Joseph Chinyong Liow
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195377088
- eISBN:
- 9780199869527
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377088.003.0002
- Subject:
- Religion, Islam
This chapter looks at the genesis of the Islamist agenda in Malaysia from the perspective of both Parti Islam Se-Malaysia (PAS) and the United Malays National Organization (UMNO). Using the history ...
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This chapter looks at the genesis of the Islamist agenda in Malaysia from the perspective of both Parti Islam Se-Malaysia (PAS) and the United Malays National Organization (UMNO). Using the history of the Islamist opposition PAS and UMNO’s concomitant early responses to its rise as a lens through which to perceive the early tenor of Islamism in the Malaysian context, the chapter demonstrates how the party underwent several metamorphoses as it evolved to locate Islamism at the heart of its social-political agenda.Less
This chapter looks at the genesis of the Islamist agenda in Malaysia from the perspective of both Parti Islam Se-Malaysia (PAS) and the United Malays National Organization (UMNO). Using the history of the Islamist opposition PAS and UMNO’s concomitant early responses to its rise as a lens through which to perceive the early tenor of Islamism in the Malaysian context, the chapter demonstrates how the party underwent several metamorphoses as it evolved to locate Islamism at the heart of its social-political agenda.
Lamia Balafrej
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781474437431
- eISBN:
- 9781474464918
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474437431.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? ...
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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (Chapter 3); the line and its calligraphic quality (Chapter 4); signature (Chapter 5); the mobility of manuscripts (epilogue).Less
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (Chapter 3); the line and its calligraphic quality (Chapter 4); signature (Chapter 5); the mobility of manuscripts (epilogue).
Syed Akbar Hyder
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9780195373028
- eISBN:
- 9780199851973
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373028.003.0002
- Subject:
- Religion, Islam
This chapter examines the texts and contexts of the majlis by reflecting on commemorations by Shii Muslims. It discusses the aesthetics of the majlis by focusing on Karbala’s contribution to Urdu ...
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This chapter examines the texts and contexts of the majlis by reflecting on commemorations by Shii Muslims. It discusses the aesthetics of the majlis by focusing on Karbala’s contribution to Urdu literature and poetics. This discussion entwines itself around issues of shifting cultural and regional codes, that in turn facilitate a localization of Karbala in South Asia. It also draws attention to the ways in which Karbala is invoked to mediate the personal sorrows of the devotees. The styles of Shii mourning, the texts and formats of the commemorative gatherings, and the general discourse surrounding Karbala vary over time and space, and what appears in this chapter are just a few reflections of Shii commemorations. This chapter brings to light the imaginative aesthetic and devotional frameworks within which Karbala and martyrdom are articulated, re-articulated, and localized within Shii contexts.Less
This chapter examines the texts and contexts of the majlis by reflecting on commemorations by Shii Muslims. It discusses the aesthetics of the majlis by focusing on Karbala’s contribution to Urdu literature and poetics. This discussion entwines itself around issues of shifting cultural and regional codes, that in turn facilitate a localization of Karbala in South Asia. It also draws attention to the ways in which Karbala is invoked to mediate the personal sorrows of the devotees. The styles of Shii mourning, the texts and formats of the commemorative gatherings, and the general discourse surrounding Karbala vary over time and space, and what appears in this chapter are just a few reflections of Shii commemorations. This chapter brings to light the imaginative aesthetic and devotional frameworks within which Karbala and martyrdom are articulated, re-articulated, and localized within Shii contexts.
Syed Akbar Hyder
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9780195373028
- eISBN:
- 9780199851973
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373028.003.0003
- Subject:
- Religion, Islam
From the 1970s onwards, the Shii Muslim community of Houston, Texas, has invited zakirs from India and Pakistan for Muharram. The Houston community grew from a few hundred South Asian Shias in the ...
