Jump to ContentJump to Main Navigation

You are looking at 1-4 of 4 items

  • Keywords: motion picture production x
Clear All Modify Search

View:

Blackface and Wigs: Men Take over Stunts

Mollie Gregory

in Stuntwomen: The Untold Hollywood Story

Published in print:
2015
Published Online:
May 2016
ISBN:
9780813166223
eISBN:
9780813166759
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813166223.003.0003
Subject:
Film, Television and Radio, Film

Movies projected women’s “proper place”: they did not come to anyone’s rescue; they were wives and mothers. Stuntwomen’s work decreased. Labor unions and guilds were formed—the Screen Actors Guild, ... More


The Job of a Producer

Brian Taves

in Thomas Ince: Hollywood's Independent Pioneer

Published in print:
2012
Published Online:
May 2012
ISBN:
9780813134222
eISBN:
9780813135939
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813134222.003.0004
Subject:
Film, Television and Radio, Film

Ince was unique among producers for his reputation in collaborating on every script, with a scenario department of only five individuals, unlike other companies employing dozens of scenarists and ... More


Origins of the Code

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0002
Subject:
Film, Television and Radio, Film

This chapter traces the origins of film censorship in the US from 1910 onward. It documents the rise of public concern over movie sex and violence and traces the manner in which pressures from ... More


Hitchcock and the Censors

John Billheimer

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
book
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.001.0001
Subject:
Film, Television and Radio, Film

The Motion Picture Production Code controlled the content and final cut on all films made and distributed in the US from 1934 to 1968. Code officials protected sensitive ears from the standard ... More


View: