Jump to ContentJump to Main Navigation

You are looking at 1-10 of 10 items

  • Keywords: long takes x
Clear All Modify Search

View:

Coda

Jean Ma

in Melancholy Drift: Marking Time in Chinese Cinema

Published in print:
2010
Published Online:
September 2011
ISBN:
9789888028054
eISBN:
9789882207172
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789888028054.003.0007
Subject:
Film, Television and Radio, Film

The expansiveness of Wong Kar-wai's approach to intertextuality, citation, and borrowing, along with the dense cross-cultural, cross-medial matrix in which his ... More


The Tarr Style

András Bálint Kovács

in The Cinema of Béla Tarr: The Circle Closes

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165310
eISBN:
9780231850377
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165310.003.0003
Subject:
Film, Television and Radio, Film

This chapter discusses the Tarr style of filmmaking, particularly his use of extremely long takes. It characterizes four types of use of long takes, most of them combined with long camera movements, ... More


Mirror: Traces and Transfiguration

Matilda Mroz

in Temporality and Film Analysis

Published in print:
2012
Published Online:
January 2013
ISBN:
9780748643462
eISBN:
9780748676514
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748643462.003.0004
Subject:
Film, Television and Radio, Film

This chapter argues that Tarkovsky's Mirror encourages a fascination with its own process of cinematic imaging, in which images of everyday objects and nature are aesthetically transfigured through ... More


Slow Looking: Confronting Moving Images with Georges Didi-Huberman

Catherine Fowler

in Indefinite Visions: Cinema and the Attractions of Uncertainty

Published in print:
2017
Published Online:
May 2018
ISBN:
9781474407120
eISBN:
9781474434874
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474407120.003.0014
Subject:
Film, Television and Radio, Film

A recent flurry of scholarship around slow cinema’s use of long takes signals a renewed interest in looking. Adding to this work, this chapter considers contemporary artists’ moving images shown in ... More


Rope (1948)

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0018
Subject:
Film, Television and Radio, Film

In Hollywood in the 1940s, both prevailing morality and the Production Code made it impossible to produce a film about gay men. That made the filming of Rope, based on a play mirroring the notorious ... More


Chinese Digital Shadows: Hybrid Forms, Bodily Archives, and Transnational Visions

Bérénice Reynaud

in DV-Made China: Digital Subjects and Social Transformations after Independent Film

Published in print:
2015
Published Online:
November 2016
ISBN:
9780824846817
eISBN:
9780824868116
Item type:
chapter
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824846817.003.0008
Subject:
Society and Culture, Asian Studies

Taking Hao Jie’s Single Man as a case study, this chapter discusses the effect of globalization on independent DV production—a home-grown phenomenon born out of the availability of DV cameras and ... More


Getting Lost

Song Hwee Lim

in Tsai Ming-Liang and a Cinema of Slowness

Published in print:
2014
Published Online:
November 2016
ISBN:
9780824836849
eISBN:
9780824869694
Item type:
chapter
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824836849.003.0006
Subject:
Society and Culture, Asian Studies

This chapter considers the opening shot of Tsai Ming-liang's short film, The Skywalk Is Gone, a shot that encapsulates an aesthetics of slowness, the technique of defamiliarization, and the notion of ... More


Look? Optical/Sound Situations and Interpretation: Ozu—(Deleuze)—Kiarostami

David Deamer

in Reorienting Ozu: A Master and His Influence

Published in print:
2018
Published Online:
December 2017
ISBN:
9780190254971
eISBN:
9780190255008
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190254971.003.0015
Subject:
Literature, Film, Media, and Cultural Studies, World Literature

This chapter explores the influence Abbas Kiarostami’s Five (2003) takes from the cinema of Ozu, theorizing the nature of the dedication in the subtitle: 5 Long Takes—Dedicated to Yasujiro Ozu. Such ... More


Raging Bull’s Stylistic Dissonance

Todd Berliner

in Hollywood Aesthetic: Pleasure in American Cinema

Published in print:
2017
Published Online:
April 2017
ISBN:
9780190658748
eISBN:
9780190658786
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190658748.003.0006
Subject:
Literature, Film, Media, and Cultural Studies, Criticism/Theory

Illustrating some of the points made in chapter 5, chapter 6 offers an extended analysis of some complex tendencies in Raging Bull’s cinematography, editing, and sound devices. The film tests the ... More


Introduction: The Soul of Cinema

Angela Dalle Vacche

in André Bazin's Film Theory: Art, Science, Religion

Published in print:
2020
Published Online:
December 2020
ISBN:
9780190067298
eISBN:
9780190067335
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190067298.003.0001
Subject:
Literature, Film, Media, and Cultural Studies

Bazin’s work explores a key question: What is a human, in contrast to an animal, a plant, an object or a machine? A human is simultaneously a rational animal and an irrational being. Human ... More


View: