Cynthia Talbot
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195136616
- eISBN:
- 9780199834716
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195136616.003.0006
- Subject:
- Religion, Hinduism
After the fall of the Kakatiya capital, Warangal, to an army of the Delhi Sultanate in 1323, the Andhra region was not politically unified again until modern times. The local chiefs who flourished in ...
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After the fall of the Kakatiya capital, Warangal, to an army of the Delhi Sultanate in 1323, the Andhra region was not politically unified again until modern times. The local chiefs who flourished in subsequent centuries utilized the historical memory of the Kakatiya dynasty as a means of enhancing their own legitimacy. Although the historical traditions of the Kakatiyas were most persistent in Warangal, they were transmitted throughout South India by Telugu nayakas, or warriors of Andhra origin, as they migrated elsewhere in the military service of the expanding Vijayanagara empire. Memories of the Kakatiyas eventually reached down to the village level, as reflected in the traditional accounts collected by Colin Mackenzie in the early nineteenth century. Because later generations associated the Kakatiyas with the origins of a distinctive Telugu society dominated by local warriors, the Kakatiyas became an important focal point for the emergence of a Telugu identity.Less
After the fall of the Kakatiya capital, Warangal, to an army of the Delhi Sultanate in 1323, the Andhra region was not politically unified again until modern times. The local chiefs who flourished in subsequent centuries utilized the historical memory of the Kakatiya dynasty as a means of enhancing their own legitimacy. Although the historical traditions of the Kakatiyas were most persistent in Warangal, they were transmitted throughout South India by Telugu nayakas, or warriors of Andhra origin, as they migrated elsewhere in the military service of the expanding Vijayanagara empire. Memories of the Kakatiyas eventually reached down to the village level, as reflected in the traditional accounts collected by Colin Mackenzie in the early nineteenth century. Because later generations associated the Kakatiyas with the origins of a distinctive Telugu society dominated by local warriors, the Kakatiyas became an important focal point for the emergence of a Telugu identity.
Ronald Hendel
- Published in print:
- 2005
- Published Online:
- February 2006
- ISBN:
- 9780195177961
- eISBN:
- 9780199784622
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195177967.003.0003
- Subject:
- Religion, Biblical Studies
The historical background of the patriarchal narratives has been much contested in modern scholarship. Among the authentic historical details advanced by scholars, three bodies of data have a strong ...
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The historical background of the patriarchal narratives has been much contested in modern scholarship. Among the authentic historical details advanced by scholars, three bodies of data have a strong claim to historical antiquity: the antiquity of the traditions about Abraham, the pre-Israelite worship of El, and the memory of an Amorite homeland.Less
The historical background of the patriarchal narratives has been much contested in modern scholarship. Among the authentic historical details advanced by scholars, three bodies of data have a strong claim to historical antiquity: the antiquity of the traditions about Abraham, the pre-Israelite worship of El, and the memory of an Amorite homeland.
Hyun Ok Park
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231171922
- eISBN:
- 9780231540513
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231171922.003.0005
- Subject:
- History, Asian History
Chapter 5 interprets the involuntary recollections of the Chinese Cultural Revolution that arose among Korean Chinese while working in South Korea as a sign of the historical repetition of violence.
Chapter 5 interprets the involuntary recollections of the Chinese Cultural Revolution that arose among Korean Chinese while working in South Korea as a sign of the historical repetition of violence.
Hyun Ok Park
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231171922
- eISBN:
- 9780231540513
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231171922.003.0001
- Subject:
- History, Asian History
Chapter 1 formulates a transnational approach to the Korea question and embeds it in the larger historical and theoretical inquiry into modern sovereignty, the crisis of capitalism, and the ...
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Chapter 1 formulates a transnational approach to the Korea question and embeds it in the larger historical and theoretical inquiry into modern sovereignty, the crisis of capitalism, and the temporality of historical change.Less
Chapter 1 formulates a transnational approach to the Korea question and embeds it in the larger historical and theoretical inquiry into modern sovereignty, the crisis of capitalism, and the temporality of historical change.
Martin Jay
- Published in print:
- 2009
- Published Online:
- May 2012
- ISBN:
- 9780195326222
- eISBN:
- 9780199944064
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195326222.003.0002
- Subject:
- Sociology, Culture
Allegorization, it has long been recognized, is an inevitable feature of all history writing. No matter how disinterested and neutral the historian tries to be, the very act of writing a meaningful ...
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Allegorization, it has long been recognized, is an inevitable feature of all history writing. No matter how disinterested and neutral the historian tries to be, the very act of writing a meaningful narrative fashioned out of an infinity of potentially relevant texts and contexts compels him or her to create a gap between what happened in an unrecoverable past and what is represented of that past in the present. Perhaps no candidate for allegorization has been riper for multiple interpretations in modern history, as Jeffrey Alexander clearly shows, than the bewildering mixture of acts, events, and incomprehensible suffering that has come to be called the Holocaust. This chapter examines the hard questions about the transferability of vicarious trauma from one culture to another, from one historical memory to another.Less
Allegorization, it has long been recognized, is an inevitable feature of all history writing. No matter how disinterested and neutral the historian tries to be, the very act of writing a meaningful narrative fashioned out of an infinity of potentially relevant texts and contexts compels him or her to create a gap between what happened in an unrecoverable past and what is represented of that past in the present. Perhaps no candidate for allegorization has been riper for multiple interpretations in modern history, as Jeffrey Alexander clearly shows, than the bewildering mixture of acts, events, and incomprehensible suffering that has come to be called the Holocaust. This chapter examines the hard questions about the transferability of vicarious trauma from one culture to another, from one historical memory to another.
Beate Dignas and R. R. R. Smith (eds)
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199572069
- eISBN:
- 9780191738739
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199572069.001.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This book explores how memory intersects with and shapes religious traditions and cultural identities. It discusses how the memory layers that make up ancient history (social, religious, cultural) ...
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This book explores how memory intersects with and shapes religious traditions and cultural identities. It discusses how the memory layers that make up ancient history (social, religious, cultural) are represented and refracted in different contexts of the written and material remains of antiquity. Part I looks at religious pasts and the religious present in Greek, Roman, Jewish, and Christian contexts, as well as the visual expression of specific identities, formed and forged over long periods of time. Part II is about defining religious identity and focuses on the apparently homogenous cultures that engage in a dialogue with their own past. Case studies show how selective commemoration and inventing the past shape particular religious identities. In Part III, which is about commemorating and erasing the past, contested versions of the past are interpreted in the context of particular cases in late antique Asia Minor. One looks at the Christian shaping of social memory in the lengthy epitaph of a bishop. Another looks at a carefully negotiated Christian erasure of selected parts of a community's religious memory represented in the 500-year-old images of its most prominent monument. Public memory in the ancient world was carefully managed.Less
This book explores how memory intersects with and shapes religious traditions and cultural identities. It discusses how the memory layers that make up ancient history (social, religious, cultural) are represented and refracted in different contexts of the written and material remains of antiquity. Part I looks at religious pasts and the religious present in Greek, Roman, Jewish, and Christian contexts, as well as the visual expression of specific identities, formed and forged over long periods of time. Part II is about defining religious identity and focuses on the apparently homogenous cultures that engage in a dialogue with their own past. Case studies show how selective commemoration and inventing the past shape particular religious identities. In Part III, which is about commemorating and erasing the past, contested versions of the past are interpreted in the context of particular cases in late antique Asia Minor. One looks at the Christian shaping of social memory in the lengthy epitaph of a bishop. Another looks at a carefully negotiated Christian erasure of selected parts of a community's religious memory represented in the 500-year-old images of its most prominent monument. Public memory in the ancient world was carefully managed.
HUGH M. THOMAS
- Published in print:
- 2003
- Published Online:
- January 2010
- ISBN:
- 9780199251230
- eISBN:
- 9780191719134
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199251230.003.0015
- Subject:
- History, British and Irish Medieval History
An important support for the emergence of Englishness after the Norman conquest was the construct of England. This raises important questions about the relations between place and identity and about ...