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From the 1970s onwards, the Shii Muslim community of Houston, Texas, has invited zakirs from India and Pakistan for Muharram. The Houston community grew from a few hundred South Asian Shias in the early 1980s to several thousand in the 1990s. The main difference between the Shii gatherings of Houston and the gatherings of Hyderabad is the ethnic make up — the Shii majlis audience is much broader in the United States. This broad composition of the majlis necessitates a reformulation of the rituals, languages, and sentiments that are tied to the particular places from which the immigrants migrate. This chapter looks at the Shii commemorations of Texas.Less
From the 1970s onwards, the Shii Muslim community of Houston, Texas, has invited zakirs from India and Pakistan for Muharram. The Houston community grew from a few hundred South Asian Shias in the early 1980s to several thousand in the 1990s. The main difference between the Shii gatherings of Houston and the gatherings of Hyderabad is the ethnic make up — the Shii majlis audience is much broader in the United States. This broad composition of the majlis necessitates a reformulation of the rituals, languages, and sentiments that are tied to the particular places from which the immigrants migrate. This chapter looks at the Shii commemorations of Texas.
Syed Akbar Hyder
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9780195373028
- eISBN:
- 9780199851973
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373028.003.0004
- Subject:
- Religion, Islam
This chapter deals with popular interpretations and understandings of the history of Shii Muslims, and calls attention to the role of women through the invocation of the Imam Husain b. Ali’s sister, ...
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This chapter deals with popular interpretations and understandings of the history of Shii Muslims, and calls attention to the role of women through the invocation of the Imam Husain b. Ali’s sister, Zainab. In bringing to light the Shii readings of Islamic history, this chapter discusses various texts that are recited within the context of the majlis — from the different subgenres within the Urdu elegy to the sermons from the pulpit by zakirs. This chapter concerns itself centrally with how the majlis, through the invocations of Karbala, produces and reproduces a counterdiscourse to the hegemonic readings of the history of Islam. It explores gender dynamics that shape the narratives of femininity through the elaboration of the role of Zainab, who had accompanied Husain to Karbala and was her brother’s comrade in spirit. Thus, traditions of devotion and resistance are ascribed to her.Less
This chapter deals with popular interpretations and understandings of the history of Shii Muslims, and calls attention to the role of women through the invocation of the Imam Husain b. Ali’s sister, Zainab. In bringing to light the Shii readings of Islamic history, this chapter discusses various texts that are recited within the context of the majlis — from the different subgenres within the Urdu elegy to the sermons from the pulpit by zakirs. This chapter concerns itself centrally with how the majlis, through the invocations of Karbala, produces and reproduces a counterdiscourse to the hegemonic readings of the history of Islam. It explores gender dynamics that shape the narratives of femininity through the elaboration of the role of Zainab, who had accompanied Husain to Karbala and was her brother’s comrade in spirit. Thus, traditions of devotion and resistance are ascribed to her.
Syed Akbar Hyder
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9780195373028
- eISBN:
- 9780199851973
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373028.003.0008
- Subject:
- Religion, Islam
In this book, Karbala emerges as a polyphonic symbol that acquires meaning through the social and political apparatuses that engage it. In the context of the majlis, Karbala underscores the virtues ...
