Scott McGill
- Published in print:
- 2005
- Published Online:
- September 2007
- ISBN:
- 9780195175646
- eISBN:
- 9780199789337
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195175646.001.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
The Virgilian centos, in which authors reconnect discrete lines taken from Virgil's Eclogues, Georgics, and Aeneid to create new poems, are some of the most striking texts to survive from antiquity. ...
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The Virgilian centos, in which authors reconnect discrete lines taken from Virgil's Eclogues, Georgics, and Aeneid to create new poems, are some of the most striking texts to survive from antiquity. This book examines the twelve mythological and secular examples, which probably date from c.200-c.530. While verbal games, the centos deserve to be taken seriously for what they disclose about Virgil's reception, late-antique literary culture, and other important historical and theoretical topics in literary criticism. As radically intertextual works, the centos are particularly valuable sites for investigating topics in allusion studies: when can and should audiences read texts allusively? What is the role of the author and the reader in creating allusions? How does one determine the functions of allusions? This book explores these and other questions, and in the process comes into dialogue with major critical issues.Less
The Virgilian centos, in which authors reconnect discrete lines taken from Virgil's Eclogues, Georgics, and Aeneid to create new poems, are some of the most striking texts to survive from antiquity. This book examines the twelve mythological and secular examples, which probably date from c.200-c.530. While verbal games, the centos deserve to be taken seriously for what they disclose about Virgil's reception, late-antique literary culture, and other important historical and theoretical topics in literary criticism. As radically intertextual works, the centos are particularly valuable sites for investigating topics in allusion studies: when can and should audiences read texts allusively? What is the role of the author and the reader in creating allusions? How does one determine the functions of allusions? This book explores these and other questions, and in the process comes into dialogue with major critical issues.
Cynthia Gordon
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780195373820
- eISBN:
- 9780199872046
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373820.001.0001
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This book integrates theories of intertextuality and framing in order to explore the role of repetition in everyday family interaction. Specifically, it investigates how and why family members repeat ...
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This book integrates theories of intertextuality and framing in order to explore the role of repetition in everyday family interaction. Specifically, it investigates how and why family members repeat words, phrases, paralinguistic features, and speech acts previously produced in conversation by other family members. The book presents a case‐study analysis of the discourse of three dual‐income American families who recorded their own conversations over the course of one week; this unique data set enables analysis of repetition both within and across family conversations. Using the perspective of interactional sociolinguistics and drawing on theories from linguistics, communication, sociology, anthropology, and psychology, the book's chapters collectively demonstrate how repetition serves as a crucial means of creating the complex, shared meanings that give each family its distinctive identity. The book thus uncovers how repetition in everyday talk serves as a resource for creating a family's private language or familylect, for constructing families as small‐group cultures, and for layering and negotiating meanings. In so doing, it puts forth the argument that intertextuality and framing, two powerful notions that have been applied widely (and largely independently) across disciplines, are best understood as fundamentally interconnected. The book also engages with intertextuality as both a theory and a methodological approach.Less
This book integrates theories of intertextuality and framing in order to explore the role of repetition in everyday family interaction. Specifically, it investigates how and why family members repeat words, phrases, paralinguistic features, and speech acts previously produced in conversation by other family members. The book presents a case‐study analysis of the discourse of three dual‐income American families who recorded their own conversations over the course of one week; this unique data set enables analysis of repetition both within and across family conversations. Using the perspective of interactional sociolinguistics and drawing on theories from linguistics, communication, sociology, anthropology, and psychology, the book's chapters collectively demonstrate how repetition serves as a crucial means of creating the complex, shared meanings that give each family its distinctive identity. The book thus uncovers how repetition in everyday talk serves as a resource for creating a family's private language or familylect, for constructing families as small‐group cultures, and for layering and negotiating meanings. In so doing, it puts forth the argument that intertextuality and framing, two powerful notions that have been applied widely (and largely independently) across disciplines, are best understood as fundamentally interconnected. The book also engages with intertextuality as both a theory and a methodological approach.
Alessandro Barchiesi
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691161815
- eISBN:
- 9781400852482
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161815.001.0001
- Subject:
- Literature, Criticism/Theory
The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated. This is the first English translation of one ...
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The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated. This is the first English translation of one of the most important and influential modern studies in this tradition. As a revised and expanded edition it advances innovative approaches even as it recuperates significant earlier interpretations, from Servius to G. N. Knauer. Approaching Homeric allusions in the Aeneid as “narrative effects” rather than glimpses of the creative mind of the author at work, the book demonstrates how these allusions generate hesitations and questions, as well as insights and guidance, and how they participate in the creation of narrative meaning. The book also examines how layers of competing interpretations in Homer are relevant to the Aeneid, revealing again the richness of the Homeric tradition as a component of meaning in the Aeneid. Finally, the book goes beyond previous studies of the Aeneid by distinguishing between two forms of Homeric intertextuality: reusing a text as an individual model or as a generic matrix. For this edition, a new chapter has been added, and in a new afterword the author puts the book in the context of changes in the study of Latin literature and intertextuality. The book has valuable insights for the wider study of imitation, allusion, intertextuality, epic, and literary theory.Less
The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated. This is the first English translation of one of the most important and influential modern studies in this tradition. As a revised and expanded edition it advances innovative approaches even as it recuperates significant earlier interpretations, from Servius to G. N. Knauer. Approaching Homeric allusions in the Aeneid as “narrative effects” rather than glimpses of the creative mind of the author at work, the book demonstrates how these allusions generate hesitations and questions, as well as insights and guidance, and how they participate in the creation of narrative meaning. The book also examines how layers of competing interpretations in Homer are relevant to the Aeneid, revealing again the richness of the Homeric tradition as a component of meaning in the Aeneid. Finally, the book goes beyond previous studies of the Aeneid by distinguishing between two forms of Homeric intertextuality: reusing a text as an individual model or as a generic matrix. For this edition, a new chapter has been added, and in a new afterword the author puts the book in the context of changes in the study of Latin literature and intertextuality. The book has valuable insights for the wider study of imitation, allusion, intertextuality, epic, and literary theory.
Steven J. Green and Katharina Volk (eds)
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199586462
- eISBN:
- 9780191724961
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199586462.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
The Astronomica of Manilius is a poem in five books, at least partly written under Augustus, which purports to teach the reader the art of astrology and the means by which an accurate horoscope may ...
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The Astronomica of Manilius is a poem in five books, at least partly written under Augustus, which purports to teach the reader the art of astrology and the means by which an accurate horoscope may be cast. It is, therefore, a text from the classical age of Latin literature which deals with a topic to whose enduring popular interest any daily western newspaper will testify. And yet, despite some notable modern exceptions, the infamously harsh verdict of Manilius’ most famous twentieth-century editor, A. E. Housman, continues to cast an imposing shadow on the poem, especially for Anglophone readers. The current volume—seeks to lift this shadow once and for all, as it brings together an international contingent of scholars for an interdisciplinary exploration of Manilius at an auspiciously significant time, close to the bimillennial celebration of the poem’s composition. The range of perspectives from which Manilius is approached in the present volume is testament to both the complexity of Manilius and the differing fruitful avenues for modern interdisciplinary enquiry. Matters of literary interest, especially generic affiliation and intertextuality, are complemented by approaches which assess the socio-political, philosophical, scientific, and astrological resonance of the poem. Moreover, as a salutary counterbalance to the relative neglect of our author in recent times, the popular reception of the poem, especially in Renaissance times, is also explored.Less
The Astronomica of Manilius is a poem in five books, at least partly written under Augustus, which purports to teach the reader the art of astrology and the means by which an accurate horoscope may be cast. It is, therefore, a text from the classical age of Latin literature which deals with a topic to whose enduring popular interest any daily western newspaper will testify. And yet, despite some notable modern exceptions, the infamously harsh verdict of Manilius’ most famous twentieth-century editor, A. E. Housman, continues to cast an imposing shadow on the poem, especially for Anglophone readers. The current volume—seeks to lift this shadow once and for all, as it brings together an international contingent of scholars for an interdisciplinary exploration of Manilius at an auspiciously significant time, close to the bimillennial celebration of the poem’s composition. The range of perspectives from which Manilius is approached in the present volume is testament to both the complexity of Manilius and the differing fruitful avenues for modern interdisciplinary enquiry. Matters of literary interest, especially generic affiliation and intertextuality, are complemented by approaches which assess the socio-political, philosophical, scientific, and astrological resonance of the poem. Moreover, as a salutary counterbalance to the relative neglect of our author in recent times, the popular reception of the poem, especially in Renaissance times, is also explored.
Christina S. Kraus, John Marincola, and Christopher Pelling (eds)
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199558681
- eISBN:
- 9780191720888
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199558681.001.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This volume collects essays written by colleagues and friends as a tribute to Tony Woodman, Gildersleeve Professor of Latin at the University of Virginia. These essays, like Woodman's own work, cover ...
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This volume collects essays written by colleagues and friends as a tribute to Tony Woodman, Gildersleeve Professor of Latin at the University of Virginia. These essays, like Woodman's own work, cover topics in Latin poetry, oratory, and Greek and Roman historiography. Recurrent themes are the importance of rhetoric and rhetorical training, the skilful use of language and recurrent motifs in narrative, the use and adaptation of topoi, the importance of intertextuality, and the subtle and varied ways in which literary texts can have a contemporary resonance for their own day.Less
This volume collects essays written by colleagues and friends as a tribute to Tony Woodman, Gildersleeve Professor of Latin at the University of Virginia. These essays, like Woodman's own work, cover topics in Latin poetry, oratory, and Greek and Roman historiography. Recurrent themes are the importance of rhetoric and rhetorical training, the skilful use of language and recurrent motifs in narrative, the use and adaptation of topoi, the importance of intertextuality, and the subtle and varied ways in which literary texts can have a contemporary resonance for their own day.
Damien Nelis
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199558681
- eISBN:
- 9780191720888
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199558681.003.0011
- Subject:
- Classical Studies, European History: BCE to 500CE
This chapter offers a study of some aspects of the structure of the first book of Vergil's Georgics. It attempts to explain the book's thematic coherence by looking at the ways in which the poet ...
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This chapter offers a study of some aspects of the structure of the first book of Vergil's Georgics. It attempts to explain the book's thematic coherence by looking at the ways in which the poet relates his description of the life and work of the Italian farmer to the movement of the solar year, to Roman history, and to contemporary politics. Particular attention is paid to the ways in which Vergil reacts to his predecessors in the didactic genre and to the ways in which he handles the themes of religion and knowledge and the role of the new divinity he refers to by the name ‘Caesar’. Study of the poem's intertextuality helps to illustrate his engagement with contemporary politics, civil strife and the Roman revolution.Less
This chapter offers a study of some aspects of the structure of the first book of Vergil's Georgics. It attempts to explain the book's thematic coherence by looking at the ways in which the poet relates his description of the life and work of the Italian farmer to the movement of the solar year, to Roman history, and to contemporary politics. Particular attention is paid to the ways in which Vergil reacts to his predecessors in the didactic genre and to the ways in which he handles the themes of religion and knowledge and the role of the new divinity he refers to by the name ‘Caesar’. Study of the poem's intertextuality helps to illustrate his engagement with contemporary politics, civil strife and the Roman revolution.
Charlotte Linde
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195140286
- eISBN:
- 9780199871247
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195140286.001.0001
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This book analyzes the role of narratives in institutions, showing how institutions use narratives to remember their past and project a future, and how people within institutions shape and are shaped ...
