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Production History and Background

Kenneth E. Hall

in John Woo’s The Killer

Published in print:
2009
Published Online:
September 2011
ISBN:
9789622099562
eISBN:
9789882207097
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789622099562.003.0003
Subject:
Film, Television and Radio, Film

Woo came to The Killer with a diversified background in Hong Kong filmmaking. In addition to John Woo's apprenticeship with Chang Cheh, he had worked as a contract director for Golden Harvest. Woo's ... More


Noir Looks and the Flash of Transgression: Trauma and the City’s Edge(s) in A Bittersweet Life

Susie Jie Young Kim

in Cinema at the City's Edge

Published in print:
2010
Published Online:
September 2011
ISBN:
9789622099845
eISBN:
9789882206731
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789622099845.003.0007
Subject:
Film, Television and Radio, Film

This chapter focuses on Kim Je-Woon's A Bittersweet Life, a film which diverges from gangster films' conventional fixation with honor codes and sentimental displays of staunch masculinist camaraderie ... More


Darker Than Dark:: Film Noir in its Asian Contexts

Stephen Teo

in International Noir

Published in print:
2014
Published Online:
May 2015
ISBN:
9780748691104
eISBN:
9781474406437
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748691104.003.0007
Subject:
Film, Television and Radio, Film

Most scholars and critics have generally seen film noir as an American genre, emphasizing the fact that noir films have hailed from the classic Hollywood industry, or in the case of neo-noir, from ... More


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