Heather A. Haveman
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691164403
- eISBN:
- 9781400873883
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691164403.003.0002
- Subject:
- Sociology, Social Theory
This chapter looks at the history of American magazines during the period 1741–1860. It first traces the origins of magazines in Europe, where magazine publishing began in the late seventeenth ...
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This chapter looks at the history of American magazines during the period 1741–1860. It first traces the origins of magazines in Europe, where magazine publishing began in the late seventeenth century as printing presses became widespread. Among the early English-language magazines in this period were the Philosophical Transactions, A Review of the Affairs of France and of all Europe, and Gentleman's Magazine. The chapter proceeds by discussing the growth of the magazine industry in America from 1741 to 1860 as well as the evolving nature of magazine distribution in terms of audience, content, format, and genre variety, as well as publishing and readership geography. The chapter highlights the sharp distinction between the short-lived, small-circulation magazines of the mid-eighteenth century and the often long-lived, mass-circulation periodicals of the mid-nineteenth century.Less
This chapter looks at the history of American magazines during the period 1741–1860. It first traces the origins of magazines in Europe, where magazine publishing began in the late seventeenth century as printing presses became widespread. Among the early English-language magazines in this period were the Philosophical Transactions, A Review of the Affairs of France and of all Europe, and Gentleman's Magazine. The chapter proceeds by discussing the growth of the magazine industry in America from 1741 to 1860 as well as the evolving nature of magazine distribution in terms of audience, content, format, and genre variety, as well as publishing and readership geography. The chapter highlights the sharp distinction between the short-lived, small-circulation magazines of the mid-eighteenth century and the often long-lived, mass-circulation periodicals of the mid-nineteenth century.
Heather A. Haveman
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691164403
- eISBN:
- 9781400873883
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691164403.003.0005
- Subject:
- Sociology, Social Theory
This chapter examines the interplay between magazines and religion, with emphasis on how the growing number and variety of magazines supported and channeled community building in America—including ...
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This chapter examines the interplay between magazines and religion, with emphasis on how the growing number and variety of magazines supported and channeled community building in America—including the translocal communities that were a big part of the modernization of American society. It first considers how American religion evolved during the period 1740–1860, citing in particular the rise of national religious organizations. It then explores the relationship between religious events and institutions, on the one hand, and religious magazines on the other. It also describes the fragmentation of American churches in disputes over theology and politics and concludes by explaining how the proliferation of religious magazines affected the rest of the magazine industry.Less
This chapter examines the interplay between magazines and religion, with emphasis on how the growing number and variety of magazines supported and channeled community building in America—including the translocal communities that were a big part of the modernization of American society. It first considers how American religion evolved during the period 1740–1860, citing in particular the rise of national religious organizations. It then explores the relationship between religious events and institutions, on the one hand, and religious magazines on the other. It also describes the fragmentation of American churches in disputes over theology and politics and concludes by explaining how the proliferation of religious magazines affected the rest of the magazine industry.
Heather A. Haveman
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691164403
- eISBN:
- 9781400873883
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691164403.001.0001
- Subject:
- Sociology, Social Theory
From the colonial era to the onset of the Civil War, this book looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age. How did ...
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From the colonial era to the onset of the Civil War, this book looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age. How did a magazine industry emerge in the United States, where there were once only amateur authors, clumsy technologies for production and distribution, and sparse reader demand? What legitimated magazines as they competed with other media, such as newspapers, books, and letters? And what role did magazines play in the integration or division of American society? From their first appearance in 1741, magazines brought together like-minded people, wherever they were located and whatever interests they shared. As America became socially differentiated, magazines engaged and empowered diverse communities of faith, purpose, and practice. Religious groups could distinguish themselves from others and demarcate their identities. Social reform movements could energize activists across the country to push for change. People in specialized occupations could meet and learn from one another to improve their practices. Magazines built translocal communities—collections of people with common interests who were geographically dispersed and could not easily meet face-to-face. By supporting communities that crossed various axes of social structure, magazines also fostered pluralistic integration. Looking at the important role that magazines had in mediating and sustaining critical debates and diverse groups of people, this book considers how these print publications helped construct a distinctly American society.Less
From the colonial era to the onset of the Civil War, this book looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age. How did a magazine industry emerge in the United States, where there were once only amateur authors, clumsy technologies for production and distribution, and sparse reader demand? What legitimated magazines as they competed with other media, such as newspapers, books, and letters? And what role did magazines play in the integration or division of American society? From their first appearance in 1741, magazines brought together like-minded people, wherever they were located and whatever interests they shared. As America became socially differentiated, magazines engaged and empowered diverse communities of faith, purpose, and practice. Religious groups could distinguish themselves from others and demarcate their identities. Social reform movements could energize activists across the country to push for change. People in specialized occupations could meet and learn from one another to improve their practices. Magazines built translocal communities—collections of people with common interests who were geographically dispersed and could not easily meet face-to-face. By supporting communities that crossed various axes of social structure, magazines also fostered pluralistic integration. Looking at the important role that magazines had in mediating and sustaining critical debates and diverse groups of people, this book considers how these print publications helped construct a distinctly American society.
Brooke Erin Duffy
- Published in print:
- 2013
- Published Online:
- April 2017
- ISBN:
- 9780252037962
- eISBN:
- 9780252095221
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252037962.003.0003
- Subject:
- Society and Culture, Media Studies
This chapter examines the changes taking place in the economies, technologies, and markets of women's magazines in the late twentieth century by focusing on three publishers: Hearst Magazines, Condé ...