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This book analyzes the role of narratives in institutions, showing how institutions use narratives to remember their past and project a future, and how people within institutions shape and are shaped by institutional stories. The central example provides an ethnography of the structure and use of stories in an American insurance company. Narratives within institutions are used to negotiate collective and individual identity. These identities shape the way collectivities and individuals use, change or contest presentations of the past. Identity and memory are mutually constructed through the use of narrative. This book examines not only the stories that exist within institutions, but also the ways that members use them, demonstrating the key role of proper occasions for telling them. Institutional occasions allow stories to be retold, and thus to extend their future use beyond the memories of their original participants. Analysis of multiple retellings shows both the formation of the core story stock of an institution, and the effect of the speaker's position on the form of a story as it is retold on particular occasions to particular audiences. Individuals' stories are shaped by their memberships: part of being a member is knowing how to tell one's story in relation to the institution's stories. This study also examines silences within institutions. Silences are complex: stories not told in public may have an active life in private conversations. This ethnography of narrative describes the individual and collective work of creating and maintaining narrative memory: the ongoing creation of a useable past.Less
This book analyzes the role of narratives in institutions, showing how institutions use narratives to remember their past and project a future, and how people within institutions shape and are shaped by institutional stories. The central example provides an ethnography of the structure and use of stories in an American insurance company. Narratives within institutions are used to negotiate collective and individual identity. These identities shape the way collectivities and individuals use, change or contest presentations of the past. Identity and memory are mutually constructed through the use of narrative. This book examines not only the stories that exist within institutions, but also the ways that members use them, demonstrating the key role of proper occasions for telling them. Institutional occasions allow stories to be retold, and thus to extend their future use beyond the memories of their original participants. Analysis of multiple retellings shows both the formation of the core story stock of an institution, and the effect of the speaker's position on the form of a story as it is retold on particular occasions to particular audiences. Individuals' stories are shaped by their memberships: part of being a member is knowing how to tell one's story in relation to the institution's stories. This study also examines silences within institutions. Silences are complex: stories not told in public may have an active life in private conversations. This ethnography of narrative describes the individual and collective work of creating and maintaining narrative memory: the ongoing creation of a useable past.
Fredrik Hagen
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265420
- eISBN:
- 9780191760471
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265420.003.0010
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter analyses the way in which Egyptian literary, scientific, and mortuary texts present their own origins, and how they seek to construct a (largely fictional) historical identity for ...
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This chapter analyses the way in which Egyptian literary, scientific, and mortuary texts present their own origins, and how they seek to construct a (largely fictional) historical identity for themselves. This identity is established by the use of a shared set of topoi, phraseology, narrative structures, and protagonists, including well-known historical characters like Hordedef, Khaemwaset, and Amenhotep Son of Hapu. By drawing on so-called ‘find-notes’ from the Book of the Dead Spells, as well as medical and mathematical texts, and by comparing them with the literary tradition as preserved in tales and wisdom instructions, the chapter maps the ways in which such identities are constructed, as well as the motives behind this practice.Less
This chapter analyses the way in which Egyptian literary, scientific, and mortuary texts present their own origins, and how they seek to construct a (largely fictional) historical identity for themselves. This identity is established by the use of a shared set of topoi, phraseology, narrative structures, and protagonists, including well-known historical characters like Hordedef, Khaemwaset, and Amenhotep Son of Hapu. By drawing on so-called ‘find-notes’ from the Book of the Dead Spells, as well as medical and mathematical texts, and by comparing them with the literary tradition as preserved in tales and wisdom instructions, the chapter maps the ways in which such identities are constructed, as well as the motives behind this practice.
Peta Mayer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620597
- eISBN:
- 9781789629927
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620597.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. ...
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Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.Less
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.
Charlotte Linde
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195140286
- eISBN:
- 9780199871247
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195140286.003.0008
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter investigates the relation between institutional stories and the ways in which members tell their own stories within this field of prior texts. It examines the notions of intertextuality ...
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This chapter investigates the relation between institutional stories and the ways in which members tell their own stories within this field of prior texts. It examines the notions of intertextuality and textual communities, showing how stories are shaped in relation to prior texts: direct citation and quotation, use of similar values in the evaluation of stories, critique of and rejection of prior texts. The chapter shows the relation of this kind of narrative intertextuality within an institution to conversion narratives. This chapter argues that an individuals' story is not only personal, but is shaped as a response to earlier stories , and the appropriate values and actions which those stories teach. This intertextuality of personal narrative means that one's presentation of the events and meanings of one's life is not only individual, but rather is strongly shaped by the stories of the communities of which one is a member.Less
This chapter investigates the relation between institutional stories and the ways in which members tell their own stories within this field of prior texts. It examines the notions of intertextuality and textual communities, showing how stories are shaped in relation to prior texts: direct citation and quotation, use of similar values in the evaluation of stories, critique of and rejection of prior texts. The chapter shows the relation of this kind of narrative intertextuality within an institution to conversion narratives. This chapter argues that an individuals' story is not only personal, but is shaped as a response to earlier stories , and the appropriate values and actions which those stories teach. This intertextuality of personal narrative means that one's presentation of the events and meanings of one's life is not only individual, but rather is strongly shaped by the stories of the communities of which one is a member.
Geraldine Herbert-Brown (ed.)
- Published in print:
- 2002
- Published Online:
- September 2007
- ISBN:
- 9780198154754
- eISBN:
- 9780191715457
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198154754.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This book celebrates the bimillennial anniversary of the inception of Ovid’s Fasti by offering a variety of approaches to Ovid’s poem on the Roman religious calendar. The volume does not aim at ...
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This book celebrates the bimillennial anniversary of the inception of Ovid’s Fasti by offering a variety of approaches to Ovid’s poem on the Roman religious calendar. The volume does not aim at consensus but provides a collection of differing interpretations and perspectives of Fasti scholars without allowing any single prejudice to prevail. In reconstructing the value-systems which inform the poem, twelve contributors discuss topics such as the calendar, religion, politics, women, mime, myth, theatre, cult, astronomy, astrology, theology, intertextuality, gender, poetic ecphrasis, speech, time, and space. The tension arising from the discrepancy in interpretation and approach in the essays is an apt reflection of the tension arising from the contradictory and elusive nature of the Fasti itself. It will engage all those interested in the relationship between literature and society during the early Roman Principate.Less
This book celebrates the bimillennial anniversary of the inception of Ovid’s Fasti by offering a variety of approaches to Ovid’s poem on the Roman religious calendar. The volume does not aim at consensus but provides a collection of differing interpretations and perspectives of Fasti scholars without allowing any single prejudice to prevail. In reconstructing the value-systems which inform the poem, twelve contributors discuss topics such as the calendar, religion, politics, women, mime, myth, theatre, cult, astronomy, astrology, theology, intertextuality, gender, poetic ecphrasis, speech, time, and space. The tension arising from the discrepancy in interpretation and approach in the essays is an apt reflection of the tension arising from the contradictory and elusive nature of the Fasti itself. It will engage all those interested in the relationship between literature and society during the early Roman Principate.
Scott McGill
- Published in print:
- 2005
- Published Online:
- September 2007
- ISBN:
- 9780195175646
- eISBN:
- 9780199789337
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195175646.003.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
This chapter provides an overview of how authors created the Virgilian centos and explores topics in the texts' reception, with an emphasis on the issues they raise related to allusion. The ...
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This chapter provides an overview of how authors created the Virgilian centos and explores topics in the texts' reception, with an emphasis on the issues they raise related to allusion. The examination for the most part uses the 4th-century CE Ausonius' poetics of the cento as its basis. Subjects include how the poems serve as language games; the role of mnemotechnics in their composition; and the different ways audience members can read the works allusively, i.e., against their Virgilian subtexts.Less
This chapter provides an overview of how authors created the Virgilian centos and explores topics in the texts' reception, with an emphasis on the issues they raise related to allusion. The examination for the most part uses the 4th-century CE Ausonius' poetics of the cento as its basis. Subjects include how the poems serve as language games; the role of mnemotechnics in their composition; and the different ways audience members can read the works allusively, i.e., against their Virgilian subtexts.