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In this book, Karbala emerges as a polyphonic symbol that acquires meaning through the social and political apparatuses that engage it. In the context of the majlis, Karbala underscores the virtues of Husain b. Ali, his companions, and his family members. The very context of the majlis ritualistically bridges the sacred past and the present, the martyrs and their devotees, ideals and realities. Parallels between the circulation of this narrative and popular cultural trends bespeak the manner in which religious discourses in South Asia are encoded by themes and images of other discourses. The efficacy of Karbala is also evident in the context of qawwali, a context that has the potential to challenge the literalist readings of Islam and Karbala. Love and martyrdom become desired actualities that the qawwali audiences cherish via knot-laden, musical Sufism. By building substantially upon Sufi discourses, Muhammad Iqbal, Maulana Azad, and Muhammad Ali Jauhar poise Karbala as an event to draw Muslims into a firm allegiance to a trans-Shii reformist model.Less
In this book, Karbala emerges as a polyphonic symbol that acquires meaning through the social and political apparatuses that engage it. In the context of the majlis, Karbala underscores the virtues of Husain b. Ali, his companions, and his family members. The very context of the majlis ritualistically bridges the sacred past and the present, the martyrs and their devotees, ideals and realities. Parallels between the circulation of this narrative and popular cultural trends bespeak the manner in which religious discourses in South Asia are encoded by themes and images of other discourses. The efficacy of Karbala is also evident in the context of qawwali, a context that has the potential to challenge the literalist readings of Islam and Karbala. Love and martyrdom become desired actualities that the qawwali audiences cherish via knot-laden, musical Sufism. By building substantially upon Sufi discourses, Muhammad Iqbal, Maulana Azad, and Muhammad Ali Jauhar poise Karbala as an event to draw Muslims into a firm allegiance to a trans-Shii reformist model.
Samir Simaika and Nevine Henein
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789774168239
- eISBN:
- 9781617978265
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774168239.003.0011
- Subject:
- Archaeology, Historical Archaeology
This chapter discusses Marcus Simaika's role as a member of Al-Majlis al-Milli. At Cyril V's return from exile, the majlis was dissolved and a committee was appointed to carry out the work of the ...
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This chapter discusses Marcus Simaika's role as a member of Al-Majlis al-Milli. At Cyril V's return from exile, the majlis was dissolved and a committee was appointed to carry out the work of the Coptic patriarchate. Due to accusations of bribery and corruption, the committee was dissolved and a new majlis was elected in 1905, of which Simaika was again a member. Three years later, Simaika was elected vice president of the Majlis al-Milli under the ex-officio presidency of the patriarch. Four committees were formed: the first to look after Coptic schools; a second in charge of Coptic churches, monasteries, and the clerical college; a third to administer waqfs; and a fourth to supervise the administrative work of the patriarchate. Simaika resigned in 1928 in protest at the financial policy followed by the majlis.Less
This chapter discusses Marcus Simaika's role as a member of Al-Majlis al-Milli. At Cyril V's return from exile, the majlis was dissolved and a committee was appointed to carry out the work of the Coptic patriarchate. Due to accusations of bribery and corruption, the committee was dissolved and a new majlis was elected in 1905, of which Simaika was again a member. Three years later, Simaika was elected vice president of the Majlis al-Milli under the ex-officio presidency of the patriarch. Four committees were formed: the first to look after Coptic schools; a second in charge of Coptic churches, monasteries, and the clerical college; a third to administer waqfs; and a fourth to supervise the administrative work of the patriarchate. Simaika resigned in 1928 in protest at the financial policy followed by the majlis.
Nelly van Doorn-Harder
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9789774161032
- eISBN:
- 9781617971037
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774161032.003.0009
- Subject:
- Religion, History of Christianity
This chapter examines the papacy of Pope Cyril (Kyrillos) VI, 1959–71, who ascended the throne as the 116th pope.
This chapter examines the papacy of Pope Cyril (Kyrillos) VI, 1959–71, who ascended the throne as the 116th pope.
Ali-Akbar Dehkhodā
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780300197990
- eISBN:
- 9780300220667
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300197990.003.0029
- Subject:
- History, Russian and Former Soviet Union History
This chapter presents a column published on June 11, 1908, featuring a piece on women's education. Elite and upper-middle-class women of Tehran and several other cities became involved in the ...
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This chapter presents a column published on June 11, 1908, featuring a piece on women's education. Elite and upper-middle-class women of Tehran and several other cities became involved in the nationalist movement to form women's anjomans and schools. In March 1908, the Majlis debated the right of women to form anjomans and whether these were in accordance with the laws of shari'a. Initially some deputies deemed the subject inappropriate for parliamentary debate. In the end, however, women were allowed to keep their anjomans, though without any financial or institutional support from the Majlis. In recounting this episode and criticizing the deputies for their lackluster support of women, Dehkhodā blames Iranian culture for clinging to old traditions and holding on to archaic social hierarchies of class, seniority, and gender—divisions that he believed held back both men and women.Less
This chapter presents a column published on June 11, 1908, featuring a piece on women's education. Elite and upper-middle-class women of Tehran and several other cities became involved in the nationalist movement to form women's anjomans and schools. In March 1908, the Majlis debated the right of women to form anjomans and whether these were in accordance with the laws of shari'a. Initially some deputies deemed the subject inappropriate for parliamentary debate. In the end, however, women were allowed to keep their anjomans, though without any financial or institutional support from the Majlis. In recounting this episode and criticizing the deputies for their lackluster support of women, Dehkhodā blames Iranian culture for clinging to old traditions and holding on to archaic social hierarchies of class, seniority, and gender—divisions that he believed held back both men and women.
Ali-Akbar Dehkhodā
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780300197990
- eISBN:
- 9780300220667
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300197990.003.0030
- Subject:
- History, Russian and Former Soviet Union History
This chapter presents Dehkhodās final column before he and his newspaper had to flee Iran. Dehkhodā predicts the June 1908 coup, while maintaining a sense of levity. On June 4 the shah, accompanied ...
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This chapter presents Dehkhodās final column before he and his newspaper had to flee Iran. Dehkhodā predicts the June 1908 coup, while maintaining a sense of levity. On June 4 the shah, accompanied by the Cossack Brigade, decamped to his garden Bāgh-e Shāh, outside the city gates. People in Tehran panicked. Soon a thousand supporters of the Majlis surrounded the building, and negotiations with the royalists began. Many supporters slept on the roof of the Majlis to shield it from an ambush. Sayyid Hasan Taqizādeh, a leading member of the First Majlis, continued to negotiate with the shah, who refused to back down. On June 20, the day this column appeared, Mohammad-Ali Shah issued his conditions for ending the siege, a list that amounted to an end of the constitutional order. On June 23 the shah's Russian troops bombarded the Majlis, and the constitution was suspended. A number of constitutionalists were arrested while Dehkhodā took sanctuary at the British legation and eventually fled the country.Less
This chapter presents Dehkhodās final column before he and his newspaper had to flee Iran. Dehkhodā predicts the June 1908 coup, while maintaining a sense of levity. On June 4 the shah, accompanied by the Cossack Brigade, decamped to his garden Bāgh-e Shāh, outside the city gates. People in Tehran panicked. Soon a thousand supporters of the Majlis surrounded the building, and negotiations with the royalists began. Many supporters slept on the roof of the Majlis to shield it from an ambush. Sayyid Hasan Taqizādeh, a leading member of the First Majlis, continued to negotiate with the shah, who refused to back down. On June 20, the day this column appeared, Mohammad-Ali Shah issued his conditions for ending the siege, a list that amounted to an end of the constitutional order. On June 23 the shah's Russian troops bombarded the Majlis, and the constitution was suspended. A number of constitutionalists were arrested while Dehkhodā took sanctuary at the British legation and eventually fled the country.
A. G. Noorani
- Published in print:
- 2004
- Published Online:
- October 2012
- ISBN:
- 9780195670561
- eISBN:
- 9780199080618
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195670561.003.0005
- Subject:
- History, Indian History
This chapter presents several documents focusing on the Muslim reaction to Hindu revivalism. Some of these are Muslim MPs’ memorandum to the Prime Minister on communal riots; Prime Minister’s ...