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This chapter examines the changes taking place in the economies, technologies, and markets of women's magazines in the late twentieth century by focusing on three publishers: Hearst Magazines, Condé Nast, and Time, Inc. Although each of these companies produces several women's fashion, beauty, and/or service titles, their organizational structures are becoming quite varied as they reorient departments, positions, and routines to address contemporary industry challenges. The chapter considers the extent to which changes in the magazine industry can be ascribed exclusively to digital innovations, whether such changes are being felt evenly across the industry, and how they have created a perfect storm that has opened up the question of “what is a magazine?” It also discusses the ways that Condé Nast, Time, and Hearst are addressing the challenges of digitization. The chapter shows that women's magazine companies venture into online and digital spaces as part of their concentrated efforts to resuscitate their magazine titles.Less
This chapter examines the changes taking place in the economies, technologies, and markets of women's magazines in the late twentieth century by focusing on three publishers: Hearst Magazines, Condé Nast, and Time, Inc. Although each of these companies produces several women's fashion, beauty, and/or service titles, their organizational structures are becoming quite varied as they reorient departments, positions, and routines to address contemporary industry challenges. The chapter considers the extent to which changes in the magazine industry can be ascribed exclusively to digital innovations, whether such changes are being felt evenly across the industry, and how they have created a perfect storm that has opened up the question of “what is a magazine?” It also discusses the ways that Condé Nast, Time, and Hearst are addressing the challenges of digitization. The chapter shows that women's magazine companies venture into online and digital spaces as part of their concentrated efforts to resuscitate their magazine titles.
Brooke Erin Duffy
- Published in print:
- 2013
- Published Online:
- April 2017
- ISBN:
- 9780252037962
- eISBN:
- 9780252095221
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252037962.003.0008
- Subject:
- Society and Culture, Media Studies
This concluding chapter returns to the guiding question “What is a magazine?” used by the book to explore the industry transformations associated with digitization and participatory culture by ...
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This concluding chapter returns to the guiding question “What is a magazine?” used by the book to explore the industry transformations associated with digitization and participatory culture by revisiting the concepts of organizational identity, professional identity, and gendered identity. It also discusses the many different ways in which contemporary producers of women's magazines are redefining their processes and products. It shows that the evolution from magazine as object to magazine as brand represents a conundrum for magazine publishers as they struggle to reach a consensus about “who we are as an organization.” While contemporary threats to the magazine industry are very real, the chapter argues that the actual shifts taking place are much more nuanced than universal accounts about media convergence suggest. As some traditional media boundaries collapse, others are being remade to preserve historical and cultural identity articulations.Less
This concluding chapter returns to the guiding question “What is a magazine?” used by the book to explore the industry transformations associated with digitization and participatory culture by revisiting the concepts of organizational identity, professional identity, and gendered identity. It also discusses the many different ways in which contemporary producers of women's magazines are redefining their processes and products. It shows that the evolution from magazine as object to magazine as brand represents a conundrum for magazine publishers as they struggle to reach a consensus about “who we are as an organization.” While contemporary threats to the magazine industry are very real, the chapter argues that the actual shifts taking place are much more nuanced than universal accounts about media convergence suggest. As some traditional media boundaries collapse, others are being remade to preserve historical and cultural identity articulations.
Anthony Slide
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604734133
- eISBN:
- 9781621034322
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604734133.003.0010
- Subject:
- Film, Television and Radio, Film
This chapter describes the impact of television on fan magazines. In the 1950s, television not only challenged the film industry for audience and revenue, but also created an audience for a new type ...
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This chapter describes the impact of television on fan magazines. In the 1950s, television not only challenged the film industry for audience and revenue, but also created an audience for a new type of fan magazine—one in which the motion picture had to compete with television for space and publicity. By the mid-1950s, television fan magazines included TV People, TV Star Parade, and TV World. Between 1961 and 1966, fan magazines discovered that television stars sold as many issues as several of their movie counterparts.Less
This chapter describes the impact of television on fan magazines. In the 1950s, television not only challenged the film industry for audience and revenue, but also created an audience for a new type of fan magazine—one in which the motion picture had to compete with television for space and publicity. By the mid-1950s, television fan magazines included TV People, TV Star Parade, and TV World. Between 1961 and 1966, fan magazines discovered that television stars sold as many issues as several of their movie counterparts.
Amy Tucker
- Published in print:
- 2010
- Published Online:
- June 2013
- ISBN:
- 9780804768740
- eISBN:
- 9780804776233
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804768740.001.0001
- Subject:
- Literature, American, 19th Century Literature
This book examines the crucial role of the illustrated press in the formation of the reading public and the writing profession during Henry James's lifetime. It re-examines James's stories, ...
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This book examines the crucial role of the illustrated press in the formation of the reading public and the writing profession during Henry James's lifetime. It re-examines James's stories, criticism, and travel essays in light of the explosive growth of the magazine industry in the United States and abroad at the turn of the century. Using previously unpublished archival sources, the book delves into James's negotiations with publishers, editors, and literary agents, as well as his interactions with some of the celebrated artists who were assigned to illustrate his work. Reproducing more than 120 illustrations, advertisements, and other images that accompanied James's work, this book reveals the vital interplay of word and image that helped define literary culture at a moment when “popular entertainment” and “high art” had not yet gone their separate ways.Less
This book examines the crucial role of the illustrated press in the formation of the reading public and the writing profession during Henry James's lifetime. It re-examines James's stories, criticism, and travel essays in light of the explosive growth of the magazine industry in the United States and abroad at the turn of the century. Using previously unpublished archival sources, the book delves into James's negotiations with publishers, editors, and literary agents, as well as his interactions with some of the celebrated artists who were assigned to illustrate his work. Reproducing more than 120 illustrations, advertisements, and other images that accompanied James's work, this book reveals the vital interplay of word and image that helped define literary culture at a moment when “popular entertainment” and “high art” had not yet gone their separate ways.