing space.Less
Moving images have become a common feature in museums, where visitors are now accustomed to finding a broad variety of projections and screens. But when did films start to be displayed in history, science or natural history museums? How did visitors react to the transformation of static displays by means of moving images? And what are the current stakes of showing audio-visuals in exhibition spaces? The Museum as a Cinematic Space is an extensive investigation of the use of moving images in exhibition design outside the art field. It explores how museums have incorporated films and audio-visuals in their display from the beginning of the twentieth century up to the present. The Museum as a Cinematic Space investigates the inclusion of cinematic elements (films, screens, projections) within the display. In addition to describing the strategies used by the curators to exhibit films, the book identifies the practical, technical and discursive conditions that made possible the use of moving images in museum galleries during the twentieth and twenty-first century. By opening itself to moving images, the exhibition becomes a place where cinema and museum spectatorships converge, reshaping the relations between the public, the images, and viewing space.
DUNCAN ROBINSON
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264355
- eISBN:
- 9780191734052
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264355.003.0001
- Subject:
- History, Cultural History
This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as ...
More
This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.Less
This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.
John Davies and John Wilkes (eds)
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.001.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format ...
More
This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format differs from traditional Congress Proceedings, but this is not the only innovation. The aim of the Oxford Congress, reflected in the title of the volume, was to present epigraphy as a specialism to a wider readership, both academic and other, and in that way to embed it more firmly within the wider discourse of ancient world studies in general. So to this end, a number of scholars were invited to give plenary lectures of two kinds. Some reported on the various ways in which epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems and the economies of the Graeco-Roman world. Others reported on the ways in which new techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. In addition, the more wide-ranging addresses that opened and closed the Congress showed how the act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value. The Congress thereby gave the impression of a discipline that knew what it wanted to do, have the tools with which to move forward and in general was in very good shape. The volume is intended to communicate that zest and impetus to as wide a readership as possible. To that end, all contributions that were originally delivered in other languages have been translated into English, and translations have also been inserted for all but the briefest citations of Greek and Latin.Less
This volume publishes all but three of the plenary lectures that were delivered during the XIIIth International Congress of Greek and Roman Epigraphy, held at Oxford in September 2007. Its format differs from traditional Congress Proceedings, but this is not the only innovation. The aim of the Oxford Congress, reflected in the title of the volume, was to present epigraphy as a specialism to a wider readership, both academic and other, and in that way to embed it more firmly within the wider discourse of ancient world studies in general. So to this end, a number of scholars were invited to give plenary lectures of two kinds. Some reported on the various ways in which epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems and the economies of the Graeco-Roman world. Others reported on the ways in which new techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. In addition, the more wide-ranging addresses that opened and closed the Congress showed how the act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value. The Congress thereby gave the impression of a discipline that knew what it wanted to do, have the tools with which to move forward and in general was in very good shape. The volume is intended to communicate that zest and impetus to as wide a readership as possible. To that end, all contributions that were originally delivered in other languages have been translated into English, and translations have also been inserted for all but the briefest citations of Greek and Latin.
Javier Rodriguez-Robles
- Published in print:
- 2003
- Published Online:
- March 2012
- ISBN:
- 9780520238183
- eISBN:
- 9780520930001
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520238183.001.0001
- Subject:
- History, History of Science, Technology, and Medicine
The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief ...
More
The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief account of the principal figures associated with the collection and of the most important events in the history of herpetology in the MVZ during its first 93 years, and lists all type specimens of recent amphibians and nonavian reptiles in the collection. Although the MVZ has existed since 1908, until 1945 there was no formal curator for the collection of amphibians and nonavian reptiles. Since that time Robert C. Stebbins, David B. Wake, Harry W. Greene, Javier A. Rodrìguez-Robles (in an interim capacity), and Craig Moritz have served in that position. The herpetological collection of the MVZ was begun on March 13, 1909, with a collection of approximately 430 specimens from southern California and, as of December 31, 2001, contained 232,254 specimens. Taxonomically, the collection is strongest in salamanders, accounting for 99,176 specimens, followed by “lizards” (squamate reptiles other than snakes and amphisbaenians, 63,439), frogs (40,563), snakes (24,937), turtles (2,643), caecilians (979), amphisbaenians (451), crocodilians (63), and tuataras (3). Whereas the collection's emphasis historically has been on the western United States, and on California in particular, representatives of taxa from many other parts of the world are present. The 1,765 type specimens in the MVZ comprise 120 holotypes, three neotypes, three syntypes, and 1,639 paratopotypes and paratypes; 83 of the holotypes were originally described as full species. Of the 196 amphibian and nonavian reptilian taxa represented by type material, most were collected in México (63) and California, USA (54).Less
The Museum of Vertebrate Zoology (MVZ), located on the campus of the University of California, Berkeley, is a leading center of herpetological research in the United States. This book offers a brief account of the principal figures associated with the collection and of the most important events in the history of herpetology in the MVZ during its first 93 years, and lists all type specimens of recent amphibians and nonavian reptiles in the collection. Although the MVZ has existed since 1908, until 1945 there was no formal curator for the collection of amphibians and nonavian reptiles. Since that time Robert C. Stebbins, David B. Wake, Harry W. Greene, Javier A. Rodrìguez-Robles (in an interim capacity), and Craig Moritz have served in that position. The herpetological collection of the MVZ was begun on March 13, 1909, with a collection of approximately 430 specimens from southern California and, as of December 31, 2001, contained 232,254 specimens. Taxonomically, the collection is strongest in salamanders, accounting for 99,176 specimens, followed by “lizards” (squamate reptiles other than snakes and amphisbaenians, 63,439), frogs (40,563), snakes (24,937), turtles (2,643), caecilians (979), amphisbaenians (451), crocodilians (63), and tuataras (3). Whereas the collection's emphasis historically has been on the western United States, and on California in particular, representatives of taxa from many other parts of the world are present. The 1,765 type specimens in the MVZ comprise 120 holotypes, three neotypes, three syntypes, and 1,639 paratopotypes and paratypes; 83 of the holotypes were originally described as full species. Of the 196 amphibian and nonavian reptilian taxa represented by type material, most were collected in México (63) and California, USA (54).
Gordon Read and Michael Stammers (eds)
- Published in print:
- 1994
- Published Online:
- September 2018
- ISBN:
- 9780969588573
- eISBN:
- 9781786944863
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780969588573.001.0001
- Subject:
- History, Maritime History
This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the ...
More
This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the Merseyside Docks and Harbour Board (MDHB), antecedents, and successors; shipping and trade associations; and shipowners. Other, smaller categories are published in the accompanying Part II (Vol 17 of Research in Maritime History, ISBN: -0-9681288-7-4) and together they form a comprehensive catalogue of contents. The guide summarises each collections as follows:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum’s Reading Room. The museum archives are made up of crucial maritime documentation and are an invaluable resource for maritime historians. The museum focuses primarily on Liverpool due to its previous status as the second major port of the United Kingdom, it also houses a great deal of national and international records in a vast variety of media.Less
This guide covers the following major collections hosted at the Merseyside Maritime Museum:- records deposited or presented under the 1958 Public Records Act; official organisations, including the Merseyside Docks and Harbour Board (MDHB), antecedents, and successors; shipping and trade associations; and shipowners. Other, smaller categories are published in the accompanying Part II (Vol 17 of Research in Maritime History, ISBN: -0-9681288-7-4) and together they form a comprehensive catalogue of contents. The guide summarises each collections as follows:- a brief historical introduction; a list of main items; an archival code; a datespan; a quantity of records; and a reference to any key printed sources held in the museum’s Reading Room. The museum archives are made up of crucial maritime documentation and are an invaluable resource for maritime historians. The museum focuses primarily on Liverpool due to its previous status as the second major port of the United Kingdom, it also houses a great deal of national and international records in a vast variety of media.
Steve Reich
- Published in print:
- 2004
- Published Online:
- October 2011
- ISBN:
- 9780195151152
- eISBN:
- 9780199850044
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195151152.003.0007
- Subject:
- Music, History, American
This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the ...
More
This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the Guggenheim Museum in May 1970, and then published in Synthesis, no. 2, Spring 1971.Less
This chapter presents Reich's predictions (which 30 years later seem to have proven largely correct) about the future of music that were first printed as part of the program note to a concert at the Guggenheim Museum in May 1970, and then published in Synthesis, no. 2, Spring 1971.
Kathleen C. Oberlin
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781479881642
- eISBN:
- 9781479897520
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479881642.001.0001
- Subject:
- Sociology, Culture
The typical story about creationist social movements centers on battles in the classroom or in the courtroom—like the Scopes Trial in 1925. But there is a new setting: a museum. “Prepare to Believe” ...
More
The typical story about creationist social movements centers on battles in the classroom or in the courtroom—like the Scopes Trial in 1925. But there is a new setting: a museum. “Prepare to Believe” is the slogan that greets visitors throughout the Creation Museum located in Petersburg, Kentucky. It carries the message that the organization Answers in Genesis (AiG) uses to welcome fellow believers as well as skeptics since opening in 2007. The Creation Museum seeks to persuade visitors that if one views both the Bible (a close, literal reading) and nature (observational, real world data) as sources of authority, then the earth appears to be much younger than conventionally understood in mainstream society. This book argues that the impact of the Creation Museum does not depend on the accuracy or credibility of its scientific claims, as many scholars, media critics, and political pundits would suggest. Instead, what AiG goes after by creating a physical site like the Creation Museum is the ability to foster plausibility politics—broadening what the audience perceives as possible and amplifying the stakes as the ideas reach more people. Destabilizing the belief that only one type of secular institution may make claims about the age of the earth and human origins, the Creation Museum is a threat to this singular positioning. In doing so, AiG repositions itself to produce longstanding effects on the public’s perception of who may make scientific claims. Creating the Creation Museum is a story about how a group endures.Less
The typical story about creationist social movements centers on battles in the classroom or in the courtroom—like the Scopes Trial in 1925. But there is a new setting: a museum. “Prepare to Believe” is the slogan that greets visitors throughout the Creation Museum located in Petersburg, Kentucky. It carries the message that the organization Answers in Genesis (AiG) uses to welcome fellow believers as well as skeptics since opening in 2007. The Creation Museum seeks to persuade visitors that if one views both the Bible (a close, literal reading) and nature (observational, real world data) as sources of authority, then the earth appears to be much younger than conventionally understood in mainstream society. This book argues that the impact of the Creation Museum does not depend on the accuracy or credibility of its scientific claims, as many scholars, media critics, and political pundits would suggest. Instead, what AiG goes after by creating a physical site like the Creation Museum is the ability to foster plausibility politics—broadening what the audience perceives as possible and amplifying the stakes as the ideas reach more people. Destabilizing the belief that only one type of secular institution may make claims about the age of the earth and human origins, the Creation Museum is a threat to this singular positioning. In doing so, AiG repositions itself to produce longstanding effects on the public’s perception of who may make scientific claims. Creating the Creation Museum is a story about how a group endures.
Melanie Hall
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265413
- eISBN:
- 9780191760464
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265413.003.0011
- Subject:
- History, World Modern History
This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of ...
More
This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of good governance. Phases of this relationship are considered at three ‘site-museums’. Initially, some in the United States saw Shakespeare's Birthplace as its own heritage and tried to acquire it. Secondly, Britain, which still spoke for Canada in matters of foreign policy, cooperated with the United States to protect monumental and scenic interest at Niagara Falls. This took place as national parks were emerging as a form of representational culture. Finally, British and American voluntarist groups come together to protect Carlyle's House, London, with government backing behind the scenes as a form of cultural diplomacy.Less
This chapter locates issues of heritage and preservation in broader debates about ownership of ‘natural’ and ‘cultural’ property and its stewardship (or conservation) as an emerging representation of good governance. Phases of this relationship are considered at three ‘site-museums’. Initially, some in the United States saw Shakespeare's Birthplace as its own heritage and tried to acquire it. Secondly, Britain, which still spoke for Canada in matters of foreign policy, cooperated with the United States to protect monumental and scenic interest at Niagara Falls. This took place as national parks were emerging as a form of representational culture. Finally, British and American voluntarist groups come together to protect Carlyle's House, London, with government backing behind the scenes as a form of cultural diplomacy.
Glenn Adamson and Giorgio Riello
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265321
- eISBN:
- 9780191760495
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265321.003.0012
- Subject:
- History, Historiography
This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the ...
More
This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the hybrid architecture and design of the Chhatrapati Shivaji Terminus, known in the West as the Victoria Terminus in Mumbai. In a final example, the case of football and soccer evokes debates on globalization and the global condition.Less
This chapter considers objects as displayed in museums, architecture, and consumer goods. It unwraps the meanings of a Japanese suit of armour in the Tower of London, and then moves on to discuss the hybrid architecture and design of the Chhatrapati Shivaji Terminus, known in the West as the Victoria Terminus in Mumbai. In a final example, the case of football and soccer evokes debates on globalization and the global condition.