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This chapter presents several documents focusing on the Muslim reaction to Hindu revivalism. Some of these are Muslim MPs’ memorandum to the Prime Minister on communal riots; Prime Minister’s decision to set up a panel for looking into Muslim grievances; The leader of the Mulk-o-Millat Bachao Tehrik General Shah Nawaz Khan’s letter to Prime Minister Indira Gandhi; Indira Gandhi’s fifteen-point scheme plan; Majlis-e-Mushawarat’s protest against restriction on prayers in mosques within protected monuments; and Atal Bihari Vajpayee criticism of Indira Gandhi for arousing Hindu communalism.Less
This chapter presents several documents focusing on the Muslim reaction to Hindu revivalism. Some of these are Muslim MPs’ memorandum to the Prime Minister on communal riots; Prime Minister’s decision to set up a panel for looking into Muslim grievances; The leader of the Mulk-o-Millat Bachao Tehrik General Shah Nawaz Khan’s letter to Prime Minister Indira Gandhi; Indira Gandhi’s fifteen-point scheme plan; Majlis-e-Mushawarat’s protest against restriction on prayers in mosques within protected monuments; and Atal Bihari Vajpayee criticism of Indira Gandhi for arousing Hindu communalism.
Gholam R. Afkhami
- Published in print:
- 2009
- Published Online:
- March 2012
- ISBN:
- 9780520253285
- eISBN:
- 9780520942165
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520253285.003.0008
- Subject:
- History, Middle East History
As 1953 progressed, Mosaddeq's problems grew worse, in a chain of interconnected events. In June, the Majlis became a hub of tension as pro- and anti-Mosaddeq deputies fought for control. The fall of ...
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As 1953 progressed, Mosaddeq's problems grew worse, in a chain of interconnected events. In June, the Majlis became a hub of tension as pro- and anti-Mosaddeq deputies fought for control. The fall of the monarchy in Egypt late in June shocked the shah and reverberated across the land. Many in the Majlis and outside now worried seriously that the same fate awaited Iran. The rift between the prime minister and the Majlis widened as economic and political pressure rose in July. On the 16th of August, the government announced that the officers of the Imperial Guard had attempted a coup but had failed. Such events occurred in conjunction with a CIA project code-named TPAJAX. On 22 August, the shah told the members of the chamber of commerce that the national uprising proved that class conflict had no dominion in Iran when high national interests were concerned.Less
As 1953 progressed, Mosaddeq's problems grew worse, in a chain of interconnected events. In June, the Majlis became a hub of tension as pro- and anti-Mosaddeq deputies fought for control. The fall of the monarchy in Egypt late in June shocked the shah and reverberated across the land. Many in the Majlis and outside now worried seriously that the same fate awaited Iran. The rift between the prime minister and the Majlis widened as economic and political pressure rose in July. On the 16th of August, the government announced that the officers of the Imperial Guard had attempted a coup but had failed. Such events occurred in conjunction with a CIA project code-named TPAJAX. On 22 August, the shah told the members of the chamber of commerce that the national uprising proved that class conflict had no dominion in Iran when high national interests were concerned.
Karen G. Ruffle
- Published in print:
- 2011
- Published Online:
- July 2014
- ISBN:
- 9780807834756
- eISBN:
- 9781469602981
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/9780807877975_ruffle.6
- Subject:
- Religion, Islam
This chapter begins with an ethnographic anecdote because Khan's experience delivering his discourse on Fatimah Kubra and the attendant emotional response of the majlis participants demonstrate that ...
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This chapter begins with an ethnographic anecdote because Khan's experience delivering his discourse on Fatimah Kubra and the attendant emotional response of the majlis participants demonstrate that the theological and hagiographical construction of sainthood in the Shi'i tradition is complex, and provides significant space for the inclusion of female saints whose femininity is positively acknowledged and embraced. Khan's focus on Fatimah Kubra was not exceptional, nor was this a special one-time-only topic; the following chapters illustrate how the women of the ahl-e bait are constructed in the hagiographical texts and ritual performance of the mourning assembly. The heroes of Karbala are reified into certain distinguishable types, yet the characterization and symbolic function of these heroes are remarkably fluid and are subject to adaptation to fit new vernacular contexts.Less
This chapter begins with an ethnographic anecdote because Khan's experience delivering his discourse on Fatimah Kubra and the attendant emotional response of the majlis participants demonstrate that the theological and hagiographical construction of sainthood in the Shi'i tradition is complex, and provides significant space for the inclusion of female saints whose femininity is positively acknowledged and embraced. Khan's focus on Fatimah Kubra was not exceptional, nor was this a special one-time-only topic; the following chapters illustrate how the women of the ahl-e bait are constructed in the hagiographical texts and ritual performance of the mourning assembly. The heroes of Karbala are reified into certain distinguishable types, yet the characterization and symbolic function of these heroes are remarkably fluid and are subject to adaptation to fit new vernacular contexts.
