Zeynep Devrim Gürsel
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780520286368
- eISBN:
- 9780520961616
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520286368.001.0001
- Subject:
- Society and Culture, Media Studies
How does a photograph become a news image? An ethnography of the labor behind international news images, this book ruptures the self-evidence of the journalistic photograph by revealing the many ...
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How does a photograph become a news image? An ethnography of the labor behind international news images, this book ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, this book argues, function as formative fictions—fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism's centers of power, the book offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, the book investigates how news images are produced and how worldviews are reproduced in the process.Less
How does a photograph become a news image? An ethnography of the labor behind international news images, this book ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, this book argues, function as formative fictions—fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world. Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism's centers of power, the book offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals, the book investigates how news images are produced and how worldviews are reproduced in the process.
