Jerrold Levinson
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199206179
- eISBN:
- 9780191709982
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199206179.001.0001
- Subject:
- Philosophy, Aesthetics
This book is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. It contains twenty-four essays and is divided into seven parts. The first ...
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This book is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. It contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular, the interpretation of literature. The remaining parts of the book discuss aesthetic properties, issues in historical aesthetics, humor, and intrinsic value.Less
This book is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. It contains twenty-four essays and is divided into seven parts. The first is about issues relating to art in general, not specific to one art form. The second is about philosophical problems specific to music. The third part focuses on pictorial art, and the fourth on interpretation, in particular, the interpretation of literature. The remaining parts of the book discuss aesthetic properties, issues in historical aesthetics, humor, and intrinsic value.
I. A. Ruffell
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9780199587216
- eISBN:
- 9780191731297
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199587216.003.0010
- Subject:
- Classical Studies, Plays and Playwrights: Classical, Early, and Medieval
This conclusion brings together the three strands of the book and their related forms of anti-realism to argue that Old Comedy constructs its arguments, involves its audience, and seeks ...
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This conclusion brings together the three strands of the book and their related forms of anti-realism to argue that Old Comedy constructs its arguments, involves its audience, and seeks to maintain its cultural authority through the impossible and absurd. Humour and impossibility are central to how Old Comedy makes its political and ideological interventions.Less
This conclusion brings together the three strands of the book and their related forms of anti-realism to argue that Old Comedy constructs its arguments, involves its audience, and seeks to maintain its cultural authority through the impossible and absurd. Humour and impossibility are central to how Old Comedy makes its political and ideological interventions.
Jerrold Levinson
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199206179
- eISBN:
- 9780191709982
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199206179.003.0001
- Subject:
- Philosophy, Aesthetics
This introductory chapter presents a description of the essays included in this volume.
This introductory chapter presents a description of the essays included in this volume.
Lynne Dale Halamish and Doron Hermoni
- Published in print:
- 2007
- Published Online:
- November 2011
- ISBN:
- 9780195325379
- eISBN:
- 9780199999811
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195325379.003.0028
- Subject:
- Palliative Care, Patient Care and End-of-Life Decision Making, Palliative Medicine and Older People
This chapter discusses the importance of laughter and humour in terminally ill individuals, describing the case of 64-year-old Eyal who, learned to laugh even after he was hospitalized for liver ...
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This chapter discusses the importance of laughter and humour in terminally ill individuals, describing the case of 64-year-old Eyal who, learned to laugh even after he was hospitalized for liver cancer. It explains that dying people are still alive and deserve to be treated as such, and that this includes allowing them to respond with all of the emotions they have.Less
This chapter discusses the importance of laughter and humour in terminally ill individuals, describing the case of 64-year-old Eyal who, learned to laugh even after he was hospitalized for liver cancer. It explains that dying people are still alive and deserve to be treated as such, and that this includes allowing them to respond with all of the emotions they have.
Fred Luthans, Carolyn M. Youssef, and Bruce J. Avolio
- Published in print:
- 2006
- Published Online:
- September 2007
- ISBN:
- 9780195187526
- eISBN:
- 9780199789863
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195187526.003.0006
- Subject:
- Business and Management, Organization Studies
This chapter examines the potentially best fitting cognitive and affective positive capacities for being included in the future. Specifically, cognitively-oriented creativity and wisdom, and the ...
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This chapter examines the potentially best fitting cognitive and affective positive capacities for being included in the future. Specifically, cognitively-oriented creativity and wisdom, and the affective, emotionally-oriented positive strengths of subjective well-being, flow, and humor are selected. Each of these potential psychological capital (PsyCap) capacities is analyzed in terms of the criteria of valid measurement, development, and performance impact. Except for empirically demonstrating performance impact in the workplace, these are judged to generally meet the PsyCap inclusion criteria. The concluding section notes some needed future research for these cognitive and affective positive capacities to more fully meet the PsyCap criteria.Less
This chapter examines the potentially best fitting cognitive and affective positive capacities for being included in the future. Specifically, cognitively-oriented creativity and wisdom, and the affective, emotionally-oriented positive strengths of subjective well-being, flow, and humor are selected. Each of these potential psychological capital (PsyCap) capacities is analyzed in terms of the criteria of valid measurement, development, and performance impact. Except for empirically demonstrating performance impact in the workplace, these are judged to generally meet the PsyCap inclusion criteria. The concluding section notes some needed future research for these cognitive and affective positive capacities to more fully meet the PsyCap criteria.
Jerome Neu
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780195314311
- eISBN:
- 9780199871780
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195314311.003.0009
- Subject:
- Philosophy, Philosophy of Language
Humor, like ritual, may sometimes license otherwise offensive insults. When and why? The special genre of insult humor, including roasts, is considered along with Freud's account of the role of ...
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Humor, like ritual, may sometimes license otherwise offensive insults. When and why? The special genre of insult humor, including roasts, is considered along with Freud's account of the role of collusion in tendentious humor broadly conceived. When is it wrong to laugh? Satire, teasing, and bullying sometimes take the ridicule in insult humor to the extremes of aggression.Less
Humor, like ritual, may sometimes license otherwise offensive insults. When and why? The special genre of insult humor, including roasts, is considered along with Freud's account of the role of collusion in tendentious humor broadly conceived. When is it wrong to laugh? Satire, teasing, and bullying sometimes take the ridicule in insult humor to the extremes of aggression.
Peter Fleming
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199547159
- eISBN:
- 9780191720024
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199547159.003.0004
- Subject:
- Business and Management, Organization Studies, HRM / IR
One of the key aspects of the ‘just be yourself’ management discourse and its quest for personal authenticity is the fetishization of fun and play at work. This stands in stark contrast to earlier ...
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One of the key aspects of the ‘just be yourself’ management discourse and its quest for personal authenticity is the fetishization of fun and play at work. This stands in stark contrast to earlier modes of management thought that attempted to depersonalise the organization and drive out any ‘irrational’ human features (when at work we are serious, when work is finished we can have fun). The presumption is that fun is part of our authentic personhood and should be celebrated, often involving strange exercises and games. Employees are presumed to be motivated by this. Fun has always existed in organizations in the informal sphere, often played out against management. Now this form of life has entered official discourse. In order to make work fun a process of mimesis occurs in which non-work gestures are simulated inside the organization. An empirical case is investigated to demonstrate this process of mimesis or simulation. But what exactly is being simulated? Again, the chapter draws upon the Italian autonomist ideas of Hardt and Negri to show how managed fun is more of a controlling gesture rather than an act of liberation.Less
One of the key aspects of the ‘just be yourself’ management discourse and its quest for personal authenticity is the fetishization of fun and play at work. This stands in stark contrast to earlier modes of management thought that attempted to depersonalise the organization and drive out any ‘irrational’ human features (when at work we are serious, when work is finished we can have fun). The presumption is that fun is part of our authentic personhood and should be celebrated, often involving strange exercises and games. Employees are presumed to be motivated by this. Fun has always existed in organizations in the informal sphere, often played out against management. Now this form of life has entered official discourse. In order to make work fun a process of mimesis occurs in which non-work gestures are simulated inside the organization. An empirical case is investigated to demonstrate this process of mimesis or simulation. But what exactly is being simulated? Again, the chapter draws upon the Italian autonomist ideas of Hardt and Negri to show how managed fun is more of a controlling gesture rather than an act of liberation.
Joseph Epes Brown and Emily Cousins
- Published in print:
- 2001
- Published Online:
- January 2009
- ISBN:
- 9780195138757
- eISBN:
- 9780199871759
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195138757.003.0007
- Subject:
- Religion, World Religions
This chapter focuses on the unity of experience in Native American religious traditions. Native American traditions stress a unity of experience. Where such traditions are still alive and spiritually ...
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This chapter focuses on the unity of experience in Native American religious traditions. Native American traditions stress a unity of experience. Where such traditions are still alive and spiritually viable, the dimension and expression of the sacred is present in all of life's necessary activities. When the elements of time, place, language, art, and the metaphysics of nature come together, however, as they do in ritual activities, the experience of the sacred is intensified. The three cumulative possibilities that must be accomplished by spiritually effective rites: purification, expansion, and identity are mentioned, as are initiation rites, and humor in Native American rites.Less
This chapter focuses on the unity of experience in Native American religious traditions. Native American traditions stress a unity of experience. Where such traditions are still alive and spiritually viable, the dimension and expression of the sacred is present in all of life's necessary activities. When the elements of time, place, language, art, and the metaphysics of nature come together, however, as they do in ritual activities, the experience of the sacred is intensified. The three cumulative possibilities that must be accomplished by spiritually effective rites: purification, expansion, and identity are mentioned, as are initiation rites, and humor in Native American rites.
