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This book challenges the notion that modernity in China and India are derivative imitations of the West, arguing that these societies have transformed their ancient traditions in unique and distinctive ways. The book begins with nineteenth-century imperial history, exploring how Western concepts of spirituality, secularity, religion, and magic were used to translate the traditions of India and China. The book traces how modern Western notions of religion and magic were incorporated into the respective nation-building projects of Chinese and Indian nationalist intellectuals, yet how modernity in China and India is by no means uniform. While religion is a centerpiece of Indian nationalism, it is viewed in China as an obstacle to progress that must be marginalized and controlled. The book moves deftly from Kandinsky's understanding of spirituality in art to Indian yoga and Chinese qi gong, from modern theories of secularism to histories of Christian conversion, from Orientalist constructions of religion to Chinese campaigns against magic and superstition, and from Muslim Kashmir to Muslim Xinjiang.

This book is a transdisciplinary analysis of The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, first published in England in 1789. It was one of the earliest and remains to this day one of the best-known English language “slave” narratives. This now famous work was not really meant to be in any simple respects autobiographical; and it does not unproblematically register the several interests and motivations of a slave, spiritual, or travel narrative. Notwithstanding the inclusion of some formal elements of all these genres, it is best read as something else altogether—as a reflexive social-political commentary and criticism disclosed by a simple narratological framework. What Equiano wrote was not so much his life story as it was his creative effort to describe, critique, and reshape dominant society through his mimetics of what he, as strategically positioned “stranger,” understood to be—and named as—the “magic” that was the (British-inflected) practice of scripture reading, reflected within the structure of discourse and power relations that the author calls “scripturalization”. The book uses Equiano’s narrative to think with; it is a site for historical and contemporary social-critical excavation, using scriptures as social-cultural phenomenon and dynamics as analytical wedge. This scripturalizing mimetics open an analytical window onto the dynamics and structuring of British (and by extension Euro-American) civilization as a kind of ideological-discursive and social-psychological slavery, the representations of which are the deeper interest of this book. The form of enslavement identified as scripturalization in turn poignantly raises the possibility—with Equiano the ex-slave as model—of a particular type of negotiation or escape: ideological-psychological marronage, if not freedom in absolute terms. In Equiano’s reflexive thinking and discursive are the elements for the construction of “the African,” or “the Ethiopian,” the complex self within a reconceptualized modern, pluralistic society.

The Strides of Vishnu explores a wide range of topics in Hindu culture and history. Hinduism has often set out to mediate between the practical needs of its many communities and a transcendent realm. Illuminating this connection, The Strides of Vishnu focuses not only on religious ideas but also on the various arts and sciences, as well as crafts, politics, technology, and medicine. The book emphasizes core themes that run through the major historical periods of Northern India, beginning with the Vedas and leading up to India's independence. Sophisticated sciences such as geometry, grammar, politics, law, architecture, and biology are discussed within a broad cultural framework. Special attention is devoted to historical, economic, and political developments, including urbanism and empire‐building. The Strides of Vishnu situates religious and philosophical ideas within such broad contexts so religion sheds its abstract and detached reputation. The message of classical and medieval religious masterpieces—including the Upanishads, Bhagavad Gita, plays of Kalidasa, and many others—comes to life within a broad world‐making agenda. But while the literary masterpieces reflected the work of the cultural elites, The Strides of Vishnu also devotes considerable attention to the work that did not make it into the great texts: women's rituals, magic, alchemy, medicine, and a variety of impressive crafts. The book discusses the stunning mythology of medieval India and provides the methods for interpreting it, along with the vast cosmologies and cosmographies of the Puranas. The Strides of Vishnu is an introductory book on Hindu culture, but while it highlights central religious themes, it explores these within broader historical and cultural contexts. It gives its readers a clear and highly textured overview of a vast and productive civilization.

Politicking and Emergent Media looks at four presidential campaigns in the United States during the long 1890s (1888-1900) and the ways in which Republicans and Democrats mobilized a wide variety of media forms in their efforts to achieve electoral victory. The 1890s was a pivotal era in which new means of audio and visual inscription were first deployed. Newspapers remained the dominant media, and Democrats had gained sufficient advantage in 1884 to put Grover Cleveland in the White House. In 1888 Republicans responded by strengthening their media arm with a variety of tactics, using the stereopticon, a modernized magic lantern, to deliver popular illustrated lectures on the protective tariff which helped Republican candidate Benjamin Harrison defeat Cleveland--though Harrison lost the rematch four years later. Efforts to regain a media advantage continued in 1896 as Republicans embraced motion pictures, the phonograph and telephone to further William McKinley’s campaign for president. When the traditionally Democratic press rejected “Free Silver” candidate William Jennings Bryan, McKinley’s victory was assured. As the United States became a world power in the aftermath of the Spanish-American War, audio-visual media promoted American Imperialism, the “paramount issue” of the 1900 election, as McKinley won a second term.

This book unveils the enduring power of witchcraft, curses, and black magic in modern times. Few topics are so secretive or controversial. Yet, whether in the 1800s or the early 2000s, when disasters struck or personal misfortunes mounted, many Britons found themselves believing in things they had previously dismissed — dark supernatural forces. The book explores the lives of cursed or bewitched people, along with the witches and witch-busters who helped and harmed them. It takes us on a fascinating journey from Scottish islands to the folklore-rich West Country, from the immense territories of the British Empire to metropolitan London. We learn why magic caters to deep-seated human needs but see how it can also be abused, and discover how witchcraft survives by evolving and changing. Along the way, the book examines an array of remarkable beliefs and rituals, from traditional folk magic to diverse spiritualities originating in Africa and Asia. This is a tale of cynical quacks and sincere magical healers, depressed people and furious vigilantes, innocent victims and rogues who claimed to possess evil abilities. Their spellbinding stories raise important questions about the state's role in regulating radical spiritualities, the fragility of secularism and the true nature of magic.

This book examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. This book provides an account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré's spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, it highlights Pomba Gira's role in the rivalries, relationships, and struggles of everyday life in urban Brazil.

Despite its hard-nosed emphasis on the demystifying realism of Marxist–Leninist ideology, the political imagery of the Cuban revolution—and the state that followed—conjures up its own magical seductions and fantasies of power. This book shows how magic practices and political culture are entangled in Cuba in unusual and intimate ways. He describes not only how the monumentality of the state arouses magical sensibilities and popular images of its hidden powers, but also the ways in which revolutionary officialdom has, in recent years, tacitly embraced and harnessed vernacular fantasies of power to the national agenda. In this analysis, popular culture and the state are deeply entangled within a promiscuous field of power, taking turns siphoning the magic of the other in order to embellish their own fantasies of authority, control, and transformation. This study brings anthropology and history together by examining the relationship between ritual and state power in revolutionary Cuba, paying particular attention to the roles of memory and history in the construction and contestation of shared political imaginaries.