Hazel Smith
- Published in print:
- 2000
- Published Online:
- June 2013
- ISBN:
- 9780853239949
- eISBN:
- 9781846313301
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846313301
- Subject:
- Literature, Poetry
Frank O'Hara's poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops, and lunch hours: it is also an ...
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Frank O'Hara's poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops, and lunch hours: it is also an age of gay repression, accelerating consumerism, and race riots. The author suggests that the location and dislocation of the cityscape creates ‘hyperscapes’ in the poetry of O'Hara. The hyperscape is a postmodern site characterised by difference, breaking down unified concepts of text, city, subject, and art, and remolding them into new textual, subjective, and political spaces. This book theorises the process of disruption and re-figuration that constitutes the hyperscape, and celebrates its radicality.Less
Frank O'Hara's poetry evokes a specific era and location: New York in the fifties and early sixties. This is a pre-computer age of typewritten manuscripts, small shops, and lunch hours: it is also an age of gay repression, accelerating consumerism, and race riots. The author suggests that the location and dislocation of the cityscape creates ‘hyperscapes’ in the poetry of O'Hara. The hyperscape is a postmodern site characterised by difference, breaking down unified concepts of text, city, subject, and art, and remolding them into new textual, subjective, and political spaces. This book theorises the process of disruption and re-figuration that constitutes the hyperscape, and celebrates its radicality.
- Published in print:
- 2000
- Published Online:
- June 2013
- ISBN:
- 9780853239949
- eISBN:
- 9781846313301
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853239949.003.0007
- Subject:
- Literature, Poetry
This chapter argues that in Frank O'Hara's hyperscapes, text and image, poetry and painting, and representation and abstraction do not simply coexist but also cross over or ‘cross-dress’, and applies ...
More
This chapter argues that in Frank O'Hara's hyperscapes, text and image, poetry and painting, and representation and abstraction do not simply coexist but also cross over or ‘cross-dress’, and applies the idea of semiotic exchange (whereby text becomes image, image, text) to O'Hara's poetry and collaborations. It contextualises this analysis by demonstrating how O'Hara's poetry uniquely interfaces with the semiotic, semantic, and ideological elements of two highly contrasting contemporaneous art movements: Abstract Expressionism and Pop Art.Less
This chapter argues that in Frank O'Hara's hyperscapes, text and image, poetry and painting, and representation and abstraction do not simply coexist but also cross over or ‘cross-dress’, and applies the idea of semiotic exchange (whereby text becomes image, image, text) to O'Hara's poetry and collaborations. It contextualises this analysis by demonstrating how O'Hara's poetry uniquely interfaces with the semiotic, semantic, and ideological elements of two highly contrasting contemporaneous art movements: Abstract Expressionism and Pop Art.