Anna Chahoud
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199558681
- eISBN:
- 9780191720888
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199558681.003.0006
- Subject:
- Classical Studies, European History: BCE to 500CE
This chapter examines how Cicero shaped his oratorical persona through the deployment of precise verbal devices (especially diminutives and irony), re-configuring his champions of the past by ...
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This chapter examines how Cicero shaped his oratorical persona through the deployment of precise verbal devices (especially diminutives and irony), re-configuring his champions of the past by combining different aspects of their humour so as to construct a unified model of verbal wit that owes much to the tradition of satire at Rome, particularly to the voice of Lucilius. The orator could not adopt wholesale the conventions or persona of the satirist, however. Cicero's self-construction modulates political invective in accordance with the dignitas and auctoritas appropriate to the orator, and with the elegantia and wit of the urbane contemporary Roman.Less
This chapter examines how Cicero shaped his oratorical persona through the deployment of precise verbal devices (especially diminutives and irony), re-configuring his champions of the past by combining different aspects of their humour so as to construct a unified model of verbal wit that owes much to the tradition of satire at Rome, particularly to the voice of Lucilius. The orator could not adopt wholesale the conventions or persona of the satirist, however. Cicero's self-construction modulates political invective in accordance with the dignitas and auctoritas appropriate to the orator, and with the elegantia and wit of the urbane contemporary Roman.
Berys Gaut
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199263219
- eISBN:
- 9780191718854
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199263219.003.0010
- Subject:
- Philosophy, Aesthetics
This chapter develops and defends the merited response argument for ethicism. Less satisfactory versions of the argument due to Hume and Noöl Carroll are criticized. The favoured version of the ...
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This chapter develops and defends the merited response argument for ethicism. Less satisfactory versions of the argument due to Hume and Noöl Carroll are criticized. The favoured version of the argument developed here holds, roughly, that when works prescribe responses to the events that they represent, their aesthetic success partly depends on these responses being merited, and that whether this is so partly depends on whether the responses are ethical. Several objections to this argument, including some by Jacobson, are discussed and rejected. The chapter also discusses at length the case of dark humour, including black comedies and satire. It is shown that dark humour does not undermine the merited response argument or ethicism.Less
This chapter develops and defends the merited response argument for ethicism. Less satisfactory versions of the argument due to Hume and Noöl Carroll are criticized. The favoured version of the argument developed here holds, roughly, that when works prescribe responses to the events that they represent, their aesthetic success partly depends on these responses being merited, and that whether this is so partly depends on whether the responses are ethical. Several objections to this argument, including some by Jacobson, are discussed and rejected. The chapter also discusses at length the case of dark humour, including black comedies and satire. It is shown that dark humour does not undermine the merited response argument or ethicism.
Jon McGinnis
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195331479
- eISBN:
- 9780199868032
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195331479.003.0009
- Subject:
- Religion, Islam
This chapter first considers where Avicenna envisions medicine within his general classification of the sciences. It next presents the general principles of the humoral medicine that Avicenna adopts, ...
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This chapter first considers where Avicenna envisions medicine within his general classification of the sciences. It next presents the general principles of the humoral medicine that Avicenna adopts, and then discusses Avicenna’s views about health and the causes of disease or malady more generally. It concludes by considering a concrete issue of a medical-philosophical nature treated in Avicenna’s writings, namely, a problem associated with embryonic development and specifically whether embryonic development occurs gradually, as observation seems to suggest, or in stages, as theory seems to dictate. In the end, the chapter hopes to show how Avicenna successfully wed the best medicine of his time with his own philosophical system.Less
This chapter first considers where Avicenna envisions medicine within his general classification of the sciences. It next presents the general principles of the humoral medicine that Avicenna adopts, and then discusses Avicenna’s views about health and the causes of disease or malady more generally. It concludes by considering a concrete issue of a medical-philosophical nature treated in Avicenna’s writings, namely, a problem associated with embryonic development and specifically whether embryonic development occurs gradually, as observation seems to suggest, or in stages, as theory seems to dictate. In the end, the chapter hopes to show how Avicenna successfully wed the best medicine of his time with his own philosophical system.
Elaine W. Chun
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195327359
- eISBN:
- 9780199870639
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195327359.003.0016
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This article examines Margaret Cho's use of Mock Asian, a parodic language style that indexes a stereotypical Asian identity. Although this Korean American comedian's use of Mock Asian necessarily ...
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This article examines Margaret Cho's use of Mock Asian, a parodic language style that indexes a stereotypical Asian identity. Although this Korean American comedian's use of Mock Asian necessarily marks Asian racial otherness and reproduces simplistic ideological links among race, nation, and language, the analysis suggests that audiences generally understand her practices as culturally legitimate in public space because of particular ideologies of race, community membership, and humor. In particular, Cho's successful authentication as an Asian American comedian who is critical of Asian marginalization in the United States yields an interpretation of her practices primarily as a critique of racist mainstream ideologies.Less
This article examines Margaret Cho's use of Mock Asian, a parodic language style that indexes a stereotypical Asian identity. Although this Korean American comedian's use of Mock Asian necessarily marks Asian racial otherness and reproduces simplistic ideological links among race, nation, and language, the analysis suggests that audiences generally understand her practices as culturally legitimate in public space because of particular ideologies of race, community membership, and humor. In particular, Cho's successful authentication as an Asian American comedian who is critical of Asian marginalization in the United States yields an interpretation of her practices primarily as a critique of racist mainstream ideologies.
Roderick N. Labrador
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195327359
- eISBN:
- 9780199870639
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195327359.003.0017
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter examines the intersection of language, humor, and representation in the linguistic practices of Hawai'i comedians. In these comedy performances Mock Filipino is often employed to ...
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This chapter examines the intersection of language, humor, and representation in the linguistic practices of Hawai'i comedians. In these comedy performances Mock Filipino is often employed to differentiate the speakers of Philippine languages from speakers of Hawai'i Creole English (or Pidgin). Key to understanding the use of Mock Filipino is the idea of “Local” as a cultural and linguistic identity category and its concomitant multiculturalist discourse. Local comedians' use of Mock Filipino relies on Hawai'i's myth of multiculturalism while constructing racializing discourses which position immigrant Filipinos as culturally and linguistically Other. The linguistic practices in the comedy performances are identity acts that help to produce and disseminate ideas about language, culture, and identity while normalizing Local and reinforcing Hawai'i's mainstream multiculturalist ideology.Less
This chapter examines the intersection of language, humor, and representation in the linguistic practices of Hawai'i comedians. In these comedy performances Mock Filipino is often employed to differentiate the speakers of Philippine languages from speakers of Hawai'i Creole English (or Pidgin). Key to understanding the use of Mock Filipino is the idea of “Local” as a cultural and linguistic identity category and its concomitant multiculturalist discourse. Local comedians' use of Mock Filipino relies on Hawai'i's myth of multiculturalism while constructing racializing discourses which position immigrant Filipinos as culturally and linguistically Other. The linguistic practices in the comedy performances are identity acts that help to produce and disseminate ideas about language, culture, and identity while normalizing Local and reinforcing Hawai'i's mainstream multiculturalist ideology.
John Lombardini
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780520291034
- eISBN:
- 9780520964914
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291034.001.0001
- Subject:
- Classical Studies, Archaeology: Classical
How was Socrates funny? Was he an ironist? Did he mock his interlocutors and, in doing so, show disdain for both them and the institutions of Athenian democracy? These questions were debated with ...
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How was Socrates funny? Was he an ironist? Did he mock his interlocutors and, in doing so, show disdain for both them and the institutions of Athenian democracy? These questions were debated with great seriousness by three generations of Greek writers and helped to define a primary strand of the Western tradition of political thought. This book reconstructs the debate between ancient Greek authors concerning the nature and purpose of Socratic humor. It compares the Socrates presented in Aristophanes, Plato, Xenophon, Aristotle, and the Hellenistic philosophical schools in order to demonstrate that humor was a key aspect of Socrates’s legacy in and after the classical period. It further shows how these ancient depictions of Socratic humor were shaped by the political context in which they were written and illustrates why Socratic intellectualism was thought to be dangerous to democratic authority. Practices of humor are connected with the operations of power; this book details how humor enabled Socrates to navigate relations of power between himself and his interlocutors. By attending to the politics of humor, these ancient writers explored the political implications of Socratic conversation in ways that shed new light on the relationships between humor, power, and democratic authority.Less
How was Socrates funny? Was he an ironist? Did he mock his interlocutors and, in doing so, show disdain for both them and the institutions of Athenian democracy? These questions were debated with great seriousness by three generations of Greek writers and helped to define a primary strand of the Western tradition of political thought. This book reconstructs the debate between ancient Greek authors concerning the nature and purpose of Socratic humor. It compares the Socrates presented in Aristophanes, Plato, Xenophon, Aristotle, and the Hellenistic philosophical schools in order to demonstrate that humor was a key aspect of Socrates’s legacy in and after the classical period. It further shows how these ancient depictions of Socratic humor were shaped by the political context in which they were written and illustrates why Socratic intellectualism was thought to be dangerous to democratic authority. Practices of humor are connected with the operations of power; this book details how humor enabled Socrates to navigate relations of power between himself and his interlocutors. By attending to the politics of humor, these ancient writers explored the political implications of Socratic conversation in ways that shed new light on the relationships between humor, power, and democratic authority.