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An important support for the emergence of Englishness after the Norman conquest was the construct of England. This raises important questions about the relations between place and identity and about how a large and highly abstract geographic designation could command loyalty and therefore influence questions of ethnicity. This was typical of a process known as the territorialisation of memory, by which ethnic identity can lead to a new conceptualisation of landscape through linking a place to a people and their historical memory. This chapter examines how a conceptualisation of the landscape and a sense of place influenced ethnicity. More specifically, it examines the survival of the concept of England after the conquest, and its contribution to the triumph of English identity. It argues that in contrast to Englishness, which became problematic because of the introduction of ethnic divisions and the creation of a non-English ruling elite, the concept of England remained largely unaffected by the conquest.Less
An important support for the emergence of Englishness after the Norman conquest was the construct of England. This raises important questions about the relations between place and identity and about how a large and highly abstract geographic designation could command loyalty and therefore influence questions of ethnicity. This was typical of a process known as the territorialisation of memory, by which ethnic identity can lead to a new conceptualisation of landscape through linking a place to a people and their historical memory. This chapter examines how a conceptualisation of the landscape and a sense of place influenced ethnicity. More specifically, it examines the survival of the concept of England after the conquest, and its contribution to the triumph of English identity. It argues that in contrast to Englishness, which became problematic because of the introduction of ethnic divisions and the creation of a non-English ruling elite, the concept of England remained largely unaffected by the conquest.
Oxana Shevel
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780804798457
- eISBN:
- 9781503600102
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804798457.003.0002
- Subject:
- Political Science, Comparative Politics
Oxana Shevel takes up the theme of historical memory as a central component of Ukrainian identity. Conceptions of history have become pivotal in understanding what it means to be Ukrainian, and in ...
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Oxana Shevel takes up the theme of historical memory as a central component of Ukrainian identity. Conceptions of history have become pivotal in understanding what it means to be Ukrainian, and in particular the nature of the relationship between Ukraine and Russia. Shevel seeks to explain why these issues have become so polarized and what paths might be open to handling the politics of memory in a way that is less divisive. She sees potential in the fact that a significant minority of survey respondents favors a pluralism in which individuals are free to maintain different interpretations of historical events. She examines Spain’s successful efforts to overcome the divides in that country as a possible positive model for Ukraine.Less
Oxana Shevel takes up the theme of historical memory as a central component of Ukrainian identity. Conceptions of history have become pivotal in understanding what it means to be Ukrainian, and in particular the nature of the relationship between Ukraine and Russia. Shevel seeks to explain why these issues have become so polarized and what paths might be open to handling the politics of memory in a way that is less divisive. She sees potential in the fact that a significant minority of survey respondents favors a pluralism in which individuals are free to maintain different interpretations of historical events. She examines Spain’s successful efforts to overcome the divides in that country as a possible positive model for Ukraine.
Sarah Clift
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780823254200
- eISBN:
- 9780823261161
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823254200.003.0002
- Subject:
- Philosophy, General
This chapter draws on texts by Walter Benjamin and Hannah Arendt to establish the framework of the book as a whole. For both Arendt and Benjamin, the narrative form is the predominant expression of ...
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This chapter draws on texts by Walter Benjamin and Hannah Arendt to establish the framework of the book as a whole. For both Arendt and Benjamin, the narrative form is the predominant expression of historical memory, and this chapter emphasizes how both thinkers articulate its relation to the finitude of human experience by virtue of its having a beginning, middle, and an end. While Arendt argues that this structure has been lost in the open-endedness of modern conceptions of progress and Benjamin suggests that its loss has contributed to the demise of storytelling as individual remembrance, the latter nonetheless suggests that something of human finitude has been retained in modernity, even within its commitment to never-ending progress. In the course of the exploration, the chapter argues that this structure of open-endedness can provide a resource for theorizing historical narratives in terms of their withheld endings, or as an experience of reading about the past that is charged with a future-oriented suspense. It pursues this jarring experience of reading the past as one which has the potential to suspend or interrupt a straight-forward conception of linear time.Less
This chapter draws on texts by Walter Benjamin and Hannah Arendt to establish the framework of the book as a whole. For both Arendt and Benjamin, the narrative form is the predominant expression of historical memory, and this chapter emphasizes how both thinkers articulate its relation to the finitude of human experience by virtue of its having a beginning, middle, and an end. While Arendt argues that this structure has been lost in the open-endedness of modern conceptions of progress and Benjamin suggests that its loss has contributed to the demise of storytelling as individual remembrance, the latter nonetheless suggests that something of human finitude has been retained in modernity, even within its commitment to never-ending progress. In the course of the exploration, the chapter argues that this structure of open-endedness can provide a resource for theorizing historical narratives in terms of their withheld endings, or as an experience of reading about the past that is charged with a future-oriented suspense. It pursues this jarring experience of reading the past as one which has the potential to suspend or interrupt a straight-forward conception of linear time.
Becky Thompson
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041167
- eISBN:
- 9780252099731
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041167.003.0006
- Subject:
- Education, Educational Policy and Politics
“To You, I Belong” examines historical memory as an embodied concept. Teaching asks us to work with memories in our bodies. The memories that we store often defy coherent narratives, require us to ...
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“To You, I Belong” examines historical memory as an embodied concept. Teaching asks us to work with memories in our bodies. The memories that we store often defy coherent narratives, require us to patchwork sensation with emotion, an energetic presence with evidence shaken by time. The presence and insistence of historical memory inevitably asks us to make room for fear, grief, betrayal, and ambivalence. Dealing with historical memory isn’t easy—our own or our students’ memories. Working closely with the student life office, counseling services, and other support centers becomes crucial. At the same time, outsourcing emotional work to spaces beyond the classroom runs the risk of separating content from process, the mind from the body. This outsourcing can send a message that a teacher is not up to the task of witnessing student journeys. In the chapter, Thompson shares some examples of when students were willing to share an embodied presence in the classroom and what they teach through their courage.
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“To You, I Belong” examines historical memory as an embodied concept. Teaching asks us to work with memories in our bodies. The memories that we store often defy coherent narratives, require us to patchwork sensation with emotion, an energetic presence with evidence shaken by time. The presence and insistence of historical memory inevitably asks us to make room for fear, grief, betrayal, and ambivalence. Dealing with historical memory isn’t easy—our own or our students’ memories. Working closely with the student life office, counseling services, and other support centers becomes crucial. At the same time, outsourcing emotional work to spaces beyond the classroom runs the risk of separating content from process, the mind from the body. This outsourcing can send a message that a teacher is not up to the task of witnessing student journeys. In the chapter, Thompson shares some examples of when students were willing to share an embodied presence in the classroom and what they teach through their courage.
H. Rosi Song
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9781781382875
- eISBN:
- 9781781383988
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382875.003.0003
- Subject:
- Literature, Film, Media, and Cultural Studies
Historical traumas persist because of the incapacity of a society to officially address the losses of the past. A look into how in the case of contemporary Spain, the failure of discussions about the ...
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Historical traumas persist because of the incapacity of a society to officially address the losses of the past. A look into how in the case of contemporary Spain, the failure of discussions about the past to lead to a present resolution reveals a structural problem. Recent recollections of the Transición reinforce feelings of both loss and nostalgia—nostalgia for a time when change seemed possible, despite the uncertainty, fear and violence of those years. Fuelled by the regret of missed opportunities and the frustration that not much has changed politically, the current attitude toward Spain’s democratisation is one of disenchantment. The chapter looks into these memories and their relationship to the present through affect and personal and generational connections.Less
Historical traumas persist because of the incapacity of a society to officially address the losses of the past. A look into how in the case of contemporary Spain, the failure of discussions about the past to lead to a present resolution reveals a structural problem. Recent recollections of the Transición reinforce feelings of both loss and nostalgia—nostalgia for a time when change seemed possible, despite the uncertainty, fear and violence of those years. Fuelled by the regret of missed opportunities and the frustration that not much has changed politically, the current attitude toward Spain’s democratisation is one of disenchantment. The chapter looks into these memories and their relationship to the present through affect and personal and generational connections.
Nurith Gertz and George Khleifi
- Published in print:
- 2008
- Published Online:
- September 2012
- ISBN:
- 9780748634071
- eISBN:
- 9780748671069
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748634071.001.0001
- Subject:
- Film, Television and Radio, Film
Despite the Palestinian society's serious concern with its historical memory, the notion that the post 1948 Palestinian historical narrative has thus far not been told in its entirety, or, at least, ...
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Despite the Palestinian society's serious concern with its historical memory, the notion that the post 1948 Palestinian historical narrative has thus far not been told in its entirety, or, at least, that it has yet to find its full artistic expression, is still prevalent among writers and scholars. In this tendency, Palestinian history resembles other histories of exile and displacement, These are histories of trauma. In which past events emerge in the present as if they reoccur perpetually, and time stops. Palestinian cinema, in its attempt to invent, document and crystallize Palestinian history, confronts the trauma of 1948 in several ways. On the one hand, it attempts to construct a historical continuity, leading from the past to the present and the future. On the other hand, it freezes history either in a utopian, idyllic past, or in the events of exile and deportation that disrupted it and are revived as if they were part of the present. Historical processes dictate to a large extent to which side of the equation this cinema would turn. The book Landscape in the Mist encompasses the history of the Palestinian cinema, connecting it to the social and cultural history of the Palestinian people. It examines the different ways in which this cinema copes with the Palestinian historical memory and analyzes how this cinema has shaped the obstructed and deconstructedLess
Despite the Palestinian society's serious concern with its historical memory, the notion that the post 1948 Palestinian historical narrative has thus far not been told in its entirety, or, at least, that it has yet to find its full artistic expression, is still prevalent among writers and scholars. In this tendency, Palestinian history resembles other histories of exile and displacement, These are histories of trauma. In which past events emerge in the present as if they reoccur perpetually, and time stops. Palestinian cinema, in its attempt to invent, document and crystallize Palestinian history, confronts the trauma of 1948 in several ways. On the one hand, it attempts to construct a historical continuity, leading from the past to the present and the future. On the other hand, it freezes history either in a utopian, idyllic past, or in the events of exile and deportation that disrupted it and are revived as if they were part of the present. Historical processes dictate to a large extent to which side of the equation this cinema would turn. The book Landscape in the Mist encompasses the history of the Palestinian cinema, connecting it to the social and cultural history of the Palestinian people. It examines the different ways in which this cinema copes with the Palestinian historical memory and analyzes how this cinema has shaped the obstructed and deconstructed
Tabea Alexa Linhard
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9780804787390
- eISBN:
- 9780804791885
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804787390.003.0001
- Subject:
- Society and Culture, Jewish Studies
Chapter 1 focuses on the literary depiction of Jewish exile and transit in Spain. Specifically, an analysis of two novels, Juana Salabert's Winter Velodrome and Antonio Muñoz Molina's Sepharad, ...
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Chapter 1 focuses on the literary depiction of Jewish exile and transit in Spain. Specifically, an analysis of two novels, Juana Salabert's Winter Velodrome and Antonio Muñoz Molina's Sepharad, centers on the ways in which nostalgia for Sepharad plays a crucial role in both novels. Winter Velodrome and Sepharad enact but also question the mythical return to the lost homeland Sepharad, a place that in both novels becomes ghostly, unreachable, and yet undeniably present. The chapter further reveals what nostalgia means today in relation to both the current debate on “historical memory” in Spain, and the representation of Holocaust survival in literary texts.Less
Chapter 1 focuses on the literary depiction of Jewish exile and transit in Spain. Specifically, an analysis of two novels, Juana Salabert's Winter Velodrome and Antonio Muñoz Molina's Sepharad, centers on the ways in which nostalgia for Sepharad plays a crucial role in both novels. Winter Velodrome and Sepharad enact but also question the mythical return to the lost homeland Sepharad, a place that in both novels becomes ghostly, unreachable, and yet undeniably present. The chapter further reveals what nostalgia means today in relation to both the current debate on “historical memory” in Spain, and the representation of Holocaust survival in literary texts.
James Carter
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780195398854
- eISBN:
- 9780199894413
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195398854.003.0011
- Subject:
- Religion, Buddhism
This chapter comments on the author’s interaction with his subject, culminating in the discomfort some of Tanxu’s followers came to feel about the interpretation of their teacher’s life, and in ...
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This chapter comments on the author’s interaction with his subject, culminating in the discomfort some of Tanxu’s followers came to feel about the interpretation of their teacher’s life, and in particular how that interpretation could jeopardize current initiatives to revive or expand some of Tanxu’s former temples in ChinaLess
This chapter comments on the author’s interaction with his subject, culminating in the discomfort some of Tanxu’s followers came to feel about the interpretation of their teacher’s life, and in particular how that interpretation could jeopardize current initiatives to revive or expand some of Tanxu’s former temples in China
Kathleen M. German
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496812353
- eISBN:
- 9781496812391
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496812353.003.0011
- Subject:
- Film, Television and Radio, Film
This chapter reveals the enduring social consequences of World War II images of African Americans. The narrative of American history was altered to include black contributions, and the result was to ...
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This chapter reveals the enduring social consequences of World War II images of African Americans. The narrative of American history was altered to include black contributions, and the result was to construct a new racial identity for African Americans that reshaped historical memory and re-articulated racial identity. This chapter also investigates the long-term effects of re-ordered racial images on national identity.Less
This chapter reveals the enduring social consequences of World War II images of African Americans. The narrative of American history was altered to include black contributions, and the result was to construct a new racial identity for African Americans that reshaped historical memory and re-articulated racial identity. This chapter also investigates the long-term effects of re-ordered racial images on national identity.
Paul Julian Smith
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9781781383247
- eISBN:
- 9781786944054
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383247.003.0002
- Subject:
- Film, Television and Radio, Television
Part I, devoted to Spain, consists of four chapters on major topics and texts, broadcast by both public and private channels. Chapter 1 treats the genre of the mini-series as historical memory in two ...
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Part I, devoted to Spain, consists of four chapters on major topics and texts, broadcast by both public and private channels. Chapter 1 treats the genre of the mini-series as historical memory in two examples that blur the boundary between fact and fiction. After sketching out the still fraught debate over the heritage of dictatorship and transition to democracy, the chapter first focuses on a dramatization of an attempted military coup, which drew the largest audience in Spanish television history and marked the first time that the King had been depicted by an actor in the medium. The second case study is of a controversial biopic of the greatest singing star of the late Francoist period, who embodies the tensions of the transition.Less
Part I, devoted to Spain, consists of four chapters on major topics and texts, broadcast by both public and private channels. Chapter 1 treats the genre of the mini-series as historical memory in two examples that blur the boundary between fact and fiction. After sketching out the still fraught debate over the heritage of dictatorship and transition to democracy, the chapter first focuses on a dramatization of an attempted military coup, which drew the largest audience in Spanish television history and marked the first time that the King had been depicted by an actor in the medium. The second case study is of a controversial biopic of the greatest singing star of the late Francoist period, who embodies the tensions of the transition.
Paul Julian Smith
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9781781383247
- eISBN:
- 9781786944054
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383247.001.0001
- Subject:
- Film, Television and Radio, Television
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production ...
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Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production values (easily the equal of cinema), intricately plotted narratives, and compellingly ambivalent characters. They are thus clearly worthy of the close textual analysis they have not yet received. Drawing on both national practices of production and reception (based on archival research in Madrid and Mexico City) and international theories of textual analysis, this book offers the first study of contemporary quality TV drama in two countries where, unlike elsewhere, it is not yet recognized that television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen. Social issues treated include historical memory, youth, drugs, race, and gender.Less
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production values (easily the equal of cinema), intricately plotted narratives, and compellingly ambivalent characters. They are thus clearly worthy of the close textual analysis they have not yet received. Drawing on both national practices of production and reception (based on archival research in Madrid and Mexico City) and international theories of textual analysis, this book offers the first study of contemporary quality TV drama in two countries where, unlike elsewhere, it is not yet recognized that television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen. Social issues treated include historical memory, youth, drugs, race, and gender.
Chitralekha Zutshi
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9780199450671
- eISBN:
- 9780199084951
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199450671.003.0006
- Subject:
- History, Indian History
Chapter 5 unravels the complex makings of Kashmir’s narrative tradition, and the world within which it circulated and was consumed. This world, which it refers to as the Kashmiri narrative public, ...
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Chapter 5 unravels the complex makings of Kashmir’s narrative tradition, and the world within which it circulated and was consumed. This world, which it refers to as the Kashmiri narrative public, was an interlinked network of multiple individuals, languages, textuality, orality, and performance that persisted in the face of orientalist intervention, print culture, and the advent of princely rule in Kashmir. It was a space relatively free of state influences that allowed Kashmiris to come together across lines of class, religion, and sect to experience their collective past as a shared, everyday experience. The chapter highlights the importance of writers, storytellers, wandering bards, minstrels, and ordinary men and women, operating in Kashmiri and Persian, to the generation and preservation of historical memories that resonated with the idea of Kashmir as place.Less
Chapter 5 unravels the complex makings of Kashmir’s narrative tradition, and the world within which it circulated and was consumed. This world, which it refers to as the Kashmiri narrative public, was an interlinked network of multiple individuals, languages, textuality, orality, and performance that persisted in the face of orientalist intervention, print culture, and the advent of princely rule in Kashmir. It was a space relatively free of state influences that allowed Kashmiris to come together across lines of class, religion, and sect to experience their collective past as a shared, everyday experience. The chapter highlights the importance of writers, storytellers, wandering bards, minstrels, and ordinary men and women, operating in Kashmiri and Persian, to the generation and preservation of historical memories that resonated with the idea of Kashmir as place.