Karen G. Ruffle
- Published in print:
- 2011
- Published Online:
- July 2014
- ISBN:
- 9780807834756
- eISBN:
- 9781469602981
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/9780807877975_ruffle.9
- Subject:
- Religion, Islam
This chapter focuses on Dr. M. M. Taqui Khan's family, who has been hosting the mehndi mourning assembly for nearly sixty years. The members of the Khan family had relocated from their residence on ...
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This chapter focuses on Dr. M. M. Taqui Khan's family, who has been hosting the mehndi mourning assembly for nearly sixty years. The members of the Khan family had relocated from their residence on the banks of the Musi River to their current location near Nawab Shawkat Jang's palace. One year, Khan's grandmother remarked, “We have such a big house and this open space. Why don't we host the seventh of Muharram majlis here?” Around 1955, the Khan family began sponsoring an annual mehndi mourning assembly. Their first 'ashurkhana was a simple structure built of canvas tents and bamboo screens; the members of the Khan family subsequently replaced this modest structure with a permanent 'ashurkhana located in the spacious courtyard behind their large house, which sits on Yaqutpura's main road. Every 7 Muharram around one o'clock in the afternoon, more than one thousand men and boys flock to the Khan family 'ashurkhana for the men's mehndi mourning assembly.Less
This chapter focuses on Dr. M. M. Taqui Khan's family, who has been hosting the mehndi mourning assembly for nearly sixty years. The members of the Khan family had relocated from their residence on the banks of the Musi River to their current location near Nawab Shawkat Jang's palace. One year, Khan's grandmother remarked, “We have such a big house and this open space. Why don't we host the seventh of Muharram majlis here?” Around 1955, the Khan family began sponsoring an annual mehndi mourning assembly. Their first 'ashurkhana was a simple structure built of canvas tents and bamboo screens; the members of the Khan family subsequently replaced this modest structure with a permanent 'ashurkhana located in the spacious courtyard behind their large house, which sits on Yaqutpura's main road. Every 7 Muharram around one o'clock in the afternoon, more than one thousand men and boys flock to the Khan family 'ashurkhana for the men's mehndi mourning assembly.
Samir Simaika and Nevine Henein
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789774168239
- eISBN:
- 9781617978265
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774168239.003.0010
- Subject:
- Archaeology, Historical Archaeology
This chapter discusses Marcus Simaika's role in the reformist movement within the Coptic Orthodox Church. To understand the position of the Copts in Egypt during Simaika's lifetime, it is important ...
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This chapter discusses Marcus Simaika's role in the reformist movement within the Coptic Orthodox Church. To understand the position of the Copts in Egypt during Simaika's lifetime, it is important to revisit the year 1854, when Said Pasha, son of Muhammad Ali Pasha, became wali (viceroy) of Egypt. In that same year, Cyril IV ascended to the patriarchal throne as the 110th successor to Saint Mark. Two years later, the Hatt-i Humayon, the most important Turkish reform edict of the nineteenth century, was decreed by Sultan Abd al-Mejid I. This edict established community councils for Christian and other non-Muslim communities. Simaika became a member of the community council, or majlis milli, in 1889 and became involved in the campaign for church reform. The chapter examines Cyril V's banishment and triumphant return and the subsequent defeat of the reformist movement within the Coptic Church.Less
This chapter discusses Marcus Simaika's role in the reformist movement within the Coptic Orthodox Church. To understand the position of the Copts in Egypt during Simaika's lifetime, it is important to revisit the year 1854, when Said Pasha, son of Muhammad Ali Pasha, became wali (viceroy) of Egypt. In that same year, Cyril IV ascended to the patriarchal throne as the 110th successor to Saint Mark. Two years later, the Hatt-i Humayon, the most important Turkish reform edict of the nineteenth century, was decreed by Sultan Abd al-Mejid I. This edict established community councils for Christian and other non-Muslim communities. Simaika became a member of the community council, or majlis milli, in 1889 and became involved in the campaign for church reform. The chapter examines Cyril V's banishment and triumphant return and the subsequent defeat of the reformist movement within the Coptic Church.