Floyd Grave and Margaret Grave
- Published in print:
- 2006
- Published Online:
- May 2008
- ISBN:
- 9780195173574
- eISBN:
- 9780199872152
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195173574.001.0001
- Subject:
- Music, History, Western
Encompassing sixty-eight works composed over a span of more than four decades, Haydn's quartet oeuvre contributed to the establishment, solidification, and refinement of late 18th-century ...
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Encompassing sixty-eight works composed over a span of more than four decades, Haydn's quartet oeuvre contributed to the establishment, solidification, and refinement of late 18th-century chamber-music practices, notably by furnishing superlative models of idiomatic ensemble technique (involving textural diversity and continuous change in relationship among the instruments), style (highlighting the play of formal conventions and musical customs associated with folk music, popular dance, opera, concerto, and other genres), and compositional process (featuring motivic elaboration, harmonic novelty, and narrative intrigue). Conventions Haydn adapted for quartet use include those of sonata form, the minuet-trio complex, variation, rondo, and fugue. In addition, he established norms of his own for the sequence of movements in a quartet and for the design of the opus groups, each of which encompasses a particular constellation of variety and consistency in form, style, and ensemble technique. Examination of the opus groups reveals insights into the circumstances under which they were written, the musical resources on which they drew, their innovations, their points of connection with other opus groups, their manifestations of both change and continuity in outlook and style, and their reflections of Haydn's artistic personality — in particular his penchant for novelty in sonority, theme, metrical play, phraseology, and large-scale structure; his gift for musical irony in drawing connections between seemingly unrelated ideas; and his irrepressible musical wit and humor, typically involving strokes of surprise, thwarted expectation, and the whimsical juxtaposition of incongruous elements.Less
Encompassing sixty-eight works composed over a span of more than four decades, Haydn's quartet oeuvre contributed to the establishment, solidification, and refinement of late 18th-century chamber-music practices, notably by furnishing superlative models of idiomatic ensemble technique (involving textural diversity and continuous change in relationship among the instruments), style (highlighting the play of formal conventions and musical customs associated with folk music, popular dance, opera, concerto, and other genres), and compositional process (featuring motivic elaboration, harmonic novelty, and narrative intrigue). Conventions Haydn adapted for quartet use include those of sonata form, the minuet-trio complex, variation, rondo, and fugue. In addition, he established norms of his own for the sequence of movements in a quartet and for the design of the opus groups, each of which encompasses a particular constellation of variety and consistency in form, style, and ensemble technique. Examination of the opus groups reveals insights into the circumstances under which they were written, the musical resources on which they drew, their innovations, their points of connection with other opus groups, their manifestations of both change and continuity in outlook and style, and their reflections of Haydn's artistic personality — in particular his penchant for novelty in sonority, theme, metrical play, phraseology, and large-scale structure; his gift for musical irony in drawing connections between seemingly unrelated ideas; and his irrepressible musical wit and humor, typically involving strokes of surprise, thwarted expectation, and the whimsical juxtaposition of incongruous elements.
Jonathan Ervine
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620511
- eISBN:
- 9781789629811
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620511.001.0001
- Subject:
- Society and Culture, Cultural Studies
This timely study sheds new light on debates about humour and multiculturalism in France, and is the first monograph about multiculturalism and humour in France to be published in either English or ...
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This timely study sheds new light on debates about humour and multiculturalism in France, and is the first monograph about multiculturalism and humour in France to be published in either English or French that analyses both debates about Charlie Hebdo and stand-up comedy. It will examine humour, freedom of expression and social cohesion in France at a crucial time in France’s recent history following the Charlie Hebdo attacks of January 2015. It will evaluate the state of French society and attitudes to humour in France in the aftermath of the events of January 2015. This book will argue that debates surrounding Charlie Hebdo, although significant, only provide part of the picture when it comes to understanding humour and multiculturalism in France. This monograph will fill significant gaps in French and international media coverage and academic writing, which has generally failed to adequately examine the broader picture that emerges when one examines career trajectories of notable contemporary French comedians. By addressing this failing, this book provides a more complete picture of humour, multiculturalism and Republican values in France. By focusing primarily on contemporary comedians in France, this book will explore competing uses of French Republican discourse in debates about humour, offensiveness and freedom of expression. Ultimately, this work will argue that studying humour and multiculturalism in France in often reveals a sense of national unease within the Republic at a time of considerable turmoil.Less
This timely study sheds new light on debates about humour and multiculturalism in France, and is the first monograph about multiculturalism and humour in France to be published in either English or French that analyses both debates about Charlie Hebdo and stand-up comedy. It will examine humour, freedom of expression and social cohesion in France at a crucial time in France’s recent history following the Charlie Hebdo attacks of January 2015. It will evaluate the state of French society and attitudes to humour in France in the aftermath of the events of January 2015. This book will argue that debates surrounding Charlie Hebdo, although significant, only provide part of the picture when it comes to understanding humour and multiculturalism in France. This monograph will fill significant gaps in French and international media coverage and academic writing, which has generally failed to adequately examine the broader picture that emerges when one examines career trajectories of notable contemporary French comedians. By addressing this failing, this book provides a more complete picture of humour, multiculturalism and Republican values in France. By focusing primarily on contemporary comedians in France, this book will explore competing uses of French Republican discourse in debates about humour, offensiveness and freedom of expression. Ultimately, this work will argue that studying humour and multiculturalism in France in often reveals a sense of national unease within the Republic at a time of considerable turmoil.
Frederick Rowe Davis
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195310771
- eISBN:
- 9780199790098
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195310771.003.0001
- Subject:
- Biology, Aquatic Biology
Carr's use of narrative to understand nature set him apart from most other scientists. He incorporated local stories and myths in to his technical and popular writings. Everywhere he went in search ...
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Carr's use of narrative to understand nature set him apart from most other scientists. He incorporated local stories and myths in to his technical and popular writings. Everywhere he went in search of nature, Carr found culture, and the humorous and poignant stories of people eking out a living in distant and often desolate places added pathos to the narratives he related in his popular books. Unlike most scientists, Carr readily acknowledged non-expert contributions to his research. Moreover, natural history and ecology, as mastered by Carr, represent narrative exercises. One of Carr's central goals through much of his career was to complete life histories, which is to say the story of life from birth to death, for each of the turtle species of the world. Thus, Carr's use of narrative provides the theoretical tool with which to understand his life and work.Less
Carr's use of narrative to understand nature set him apart from most other scientists. He incorporated local stories and myths in to his technical and popular writings. Everywhere he went in search of nature, Carr found culture, and the humorous and poignant stories of people eking out a living in distant and often desolate places added pathos to the narratives he related in his popular books. Unlike most scientists, Carr readily acknowledged non-expert contributions to his research. Moreover, natural history and ecology, as mastered by Carr, represent narrative exercises. One of Carr's central goals through much of his career was to complete life histories, which is to say the story of life from birth to death, for each of the turtle species of the world. Thus, Carr's use of narrative provides the theoretical tool with which to understand his life and work.
Christopher Prendergast
- Published in print:
- 2013
- Published Online:
- October 2017
- ISBN:
- 9780691155203
- eISBN:
- 9781400846313
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691155203.003.0002
- Subject:
- Literature, Criticism/Theory
This chapter examines “Proustian jokes” of the kind that gives pause for thought rather than to inflict a wound. Most of the mad beliefs in À la recherche du temps perdu are droll as well as crazy, ...
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This chapter examines “Proustian jokes” of the kind that gives pause for thought rather than to inflict a wound. Most of the mad beliefs in À la recherche du temps perdu are droll as well as crazy, and have their place in what is often and rightly said of the novel, that, among so many other things, it is also a great comic novel. The chapter considers examples of Proustian jokes that it suggests also reveal some of the key sources and terms of Marcel Proust's own aesthetic: the idioms of philosophical Idealism, the practice of naming one thing as another, the transposition of one order of sensation to another, and the drama of the unfinished or unfinishable sentence. It argues that the target of self-directed humor in the Recherche is not just an empirical self but the category of Self and the risk-laden practices of self-talk.Less
This chapter examines “Proustian jokes” of the kind that gives pause for thought rather than to inflict a wound. Most of the mad beliefs in À la recherche du temps perdu are droll as well as crazy, and have their place in what is often and rightly said of the novel, that, among so many other things, it is also a great comic novel. The chapter considers examples of Proustian jokes that it suggests also reveal some of the key sources and terms of Marcel Proust's own aesthetic: the idioms of philosophical Idealism, the practice of naming one thing as another, the transposition of one order of sensation to another, and the drama of the unfinished or unfinishable sentence. It argues that the target of self-directed humor in the Recherche is not just an empirical self but the category of Self and the risk-laden practices of self-talk.
Jessica Milner Davis and Jocelyn Chey (eds)
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9789888139231
- eISBN:
- 9789888180837
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139231.001.0001
- Subject:
- Society and Culture, Asian Studies
This volume covers modern and contemporary forms of humour in China's public and private spheres, including comic films and novels, cartooning, pop songs, internet jokes, and advertising and ...
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This volume covers modern and contemporary forms of humour in China's public and private spheres, including comic films and novels, cartooning, pop songs, internet jokes, and advertising and educational humour. The second of two multidisciplinary volumes on humour in Chinese life and letters, this text also explores the relationship between the political control and popular expression of humour, such as China and Japan's exchange of comic stereotypes. It advances the methodology of cross-cultural and psychological studies of humour and underlines the economic and personal significance of humour in modern times.Less
This volume covers modern and contemporary forms of humour in China's public and private spheres, including comic films and novels, cartooning, pop songs, internet jokes, and advertising and educational humour. The second of two multidisciplinary volumes on humour in Chinese life and letters, this text also explores the relationship between the political control and popular expression of humour, such as China and Japan's exchange of comic stereotypes. It advances the methodology of cross-cultural and psychological studies of humour and underlines the economic and personal significance of humour in modern times.
Paul U. Unschuld
- Published in print:
- 2009
- Published Online:
- May 2012
- ISBN:
- 9780520257658
- eISBN:
- 9780520944701
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520257658.003.0025
- Subject:
- Anthropology, Medical Anthropology
This chapter focuses on the doctrine of four humors introduced by Polybos towards the end of the fifth century bc, applying it consistently to the assessment of the human organism, or to the ...
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This chapter focuses on the doctrine of four humors introduced by Polybos towards the end of the fifth century bc, applying it consistently to the assessment of the human organism, or to the explanation of health and illness. He was the first to base the interpretation of the human conditions of sickness and health purely on the laws of nature and thus on a scientific foundation. The impulse for new thinking always came from outside the body. First came changes in the social structures in which the Greeks lived or aspired to live. Structures triggering a shift in thinking can be real or ideal. The structures that led to the rethinking in ancient Greece were those of the polis democracy. The monistic view of the “rulers” of a fundamental element must have naturally yielded to the new view of a larger number. The important thing is that the idea prevailed that several fundamental elements carried, in their mixture, a complex structure and thus made life possible for the structure. The details come from the graphic nature of the body. After the basic structures imposed themselves from the outside onto the body, the reality of the body could deliver material to fill up the fundamental structures.Less
This chapter focuses on the doctrine of four humors introduced by Polybos towards the end of the fifth century bc, applying it consistently to the assessment of the human organism, or to the explanation of health and illness. He was the first to base the interpretation of the human conditions of sickness and health purely on the laws of nature and thus on a scientific foundation. The impulse for new thinking always came from outside the body. First came changes in the social structures in which the Greeks lived or aspired to live. Structures triggering a shift in thinking can be real or ideal. The structures that led to the rethinking in ancient Greece were those of the polis democracy. The monistic view of the “rulers” of a fundamental element must have naturally yielded to the new view of a larger number. The important thing is that the idea prevailed that several fundamental elements carried, in their mixture, a complex structure and thus made life possible for the structure. The details come from the graphic nature of the body. After the basic structures imposed themselves from the outside onto the body, the reality of the body could deliver material to fill up the fundamental structures.