Jean Ma
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789888028054
- eISBN:
- 9789882207172
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888028054.003.0007
- Subject:
- Film, Television and Radio, Film
The expansiveness of Wong Kar-wai's approach to intertextuality, citation, and borrowing, along with the dense cross-cultural, cross-medial matrix in which his ...
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The expansiveness of Wong Kar-wai's approach to intertextuality, citation, and borrowing, along with the dense cross-cultural, cross-medial matrix in which his films are situated suggest another angle on the director's position within the tradition of art cinema. Likewise, the work of Hou Hsiao-hsien and Tsai Ming-liang also illustrates the reverberations of postmodernism in the arena of art cinema, a development that complicates the view of these directors as realists based on their reliance upon the long take. The idea of a cinema of time finds a further resonance in contemporary Chinese cinema beyond the work of Hou Hsiao-hsien, Tsai Ming-liang, and Wong Kar-wai. One notable figure who engages a similar problematic of temporal form and historicity is Jia Zhangke, one of the leading directors of the PRC's Sixth Generation. Jia's films assume a critical view of the official discourse of progress and market reform shaping China's new era.Less
The expansiveness of Wong Kar-wai's approach to intertextuality, citation, and borrowing, along with the dense cross-cultural, cross-medial matrix in which his films are situated suggest another angle on the director's position within the tradition of art cinema. Likewise, the work of Hou Hsiao-hsien and Tsai Ming-liang also illustrates the reverberations of postmodernism in the arena of art cinema, a development that complicates the view of these directors as realists based on their reliance upon the long take. The idea of a cinema of time finds a further resonance in contemporary Chinese cinema beyond the work of Hou Hsiao-hsien, Tsai Ming-liang, and Wong Kar-wai. One notable figure who engages a similar problematic of temporal form and historicity is Jia Zhangke, one of the leading directors of the PRC's Sixth Generation. Jia's films assume a critical view of the official discourse of progress and market reform shaping China's new era.
Andrew Morrison
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199546510
- eISBN:
- 9780191594922
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199546510.003.0007
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
This chapter investigates the different performances (including reperformances) and audiences of Pindar's Aeginetan odes, one of the two main clusters of Pindaric odes for victors from one locale ...
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This chapter investigates the different performances (including reperformances) and audiences of Pindar's Aeginetan odes, one of the two main clusters of Pindaric odes for victors from one locale (the other being Pindar's fifteen odes for Sicilian victors), and the possibility in the case of Aeginetan compositions that a substantial proportion of the audience for one ode might have heard another ode. A good case for audience overlap are the three Pindaric and one Bacchylidean odes for the victories of the sons of Lampon (Nemean 5, Bacchylides 13, Isthmian 6, Isthmian 5). Cross-references between these four odes are discussed, and it is suggested that Nemean 5 and Bacchylides 13, both composed for the same victory of Pytheas, were designed by their respective poets with some awareness of the other's ode. This has important consequences for the way we should read intertextual echoes between odes, and for our view of ‘conventional’ material in epinician poetry.Less
This chapter investigates the different performances (including reperformances) and audiences of Pindar's Aeginetan odes, one of the two main clusters of Pindaric odes for victors from one locale (the other being Pindar's fifteen odes for Sicilian victors), and the possibility in the case of Aeginetan compositions that a substantial proportion of the audience for one ode might have heard another ode. A good case for audience overlap are the three Pindaric and one Bacchylidean odes for the victories of the sons of Lampon (Nemean 5, Bacchylides 13, Isthmian 6, Isthmian 5). Cross-references between these four odes are discussed, and it is suggested that Nemean 5 and Bacchylides 13, both composed for the same victory of Pytheas, were designed by their respective poets with some awareness of the other's ode. This has important consequences for the way we should read intertextual echoes between odes, and for our view of ‘conventional’ material in epinician poetry.
