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Cinema, Chronos/Cronos: Becoming an Accomplice to the Impasse of History

Jeffrey A. Bell and Claire Colebrook (eds)

in Deleuze and History

Published in print:
2009
Published Online:
September 2012
ISBN:
9780748636082
eISBN:
9780748671748
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748636082.003.0009
Subject:
Philosophy, History of Philosophy

This chapter considers the cinematic medium as a confederate to the impasse of history. Gilles Deleuze develops two semiotics that explore a vast taxonomy of movement-images and time-images. He ... More


Arresting the Flux of Images and Sounds: Free Indirect Discourse and the Dialectics of Political Cinema

Patricia Pisters

in Deleuze and the Contemporary World

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748623419
eISBN:
9780748652389
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748623419.003.0010
Subject:
Philosophy, General

This chapter analyses the works of Gilles Deleuze relevant to political cinema. It proposes that contemporary cinema should be conceived as a speech-act in free indirect discourse in order to address ... More


The Movement-Image: Horror Cinematography and Mise-en-scène

Anna Powell

in Deleuze and Horror Film

Published in print:
2005
Published Online:
March 2012
ISBN:
9780748617470
eISBN:
9780748651061
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748617470.003.0004
Subject:
Film, Television and Radio, Film

This chapter deals with mise-en-scène and various kinds of movement in horror cinema. The film theory shaped by psychoanalysis and semiology treats images as static, symbolic components of underlying ... More


Conclusion: Living Horror: Thoughts On Our Nerve-Endings

Anna Powell

in Deleuze and Horror Film

Published in print:
2005
Published Online:
March 2012
ISBN:
9780748617470
eISBN:
9780748651061
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748617470.003.0006
Subject:
Film, Television and Radio, Film

Deleuzian horror films threaten the stability of body and mind, transforming the embodied mind of the spectator as well as the bodies on screen. The horror movie, as its name suggests, is essentially ... More


History

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0002
Subject:
Film, Television and Radio, Film

This chapter introduces the different definitions of time that are found in Gilles Deleuze's cinema texts, Cinema 1: The Movement-Image and Cinema 2: The Time-Image, and looks at the debate ... More


Memory

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0003
Subject:
Film, Television and Radio, Film

This chapter explores how memory functions in the movement- and time-image, first explaining habit and attentive recollection, the two types of memory found in Henri Bergson's Matter and Memory ... More


National Identity in the Global City

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0004
Subject:
Film, Television and Radio, Film

Sliding Doors (1997) and Run Lola Run (1998) were two of the most formally distinctive narratives to emerge in European cinema in the late 1990s. At first glance, both films could be said to express ... More


American Triumphalism and the First Gulf War

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0005
Subject:
Film, Television and Radio, Film

This chapter examines how certain American films that emerged after the First Gulf War manipulated narrative time in order to construct national identity, beginning with a discussion of triumphalism, ... More


Renegotiating the National Past after 9/11

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0006
Subject:
Film, Television and Radio, Film

After 9/11, North American cinema's construction of national identity took on a slightly different relationship to the past. In many ways, the attack enabled American cinema to continue to propagate ... More


The Pacific Rim

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0007
Subject:
Film, Television and Radio, Film

This chapter examines three films from Asian Pacific Rim countries: Too Many Ways to be Number One (Hong Kong, 1997), Chaos (Japan, 1999) and Peppermint Candy (South Korea, 2000), which are singled ... More


Introduction: Deleuze, Film Studies and National Identity

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0001
Subject:
Film, Television and Radio, Film

This book uses Gilles Deleuze's philosophy of time to engage with a range of contemporary films from a number of different national cinemas. The films under discussion have all emerged within the ... More


Conclusion: Blind Chance and Possible Futures

David Martin-Jones

in Deleuze, Cinema and National Identity: Narrative Time in National Contexts

Published in print:
2006
Published Online:
March 2012
ISBN:
9780748622443
eISBN:
9780748651085
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748622443.003.0008
Subject:
Film, Television and Radio, Film

The films discussed in this book are contemporary manifestations of a tradition that can be traced back to directors such as Alfred Hitchcock, Federico Fellini and Jean-Luc Godard – those same ... More


Astonishment and the Fantastic in Live-Action Cinema

Eric S. Jenkins

in Special Affects: Cinema, Animation and the Translation of Consumer Culture

Published in print:
2014
Published Online:
May 2015
ISBN:
9780748695478
eISBN:
9781474406413
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748695478.003.0002
Subject:
Film, Television and Radio, Film

This chapter traces the emergence of classical Hollywood cinema from the earlier practices often called the cinema of attractions. The chapter argues that the cinema of attractions attracted viewers ... More


Numbers and Fractals: Neuroaesthetics and the Scientific Subject

Patricia Pisters

in The Force of the Virtual: Deleuze, Science, and Philosophy

Published in print:
2010
Published Online:
August 2015
ISBN:
9780816665976
eISBN:
9781452946382
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816665976.003.0010
Subject:
Philosophy, Philosophy of Science

This chapter proposes the hypothesis that the popular obsession with mathematics and the mind of the scientist is related to a Deleuzian ontology of differences, repetitions, and folds that finds a ... More


Look? Optical/Sound Situations and Interpretation: Ozu—(Deleuze)—Kiarostami

David Deamer

in Reorienting Ozu: A Master and His Influence

Published in print:
2018
Published Online:
December 2017
ISBN:
9780190254971
eISBN:
9780190255008
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190254971.003.0015
Subject:
Literature, Film, Media, and Cultural Studies, World Literature

This chapter explores the influence Abbas Kiarostami’s Five (2003) takes from the cinema of Ozu, theorizing the nature of the dedication in the subtitle: 5 Long Takes—Dedicated to Yasujiro Ozu. Such ... More


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