Julian Millie
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781501713118
- eISBN:
- 9781501709609
- Item type:
- chapter
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9781501713118.003.0007
- Subject:
- Anthropology, Asian Cultural Anthropology
Chapter Seven contrasts a feminist critique of women’s routines of listening and learning with the characteristic patterns of women’s spectatorship that women display in those routines. Bandung’s ...
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Chapter Seven contrasts a feminist critique of women’s routines of listening and learning with the characteristic patterns of women’s spectatorship that women display in those routines. Bandung’s women live under constraints affecting their social expectations and mobility. The chapter argues that they enjoy preaching in forms deliberately shaped by preachers to accommodate their situations. The resulting listening experience is not a disciplinary one, but one that respects women’s life conditions.Less
Chapter Seven contrasts a feminist critique of women’s routines of listening and learning with the characteristic patterns of women’s spectatorship that women display in those routines. Bandung’s women live under constraints affecting their social expectations and mobility. The chapter argues that they enjoy preaching in forms deliberately shaped by preachers to accommodate their situations. The resulting listening experience is not a disciplinary one, but one that respects women’s life conditions.
Lamia Balafrej
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781474437431
- eISBN:
- 9781474464918
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474437431.003.0001
- Subject:
- Society and Culture, Middle Eastern Studies
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? ...
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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (chapter 3); the line and its calligraphic quality (chapter 4); signature (chapter 5); the mobility of manuscripts (epilogue).Less
This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (chapter 3); the line and its calligraphic quality (chapter 4); signature (chapter 5); the mobility of manuscripts (epilogue).
Lamia Balafrej
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781474437431
- eISBN:
- 9781474464918
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474437431.003.0004
- Subject:
- Society and Culture, Middle Eastern Studies
Chapter 2 examines the representation of epigraphic inscriptions in Persian painting, inscriptions that appeared in pictures as ornaments adorning buildings. It argues for a shift in these ...
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Chapter 2 examines the representation of epigraphic inscriptions in Persian painting, inscriptions that appeared in pictures as ornaments adorning buildings. It argues for a shift in these inscriptions’ content and function in the late Timurid period. Until the mid-fifteenth century, inscriptions were mainly used to link painting to patron. But in the Cairo Bustan, the poetic verses were chosen so as to convey a celebration of the painter. As such they constitute an example of wasf (ekphrasis), a description of the visual that was also a discourse of praise. Moreover, the verses were picked from the poetry of ‘Abd al-Rahman Jami, a late fifteenth-century poet. The inscriptions thus staged a model for the pictures’ reception, a model in which the painting would circulate among famous poets such as Jami, prompting responses about the medium and its makers. A possible institutional setting for such a scenario was the majlis, a form of social gathering that fuelled the art of jawab (response).Less
Chapter 2 examines the representation of epigraphic inscriptions in Persian painting, inscriptions that appeared in pictures as ornaments adorning buildings. It argues for a shift in these inscriptions’ content and function in the late Timurid period. Until the mid-fifteenth century, inscriptions were mainly used to link painting to patron. But in the Cairo Bustan, the poetic verses were chosen so as to convey a celebration of the painter. As such they constitute an example of wasf (ekphrasis), a description of the visual that was also a discourse of praise. Moreover, the verses were picked from the poetry of ‘Abd al-Rahman Jami, a late fifteenth-century poet. The inscriptions thus staged a model for the pictures’ reception, a model in which the painting would circulate among famous poets such as Jami, prompting responses about the medium and its makers. A possible institutional setting for such a scenario was the majlis, a form of social gathering that fuelled the art of jawab (response).