G. O. Hutchinson
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199279418
- eISBN:
- 9780191707322
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199279418.003.0004
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This piece was the first to relate the new book of Posidippus' epigrams to Latin poetry. It discusses the nature of the collection, which arranges epigrams in groups with titles. Connections with ...
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This piece was the first to relate the new book of Posidippus' epigrams to Latin poetry. It discusses the nature of the collection, which arranges epigrams in groups with titles. Connections with Latin poetry are investigated: specific allusions, thematic networks, problems of intertextuality with Hellenistic poetry. The relation of elegy to epigram is then discussed; Latin elegy uses its small relative both to separate itself from epic and to mark its own ambitions. Latin poets turn elegy into love-elegy, and then aspire to go further. The structure of Posidippus and the Fasti can be compared and contrasted.Less
This piece was the first to relate the new book of Posidippus' epigrams to Latin poetry. It discusses the nature of the collection, which arranges epigrams in groups with titles. Connections with Latin poetry are investigated: specific allusions, thematic networks, problems of intertextuality with Hellenistic poetry. The relation of elegy to epigram is then discussed; Latin elegy uses its small relative both to separate itself from epic and to mark its own ambitions. Latin poets turn elegy into love-elegy, and then aspire to go further. The structure of Posidippus and the Fasti can be compared and contrasted.
G. O. Hutchinson
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199279418
- eISBN:
- 9780191707322
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199279418.003.0008
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
The structure of Amores 3 has been obscured by the whole series Amores 1-3, and the relation to Ovid's coming works. The structure rests on genre. The frame (poems 1 and 15) shows the poet-narrator ...
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The structure of Amores 3 has been obscured by the whole series Amores 1-3, and the relation to Ovid's coming works. The structure rests on genre. The frame (poems 1 and 15) shows the poet-narrator making and keeping a decisive resolution, to leave love-elegy for tragedy; the frame has connotations of tragedy, especially of Medea. The inset (poems 2-14) presents the indecisive and imperfective world of love-elegy, from which the narrator will escape. The inset teases the reader, however, on ending and on love. It makes excursions into other genres, but subverts more than it reinforces generic hierarchy. The book is politically subversive on adultery, and pointedly avoids Roman patriotism. Intertextuality with other ‘last’ books highlights the force of its structure.Less
The structure of Amores 3 has been obscured by the whole series Amores 1-3, and the relation to Ovid's coming works. The structure rests on genre. The frame (poems 1 and 15) shows the poet-narrator making and keeping a decisive resolution, to leave love-elegy for tragedy; the frame has connotations of tragedy, especially of Medea. The inset (poems 2-14) presents the indecisive and imperfective world of love-elegy, from which the narrator will escape. The inset teases the reader, however, on ending and on love. It makes excursions into other genres, but subverts more than it reinforces generic hierarchy. The book is politically subversive on adultery, and pointedly avoids Roman patriotism. Intertextuality with other ‘last’ books highlights the force of its structure.
Lucy Collins
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9781781381878
- eISBN:
- 9781781382271
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381878.001.0001
- Subject:
- Literature, Poetry
This book examines the intersection of private and public spheres through the representation of memory in contemporary poetry by Irish women. It explores how memory shapes creativity in the work of ...
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This book examines the intersection of private and public spheres through the representation of memory in contemporary poetry by Irish women. It explores how memory shapes creativity in the work of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin and Medbh McGuckian as well as in that of an exciting group of younger poets. Literary memory highlights the relationship between poet and reader, as well as the larger critical contexts that support or challenge the production of creative work. This book analyses, for the first time, the complex responses to the past recorded by contemporary women poets in Ireland and the implications these have for the concept of a national tradition.Less
This book examines the intersection of private and public spheres through the representation of memory in contemporary poetry by Irish women. It explores how memory shapes creativity in the work of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin and Medbh McGuckian as well as in that of an exciting group of younger poets. Literary memory highlights the relationship between poet and reader, as well as the larger critical contexts that support or challenge the production of creative work. This book analyses, for the first time, the complex responses to the past recorded by contemporary women poets in Ireland and the implications these have for the concept of a national tradition.
Alessandro Barchiesi
- Published in print:
- 2015
- Published Online:
- October 2017
- ISBN:
- 9780691161815
- eISBN:
- 9781400852482
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161815.003.0001
- Subject:
- Literature, Criticism/Theory
This chapter pays attention to the relation between the transformation of the Homeric model (the moment of origin and construction of the new epic work) and what the Aeneid seeks to convey to its ...
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This chapter pays attention to the relation between the transformation of the Homeric model (the moment of origin and construction of the new epic work) and what the Aeneid seeks to convey to its readers; and that it may also involve Vergil's attempt to construct a radically new “epic addressee.” An area particularly suited to this inquiry is a portion of the text where a maximum of Homeric redundancy occurs with a maximum of purposeful information: the episode of Pallas's death in book 10, a complex synthesis of Homeric imitation and at the same time a turning point in the plot of the Aeneid.Less
This chapter pays attention to the relation between the transformation of the Homeric model (the moment of origin and construction of the new epic work) and what the Aeneid seeks to convey to its readers; and that it may also involve Vergil's attempt to construct a radically new “epic addressee.” An area particularly suited to this inquiry is a portion of the text where a maximum of Homeric redundancy occurs with a maximum of purposeful information: the episode of Pallas's death in book 10, a complex synthesis of Homeric imitation and at the same time a turning point in the plot of the Aeneid.
Thomas L. Brodie
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195138368
- eISBN:
- 9780199834037
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195138368.001.0001
- Subject:
- Religion, Biblical Studies
Genesis is a literary unity, and is the foundation for the Pentateuch and for the entire Primary History (Genesis‐2 Kings). This unity is complex, like the human body with its many diverse parts. As ...
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Genesis is a literary unity, and is the foundation for the Pentateuch and for the entire Primary History (Genesis‐2 Kings). This unity is complex, like the human body with its many diverse parts. As with the body, no major part preexisted other parts; all came to birth simultaneously. Three features of Genesis are pivotal. (1) Genesis is encyclopedic, synthesizing literature, religion, the science of the time, and experience (2) Genesis is artistic literature. The many variations and apparent contradictions of the text reflect a unified artistic strategy. Above all, Genesis is like a series of two‐part paintings or diptychs – two accounts of creation, two of sin, two genealogies, and so on. Every piece fits, and the diverse parts set up a dialog. (3) Genesis illustrates intertextuality; its sources include extant documents, especially from Mesopotamia, from Judea (Isaiah, Jeremiah, and Ezekiel), and from western Asia (Homer's Odyssey). The documentary theory (JEDP) is unnecessary and misleading.Less
Genesis is a literary unity, and is the foundation for the Pentateuch and for the entire Primary History (Genesis‐2 Kings). This unity is complex, like the human body with its many diverse parts. As with the body, no major part preexisted other parts; all came to birth simultaneously. Three features of Genesis are pivotal. (1) Genesis is encyclopedic, synthesizing literature, religion, the science of the time, and experience (2) Genesis is artistic literature. The many variations and apparent contradictions of the text reflect a unified artistic strategy. Above all, Genesis is like a series of two‐part paintings or diptychs – two accounts of creation, two of sin, two genealogies, and so on. Every piece fits, and the diverse parts set up a dialog. (3) Genesis illustrates intertextuality; its sources include extant documents, especially from Mesopotamia, from Judea (Isaiah, Jeremiah, and Ezekiel), and from western Asia (Homer's Odyssey). The documentary theory (JEDP) is unnecessary and misleading.
R.O.A.M. Lyne
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199203963
- eISBN:
- 9780191708237
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199203963.003.0011
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
Using the examples of Dido's death and her reappearance in the Underworld, Lyne proclaims a shift to accepting the language of intertextuality rather than of allusion.
Using the examples of Dido's death and her reappearance in the Underworld, Lyne proclaims a shift to accepting the language of intertextuality rather than of allusion.
