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Interactive Installations

Roberto Simanowski

in Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations

Published in print:
2011
Published Online:
August 2015
ISBN:
9780816667376
eISBN:
9781452946788
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816667376.003.0005
Subject:
Art, Art Theory and Criticism

This chapter studies the kind of interactivity existing in art before the emergence of interactive art. It addresses the important questions regarding interactive or participatory art, such as the ... More


Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations

Roberto Simanowski

Published in print:
2011
Published Online:
August 2015
ISBN:
9780816667376
eISBN:
9781452946788
Item type:
book
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816667376.001.0001
Subject:
Art, Art Theory and Criticism

In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counter hype. Popular writing about specific artworks seldom goes beyond promoting ... More


Craig Johnson

Scott MacDonald

in The Sublimity of Document: Cinema as Diorama

Published in print:
2019
Published Online:
August 2019
ISBN:
9780190052126
eISBN:
9780190052164
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190052126.003.0016
Subject:
Literature, Film, Media, and Cultural Studies

Craig Johnson was the “third man” in what has become one of the legendary ethnographic adventures and bodies of ethnographic cinema: the series of films about the indigenous Yanomamö living in the ... More


7:47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody, Somewhere, Some Time) (2011)1

Kristine Stiles

in Concerning Consequences: Studies in Art, Destruction, and Trauma

Published in print:
2016
Published Online:
September 2017
ISBN:
9780226774510
eISBN:
9780226304403
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226304403.003.0020
Subject:
Art, Art Theory and Criticism

This chapter examines Maurice Benayoun's futurological imaging of trauma in virtual reality by focusing on his 1992 interactive installation So.So.So Somebody Somewhere Sometime. So.So.So. takes ... More


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