Sarah Dayens
- Published in print:
- 2010
- Published Online:
- July 2012
- ISBN:
- 9780719076213
- eISBN:
- 9781781702116
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719076213.003.0011
- Subject:
- Society and Culture, Media Studies
Reggae music expresses a central will: the recognition of a history of struggle – against slavery, segregation and colonisation – which is logically attached to Jamaica, but also goes beyond its ...
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Reggae music expresses a central will: the recognition of a history of struggle – against slavery, segregation and colonisation – which is logically attached to Jamaica, but also goes beyond its borders. This historical memory has three main goals: first, to reveal a history of resistance considered as having been underestimated as well as hidden by Europeans; second, to restore dignity by showing that resistance started with the first captured slave; and third, to transmit this history of resistance, in particular to generations to come. The history of resistance, only ‘half told’, is cherished by the Rastafari movement and transmitted in reggae music, precisely because it has been distorted and mistold. Four major themes that build and form this history in reggae music can be identified: the Jamaican maroon communities and peasant revolts in Jamaica; Marcus Garvey; the figures of the black struggle in the United States; and the independence and anti-apartheid movements in Africa. The socio-political memory conveyed by reggae music concerns the Africans of the diaspora and the Africans of Africa.Less
Reggae music expresses a central will: the recognition of a history of struggle – against slavery, segregation and colonisation – which is logically attached to Jamaica, but also goes beyond its borders. This historical memory has three main goals: first, to reveal a history of resistance considered as having been underestimated as well as hidden by Europeans; second, to restore dignity by showing that resistance started with the first captured slave; and third, to transmit this history of resistance, in particular to generations to come. The history of resistance, only ‘half told’, is cherished by the Rastafari movement and transmitted in reggae music, precisely because it has been distorted and mistold. Four major themes that build and form this history in reggae music can be identified: the Jamaican maroon communities and peasant revolts in Jamaica; Marcus Garvey; the figures of the black struggle in the United States; and the independence and anti-apartheid movements in Africa. The socio-political memory conveyed by reggae music concerns the Africans of the diaspora and the Africans of Africa.
Lisa Rofel
- Published in print:
- 1999
- Published Online:
- May 2012
- ISBN:
- 9780520210783
- eISBN:
- 9780520919860
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520210783.003.0006
- Subject:
- Anthropology, Asian Cultural Anthropology
This chapter addresses the quality of historical memory in relation to the Cultural Revolution, focusing on one woman's life in contemporary China. Her story helps to break through a certain ...
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This chapter addresses the quality of historical memory in relation to the Cultural Revolution, focusing on one woman's life in contemporary China. Her story helps to break through a certain theoretical as well as lived silence about memory in its relation to the quotidian, to capture how memories of violence exist just under the surface of the everyday. While acknowledging the hegemony of state representations in China, and the power of narrative form to create history, one should turn an analytic gaze to perhaps a more marginal, yet nonetheless critical, arena of history and memory for which we have not yet found adequate language: how memories of violence persist in the silence of apparently untroubled lives, to be blurted out in odd moments, and then to disappear again, seemingly without a ripple.Less
This chapter addresses the quality of historical memory in relation to the Cultural Revolution, focusing on one woman's life in contemporary China. Her story helps to break through a certain theoretical as well as lived silence about memory in its relation to the quotidian, to capture how memories of violence exist just under the surface of the everyday. While acknowledging the hegemony of state representations in China, and the power of narrative form to create history, one should turn an analytic gaze to perhaps a more marginal, yet nonetheless critical, arena of history and memory for which we have not yet found adequate language: how memories of violence persist in the silence of apparently untroubled lives, to be blurted out in odd moments, and then to disappear again, seemingly without a ripple.