Donald Malcolm Reid
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265413
- eISBN:
- 9780191760464
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265413.003.0009
- Subject:
- History, World Modern History
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed ...
More
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.Less
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.
Isabel Rodà
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.003.0009
- Subject:
- Classical Studies, European History: BCE to 500CE
Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be ...
More
Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be conveyed to a public with little or no knowledge of Latin or Greek. The choice of texts should not ignore the casual messages of daily life from graffiti and painted slogans, nor should the later ‘forgeries’ of ancient texts or the innocent errors of stonecutters be excluded. Electronic media can bring to life both ancient images and texts, and can help in presenting difficult or incomplete texts. Inscriptions speak directly from the remote past, and meeting the challenge of transmitting their messages to the modern visitor will certainly repay the effort.Less
Those with responsibilities for the display of inscriptions in museums and other public places have in recent years been addressing the challenge of how the riches of the ancient texts can be conveyed to a public with little or no knowledge of Latin or Greek. The choice of texts should not ignore the casual messages of daily life from graffiti and painted slogans, nor should the later ‘forgeries’ of ancient texts or the innocent errors of stonecutters be excluded. Electronic media can bring to life both ancient images and texts, and can help in presenting difficult or incomplete texts. Inscriptions speak directly from the remote past, and meeting the challenge of transmitting their messages to the modern visitor will certainly repay the effort.
Charlotte Linde
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195140286
- eISBN:
- 9780199871247
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195140286.003.0003
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static ...
More
This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static representations of the past. An institution's narratives may be collected in an archive, but if this collection is rarely used, the narratives have no life of their own. Rather, it is necessary to discover the activities in which such representations are used. For an institution, remembering necessarily is a social event, involving at least two, and perhaps millions of people. Retelling and remembering of this sort require proper occasions. Without its proper occasion, a story rarely or never gets told. This chapter presents a taxonomy of the types of occasions for narrative, including events, places, memorials, and memory artifacts.Less
This chapter discusses occasions for remembering. Occasions are a key issue for understanding how institutions work their past: they allow the study of remembering rather than the study of static representations of the past. An institution's narratives may be collected in an archive, but if this collection is rarely used, the narratives have no life of their own. Rather, it is necessary to discover the activities in which such representations are used. For an institution, remembering necessarily is a social event, involving at least two, and perhaps millions of people. Retelling and remembering of this sort require proper occasions. Without its proper occasion, a story rarely or never gets told. This chapter presents a taxonomy of the types of occasions for narrative, including events, places, memorials, and memory artifacts.
Frederick Rowe Davis
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195310771
- eISBN:
- 9780199790098
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195310771.003.0003
- Subject:
- Biology, Aquatic Biology
Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their ...
More
Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their friendship with Barbour, the Carrs matured as scientists. Archie in particular published extensively as a result of his taxonomic research on the turtle collections at the Museum of Comparative Zoology (MCZ). Later, when his interests shifted from systematics to ecology and conservation, Carr continued to draw on taxonomy to determine which species most needed protection. In fact, throughout his long career, he cited taxonomy as one of the critical components of conservation. The Carrs reciprocated Barbour's kindness in many ways, from sending oranges to arranging for an honorary doctorate to heaping lavish praise on his popular books. It is possible to identify in the long friendship with Barbour the seeds of the characteristics that would make Carr a renowned scientist, conservationist, and writer.Less
Thomas Barbour occupied many roles in the lives of Archie and Marjorie Carr: mentor, parent figure, colleague, collaborator, benefactor, role model, and most of all, friend. Over the course of their friendship with Barbour, the Carrs matured as scientists. Archie in particular published extensively as a result of his taxonomic research on the turtle collections at the Museum of Comparative Zoology (MCZ). Later, when his interests shifted from systematics to ecology and conservation, Carr continued to draw on taxonomy to determine which species most needed protection. In fact, throughout his long career, he cited taxonomy as one of the critical components of conservation. The Carrs reciprocated Barbour's kindness in many ways, from sending oranges to arranging for an honorary doctorate to heaping lavish praise on his popular books. It is possible to identify in the long friendship with Barbour the seeds of the characteristics that would make Carr a renowned scientist, conservationist, and writer.
Daniel H. Mutibwa
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781447341895
- eISBN:
- 9781447341970
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447341895.003.0008
- Subject:
- Business and Management, Knowledge Management
This chapter discusses effective ways to develop relationships between communities and museums around shared cultural agendas, practice, and knowledge exchange. Through the lens of an eight-month ...
More
This chapter discusses effective ways to develop relationships between communities and museums around shared cultural agendas, practice, and knowledge exchange. Through the lens of an eight-month pilot that emerged from the Pararchive project and was partnered by the National Media Museum (NMeM), Bradford, the chapter addresses what it means to access a dormant but invaluable national archive and associative collections from the position of differently situated community groups. It highlights how the Pararchive–National Media Museum partnership (PNMeM) promoted opportunities for community groups to select, document, and creatively exploit archival resources in ways in which conventional museological practice and use do not allow. The chapter also outlines the key challenges encountered. In doing so, this chapter draws on detailed notes generated through participant observation, on the study of relevant documents and artefacts, and on important insights gained from audio recordings of relevant project meetings and an evaluative end-of-project workshop.Less
This chapter discusses effective ways to develop relationships between communities and museums around shared cultural agendas, practice, and knowledge exchange. Through the lens of an eight-month pilot that emerged from the Pararchive project and was partnered by the National Media Museum (NMeM), Bradford, the chapter addresses what it means to access a dormant but invaluable national archive and associative collections from the position of differently situated community groups. It highlights how the Pararchive–National Media Museum partnership (PNMeM) promoted opportunities for community groups to select, document, and creatively exploit archival resources in ways in which conventional museological practice and use do not allow. The chapter also outlines the key challenges encountered. In doing so, this chapter draws on detailed notes generated through participant observation, on the study of relevant documents and artefacts, and on important insights gained from audio recordings of relevant project meetings and an evaluative end-of-project workshop.
Ian Gwilt, Patrick McEntaggart, Melanie Levick-Parkin, and Jonathan Wood
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781447341895
- eISBN:
- 9781447341970
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447341895.003.0009
- Subject:
- Business and Management, Knowledge Management
This chapter explores the use of a practice-led research methodology in the design of generative data visualisations that can be used to record and reveal the details of an empiric museum visit. The ...
More
This chapter explores the use of a practice-led research methodology in the design of generative data visualisations that can be used to record and reveal the details of an empiric museum visit. The object of capturing this visitor information is to assist in the future design and development of tools for the creation of interactive museum experiences that can be improved by connecting the physical dimension of museums and exhibitions with digital information in new and novel ways. The main concern in this research is with how user engagement in the museum can be captured, visualised, and represented back to a visitor, museum curator, or the broader community in a way that might bring added value or insight. Moreover, the capturing of the visitor experience becomes an archival process and practice. It can be used in the design of future exhibitions, and more fundamentally to inform thinking around the ongoing ontological and epistemological position of the museum.Less
This chapter explores the use of a practice-led research methodology in the design of generative data visualisations that can be used to record and reveal the details of an empiric museum visit. The object of capturing this visitor information is to assist in the future design and development of tools for the creation of interactive museum experiences that can be improved by connecting the physical dimension of museums and exhibitions with digital information in new and novel ways. The main concern in this research is with how user engagement in the museum can be captured, visualised, and represented back to a visitor, museum curator, or the broader community in a way that might bring added value or insight. Moreover, the capturing of the visitor experience becomes an archival process and practice. It can be used in the design of future exhibitions, and more fundamentally to inform thinking around the ongoing ontological and epistemological position of the museum.
ALAN MILLARD
- Published in print:
- 2011
- Published Online:
- January 2013
- ISBN:
- 9780197264904
- eISBN:
- 9780191754081
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264904.003.0018
- Subject:
- History, Historiography
Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence ...
More
Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence Officer. After time working at the British Museum on thousands of cuneiform tablets and as a member of Mallowan's team excavating Nimrud, he took up the Chair of Assyriology at SOAS in 1961. Wiseman, who was elected Fellow of the British Academy in 1969, worked to advance archaeological work in the Near East.Less
Donald Wiseman, a leading assyriologist, had a distinguished service in the RAF during the Second World War under Air Vice-Marshal Keith Park and later in the Mediterranean as Chief Intelligence Officer. After time working at the British Museum on thousands of cuneiform tablets and as a member of Mallowan's team excavating Nimrud, he took up the Chair of Assyriology at SOAS in 1961. Wiseman, who was elected Fellow of the British Academy in 1969, worked to advance archaeological work in the Near East.
