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This book examines the Catholic participation in the “Long Sixties” in the United States, a decade that, for Catholic Americans, began in 1964 (the year the first reforms mandated by the Second Vatican Council began to be implemented) and continued into the 1970s. The book argues that the most important result of that era was the emergence of the awareness among many of the Catholic faithful that everything in history changes, including the Church. This seemingly obvious insight generated considerable turmoil within the American Catholic community, which was accustomed to thinking of their religious beliefs and practices as timeless. The battles generated by that insight largely shaped the debates within the community during the final quarter of the twentieth and the first decade of the twenty-first century. In the process of narrating those turbulent events, the book offers a new master narrative of American Catholicism during the 1960s that seeks to displace the older politicized narrative of “liberals versus conservatives.”

In 1968 a street and media-savvy democratization movement led by students emerged in Mexico City. The 68 Movement was targeted in a state-sponsored massacre at a massive new housing complex ten days before the city hosted the Olympic Games. Both the complex and the mega event were symbols of the country’s rapid modernization but also decades-long political disenfranchisement and urban redevelopment that rendered citizens “guests” of the government and its allies. In spite of institutional denial, censorship and impunity, the massacre remains a touchstone in contemporary public culture thanks to the public memory work of survivors and narrators among Mexico’s intelligentsia. Hotel Mexico asks: How was urban space—material but also literary and cinematic—harnessed as a recalcitrant archive of 1968 and continues to serve as a framework for de facto modes of justice. The 68 Movement’s imaginary and tactics are interwoven and compared with other efforts, both official and countercultural, to reevaluate or renew Mexico’s post-revolutionary modernity: in architecture, urbanism, literature, visual arts, and film—among them, Mario Pani’s housing complex Nonoalco-Tlatelolco (1958–64), kinetic environments created for the 1968 Olympics, and David Alfaro Siqueiros last major mural, The March of Humanity (1964–71).

This social and cultural history of Argentina’s “long sixties” argues that the nation’s younger generation was at the epicenter of a public struggle over democracy, authoritarianism, and revolution from the mid-twentieth century through the ruthless military dictatorship that seized power in 1976. It demonstrates how, during this period, large numbers of youths built on their history of earlier activism and pushed forward closely linked agendas of sociocultural modernization and political radicalization. Focusing also on the views of adults who assessed, and sometimes profited from, youth culture, the author analyzes countercultural formations—including rock music, sexuality, student life, and communal living experiences—and situates them in an international context. She details how, while Argentines of all ages yearned for newness and change, it was young people who championed the transformation of deep-seated traditions of social, cultural, and political life. The significance of youth was not lost on the leaders of the rising junta: people aged sixteen to thirty accounted for 70 percent of the estimated 20,000 Argentines who were “disappeared” during the regime.