Christine Gledhill (ed.)
- Published in print:
- 2012
- Published Online:
- April 2017
- ISBN:
- 9780252036613
- eISBN:
- 9780252093661
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252036613.001.0001
- Subject:
- Film, Television and Radio, Film
This book challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist ...
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This book challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, the book moves beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, the book explores generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, the book explores the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences.Less
This book challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, the book moves beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, the book explores generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, the book explores the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences.
