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Contours of an International Instrument on Limitations and Exceptions *

P. Bernt Hugenholtz and Ruth L. Okediji

in The Development Agenda: Global Intellectual Property and Developing Countries

Published in print:
2008
Published Online:
January 2009
ISBN:
9780195342109
eISBN:
9780199866823
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195342109.003.0020
Subject:
Law, Intellectual Property, IT, and Media Law

This chapter examines policy options and modalities for framing an international instrument on limitations and exceptions to copyright within the treaty obligations of the current international ... More


‘The singing of the wire’: Hardy, International Copyright, and the Ether

Clare Pettitt

in Patent Inventions - Intellectual Property and the Victorian Novel

Published in print:
2004
Published Online:
January 2010
ISBN:
9780199253203
eISBN:
9780191719172
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199253203.003.0006
Subject:
Literature, 19th-century and Victorian Literature

In her 1878 dystopic essay ‘Shadows of the Coming Race’, George Eliot went so far as to imagine the disappearance, not only of intellectual property, but of its necessary corollary — the individual ... More


The Making of British Colonial Copyright

Michael D Birnhack

in Colonial Copyright: Intellectual Property in Mandate Palestine

Published in print:
2012
Published Online:
January 2013
ISBN:
9780199661138
eISBN:
9780191746147
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199661138.003.0004
Subject:
Law, Legal History, Intellectual Property, IT, and Media Law

This chapter examines the making of colonial copyright in the British Empire at the end of the nineteenth and the beginning of the twentieth centuries. It outlines various imperial patterns of ... More


‘A Body Without a Head’: Culture Shock in Dickens's American Notes (1842)

Juliet John

in Dickens and Mass Culture

Published in print:
2010
Published Online:
January 2011
ISBN:
9780199257928
eISBN:
9780191594854
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199257928.003.0003
Subject:
Literature, 19th-century and Victorian Literature, Film, Media, and Cultural Studies

This chapter differs from existing readings by explaining Dickens's change of heart about America in terms that go beyond the autobiographical, and in a way that sees his various quarrels with ... More


Shostakovich and The Iron Curtain: Intellectual Property and Transimperial Integration

Kiril Tomoff

in Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945-1958

Published in print:
2015
Published Online:
August 2016
ISBN:
9780801453120
eISBN:
9781501701825
Item type:
chapter
Publisher:
Cornell University Press
DOI:
10.7591/cornell/9780801453120.003.0002
Subject:
History, Russian and Former Soviet Union History

This chapter examines the Soviet manipulation of international copyright law over an American film studio's fair use of music written by Soviet composers in an anti-Soviet film. At issue was the use ... More


1925–1927: “Damn His Impertinence. Bloody Crook”: Roth Publishes Joyce

Jay A. Gertzman

in Samuel Roth, Infamous Modernist

Published in print:
2013
Published Online:
September 2013
ISBN:
9780813044170
eISBN:
9780813046181
Item type:
chapter
Publisher:
University Press of Florida
DOI:
10.5744/florida/9780813044170.003.0003
Subject:
Literature, 20th-century Literature and Modernism

Samuel Roth did in fact obtain permission to publish segments of Joyce’s “Work in Progress” in his Little Magazine Two Worlds (1925-26). Roth asserted that a now-missing letter from Ezra Pound, 3 ... More


Textual Commodities and Authorial Celebrities

Sarah Robbins

in The Oxford History of the Novel in English: Volume 6: The American Novel 1879-1940

Published in print:
2014
Published Online:
March 2015
ISBN:
9780195385342
eISBN:
9780190252779
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:osobl/9780195385342.003.0001
Subject:
Literature, American, 19th Century Literature

This chapter focuses on the evolution of textual ownership and authorial performance in the United States through three periods: the 1870s to the close of the nineteenth century, the early 1900s to ... More


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