Ali-Akbar Dehkhodā
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780300197990
- eISBN:
- 9780300220667
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300197990.003.0018
- Subject:
- History, Russian and Former Soviet Union History
This chapter presents a column published on January 16, 1908, which is devoted to the attempted coup against the Majlis in December 1907. On December 13 the Majlis demanded that Mohammad-Ali Shah ...
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This chapter presents a column published on January 16, 1908, which is devoted to the attempted coup against the Majlis in December 1907. On December 13 the Majlis demanded that Mohammad-Ali Shah dismiss his anticonstitutionalist advisers Amir Bahādor Jang and Sa'd al-Dowleh. In response, the shah arrested Minister Nāser al-Molk and dignitaries whom the Majlis sent to intercede. Then, on December 15, luti roughs instigated by the court occupied Tupkhāneh (Artillery) Square, immediately to the north of the palace. In response, young activists affiliated with anjomans came to the aid of the parliament with four thousand armed supporters. Mirza Jahāngir Khan, the editor of Sur-e Esrāfil (SE), along with several other journalists were also on the grounds defending the Majlis.Less
This chapter presents a column published on January 16, 1908, which is devoted to the attempted coup against the Majlis in December 1907. On December 13 the Majlis demanded that Mohammad-Ali Shah dismiss his anticonstitutionalist advisers Amir Bahādor Jang and Sa'd al-Dowleh. In response, the shah arrested Minister Nāser al-Molk and dignitaries whom the Majlis sent to intercede. Then, on December 15, luti roughs instigated by the court occupied Tupkhāneh (Artillery) Square, immediately to the north of the palace. In response, young activists affiliated with anjomans came to the aid of the parliament with four thousand armed supporters. Mirza Jahāngir Khan, the editor of Sur-e Esrāfil (SE), along with several other journalists were also on the grounds defending the Majlis.
Ali-Akbar Dehkhodā
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780300197990
- eISBN:
- 9780300220667
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300197990.003.0020
- Subject:
- History, Russian and Former Soviet Union History
This chapter presents a column published on February 4, 1908, where Dehkhodā draws a parallel between private and public abuses of trust. He shows that women and children suffer most from the former, ...
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This chapter presents a column published on February 4, 1908, where Dehkhodā draws a parallel between private and public abuses of trust. He shows that women and children suffer most from the former, while the latter targets all ordinary citizens. The column evolves into an implied criticism of the Majlis president Ehteshām al-Saltaneh, whom the text does not name. Dehkhodā paints him as a hypocrite who, despite his supposed liberal convictions, is colluding with the royalists and the conservatives. He is the man for whom the parliamentary seal is “a mere decoration on a fob-watch chain,” the legislator who shows up in parliament whenever he wants and keeps the deputies waiting for him, who ignores the procedural regulations of the Majlis, and who promises in private sessions to stop the formation of a national force.Less
This chapter presents a column published on February 4, 1908, where Dehkhodā draws a parallel between private and public abuses of trust. He shows that women and children suffer most from the former, while the latter targets all ordinary citizens. The column evolves into an implied criticism of the Majlis president Ehteshām al-Saltaneh, whom the text does not name. Dehkhodā paints him as a hypocrite who, despite his supposed liberal convictions, is colluding with the royalists and the conservatives. He is the man for whom the parliamentary seal is “a mere decoration on a fob-watch chain,” the legislator who shows up in parliament whenever he wants and keeps the deputies waiting for him, who ignores the procedural regulations of the Majlis, and who promises in private sessions to stop the formation of a national force.